AXC PROVISIONAL ANSWER KEY (CBRT)

Name of the post Assistant Professor, Drama in Gov. Arts, Sci. & Commerce College, Class-2 Advertisement No. 69/2020-21 Preliminary Test held on 20-08-2021 Question No 001 – 300 Publish Date 21-08-2021 Last Date to Send Suggestion(s) 28-08-2021

THE LINK FOR ONLINE OBJECTION SYSTEM WILL START FROM 22-08-2021; 04:00 PM ONWARDS Instructions / ચનાૂ

Candidate must ensure compliance to the instructions mentioned below, else objections shall not be considered: - (1) All the suggestion should be submitted through ONLINE OBJECTION SUBMISSION SYSTEM only. Physical submission of suggestions will not be considered. (2) Question wise suggestion to be submitted in the prescribed format (proforma) published on the website / online objection submission system. (3) All suggestions are to be submitted with reference to the Master Question Paper with provisional answer key (Master Question Paper), published herewith on the website / online objection submission system. Objections should be sent referring to the Question, Question No. & options of the Master Question Paper. (4) Suggestions regarding question nos. and options other than provisional answer key (Master Question Paper) shall not be considered. (5) Objections and answers suggested by the candidate should be in compliance with the responses given by him in his answer sheet. Objections shall not be considered, in case, if responses given in the answer sheet /response sheet and submitted suggestions are differed. (6) Objection for each question should be made on separate sheet. Objection for more than one question in single sheet shall not be considered.

ઉમેદવાર નીચેની ૂચનાઓું પાલન કરવાની તકદાર રાખવી, અયથા વાંધા- ૂચન ગે કરલ રૂઆતો યાને લેવાશે નહ

(1) ઉમેદવાર વાંધાં- ૂચનો ફત ઓનલાઈન ઓશન સબમીશન સીટમ ારા જ સબમીટ કરવાના રહશે. બ અથવા ટપાલ ારા આયોગની કચેરએ મોકલવા આવેલ વાંધા- ૂચનો યાને લેવામા આવશે નહ ની ખાસ નધ લેવી.

(2) ઉમેદવાર વાંધા- ૂચનો રૂ કરવા વેબસાઈટ / ઓનલાઈન ઓશન સબમીશન સીટમ પર િસધ થયેલ િનયત ન ૂનાનો જ ઉપયોગ કરવો.

(3) ઉમેદવાર પોતાને પરામાં મળેલ પુતકામાં છપાયેલ માક ુજબ વાંધા- ૂચનો રૂ ન કરતા તમામ વાંધા- ૂચનો વેબસાઈટ પર િસધ થયેલ ોિવઝનલ આસર ક (માટર પ)ના માંક ુજબ અને તે સંદભમાં રૂ કરવા.

(4) માટર પમાં િનદટ અને િવકપ િસવાયના વાંધા- ૂચનો યાને લેવામાં આવશે નહ.

(5) ઉમેદવાર ના િવકપ પર વાંધો રૂ કરલ છે અને િવકપ પે જવાબ ૂચવેલ છે એ જવાબ ઉમેદવાર પોતાની ઉરવહમાં આપેલ હોવો જોઈએ. ઉમેદવાર ૂચવેલ જવાબ અને ઉરવહનો જવાબ ભ હશે તો ઉમેદવાર રૂ કરલ વાંધા- ૂચનો યાનમા લેવાશે નહ.

(6) એક માટ એક જ વાંધા- ૂચન પક વાપરું. એક જ વાંધા- ૂચનો પકમાં એકથી વધાર ોની રૂઆત કરલ હશે તો તે ગેના વાંધા- ૂચનો યાને લેવાશે નહ.

Website link for online objection submission system : http://150.129.165.5/GPSC_Suggestion/ 001. Lke[uLkk Ãkife fÞwt yu ¼qr{r[ºk (floor painting) LkÚke ? (A) htøkku¤e (B) {tzLkk (mandana) (C) rÃkÚkkuhk (pithora) (D) fku÷{ 002. fåA{kt ykðu÷ «køk{n÷ (Prag Mahal) yu ...... Lke çkksw{kt ÂMÚkík Au. yLku íku ...... þi÷e{kt çkktÄðk{kt ykðu÷ Au. (A) ykELkk {n÷, ELzku-EM÷kr{f (B) ykELkk {n÷, Exk÷eÞLk økÚkef (C) hk{S {n÷, ELzku-EM÷kr{f (D) hk{S {n÷, Exk÷eÞLk økÚkef 003...... îkhk 1848{kt økwshkík ðLkkoõÞw÷h MkkuMkkÞxe þY fhðk{kt ykðe níke. (A) yu÷uõÍkLzh økúunk{ çku÷ (B) yu÷uõÍkLzh zw{Mk (C) yu÷uõÍkLzh feL÷ku[ VkuçMko (D) yu÷uõÍkLzh çkúkWLk 004. WËÞðkzk{kt ykíkhk çkunhk{ VkÞh xuBÃk÷ íkhefu yku¤¾kíkwt MÚk¤ yu ...... ÷kufkuLkwt Ãkrðºk MÚk¤ Au. (A) ÃkkhMke (B) þe¾ (C) çkkiØ (D) WÃkhkuõík Ãkife yuf Ãký Lknª 005. þºkwtsÞLke xufheyku íÞkhu Ãkrðºk ÚkE níke ßÞkhu siLk Ä{oLkk ...... íkeÚkOfhu yk xufheLke xku[ Ãkh íku{Lkku «Úk{ WÃkËuþ ykÃÞku.

(A) «Úk{ (B) çkeò (C) ºkeò (D) WÃkhkuõík Ãkife yuf Ãký Lknª 006. Mkw÷íkkLk {n{wË çkuøkzkLke fçkh y{ËkðkË{kt ...... ¾kíku ÂMÚkík Au. (A) çkkËþknLkku nShku (B) Mkh¾usLkk hkuò (C) {ÂMsË-yu-Lkøkehk (D) hks-çkkËhe {ÂMsË 007. økwshkík{kt røkhLkkhLkku MftËøkwÃík rþ÷k÷u¾ yu rð»ýwLkk ...... yðíkkhLkwt yknðkLk fhu Au. (A) {íMÞ (B) fw{o (C) Ãkhþwhk{ (D) WÃkhkuõík Ãkife yuf Ãký Lknª 008. ¼híkfk{ MkkÚku Mktf¤kÞu÷ Vw÷fkhe fk{ yu ¼khíkLkk ...... hkßÞ{kt «ÏÞkík Au. (A) hksMÚkkLk (B) økwshkík (C) yktÄú«Ëuþ (D) Ãktòçk 009. Lke[uLkk Ãkife fE ÷kufMktøkeík þi÷e ÞkuøÞ heíku òuzkÞu÷e LkÚke ? (A) yÕnk - {nkhk»xÙ (B) çkkW÷ - Ãkrù{ çktøkk¤ (C) ÃkrLknkhe - hksMÚkkLk (D) Mkkunh - rçknkh 010. ¼khík{kt çkku÷kíke {kuxk ¼køkLke ¼k»kkyku ...... sqÚk MkkÚku òuzkÞu÷e Au. (A) ÿrðzeÞLk sqÚk (B) ELzku-ykÞoLk sqÚk (C) MkkELkku - ríkçkuxeÞLk sqÚk (D) ELzku - ykuMxef sqÚk 011. Lke[uLkk Ãkife fÞkt MÚk¤ku {wh÷ r[ºkfk{ (mural painting) {kxu Ãký òýeíkk Au ? 1. ystíkkLke økwVkyku 2. ÷uÃkkûke {trËh 3. Mkkt[eLkku MíkwÃk Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 1 yLku 3 (B) {kºk 1 yLku 2 (C) {kºk 2 yLku 3 (D) 1, 2 yLku 3

AXD - GS - MASTER ] 1 P.T.O. 012. fux÷ef çkkiØ rþ÷k (rock-cut) økwVkyku yu [iíÞk (chaityas) íkhefu yku¤¾kÞ Au ßÞkhu yLÞ yu rðnkh (viharas) íkhefu yku¤¾kÞ Au. yk çktLku ðå[u þwt íkVkðík Au ?

(A) rðnkh yu WÃkkMkLkkLkwt MÚk¤ Au ßÞkhu [iíÞk yu MkkÄwykuLkk rLkðkMkLkwt MÚk¤ Au. (B) [iíÞk yu økwVkykuLkk ËqhLkk Auzu ykðu÷ MíkwÃk Au ßÞkhu rðnkh yu íkuLkku yûkeÞ nku÷ Au. (C) yk çktLku ðå[u fkuE ¼kiríkf (material) íkVkðík LkÚke. (D) [iíÞk yu WÃkkMkLkkLkwt MÚk¤ Au ßÞkhu rðnkh yu MkkÄwykuLkk rLkðkMkLkwt MÚk¤ Au. 013. Lke[uLkk Ãkife fÞwt rðÄkLk yu [eLke Þkrºkf ÌkwyuLk íMkktøk yu ¼khík{kt ðeíkkðu÷ SðLk rðþu MkíÞ Au ? 1. íkuýu [tÿøkwÃík - çkeòLkk þkMkLk ËhBÞkLk ¼khíkLke {w÷kfkík ÷eÄe níke. 2. íkuýu íkûkrþ÷k rðï rðãk÷Þ ¾kíku çkkiØ Ä{oLkku yÇÞkMk fÞkuo níkku. 3. íkuýu MktMf]ík ¼k»kk{kt ÷¾kÞu÷ çkkiØ Ä{oLkk ÃkwMíkfkuLkku [eLke ¼k»kk{kt yLkwðkË fÞkuo. WÃkhLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ?

(A) {kºk 1 yLku 2 (B) {kºk 2 yLku 3 (C) {kºk 3 (D) 1, 2 yLku 3 014. Lke[uLkk Ãkife fE/fÞk MktMÚkk/ðíko{kLk Ãkºk yu Ërûký ykr£fk{kt {nkí{k økktÄeLke [¤ð¤ MkkÚku Mktf¤kÞu÷k Au ? 1. Indian Natal Organization 2. Indian Opinion 3. Passive Resistance Organization 4. The Indian League Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 1, 2 yLku 3 (B) {kºk 1, 3 yLku 4 (C) {kºk 2, 3 yLku 4 (D) {kºk 1, 2, 3 yLku 4 015. 1946Lke [qtxýe{kt ¼khíkeÞ hk»xÙeÞ fkUøkúuMk yu ...... rMkðkÞLkk ík{k{ «ktíkku{kt çknw{ík nktMk÷ fÞkuo níkku. (A) Ãktòçk, çktøkk¤, yLku ®MkÄ (B) MktÞwõík «ktíkku, çktøkk¤ yLku Ãktòçk (C) Ãktòçk, çktøkk¤ yLku W¥kh Ãkrù{ MkhnËe «ktíkku (D) ®MkÄ, hksMÚkkLk yLku çktøkk¤ 016. rLkBLk òrík (low caste) {kxu y÷øk {íkËkh {tz¤ {kxu ÷zík ykÃkðk çke.ykh. yktçkuzfhu 1942{kt ...... Lke MÚkkÃkLkk fhe.

(A) yLkwMkqr[ík òrík Ãkûk (Scheduled Caste Party) (B) yLkwMkqr[ík òrík VuzhuþLk (Scheduled Caste Federation) (C) yLkwMkqr[ík òrík ÞwrLkÞLk (Scheduled Caste Union) (D) yLkwMkqr[ík òrík ÷eøk (Scheduled Caste League) 017. ¼khík Ä{o {nk{tz¤Lke «Úk{ çkuXf 1887{kt ...... ¾kíku {¤e níke. (A) çkLkkhMk (B) nrhîkh (C) {Úkwhk (D) îkhfk 018. y{]íkMkhLke MktrÄ (1809) yu ...... ðå[u ÚkE níke. (A) {nkhkò hýSík ®Mkøk yLku ÷kuzo ðu÷uM÷e (B) {nkhkò hýSík ®Mkøk yLku [kÕMko {uxfkV (C) {nkhkò hýSík ®Mkøk yLku ÷kuzo çkuLxef (D) {nkhkò hýSík ®Mkøk yLku ÷kuzo {uÞku

AXD - GS - MASTER ] 2 [Contd. 019. sÞ®Mkn rMkØhksLke {kíkk fu su{ýu hkòLke Mkøkeh yðMÚkk{kt hkýe (regent queen) íkhefu fk{ fÞwO nkuðkLkwt fnuðkÞ Au íku{Lkwt Lkk{ þwt níkwt ?

(A) {kÞkLkÕ÷k Ëuðe (B) yÃÃkk Ëuðe (C) ÷ûkýk Ëuðe (D) sn÷kLkk Ëuðe 020. Lke[uLkk Ãkife ...... hkýeLku «ÏÞkík hkýfe ðkðLkk çkktÄfk{Lkwt ©uÞ òÞ Au yLku íkuýe ...... Lke Ãkwºke níke. (A) {kÄðe, ¾Uøkkh (B) yÃÃkk Ëuðe, r¼{÷ (C) çkfw÷k Ëuðe, r¼{÷ (D) WËÞ{íke, ¾Uøkh 021. MkhËkh ðÕ÷¼¼kE Ãkxu÷ «Úk{ ð¾ík økwshkík «Ëuþ fkUøkúuMk Mkr{ríkLkk «{w¾ õÞkhu çkLÞk ? (A) 1945 (B) 1930 (C) 1924 (D) 1920 022. sqLkkøkZLkwt ¼khík{kt òuzký ÚkÞwt íÞkhu íÞktLkk Lkðkçk fkuý níkk ? (A) {nt{Ë {nkuççkík ¾kLkS ºkeò (B) þknLkðkÍ ¾kLk (C) {nt{Ë òiLkk ¾kLkS çkûk (D) {nt{Ë nwMkuLk ¾kLkS çkeò 023. ¼kðLkøkh hkßÞ{kt hkßÞ Ãkrh»kËLke MÚkkÃkLkk fheLku MktrðÄkLkeÞ þkMkLk fkuýu Ëk¾÷ fÞwO ? (A) ¼kð®MknS çkeò (B) sMkðtík®MknS (C) ík¾ík®MknS (D) ÄwLkk®MknS 024. E.Mk. 150Lkk ð»koLkku YÿË{LkLkku sqLkkøkZLkku ÃkÚÚkh rþ÷k÷u¾ (rock inscription) ...... ¼k»kk{kt Au. (A) «kf]ík (B) Ãkk÷e (C) ¼r{¤ (D) MktMf]ík 025. Lke[uLkk Ãkife fÞk [ki÷ þkMkfu E.Mk. 1077{kt ÔÞkÃkkhe ËqíkkuLku [eLk {kufÕÞk níkk ? (A) ykrËíÞ Ãknu÷ku (B) fw÷ku¥kwtøk Ãknu÷ku (C) Ãkhktíkf Ãknu÷ku (D) hksuLÿ Ãknu÷ku 026. Syphilis yu ...... Lkk fkhýu Úkíkku òíkeÞ Mkt¢{eík hkuøk Au. (A) ðkÞhMk (B) Vwøk (C) «Sð (D) WÃkhkuõík Ãkife yuf Ãký Lknª 027. Lke[uLkk Ãkife [qfðýeLke fE ÃkØríkyku NPCI îkhk rLkÞtºkeík fhðk{kt ykðu Au ? 1. RTGS 2. Core Banking Solution 3. BHIM 4. Payment Banks Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 2 yLku 3 (B) {kºk 3 yLku 4 (C) {kºk 1, 3 yLku 4 (D) 1, 2, 3 yLku 4 028. yu{kuLkeÞkLkwt ðkrýÂßÞf WíÃkkËLk {n¥ðLkwt Au fkhý fu íku ...... WÃkÞkuøk{kt ÷uðkÞ Au. (A) Ãkku÷e{hkEÍuþLk îkhk «kuxeLkLkwt WíÃkkËLk{kt (B) MkkçkwLkk WíÃkkËLk{kt (C) f]rºk{ ¾kuhkfLkk WíÃkkËLk{kt (D) ¾kíkhLkk WíÃkkËLk{kt 029. økúuVeLk (Graphene) yu Lke[uLkk Ãkife ...... [eòuLkk WíÃkkËLk{kt WÃkÞkuøk{kt ÷uðkÞ Au ? 1. Mkkih fku»kku (Solar cells) 2. htøk (Paint) 3. þkne (Ink) 4. ôsý (Lubricants) (A) 1, 2, 3 yLku 4 (B) {kºk 1, 2 yLku 3 (C) {kºk 2, 3 yLku 4 (D) {kºk 2

AXD - GS - MASTER ] 3 P.T.O. 030. ßÞkhu ÃkkýeLku 0° C Úke 10° C MkwÄe økh{ fhðk{kt ykðu Au íÞkhu íkuLkwt fË ...... (A) «Úk{ ½xu Au yLku ÃkAe ðÄu Au. (B) ÃkrhðíkoLk Úkíkwt LkÚke. (C) «Úk{ ðÄu Au yLku ÃkAe ½xu Au. (D) ðÄu Au. 031. ¼khík{kt Red line yr¼ÞkLk þwt Au ? (A) ¼khík{kt HIV AIDS Lkk Vu÷kðk Mkk{u hûký yLku íkuLku yxfkððku. (B) ¼khík{kt MkhkuøkMke rðþu òøk]íkíkk W¼e fhðe (C) yuLxeçkkÞkuxeõMkLkk WÃkÞkuøk Ãkh ytfwþ {u¤ððku. (D) {kËk çkk¤f yLku MºkeykuLku yíÞk[kh Mkk{u hûký ykÃkðwt. 032. ßÞkt rðrðÄ ðLkMÃkrík MktøkXLkku (plant association) Lku yufrºkík fhðk{kt ykðu Au íÞkt çku ðMkkníkku ðå[uLkk Mkt¢ktrík ûkuºkLku ðýoððk {kxu Lke[uLkk Ãkife fÞku þçË ðÃkhkÞ Au ?

(A) Ecotope (B) Ecological Niche (C) Sere (D) Ecotone 033. ¼khíkLkk ðLÞSðLkLkk Mkt˼o{kt Wzíkwt rþÞk¤ (flying fox) yu ...... Au. (A) [k{k[ezeÞwt (Bat) (B) økeÄ (Vulture) (C) Stork (D) Mk{ze (Kite) 034. «ðknef]ík ÃkuxÙku÷eÞ{ ðkÞw (Liquified Petroleum Gas - LPG) yu fk[k íku÷Lkk þwrØfhý ËhBÞkLk WíÃkkËLk fhðk{kt ykðu Au, íkuLkk {wÏÞ ½xfku ...... Au.

(A) r{ÚkuLk yLku çÞwxuLk (B) r{ÚkuLk yLku EÚkuLk (C) «kuÃkuLk yLku çÞwxuLk (D) «kuÃkuLk yLku r{ÚkuLk 035. ¼khíkeÞ ¼qMíkh þkMºkeÞ Mkðuoûký MktMÚkk (Geological survey of ) yu Ãkwøkk ¾eý (Puga valley) Lku Qòo WíÃkkËLkLkk MkkiÚke ðÄw ykþkMÃkË ¼qW»{eÞ (Geothermal) ûkuºk íkhefu MkwrLkrùík fhu÷ Au íku ...... ¾kíku ÂMÚkík Au. (A) rËMkÃkwh (B) fku÷{ (C) ÷Ëk¾ (D) {rýÃkwh 036. WíMku[fku ...... Lke «r¢Þk{kt WÃkÞkuøk{kt ÷uðkÞ Au. 1. zexhsLxLke fk{økehe{kt MkwÄkhku fhðk 2. çkeÞh çkLkkððk 3. yLLk «r¢Þk{kt 4. yLLkLkk Ãkk[Lk{kt Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 1 yLku 2 (B) {kºk 2 yLku 4 (C) {kºk 1, 2 yLku 3 (D) 1, 2, 3 yLku 4 037. økwshkík{kt ykrËòíke ðMíke çkkçkíku Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? 1. økwshkík{kt fw÷ 13 rsÕ÷kyku yu ykrËòíke rsÕ÷kyku íkhefu MkwrLkrùík fhðk{kt ykÔÞk Au. 2. økwshkík{kt fw÷ 53 íkk÷wfkyku ykrËòíke íkk÷wfkyku íkhefu MkwrLkrùík fhðk{kt ykÔÞk Au. 3. økwshkík{kt n¤Ãkrík yLku fkufýk òríkyku yu MktðuËLkþe÷ (vulnerable) ykrËòíke Mk{wnku íkhefu MkwrLkrùík fhðk{kt ykÔÞk Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 2 (C) {kºk 2 yLku 3 (D) {kºk 1 yLku 3

AXD - GS - MASTER ] 4 [Contd. 038. fkrXÞkðkz rîÃkfÕÃk çkkçkíku Lke[uLkk Ãkife fÞk rðÄkLkku MkíÞ Au ? 1. fkrXÞkðkz rîÃkfÕÃk yÚkðk Mkkihk»xÙ yu hkßÞLkk W¥kh ¼køk{kt ykðu÷ Au. 2. rîÃkfÕÃkLku ºký çkkswyuÚke òuhkðh (mighty) yhçke Mk{wÿ ½uhu Au. 3. rîÃkfÕÃkLkku fuLÿeÞ ¼køk yu økeh íkÚkk økehLkkh suðe xufheykuLkku Ÿ[e s{eLkLkku «Ëuþ Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 1 yLku 3 (C) {kºk 2 yLku 3 (D) {kºk 1 yLku 2 039. økwshkík{kt {uLkøkúwÔÍ çkkçkíku Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? (A) økwshkík yu Ëuþ{kt rîíkeÞ ¢{Lkk MkkiÚke rðþk¤ {uLøkúwð ûkuºk (1103 [ku.rf.{e.) Ähkðu Au. (B) hkßÞLkwt {uLkøkúwð ûkuºk yu [kh ûkuºk{kt ÃkÚkhkÞu÷wt Au fåA, fåALkku y¾kík yLku Mkkihk»xÙ íkÚkk Ërûký økwshkík (C) (A) íkÚkk (B) çktLku (D) (A) yÚkðk (B) yuf Ãký Lknª 040. Lke[uLkk Ãkife fÞwt rðÄkLk/fÞk rðÄkLkku MkíÞ Au ? 1. Ë{ýøktøkk LkËeyu {nkhk»xÙ{kt MkÌkkrÿLke xufheyku{ktÚke WËT¼ðu Au. 2. Ë{ýøktøkk LkËe yhçke Mk{wÿLku {¤u Au. 3. yk LkËe Ãkh søkzeÞk çktÄ ykðu÷ku Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 1 yLku 2 (C) {kºk 2 yLku 3 (D) {kºk 1 yLku 3 041. økeh hk»xÙeÞ WãkLk rðþu Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? 1. økeh hk»xÙeÞ WãkLkyu 1972 Lkk ð»ko{kt MÚkÃkkÞku Au. 2. íkuLkwt fw÷ s{eLk ûkuºkV¤ 1,412 [ku.rf.{e. Au. 3. fw÷ s{eLkûkuºkV¤{ktÚke 258 [ku.rf.{e. s{eLk ûkuºk yu hk»xÙeÞ WãkLkLke Mkwhrûkík søÞk íkhefu hnu Au. 4. hk»xÙeÞ WãkLkyu fkrXÞkðkz - økeh þw»f ÃkkLk¾h støk÷kuLkk EfkuMkeMx{Lkku ¼køk Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 2, 3 yLku 4 (B) {kºk 1, 2 yLku 3 (C) {kºk 1, 3 yLku 4 (D) 1, 2, 3 yLku 4 042. Lke[uLkk Ãkife fÞk ¾zfkuLkku fktÃkLkk ¾zfku{kt Mk{kðuþ ÚkkÞ Au ? 1. çkuMkkÕx 2. ÷kE{MxkuLk 3. þu÷ (Shale) 4. økúuLkkEx Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 1, 2 yLku 3 (B) {kºk 2 yLku 3 (C) {kºk 1, 2 yLku 4 (D) 1, 2, 3 yLku 4 043. ¼khíkLke fk¤e fÃkkMk s{eLk (Black Cotton soil) yu Lke[uLkk Ãkife fÞk sqÚk MkkÚku MktçktrÄík Au ? (A) Laterite (B) Podzol (C) Chernozem (D) Alluvial

AXD - GS - MASTER ] 5 P.T.O. 044. Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ LkÚke ? (A) rðïLke ðMíkeLkk rnMMkk{kt Wíkhíkk ¢{{kt yurþÞk - ykr£fk - ÞwhkuÃk yLku W¥kh y{urhfk ¾tz yu Mkk[ku ¢{ Au. (B) {kuxk ¼køkLkk ¼khíkeÞku (caucasoid) òríkLkk Au. (C) ®MkÄw yLku çkúñÃkwºkk yu rn{k÷Þ fhíkkt ðÄw ÞwðkLk økýðk{kt ykðu Au. (D) WÃkhkuõík Ãkife yuf Ãký Lknª 045. Lke[uLkk Ãkife fÞk ûkuºk{kt WLkk¤w [ku{kMkkÚke {n¥k{ ðhMkkË ykðu Au ? (A) W¥kh ÃkqðeoÞ ÃkðoíkeÞ ûkuºk (B) fkuhku{ktz÷ Mk{wÿ rfLkkhku (C) {æÞ ¼khíkLkk Ãkðoíkku (D) Ãkrù{ rn{k÷Þ 046. Lke[uLkk Ãkife fE LkËe / LkËeyku yhðÕ÷e{kt WËT¼ð Ãkk{u Au yLku ¾t¼kíkLkk y¾kík{kt ðnu Au ? 1. ÷wýe 2. Mkkçkh{íke 3. Mkkrnçke 4. Lkuºkkðíke Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2, 3 yLku 4 (B) {kºk 2, 3 yLku 4 (C) {kºk 2 (D) {kºk 1 yLku 2 047. 200 Mku{e Úke ðÄw ðhMkkË íkÚkk Zk¤ðk¤e xufheykuLkku rðMíkkh Ähkðíkk ûkuºk{kt fÞku Ãkkf ykËþo økýkÞ ? (A) þý (B) fÃkkMk (C) {fkE (D) [k 048. ßÞkhu fkuE ÔÞÂõík {uhezeÞLk MkkÚku rð»kwðð]¥kÚke Äúwð íkhV òÞ Au íÞkhu ...... (A) ðLkMÃkrík yLku «kýeykuLkwt ðirðæÞ ðÄu Au. (B) ðLkMÃkríkyku yLku «kýeykuLkwt ðirðæÞ ½xu Au. (C) ðLkMÃkríkykuLkwt ðirðæÞ ðÄu Au yLku «kýeykuLkwt ðirðæÞ ½xu Au. (D) ðLkMÃkríkykuLkwt ðirðæÞ ½xu Au yLku «kýeykuLkwt ðirðæÞ ðÄu Au. 049. ytËksÃkºkeÞ ¾kÄLku ...... ÃkØrík îkhk Lkkýk Ãkqhk Ãkkze þfkÞ Au. 1. fhðuhk 2. WÄkh 3. Lkkýk AÃkkðeLku Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 2 yLku 3 (C) {kºk 1 yLku 3 (D) {kºk 1 yLku 2 050. Lke[uLkk Ãkife fE çkkçkíkLku ¼khíkeÞ yÚkoíktºkLkku LkkýktfeÞ ykÄkh fnu Au ? (A) LkkýktfeÞ LkeríkykuLkk {køkoËþoLk {kxu rLkÞ{ku (B) «Mkkh{kt hnu÷ [÷ýLke fw÷ hf{ (C) ËuþLke LkkýktfeÞ Mk¥kkLke MktÃkqýo sðkçkËkhe (D) Mkhfkhe yLku ðuÃkkhe çkUfku îkhk RBI ÃkkMku hk¾ðk{kt ykðu÷e ÚkkÃkýku 051. Lke[uLkk Ãkife fÞwt yu økwÃík hkusøkkh Au ? (A) fk{Ëkh rçkLksYhe heíku fk{ fhu (B) [ku¬Mk Mk{Þøkk¤k ËhBÞkLk fk{ WÃk÷çÄ Lk nkuÞ (C) yÚkoíktºk{kt ÃkrhðíkoLkLku fkhýu çkuhkusøkkhe (D) fwËhíke fkhýkuMkh çkuhkusøkkhe

AXD - GS - MASTER ] 6 [Contd. 052. ¼khíkeÞ heÍðo çkUf îkhk çkUf Ëh (Bank rate){kt ½xkzku yu þuLkk íkhV Ëkuhe òÞ Au ? (A) çkòh{kt ðÄw «ðkneíkk (B) çkòh{kt ykuAe «ðkneíkk (C) çkòh{kt «ðkneíkk{kt fkuE ÃkrhðíkoLk Lknª (D) ÔÞkÃkkhe çkUfku îkhk ðÄw ÚkkÃkýku yufrºkík fhðe 053. Lke[uLkk Ãkife fÞku yu ¼khík MÃkÄko ykÞkuøk (Competition Commission of India) Lkku ykËuþ LkÚke ? (A) WÃk¼kuõíkkykuLkk rníkLke hûkk fhðe (B) MkeõÞkuhexe çkòhLku rLkÞ{Lk fhðwt (C) «¼kðþk¤e ÃkËLkk ËqYÃkÞkuøk Ãkh «ríkçktÄ {qfðku (D) çkòh{kt Úkíke yufefhý (merger) yLku MktÃkkËLk (aquisition) yÚkðk íkkçkk{kt ÷uðk (take over)Lku rLkÞtrºkík fhðk 054. ð]rØ (growth) WÃkhktík Lke[uLkk{ktÚke fÞk íkíðku ykŠÚkf rðfkMk{kt Mkk{u÷ Au ? 1. WíÃkkËLk (output) {kt ðÄkhku 2. WíÃkkrËík {k÷Lke økwýð¥kk{kt MkwÄkhku 3. SðLkLke økwýð¥kk{kt MkwÄkhku Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 1 (B) {kºk 2 yLku 3 (C) {kºk 3 (D) 1, 2 yLku 3 055. økwshkíkLkk 2019-20 Mkk{kSf ykŠÚkf Mk{eûkk çkkçkíku Lke[uLkk Ãkife fÞwt rðÄkLk/fÞk rðÄkLkku MkíÞ Au ? (A) ËuþLkk ykiãkurøkf WíÃkkËLkLkk 16.8% rnMMkk MkkÚku ykiãkurøkf WíÃkkËLkLkk MkkiÚke {kuxk hkßÞku{kt økwshkík «Úk{ ¢{u Au. (B) økwshkík yu 100 «ríkþík MktMÚkkfeÞ rðíkhý (delivery) nktMk÷ fhðk {kxu MkwÞkuSík Au fkhý fu íku 2003-04{kt 55.9% níkku íku{ktÚke ðÄeLku 2018-19{kt 99.4% ÚkÞu÷ Au. (C) (A) íkÚkk (B) çktLku (D) (A) yÚkðk (B) yuf Ãký Lknª 056. økwshkíkLkk íkksuíkhLkk ytËksÃkºk çkkçkíku Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? 1. yuðe yÃkuûkk hk¾ðk{kt ykðe níke fu LkkýktfeÞ ð»ko 2019-20Lkk MkwÄkhu÷k ytËks{kt 285.12 fhkuzLke yuftËhu Ãkqhktík (surplus) hnuþu. 2. MkkiLkku MkkÚk, MkkiLkku rðfkMk yLku MkkiLkku rðïkMk Lkk MkqºkLku yrðhík æÞkLk{kt hk¾eLku yk çksux íkiÞkh fhðk{kt ykÔÞwt Au. 3. økwshkíkLkk Lkkýkt «ÄkLk íkhefu LkeíkeLk Ãkxu÷ îkhk hsq fhkÞu÷wt yk ËMk{wt çksux Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 2 yLku 3 (C) {kºk 1 yLku 3 (D) {kºk 1 yLku 2 057. økwshkíkLkk Mkt˼o{kt Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? 1. GSDPLke hksfku»keÞ ¾kÄ 1.66% Au. 2. 1 Úke 5 MkwÄe{kt zÙkuÃk ykWx Ëh 1.42% Au. 3. hkßÞ{kt {kÚkkËeX ykðf Yk. 1,74,652 Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 2 yLku 3 (C) {kºk 1 yLku 3 (D) {kºk 1 yLku 2

AXD - GS - MASTER ] 7 P.T.O. 058. 2011 Lke ðMíke økýíkheLkk Mkt˼o{kt økwshkík {kxu Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? 1. 2011Lke ðMíke økýíkhe «{kýu 11 {nkLkøkh Ãkkr÷fkyku Au. 2. hksfkux yLku sqLkkøkZ «íÞuf 14 íkk÷wfkyku Ähkðu Au su økwshkík{kt MkkiÚke ðÄw Au. 3. zktøk rsÕ÷ku yu {kºk çku íkk÷wfkyku Ähkðu Au su økwshkík{kt MkkiÚke ykuAk Au. Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 1 yLku 2 (C) {kºk 2 (D) {kºk 1 yLku 3 059. ònuh rðíkhý «ýk÷eLku ò¤ððk íkÚkk çkVh MxkufLku {sçkqík fhðk {kxu Mkhfkh su ¼kðu yLkks ¾heËu Au íku ¼kð ...... Úke yku¤¾kÞ Au.

(A) ÷½w¥k{ xufkLkk ¼kðku (B) hðkLkøke ¼kð (issue prices) (C) xku[Lkk (ceiling) ¼kð (D) WÃkhkuõík Ãkife yuf Ãký Lknª 060. ¼khík{kt rsÕ÷k f÷uõxhLkwt fkÞko÷Þ ...... îkhk þY fhðk{kt ykÔÞwt níkwt. (A) ÷kuzo {uÞku (B) ÷kuzo ðkuhLk nuMxªøk (C) ÷kuzo fkuLko ðku÷eMk (D) WÃkhkuõík Ãkife yuf Ãký Lknª 061. ¼khíkLkk çktÄkhýLkk yk{w¾ çkkçkíku Lke[uLkk Ãkife fÞwt rðÄkLk / fÞk rðÄkLkku MkíÞ Au ? (A) 42{kt MkwÄkhýk yrÄrLkÞ{ 1976 ytíkøkoík Mkkðo¼ki{ Mk{ksðkËe rçkLk Mkkt«ËkrÞf ÷kufþkne «òMk¥kkf (Sovereign Socialist Secular Democratic Republic) W{uhðk{kt ykÔÞwt. (B) 1979Lke yMkhÚke “hk»xÙLke yufíkk yLku y¾tzeíkíkk” (Unity and integrity of the Nation) Ëk¾÷ fhðk{kt ykÔÞwt.

(C) (A) íkÚkk (B) çktLku (D) (A) yÚkðk (B) yuf Ãký Lknª 062. çktÄkhý (100{ku MkwÄkhku) yrÄrLkÞ{ 2015 yu ¼khík yLku ...... Lke Mkhfkhku ðå[u nMíkøkík yLku MÚkkLkktíkheík rðMíkkhLke rðøkíkku Ähkðu Au.

(A) çkktø÷kËuþ (B) ¼qíkkLk (C) [eLk (D) LkuÃkk¤ 063. ÃkwY»kku íkÚkk Mºkeyku çktLku {kxu Mk{kLk fk{ {kxu Mk{kLk ðuíkLkLku ...... {kt MÃkü heíku Ëþkoððk{kt ykÔÞwt Au. (A) çktÄkhýLkk {q¤¼qík nfku rð¼køk{kt (B) çktÄkhýLkk hkßÞLkeríkLkk {køkoËþof rMkØktíkku rð¼køk{kt (C) çktÄkhýLkk yk{w¾ rð¼køk{kt (D) (A) íkÚkk (B) çktLku 064. Lke[uLkk{ktÚke fÞk nkuÆkLkku WÕ÷u¾ ¼khíkLkk çktÄkhý{kt fhðk{kt ykðu÷ LkÚke ? (A) ¼khíkLkk yuxLkeo sLkh÷ ({wÏÞ LÞkÞ yrÄfkhe) (B) ¼khíkLkk Mkku÷eMkexh sLkh÷ (C) hkßÞLkk yuzðkufux sLkh÷ (D) WÃkhkuõík Ãkife yuf Ãký Lknª 065...... ðMíke Ähkðíkk LkøkhÃkkr÷fkLkk «kËurþf ûkuºk{kt yuf yÚkðk ðÄw ðkuzoLke çkLku÷e ðkuzo Mkr{ríkykuLke h[Lkk fhðk{kt ykðþu.

(A) yuf ÷k¾ yÚkðk ðÄw (B) Ãkkt[ ÷k¾ yÚkðk ðÄw (C) ºký ÷k¾ yÚkðk ðÄw (D) Mkkík ÷k¾ yÚkðk ðÄw

AXD - GS - MASTER ] 8 [Contd. 066. Mkðkuoå[ yËk÷íkLke MÚkkÃkLkkLke òuøkðkE Lke[uLkk Ãkife fÞk yrÄrLkÞ{ ytíkøkoík Au ? (A) Regulating Act of 1773 (B) Pitts India Act of 1774 (C) Charter Act of 1833 (D) Charter Act of 1853 067. Lke[uLkk Ãkife fÞwt ÷ûký yu ¼khíkLkk çktÄkhýLkwt ÷ûký LkÚke ? (A) ÷ur¾ík çktÄkhý yLku çktÄkhýLke MkðkuoÃkrhíkk (B) yÄo Vuzh÷ {k¤¾wt (quasi-federal structure) (C) «ríkçkØ LÞkÞíktºk (D) Mk¥kkLke ðnU[ýe 068. ßÞkhu çktÄkhýLkk 352 {kt yLkwåAuË nuX¤ fxkufxeLke ½ku»kýk fhðk{kt ykðu íÞkhu ¼khíkLkk hk»xÙÃkríkLku Lke[uLkk Ãkife fÞk yLkwåAuË nuX¤Lkk {q¤¼qík nfku MÚkrøkík fhðkLke Mk¥kk LkÚke ?

(A) 20 yLku 21 (B) 19 yLku 20 (C) 19 yLku 21 (D) 21 yLku 22 069. ¼khíkLkk çktÄkhýLkk yLkwåAuË 110 ytíkøkoík Lke[uLkk Ãkife fE çkkçkík yu Lkkýkt rðÄuÞfLke ÔÞkÏÞk{kt MkwrLkrùík ÚkkÞ Au ? 1. fkuE Ãký ðuhk ÷kËðk, LkkçkqË fhðk yLku íkuLkk rLkÞ{Lk{kt VuhVkh fhðk 2. Lkkýkt WÄkh (borrowing of money) rLkÞ{Lk 3. ¼khíkLkk yufºkeík ¼tzku¤ (consolidate fund) {ktÚke ÃkiMkkLke Vk¤ðýe Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) 1, 2 yLku 3 (B) {kºk 2 yLku 3 (C) {kºk 1 yLku 3 (D) {kºk 1 yLku 2 070. Lke[uLkk Ãkife fÞk ¾[o yu ¼khíkLkk yufrºkík ¼tzku¤ (consolidate fund of India) {ktÚke ÷uðk{kt ykðu Au ? 1. ÷kufMk¼kLkk yæÞûkLkk ¼ÚÚkk 2. ÷kuLk ðÄkhk íkÚkk Mkuðk yLku ËuðkLke {wÂõíkLku ÷økíkk ¾[o 3. Wå[ LÞkÞk÷ÞkuLkk LÞkÞkÄeþkuLkk ÃkuLþLk 4. fkuBÃxÙku÷h yLku ykuzexh sLkh÷Lke f[uheLkku ðneðx ¾[o Lke[uLkk Ãkife ÞkuøÞ rðfÕÃk ÃkMktË fhku.

(A) {kºk 1, 2 yLku 3 (B) {kºk 2, 3 yLku 4 (C) {kºk 1, 2 yLku 4 (D) 1, 2, 3 yLku 4 071. Lke[uLkk Ãkife fE ÔÞÂõíkykuLku 1946{kt yLkw¢{u hk»xÙÃkrík, WÃkhk»xÙÃkrík yLku MktrðÄkLk Mk¼kLkk çktÄkhýeÞ Mk÷knfkh íkhefu rLk{ðk{kt ykÔÞk ?

(A) hksuLÿ «MkkË, yu[.Mke. {w¾hS, Mkr[ËkLktË ®Mknk (B) hksuLÿ «MkkË, yu[.Mke. {w¾hS, çke.yuLk. hkð (C) hksuLÿ «MkkË, Mkr[ËkLktË ®Mknk, yu{.yu. SLnk (D) hksuLÿ «MkkË, yu{.yu. SLnk, su.çke. r¢Ãk÷kýe 072. Lke[uLkk Ãkife fÞk yrÄfkhe/yrÄfkheyku yu yktíkh-hkßÞ Ãkrh»kËLkk ¼køkYÃk LkÚke ? (A) ðzk«ÄkLk (B) ykX Mkt½ fuçkeLkux {tºkeyku (C) ÄkhkMk¼kyku Mkrník ík{k{ hkßÞku íkÚkk Mkt½ «ËuþkuLkk {wÏÞ{tºkeyku (D) ÄkhkMk¼kyku MkrníkLkk Mkt½«ËuþkuLkk ðneðxfkhku

AXD - GS - MASTER ] 9 P.T.O. 073. «ÄkLk{tºke LkhuLÿ {kuËeyu MSME ÷kuLk y{÷efhý {kxu ...... Lkk yæÞûkÃkýk nuX¤ yuf Mkr{ríkLke h[Lkk fhe. (A) hksLkkÚk ®Mkn (B) hk{rð÷kMk ÃkkMkðkLk (C) rLk{o÷k Mkeíkkhk{Lk (D) WÃkhkuõík Ãkife yuf Ãký Lknª 074. íkksuíkh{kt ¼khíkLkk Archeological Survey of India yu ...... Ëuþ{kt 1100 ð»ko sqLkwt rþð®÷øk þkuÄe fkZâwt Au. (A) ÚkkE÷uLz (B) ftçkkuzeÞk (C) rðÞuxLkk{ (D) WÃkhkuõík Ãkife yuf Ãký Lknª 075. Lke[uLkk Ãkife ¼khíkLkwt fÞwt hkßÞ yu rzMkuBçkh 2020 MkwÄe{kt yuðwt hkßÞ çkLkþu fu ßÞkt ELxhLkuxLku {q¤¼qík nf íkhefu ònuh fhðk{kt ykðþu ?

(A) fýkoxf (B) fuh¤ (C) {nkhk»xÙ (D) økwshkík 076. íkksuíkh{kt ¼khík Mkhfkhu TULIP online Ãkkuxo÷ þY fÞwO íku ...... {kxu Au. (A) AkufheykuLke Mk÷k{íkeLke Mkuðkyku (B) íkksuíkh{kt MLkkíkf ÚkÞu÷kyku {kxu ELxLkoþeÃk (C) MðkMÚÞ fkÞofhku {kxu ðe{ku (D) WÃkhkuõík Ãkife yuf Ãký Lknª 077. UNICEF Lke Red Dot Challenge (÷k÷ xeÃkkt Ãkzfkh) yu ...... MkkÚku Mkt÷øLk Au. (A) Ãkku÷eyku xeÃkk (B) ÷kun Ãkqhf (C) {krMkf Mºkkð MðåAíkk (D) WÃkhkuõík Ãkife yuf Ãký Lknª 078. NSO Lkk {íkkLkwMkkh, sw÷kE 2018 yLku sqLk 2019 ðå[u çkuhkusøkkhe Ëh yu 2017-18Lkk íkus Mk{Þøkk¤k{kt 6.1% níkku íku{ktÚke ½xeLku ...... ÚkÞku.

(A) 5.8% (B) 5% (C) 4.8% (D) 5.2% 079. 5{e sqLk 2020Lkk hkus rðï ÃkÞkoðhý rËLk {Lkkððk{kt ykÔÞku. yk ð»koLkku {wÏÞ rð[kh (theme) ...... níkku. (A) Full Forests (B) Eco Friendship (C) Biodiversity (D) WÃkhkuõík Ãkife yuf Ãký Lknª 080. NTCA Lkk zuxk yLkwMkkh 2012-19 ËhBÞkLk ¼khíku 750 ðk½ økw{kÔÞk Au. ¼khíkLkwt ...... hkßÞyu yk ÞkËe{kt xku[Lkk ¢{u Au.

(A) yktÄú«Ëuþ (B) {æÞ«Ëuþ (C) Ãkrù{ çktøkk¤ (D) økwshkík 081. økwshkík Mkhfkhu ð»ko 2020-21 Lkk ð»koLkwt Yk. 217287 fhkuzLkwt ytËksÃkºk hsq fÞwO. ytËksÃkºk{kt ...... Lkðk ðuhk Ëk¾÷ fhðk{kt ykÔÞk.

(A) 2 (B) 4 (C) 1 (D) fkuE Lkðk ðuhk Lknª 082. hkßÞ yLLk Mkwhûkk Mkq[fktf (State Food Safety Index - SFSI) yLkwMkkh økwshkík {kuxk hkßÞkuLke fûkk{kt ...... ¢{u Au.

(A) 1÷k (B) 2ò (C) 3ò (D) 4Úkk 083. økwshkík Mkhfkhu ½ku»kýk fhe Au fu SAUNI ÞkusLkkLkku çkeòu íkçk¬ku yu ...... MkwÄe{kt Ãkqýo ÚkE sþu. (A) {k[o 2021 (B) sqLk 2022 (C) ykuøkü 2020 (D) rzMkuBçkh 2020

AXD - GS - MASTER ] 10 [Contd. 084. ¼khíkeÞ huÕðu yu Ãkrù{ huÕðuLkk ...... MxuþLk ðå[u zçk÷zufh ftxuLkh xÙuLkLku MkV¤íkkÃkqðof Ëkuzkðe. (A) Mkwhík - {wtçkE (B) Ãkk÷LkÃkwh - çkkuxkË (C) Ãkqýu - økw÷çkøko (D) y{ËkðkË - LkktËuz 085. 500 ð»ko Ãknu÷kt ...... LkËe{kt zqçke økÞu÷wt {trËh íkksuíkh{kt {¤e ykÔÞwt Au. (A) fkðuhe (B) f]»ýk (C) {nkLkËe (D) økkuËkðhe 086. yuf Mkktfuríkf ¼k»kk{kt “CRICKET” Lkku fkuz “DQKANBX” Au. íkku íku ¼k»kk{kt “TENNIS” Lkku fkuz fÞku Úkþu ? (A) UDPMLQ (B) UDPLLP (C) UDQLLP (D) WÃkhkuõík Ãkife yuf Ãký Lknª 087. yuf hf{ MkkËk ÔÞksu 6 ð»ko {kxu {qfíkk çk{ýe hf{ Ãkhík {¤u Au, íkku ÔÞksLkku Ëh fux÷ku nþu ?

2 (A) 15% (B) 15 % 3

1 (C) 16 % (D) WÃkhkuõík Ãkife yuf Ãký Lknª 3 088. yuf ðuÃkkhe Yk. 8925 {kt 85 {exh fkÃkzu ðu[u Au. òu íkuLkku LkVku Yk. 15/{exh nkuÞ íkku 1 {exh fkÃkzLke {q¤ ®f{ík fux÷e nþu ?

(A) Yk. 90 (B) Yk. 110 (C) Yk. 130 (D) WÃkhkuõík Ãkife yuf Ãký Lknª 089. Lke[u ykÃku÷ rðÄkLkku Ãkife fÞk rðÄkLkku Mkk[k Au ? 1. ((22)3) = 25 2. çku ÄLk MktÏÞkykuLkku økwýkfkh nt{uþk ÄLk MktÏÞk nkuÞ Au. 3. çku Éý MktÏÞkykuLkku økwýkfkh nt{uþk ÄLk MktÏÞk nkuÞ Au. (A) {kºk 1 yLku 2 (B) {kºk 2 yLku 3 (C) {kºk 1 yLku 3 (D) WÃkhkuõík ík{k{ 090. yuf ÷tçk[kuhMk ðíkwo¤Lkk ÃkrhÄ sux÷e Ãkrhr{rík Ähkðu Au. òu ðíkwo¤Lkku ÔÞkMk 28 Mku{e nkuÞ yLku ÷tçk[kuhMkLke ÷tçkkE 31 Mku{e nkuÞ íkku ÷tçk[kuhMkLkwt ûkuºkV¤ fux÷wt Úkþu ? ( = 22/7) (A) 341 [ku.Mku{e. (B) 403 [ku.Mku{e. (C) 868 [ku.Mku{e. (D) WÃkhkuõík Ãkife yuf Ãký Lknª 091. òu log 64 = 1.8061 nkuÞ íkku, log 16 Lkwt {qÕÞ ykþhu fux÷wt nþu ? (A) 1.9048 (B) 1.4220 (C) 1.2040 (D) 0.4515 092. yuf Þtºk «íÞuf Mkuftzu 0.128 {exh fkÃkz ðýu Au. íkku 25 {exh fkÃkz ðýíkk íkuLku ykþhu fux÷ku Mk{Þ ÷køkþu ? (A) 3 r{rLkx (B) 3 r{rLkx 15 MkufLz (C) 4 r{rLkx 20 MkufLz (D) WÃkhkuõík Ãkife yuf Ãký Lknª 093. Lke[u Ãkife fÞku rðfÕÃk ykÃku÷k yLÞ rðfÕÃkku fhíkk y÷øk Ãkzu Au ? (A) 809 (B) 911 (C) 629 (D) 503

AXD - GS - MASTER ] 11 P.T.O. òu nkuÞ íkku 094. a  b = 2a – 3b + ab 4  6 + 6  4 = ..?.. (A) 36 (B) 38 (C) 40 (D) WÃkhkuõík Ãkife yuf Ãký Lknª 095. çku xÙuLk 200 rf{e ytíkhu ykðu÷k çku MxuþLkÚke yufçkeS íkhV yuf s Mk{Þu økrík þY fhu Au yLku yuf MxuþLkÚke 110 rf{e. ytíkhu yufçkeSLku ÃkMkkh fhu Au. íkku íku{Lke ÍzÃkLkku økwýku¥kh fux÷ku nþu ?

(A) 11 : 13 (B) 19 : 7 (C) 9 : 7 (D) WÃkhkuõík Ãkife yuf Ãký Lknª 096. 1 Úke 30 LktçkhLke rxrfx{ktÚke yuf rxrfx ÞÚkuåA heíku ÷uðk{kt ykðu Au íkku íkuLke ÃkhLkku Lktçkh 4 yÚkðk 5 Lkku økwýf nkuÞ íkuLke Mkt¼kðLkk fux÷e ?

(A) 2/5 (B) 3/5 (C) 11/30 (D) WÃkhkuõík Ãkife yuf Ãký Lknª 097. yuf [ku¬Mk ®çkËwÚke Q Ãkrù{ rËþk{kt [k÷ðkLkwt þY fhe 300 {exh sux÷wt [k÷u Au. íÞkhçkkË íku zkçke íkhV ð¤e 400 {exh sux÷wt [k÷u Au. yk søÞkyuÚke íku s{ýe íkhV ð¤e 150 {exh [k÷u Au. íkku íku nðu fE rËþk{kt Au ? (A) W¥kh - Ãkqðo (B) Ãkrù{ (C) Ërûký (D) Ërûký - Ãkrù{ 098. hu¾k 3x – 5y = 0 Lke[u Ãkife fÞk ®çkËw{ktÚke ÃkMkkh Úkíke LkÚke? (A) (0, 0) (B) (3, 5) (C) (5, 3) (D) (15, 9) 099. Lke[u ykÃku÷e ©uýe{kt ykøkk{e MktÏÞk fE nþu ? 3, 2, 2, 5, 5, 5, 7, 8, 8, 9, 11, 11, (?) (A) 9 (B) 11 (C) 12 (D) 14 100. yuf Mk{çkksw rºkfkuýLke ô[kE 10 Mku{e nkuÞ íkku íkuLkwt ûkuºkV¤ fux÷wt Úkþu ?

(A) 100 3 (B) 200 3

100 (C) 3 (D) WÃkhkuõík Ãkife yuf Ãký Lknª 3

AXD - GS - MASTER ] 12 [Contd. 101. ‘‘Donyi Polo’’ is a tradition followed by people of which state? (A) Meghalaya (B) Arunachal Pradesh (C) Nagaland (D) Sikkim 102. Tang-ta is the Traditional Martial Arts of (A) Madhya Pradesh (B) Goa (C) (D) Kerala 103. ‘Ojhapali’ is a/the (A) Book on Arts (B) Folk dance (C) Language (D) Film 104. B.V. Karanth, K.N. Panikkar and Ratan Thiyam are associated to (A) Theatre of Roots (B) Third theatre (C) Alternate Theatre (D) Experimental Theatre 105. The ‘Putul Nautch’ puppetry art belongs to which state of India? (A) Odisha (B) Gujarat (C) (D) West Bengal 106. The tribal cultural festival called ‘Zo Kutpui’ organized in the State of (A) Sikkim (B) Mizoram (C) Manipur (D) Nagaland 107. Safdar Hashmi is associated with (A) Folk Theatre (B) Street Theatre (C) Physical Theatre (D) Musical theatre 108. ‘Kavadi’ and ‘Karagam’ are related to which state? (A) Odisha (B) Kerala (C) Karnataka (D) Tamil Nadu 109. The post-harvest folk dance of Assam is (A) Ojapali (B) None of them (C) Ankia Nat (D) Bihu 110. Which among the following dance form is a Martial based? (A) Chhau of Purulia (B) Kathakali (C) Bhangra of Punjab (D) Bamboo dance of Meghalaya 111. The first Indian sound film ‘Alam Ara’ was made in the year (A) 1931 (B) 1915 (C) 1955 (D) 1938 112. Which one of the following screenplays is written by ? (A) Ankush (B) Ankur (C) Ardh Satya (D) Chorus 113. The origin of the term ‘Mise-en-Scene’ is from (A) Cinema (B) Dance (C) Novel (D) Theater

AXC - MASTER ] 13 P.T.O. 114. PAL is related to (A) Frame Rate (B) Broadcasting (C) Video Editing (D) Sound 115. EI (exposure index) number indicates (A) Luminous (B) Sensitivity (C) Speed (D) Frame ratio 116. The duration of persistence of vision about ______Seconds. (A) 1/24 (B) 1/30 (C) 1/12 (D) 1/25 117. The origin of the term ‘Avant - Garde is from (A) French (B) Germany (C) English (D) Spanish 118. 180-degree rule in film making is relating to (A) Spatial Relation (B) Camera Angle (C) Colour Temperature (D) Heli shots 119. What is the full form of IPTV? (A) Internet Program Television (B) Interstate Promotion Television (C) Internet Policy Television (D) Internet Protocol Television 120. Parsee Natak Mandali the first theatre group of Gujarat found in (A) 1850 (B) 1876 (C) 1853 (D) 1895 121. The Gujarati play inspired from ancient Greek comedy Plutus by Aristophanes is (A) Rustam Sohrab (B) Laxmi Natak (C) Dhinagli (D) Dhanji Gharak 122. The Charioteer of King Dasharatha in Ramayana is (A) Sumitra (B) Sunayana (C) Sumanta (D) Sushen 123. Darpana Academy of Performing Arts founded in 1949 by (A) (B) Mallika Sarabhai (C) Shrikant Shah (D) Subhash Shah 124. Calotype, Tintype and Daguerrtype were early forms of which art? (A) Calligraphy (B) Photography (C) Tapdancing (D) Laser graphics 125. ______was India’s first community radio operation from an university. (A) Suryan FM (B) Layalo FM (C) Kongu FM (D) Anna FM 126. Which among the following is/are a part of the spoken word on a radio? (A) Magazine programs (B) Radio features (C) Radio drama (D) All of the above

AXC - MASTER ] 14 [Contd. 127. Classifying content in social media happens through an activity such as (A) Alphabetizing (B) Tagging (C) Mapping (D) Line up 128. What is one of the big differences between traditional media and social media? (A) Participatory production (B) Social media reaches only a few people at a time. (C) The management structure of the companies. (D) Traditional media offers no two-way communication 129. In Shakespeare’s Hamlet, the ghost tells to Hamlet that he was murdered by (A) Polonius (B) Claudius (C) Horatio (D) Fortinbras 130. Media hegemony refers to which of the following? (A) Media companies tend to control more and more of the Internet. (B) Media does not simply report on politics, but actually secretly controls politics. (C) The media environment accommodates a wide variety of different media Types to match everyone’s interests. (D) Media companies are owned by the ruling class, who propagate their World views to the general public. 131. Tableau in play direction represents (A) Motionless Composition (B) Group movement (C) Choreography (D) Blocking 132. The movements of the body which make various patterns, posture, lines and do not present any psychological State (bhava) and meaning is called? (A) Nritta (B) Natya (C) Nritya (D) None of these 133. In which chapter of the Natyashastra, Vihrid Mandal is described ? (A) IV (B) IX (C) XII (D) VIII 134. Which Hindu God is incorporated the most in dance and Threatre traditional forms of India ? (A) Lord Krishna (B) Lord Ganesh (C) Lord Shiva (D) Goddess Durga 135. Eugenio Barba’s A Dictionary of Theatre of Anthropology speaks mainly on ______of a performer of the East. (A) Skills (B) Presence (C) Technique (D) Expressions 136. Under Purvaranga, arranging of the musical instruments is called (A) Pratyahara (B) Ashravana (C) Utthapana (D) Arambha

AXC - MASTER ] 15 P.T.O. 137. While constructing stage, which color clay Bharata-Muni, has suggested being filled in Rangashirsha? (A) Yellow (B) White (C) Brown (D) Black 138. The categories of Award in theatre (A) Acting, Music, set design, lighting, Playwriting, Major traditions of theatre (B) Acting, Direction, Playwriting, theatre Technical, Allied Theatre Arts, Choreography (C) Acting, Mime, Direction, Playwriting, Allied Theatre Arts, Major traditions of theatre (D) Acting, Mime, Direction, Playwriting, theatre Technical, Major traditions of theatre 139. The Abhinaya through which natural and somewhat abstract concepts of seasons, stars, rain, planets, moonlight, clouds, happiness, and other such creatures are presented is called ? (A) Abhyantarabhinaya (B) Indriyabhinaya (C) Chitrabhinaya (D) Bahyabhinaya 140. “Behaviour of kings due to their joys and sorrows, when illumined by means of acts expressing in different ways the Psychological States carrying many Sentiments, is styled”. This statement indicates to (A) Nataka (B) Bhana (C) Prakarna (D) Vyayoga 141. A dramatic presentation that clearly shows features related to particular regions and people, comes under (A) Narma-sfinja (B) Prahasan (C) Dvitiya (D) Pravrttis 142. What are the weapons mentioned in as the king Shalya’s strength? (A) Spear & Mace (B) Mace & Sword (C) Spear & Sward (D) Bow & Arrow 143. What is the character of Sathukka Bootham in Cilappathikaram? (A) Guarding the land (B) Eating the Liars (C) Cannibals (D) Ruthless Trouble Maker 144. The Main aspect of Bhavai dance of Rajasthan is/are (A) Circular Movements (B) Acrobatics (C) Walking on Rope (D) Balancing Pots 145. The famous Ajantha Cave paintings are made in the Religious of (A) Hinduism (B) Buddhism (C) Jainism (D) Sufism 146. The Father of Modern Gujarati theatre is (A) Shreeram Lagoo & Dina Pathak (B) Naresh Kanodia & Jatin Kanakia (C) Mehta & Ranchhodlal Udayaram Dave (D) Nirupa Roy & Darshan Jariwala 147. Which one is the oldest among the following ? (A) Ramayana (B) Mahabharata (C) Bhagavatha (D) Cilappathikaram

AXC - MASTER ] 16 [Contd. 148. Bhakthi movement in India was peak in the period (A) Between 14th C and 16th C (B) Between 18th and 19th C (C) Between 16th and 19th C (D) Between 15th C and 17th C 149. Name of the Village of Bhagavadamela dance drama tradition in Tamilnadu. (A) Melattur (B) Thanjavur (C) Kumbakonam (D) Tharasuram 150. What is the animal mentioned for actor’s flexibility by Jerzy Grotowski? (A) Dog (B) Tiger (C) Cat (D) Dragon 151. Which Vedas are associated well with Acting? (A) Rig and sama (B) Sama and Yajur (C) Sama and Atharva (D) Yajur and Atharva 152. The reversal of the situation in the plot of a tragedy is called (A) Anagnorisis (B) Peripeteia (C) Hamartia (D) Catharsis 153. How many Acts are there in ’s Abhijnana Shakuntalam ? (A) VI (B) V (C) VII (D) IV 154. In ancient Greek, Dionysus was the God of Wine and (A) Fertility (B) Wealth (C) Wisdom (D) Courage 155. Who won in the first competition of Tragedy in the Athens - Greece? (A) Aeschylus (B) Aristotle (C) Homer (D) Thespis 156. Mime is a form of (A) Silent Art (B) Imitating (C) Representation (D) Facial Expression 157. Nag Yai is the Thailand Puppet play and the puppets are made with the skin of (A) Cow (B) Buffalo (C) Deer (D) Goat 158. Who protest among the Kouravas in the court of Duriyothana during the disrobing of Panchali in Mahabharata? (A) Karna (B) Bishma (C) Vidhura (D) Vikarna 159. In which Veda a dramatic argument in dialogues between Viswamithra and two Rivers is mentioned ? (A) Yajur (B) Rig (C) Atharvana (D) Sama

AXC - MASTER ] 17 P.T.O. 160. According to Aristotle the six elements of Tragedy are (A) Plot, Character, Exposition, Climax, Song and Spectacle (B) Plot, Character, Conflict, Denouement, Song and Spectacle (C) Plot, Character, Thought, Diction, Song and Spectacle (D) Plot, Character, Unities, Catastrophe, Song and Spectacle 161. The woman character Nora Helmer appears in which play? (A) A Doll’s House (B) Macbeth (C) Pygmalion (D) The Jew of Malta 162. Style of theatre in which the artist seeks to depict not objective reality but rather the subjective emotions and responses is called (A) Theatre of the Absurd (B) Alienation Effect (C) Theatre of Realism (D) Expressionist theatre 163. The philosophical perspective which shows the contradiction between the human quest for the meaning of life and its inaccessibility. (A) Idealism (B) Naturalism (C) Symbolism (D) Absurdism 164. The Epic Theatre is also called (A) Classical Theatre (B) Theatre of Emotion (C) Non-Aristotelian Theatre (D) Theatre of Illusion 165. Identify the female characters of Kalidasa’s plays (A) Shakuntala, Urvashi and Malavikaa (B) Malavika, Chitralekha and Vasantsena (C) Vasantsena, Rani and Sharmishtha (D) Sharmishtha, and Ahalya 166. In which play of Bhasa the epic character Duryodhana is depicted as not only the protagonist but also a moral person (A) Karnabharam (B) Harivamsa (C) Madhyamavyayoga (D) Urubhanga 167. Find the correct sequence: (A) Molière, Shakespeare, Ibsen, Samuel Beckett, Eugène Ionesco, Brecht (B) Shakespeare, Molière, Ibsen, Brecht, Samuel Beckett, Eugène Ionesco (C) Eugène Ionesco, Molière, Shakespeare, Ibsen, Brecht, Samuel Beckett (D) Shakespeare, Ibsen, Eugène Ionesco, Molière, Samuel Beckett, Brecht 168. Who added the third actor in the Greek Drama? (A) Sophocles (B) Euripides (C) Aeschylus (D) Aristophanes 169. Two increasingly important ethical aspects of social media are (A) Ratings and traffic (B) Virtue and vitality. (C) Identity and honesty (D) Transparency and privacy 170. The play “The Caucasian Chalk Circle” was written by (A) Edward Albee (B) Bertolt Brecht (C) Eugene O’Neill (D) Anton Chekhov

AXC - MASTER ] 18 [Contd. 171. The Veda mentioned ‘Sita’ as goddess of the harvest (A) Rig (B) Yajur (C) Sama (D) Atharva 172. The dominant form of theatre in the eighteenth century that demanded decorum and rigorous adherence to the classical unities is (A) Renaissance theatre (B) Neoclassical theatre (C) Medieval Theatre (D) Elizabethan Theatre 173. The American playwright who written the play “All My Sons” is (A) Edward Albee (B) Sam Shepard (C) Elmer Rice (D) Arthur Miller 174. Which is the correct sequence? (A) Bhasa, Kalidasa, Ashwaghosha, Bhavbhuti, Shudraka. (B) Kalidasa, Bhavbhuti, Bhasa, Shudraka, Ashwaghosha. (C) Ashwaghosh, Bhasa, Kalidasa, Shudraka, Bhavbhuti. (D) Shudraka, Bhasa, Ashwaghosha, Bhavbhuti, Kalidasa. 175. Who is the theatre eminent referred Balinese dance of Indonesia very much (A) Meyerhold (B) Jerzy Grotowski (C) Antonin Artaud (D) Gordon Craig 176. Who developed Japan’s Noh theatre tradition? (A) Kanami & Zeami (B) Yukio Hattori (C) Mimashi (D) Kundara & Yoshimitsu 177. Father of Naturalistic Theatre is (A) Edwin Piscator (B) Emile Zola (C) Gordon Craig (D) Stanislavsky 178. Alienation Technique in theatre was primarily introduced by (A) Edwin Piscator (B) Bertolt Brecht (C) Meyerhold (D) Duke of Saxe Meiningen 179. Media literacy means the ability to (A) Read and write (B) Create professional media (C) Understand and use media (D) Prepare for a career in media 180. According to NCERT the term arts education must covers (A) Music, Dance, Visual Arts and Theatre (B) Music, Dance, Painting and Theatre (C) Music, Fine Arts, Painting, Theatre (D) Music, Dance, Fine arts and Theatre 181. The set up in 1959 by (A) Ministry of Human Resource Development (B) Ministry of Education (C) Ministry of Culture (D) Sangeet Natak Akademi

AXC - MASTER ] 19 P.T.O. 182. The educational institution established for preservation and promotion traditional performing art forms (A) Cholamandal (B) National institute traditional and folk art (C) Kalamandalam (D) Sangeet Natak Akademi 183. The song and drama Division of the Ministry of Information and Broadcasting was set up in (A) 1950 (B) 1948 (C) 1954 (D) 1956 184. Natya-yoga or dance yoga a blend of dance and yoga poses on the basis of 1. ‘Karanas’ are basically yogic poses in rhythm 2. Yoga helps dancer to build stamina, flexibility, concentration 3. Yoga activates all the senses 4. In dance yoga poses are in ‘adavus’ (A) 1 and 2 (B) 2 and 3 (C) 1 and 3 (D) 1 and 4 185. ‘When the body becomes all eyes’ is the paradigm relating to (A) Silambam (B) Kutiyattam (C) Kalaripayattu (D) Bharatanatyam 186. Match the Puppetry i. Rod Puppet a. Kundhei ii. shadow puppets b. Putul Nautch iii. String puppet c. Ravanachhaya iv. Glove Puppet d. Pavakoothu (A) i - d, ii - b, iii - c, iv - a (B) i - b, ii - c, iii - a, iv - d (C) i - a, ii - c, iii - d, iv - b (D) i - d, ii - d, iii - b, iv - a 187. ‘Natankusa’ the only work in Sanskrit on Theatre criticism translated to English by (A) (B) K G Paulose (C) Indira Parthasarathy (D) 188. ‘Traditional Indian Theatre: Multiple Streams’ the book written by (A) Girish Karnad (B) K G Paulose (C) Indira Parthasarathy (D) Kapila Vatsyayan 189. Who is considered as Father of Modern Indian theatre (A) Badal Sircar (B) Dharmveer Bharati (C) (D) Nissim Ezekiel 190. The only director who writes and directs OPERAS in Punjabi and Urdu (A) Anuradha Kapoor (B) Sheela Bhatia (C) (D) Neelam Mansingh Chowdhury

AXC - MASTER ] 20 [Contd. 191. Match the dramatist and the group i. Koothu-p-pattarai a. Aysha Rau ii. Nandikar b. Nadira Zaheer iii. Ekjute c. Ajitesh Bandyopadhyay iv. The Little Theatre d. N Muthuswamy (A) i - d, ii - b, iii - c, iv - a (B) i - b, ii - c, iii - a, iv - d (C) i - a, ii - c, iii - d, iv - b (D) i - d, ii - c, iii - b, iv - a 192. The ‘Tagore National Fellowship for Cultural Research’ is a programme of (A) Indira Gandhi National Centre for the Arts (B) India Foundation for the Arts (C) The National Centre for the Performing Arts (D) Cultural Ministry 193. Match the scholarships and agents i. Cultural Talent Search Scholarship Scheme a. ICCR ii. Art research programme b. CCRT iii. Scholarship scheme for Indian culture c. IFA iv. Scholarships to young artists d. Culture Ministry (A) i - d, ii - b, iii - c, iv - a (B) i - b, ii - c, iii - a, iv - d (C) i - a, ii - c, iii - d, iv - b (D) i - d, ii - c, iii - b, iv - a 194. Expansion of CCRT is (A) Centre for Cultural Research and Training (B) Centre for Cultural Resources and Theatre (C) Centre for Cultural Resources and Training (D) Centre for Cultural Research and Theatre 195. Bal Sangam is a national festival to encourage practice of traditional performing forms organized by (A) CCRT (B) IGNCA (C) TIE (D) RCC 196. The award to honour the achievements in Theatre and Film (A) Banga Bibhushan (B) All the above (C) Kalaimamani (D) Nandi Awards 197. Match the theatre festival with year established i. a. 1984 ii. International Theatre Festival of Kerala b. 1999 iii. Nandikar National Theatre Festival c. 2008 iv. Jairangam - Jaipur Theatre Festival d. 2001 (A) i - d, ii - b, iii - c, iv - a (B) i - b, ii - c, iii - a, iv - d (C) i - a, ii - c, iii - d, iv - b (D) i - d, ii - c, iii - b, iv - a 198. Mahindra Excellence in Theatre Awards (META) of 2020 for life time achievement in theatre is conferred to (A) Mahesh Dattani (B) Lillete Dubey (C) Barry John (D) Sushma Seth

AXC - MASTER ] 21 P.T.O. 199. Who is the social reformer from Sri Vaishnavism tradition during the Bakthi movement in South India ? (A) Ramanuja Acharya (B) Beiyalwar (C) Bothaththalwar (D) Elathi Nayanar 200. Who used Jatra folk form for his Sanskrit play Performance in the history of Sanskrit theatre in India ? (A) Kalidasa (B) Vishakhadatta (C) Bhasa (D) Bhavabhuti 201. Which is the oldest form of Traditional classical Theatre form in India. (A) Kathakali (B) Koodiyattam (C) Yakshgana (D) Bayalatta 202. Which Science Theory is compared with Bio-Mechanism? (A) Archimedes (B) Newton (C) Pavlov (D) Einstein 203. ‘Today’s man is living with Mask’ ,Who pointed this well in his Theatre concept? (A) Peter Brook (B) Eugenio barba (C) Augusto Boal (D) Antonin Artaud 204. Which is the key factor differentiate Naturalism from Realism in acting a character? (A) Trait (B) Truth (C) Gestures (D) Attitude 205. A director’s the most important duty is (A) Composition design (B) Visualization (C) Interpretation (D) Ground Plan 206. Director is a mediator between (A) Playwright and Actor (B) Playwright and Audience (C) Actor and Audience (D) Actor and character 207. Who is identified as the first modern stage director in the history of theatre (A) Duke of Saxe Meiningen (B) Stanislavsky (C) Edwin Booth (D) Jerzy Grotowski 208. Tommaso Salvini was the inspiring Actor to Stanislavsky who belonged to (A) France (B) Italy (C) Germany (D) England 209. “Stream of Consciousness” is the concept used in acting in (A) Expressionism (B) Absurdism (C) Symbolism (D) Realism 210. Who was a famous Roman Actor? (A) Quintus Roscius (B) Marcus Roscius (C) Sextus Roscius (D) Lucius Roscius

AXC - MASTER ] 22 [Contd. 211. Who was the Shakespeare’s actor? (A) Laurence Olivier (B) Edwin Booth (C) Edmund Kean (D) William Kempe 212. The forms of Feminist Theatre in India in late 70s and early 80s were (A) Proscenium Theatre (B) Street Theatre (C) Court Theatre (D) Traditional Theatre 213. Initially Chinese Opera was known as a form of ______Theatre (A) Music (B) Martial Arts (C) Dance (D) Mixture of all the above 214. Commedia dell’ arte was formally known as (A) Greek Comedy (B) Moliere Comedy (C) Italian Comedy (D) Roman comedy 215. Stanislavsky’s System of acting techniques is otherwise known as ______Technique. (A) Psycho-Physical (B) Psycho (C) Subconscious (D) Emotional recall 216. In which Act and Scene the ‘Drama within drama’ is written in Hamlet by Shakespeare? (A) Act III Scene ii (B) Act II Scene ii (C) Act III Scene i (D) Act II Scene i 217. “Holy Actor” concept is from (A) Micheal Checkov (B) Andre Antonin (C) Max Reinhardt (D) Jerzy Grotowski 218. The smallest dramatic progression is known as (A) Unit (B) Beats (C) French Scene (D) Scene 219. Absurdist characters attempt to live in the ______mindlessness. (A) Philological (B) Meta Physical (C) Emotionless (D) Blankness 220. How many daughters Anna Fierling has in the Bertolt Brecht play “Mother Courage and her children”? (A) Three (B) Two (C) One (D) Four 221. The name of the carpenter in the Henrik Ibsen’s play “Ghosts” is (A) Jensen (B) Oswald Alving (C) Relling (D) Jacob Engstrand 222. Which is the most important works of direction in onstage (A) Ground Plan (B) Blocking (C) Composition (D) Scenic design

AXC - MASTER ] 23 P.T.O. 223. Who discovered the well made play structure? (A) Eugene Scribe (B) Eugene Ionesco (C) Eugenio barba (D) Eugene O’Neill 224. Who is the founder of “Psychological Gesture” concept in Acting? (A) Stanislavsky (B) Jerzy Grotowski (C) Michael Chekhov (D) Richard Schechner 225. Digital Multiplex is related to (A) Sound system (B) Lighting system (C) Video projection (D) Multimedia 226. A numerical system for measuring color of the light is (A) Colour Temperature (B) Kelvin (C) Luminous intensity (D) Lux meters 227. Impedance relating to an electronic device indicate (A) Resistance (B) Resistance and Reactance (C) Reactance (D) Conductivity 228. Reverb effects in sound convey the (A) Distance (B) Magnitude (C) Tone (D) Space 229. Name of lights in Three-point lighting are (A) Key light, Fill light, Back light (B) Spot light, Focus light, Back light (C) Spot light, Focus light, Fill light (D) Key light, Focus light, Back light 230. Who wrote the book on the Aesthetics of Asian’s Art - “The Dance of Shiva”? (A) Swami Vivekanadha (B) Anand Coomaraewamy (C) Swami Sithananda (D) J. Krishnamuthy 231. In theatre shows conventionally, instruments on Electrics are numbered (A) Per position, from stage right to stage left (B) It doesn’t matter, as long as they all have a number (C) Consecutively, from downstage to upstage (D) Per position, from stage left to stage right 232. The unit which has shutters that can control the shape of the beam is (A) Fresnel (B) Ellipsoidal Reflector Spotlight (C) Par Can (D) Ellipsoidal Reflector Floodlight 233. The science concerned with the production, control, transmission, reception, and effects of sound. (A) Sonar dynamics (B) Aquaponics (C) Psychoacoustics (D) Acoustics 234. The performance use ‘Yavanika’ (curtain) are 1. Therukoothu 2. Kakkarissi Natakam 3. Kathakali 4. Devaraattam (A) both 1 and4 (B) both 1 and 3 (C) both 2 and 4 (D) both 1 and 2

AXC - MASTER ] 24 [Contd. 235. Bharata divides ‘nepathya’ into four kinds they are (A) Pusta, Alamkar, Angarachana, Sangeetha (B) Vitata, Alamkar, Angarachana, Sanjiva (C) Pusta, Alamkar, Angarachana, Sanjiva (D) vitata, Alamkar, Angarachana, Sangeetha 236. The responsibility of the calling cues and possibly actors’ entrances during performance are to the (A) Technical director (B) Producer (C) Stage manager (D) Director 237. Theatre in Education Company (Sanskar Rang Toli) of National School of Drama was established in (A) 1979 (B) 1990 (C) 1999 (D) 1989 238. The play ‘Brides are not For Burning’ (1993) won the first prize in worldwide competition sponsored by BBC in 1999, written by (A) Laxmi Subarmanyam (B) Manjula Padmanabhan (C) Deena Mehta (D) Polie Sengupta 239. The Sanskrit ‘Sutradhara’ was accompanied by a female character called (A) Nati (B) Domestic Maid (C) Illiteracy Girl (D) Servant 240. In which period of the history of theatre the Wagon-Mobile Theatre introduced ? (A) Roman (B) Mediaeval (C) Shakespeare (D) 19th Century 241. Which is the famous morality play from late mediaeval period ? (A) Everyman (B) Doctor Faustus (C) Othello (D) Emperor Jones 242. Which is the folk traditional theatre form of Karnataka? (A) Therukuthu (B) Koodiyattam (C) Veethi Baghavatham (D) Bayalata 243. What key aspect differentiates today’s digital media from traditional media? (A) Longevity (B) Interactivity (C) Portability (D) None of the above. 244. “Catarasra” in Natyasastra is mentioned to denote ______size of theatre house. (A) Small (B) Very Big (C) Big (D) Medium 245. The modern theatre director who founded the Naya Theatre company (A) Vijay Tendulkar (B) (C) Uttara Baokar (D) Om Shivpuri

AXC - MASTER ] 25 P.T.O. 246. Which one of the following is not correctly matched? (A) On a Muggy Night in – Mahesh Dattani (B) Evam Indrajit – (C) Tara – Girish Karnard (D) – 247. A form of theatre that engage the audience into the action and interaction (A) Proscenium theatre (B) Forum theatre (C) Exchange theatre (D) Stylistic theatre 248. The National Centre for the Performing Arts (NCPA) is located in (A) Delhi (B) Ahmadabad (C) Mumbai (D) Chennai 249. The renowned Tamil playwright who received Padma Shri award in the year 2010 (A) Jayakanthan (B) Imayam (C) Indira Parthasarathy (D) S. Rajanarayanan 250. IPTA is the short form of (A) Indian Performance Testing Association (B) International Performance Training Association (C) Indian People’s Theatre Association (D) International Performance Tradition Association 251. Ninasam is a renowned theatre group based in (A) Tamil Nadu (B) Delhi (C) Maharashtra (D) Karnataka 252. The play ‘The Post Office’ was written by (A) (B) Rahul Sankrityayan (C) (D) Ajitesh Bandopadhyay 253. Badal Sircar introduced a new genre of political theatre called (A) Third Theatre (B) Theatre of Reality (C) Theatre of People (D) Theatre of the Oppressed 254. The Hindi play ‘Bharat Durdasha’ was written by (A) Bharatendu Harishchandra (B) Jagdish Chandra Mathur (C) Jaishankar Prasad (D) Mohan Rakesh 255. Prithvi Theatre is located in (A) Delhi (B) Mumbai (C) Chennai (D) Goa 256. Laxmi and Champa are the female characters in Vijay Tendulkar’s (A) Silence! The Court is in Session (B) The Vultures (C) Kamala (D) Sakharam Binder

AXC - MASTER ] 26 [Contd. 257. The theatre director was the founder of (A) Rangayana (B) Rangabati (C) Rang Vidushak (D) Rangasala 258. Achyut Lahkar was the pioneer of (A) Mobile Theatre (B) Epic Theatre (C) Existentialist Theatre (D) Children’s Theatre 259. Maharashtra’s folk theatre form (A) Bihu (B) Bhavai (C) Tamasha (D) Jatra 260. Nautanki is a folk theatre form of (A) Uttar pradesh (B) Maharashtra (C) West Bengal (D) Odisha 261. Ankia - Nat is the folk Theatre Form of (A) Manipur (B) Gujarat (C) Nagaland (D) Assam 262. How many kind of Dances; Madhavi performed in Cilappathikaram (A) 18 (B) 16 (C) 108 (D) 11 263. The comic pieces performed at intervals between the Noh theatre performance is called (A) Sarugaku (B) Gagaku (C) Kyogen (D) Shamisen 264. In Chinese Peking opera “Sheng” refers to which of the following? (A) Rough Men (B) Clowns (C) Gentlemen (D) Women 265. Korean mask dance based on the legendary folk tale is (A) Cheoyongmu (B) Bakjeopmu (C) Ronggeng (D) Jaipongan 266. A unique element of kabuki architecture is the Hanamichi or (A) Large backdrop (B) Multiple trap doors (C) Perpendicular runway (D) Skene 267. The three elements determine the matching the amplifier and speaker are (A) Impedance, power and SPL (B) Impedance, voltage and watts (C) Impedance, sensitivity and SPL (D) Impedance, power and sensitivity 268. Abhinavagupta’s Rasa theory is based on (A) Abhivyaktivad (B) Anukaranvad (C) Anumitivad (D) None of these 269. What is the Sthayibhava of Bibhatsa (A) Bhayanaka (B) Jugupsa (C) Vismaya (D) Bhaya

AXC - MASTER ] 27 P.T.O. 270. Name of the brother of Panchali in Mahabharata (A) Aswathama (B) Vidhura (C) Dhristadyumna (D) Kripacharta 271. How is the Satvika Bhava ‘Vepathu’ presented? (A) Bhaya (Fear) (B) Ashru (Tear) (C) Krodha (Anger) (D) Kampan (Shivering) 272. Where are Kovalan and Kannagi going along with Kaunthiyadigal in Cilappadikaram? (A) Madurai (B) Kaviri Poompattinam (C) Thanjavur (D) SriLanka 273. Jatayu the vulture is an old friend to the king ______in Ramayana. (A) Rama (B) Vipishana (C) Dasharath (D) Janaka 274. Middle Stone age (Mesolithic) time period in India (A) 9000 BC to 4000 BC (B) 2100 BC to 700 BC (C) 7000 BC to 1000 BC (D) 6000 BC to 2000 BC 275. What is Sakuni realation with Kanthari in Mahabharata ? (A) Cousin (B) Brother (C) Uncle (D) Father 276. The root word for mentioning dance and drama in ancient Tamil Literature (A) Nadagam (B) Kuthu (C) Nadanam (D) Pattu 277. The South Sri Lankan’s Traditional Classical Dance form (A) Kandi (B) Opera (C) Rugunu (D) Modikuthu 278. What is the definition of “Classical”? (A) Serving as a Standard of Excellence (B) Period of History (C) All time Literature (D) Quality based Grammar 279. What is “Tribal” means? (A) People of a forest (B) Things relating to Tribes (C) Isolated Society (D) Barbarian community 280. Evidence of Ancient theatre from Caves in India (A) Ellora Caves (B) Bhimbetka rock shelters (C) Sitabenga Cave and Jogimara Cave (D) Chttanavasal Caves 281. Who is the recipient of Jananpith Award in 1998? (A) Girish Karnad (B) (C) Vijay Tendulkar (D) B.V. Karanth 282. The common nature of costume design in various tribal of India (A) Symbolic (B) Purpose (C) Climate (D) Aesthetic

AXC - MASTER ] 28 [Contd. 283. It is the collective term for Tribes of the Indian subcontinent. (A) Adikudi (B) Adi People (C) Adivasi (D) None of the above 284. Khasi Tribes is mostly identifies with the sate of India (A) Gujarat (B) Meghalaya (C) Madhya Pradesh (D) Rajasthan 285. A prehistorical painting or drawing on a rock wall. (A) Pictograph (B) Typo graph (C) Calligraphy (D) Graphic design 286. Three parts of a Greek Theatre building. (A) Theatron, Back Stage, and the Painting Curtain (B) The orchestra, the skene, and Theatron (C) The Skene, the Orchestra, and Entry & Exit (D) The Orchestra, Green room, and the Skene 287. In Roman period the theatre actors or performers were called as (A) Gladiators (B) Players (C) Thespians (D) Histriones 288. Roman’s Theatre Architecture is called (A) Amphitheatre (B) Acropolis (C) Round Stage (D) Stadium 289. The proscenium Theatre stage is in Trapezium shape, because of (A) Composition (B) Sight line (C) Aesthetics (D) None of the above 290. Cyclorama were introduced in Theatre in the period of (A) Late 20th Century (B) 21st Century (C) 20th Century (D) Early 20th Century 291. The Trust stage has more advantage than Proscenium theatre in relation with Audience is (A) Accommodation (B) Intimacy (C) Aesthetic (D) Acoustic 292. Who is the founder of Kabuki Theatre form in Japan? (A) Chikamatsu (B) Kannami (C) Zeami (D) Okuni 293. The costumes used in Noh theatre are called (A) Shozoku (B) Kimono (C) Karaori (D) None of the above 294. Vietnamese Traditional Theatre form (A) Water Puppets (B) Sky Puppets (C) Shadow Puppets (D) String Puppets

AXC - MASTER ] 29 P.T.O. 295. Khon is a Masked dance traditional theatre form of (A) Myanmar (B) Bangaladesh (C) Philippine (D) Thailand 296. Dragon dance tradition belongs to (A) Laos (B) China (C) Cambodia (D) Sri Lanka 297. The concept ‘Masks provides homes for Spiritual and Transcendental Energies’ is used in the Traditional dance theatre form of (A) Balinese (B) Lam Vony (C) Zat-Pwe (D) Baul 298. Ta Bin Taing and Zat-Pwe are the dance traditions from (A) Thailand (B) Myanmar (C) Laos (D) Bangladesh 299. ‘Lam Vong’ dance tradition is belonging to (A) Pakistan (B) Sri Lanka (C) China (D) Laos 300. Kuratsa folk dance is from (A) Thailand (B) South Korea (C) Philippine (D) Japan

AXC - MASTER ] 30