The Apprenticeship of Duddy Kravitz, St
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Refractions of Germany in Canadian Literature and Culture
Refractions of Germany in Canadian Literature and Culture Edited by Hein2 Antor Sylvia Brown John Considine Klaus Stierstorfer Walter de Gruyter • Berlin • New York Contents Foreword V JOHN CONSIDINE, Introduction 1 ROBERT KROETSCH, Occupying Landscape We Occupy Story We Occupy Landscape 23 Diaspora and Settledness 31 SYLVIA BROWN, Voices From the Borderlands: The Problem of "Home" in the Oral Histories of German Expellees in Canada 33 ANNA WITTMANN, From Hungary to Germany to Canada: Gheorghiu's Twenty-Fifth Hour and Shifting Swabian Identities 57 PETER WEBB, Martin Blecher: Tom Thomson's Murderer or Victim of War- time Prejudice? 91 THOMAS MENGEL, Der deutsche Katholik in Kanada: An Approach to the Mentalite of German-speaking Catholics in Canada through an Analysis of their Journal 105 HEINZ ANTOR, The Mennonite Experience in the Novels of Rudy Wiebe ... 121 JOHN CONSIDINE, Dialectology, Storytelling, and Memory: Jack Thiessen's Mennonite Dictionaries 145 Jewish Experience and the Holocaust 169 AXEL STAHLER, The Black Forest, the Unspeakable Nefas, and the Mountains of Galilee: Germany and Zionism in the Works of A. M.Klein 171 VIII Contents KLAUS STIERSTORFER, Canadian Recontextualizations of a German Nightmare: Henry Kreisel's Betrayal (1964) 195 LAURENZ VOLKMANN, "Flowers for Hitler": Leonard Cohen's Holocaust Poetry in the Context of Jewish and Jewish-Canadian Literature .... 207 ALBERT-REINER GLAAP, Views on the Holocaust in Contemporary Canadian Plays . 239 Literature and Cultural Exchange 257 ANNETTE KERN-STAHLER, "The inability to mourn": the Post-war German Psyche in Mavis Gallant's Fiction 259 DORIS WOLF, Dividing and Reuniting Grandmothers, Mothers and Daughters: the Black Motherline, Vergangenheitsbewdltigung Studies, and the Road Genre in Suzette Mayr's The Widows . -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Paying Attention to Public Readers of Canadian Literature
PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre. -
TVO Annual Report 19-20 English.Pdf
Ontario Educational Communications Authority Office de la télécommunication éducative de l’Ontario Contents 03 Message from the Chair of TVO’s Board of Directors 04 Message from the Acting Chief Operating Officer 06 Rising to the Challenge of COVID-19 10 50 Years of TVO 14 Digital Learning 18 TVOkids 22 Current Affairs 26 Documentaries 29 Podcasts 31 TVO in Ontario Communities 34 Sound Financial Stewardship 38 Performance and Financial Summary 41 Donor Thank You 43 Leadership Team TVO 2 Annual Report 2019-2020 Message from the Chair of TVO’s Board of Directors I hope this finds you and your loved ones healthy and well. COVID-19 hit hard – here at home and around the world. It brought tragic losses of life and None of this would be possible without the generous support of the Ontario government, TVO livelihoods. It also forced major changes to daily routines. employees and volunteers, our board and regional advisors, our sponsors, and the tens of thousands of individual donors who share Team TVO’s vision of a world made better through As the pandemic spread around the world, Team TVO stepped up in unprecedented ways. Our the power of learning. Thank you all. daily current affairs programs ensured viewers kept well informed about the virus and its impacts. Our educational programming and digital platforms helped learners of all ages, wherever they As you read the following pages, I hope you will reflect not only on the year that was, but also on were, stay engaged and on track. TVO’s potential to inform, inspire, and enlighten for generations to come. -
2014 Program
Kingston’s Readers and Writers Festival Program September 24–28, 2014 Holiday Inn Kingston Waterfront kingstonwritersfest.ca OUR MANDATE Kingston WritersFest, a charitable cultural organization, brings the best Welcome of contemporary writers to Kingston to interact with audiences and other artists for mutual inspiration, education, and the exchange of ideas that his has been an exciting year in the life of the Festival, as well literature provokes. Tas in the book world. Such a feast of great books and talented OUR MISSION Through readings, performance, onstage discussion, and master writers—programming the Festival has been a treat! Our mission is to promote classes, Kingston WritersFest fosters intellectual and emotional growth We continue many Festival traditions: we are thrilled to welcome awareness and appreciation of the on a personal and community level and raises the profile of reading and bestselling American author Wally Lamb to the International Marquee literary arts in all their forms and literary expression in our community. stage and Wayson Choy to deliver the second Robertson Davies lecture; to nurture literary expression. Ben McNally is back for the Book Lovers’ Lunch; and the Saturday Night BOARD OF DIRECTORS 2014 FESTIVAL COORDINators SpeakEasy continues, in the larger Bellevue Ballroom. Chair | Jan Walter Archivist | Aara Macauley We’ve added new events to whet your appetite: the Kingston Vice-Chairs | Michael Robinson, Authors@School, TeensWrite! | Dinner Club with a specially designed menu; a beer-sampling Jeanie Sawyer Ann-Maureen Owens event; and with kids events moved offsite, more events for adults on T Secretary Box Office Services T | Michèle Langlois | IO Sunday. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Susan Swan: Michael Crummey's Fictional Truth
Susan Swan: Michael Crummey’s fictional truth $6.50 Vol. 27, No. 1 January/February 2019 DAVID M. MALONE A Bridge Too Far Why Canada has been reluctant to engage with China ALSO IN THIS ISSUE CAROL GOAR on solutions to homelessness MURRAY BREWSTER on the photographers of war PLUS Brian Stewart, Suanne Kelman & Judy Fong Bates Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press “Illuminating and interesting, this collection is a much- needed contribution to the study of Canadian women in medicine today.” –Allyn Walsh McMaster University “Provides remarkable insight “Robyn Lee critiques prevailing “Emilia Nielsen impressively draws into how public policy is made, discourses to provide a thought- on, and enters in dialogue with, a contested, and evolves when there provoking and timely discussion wide range of recent scholarship are multiple layers of authority in a surrounding cultural politics.” addressing illness narratives and federation like Canada.” challenging mainstream breast – Rhonda M. Shaw cancer culture.” –Robert Schertzer Victoria University of Wellington University of Toronto Scarborough –Stella Bolaki University of Kent utorontopress.com Literary Review of Canada 340 King Street East, 2nd Floor Toronto, ON M5A 1K8 email: [email protected] Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/ support Vol. 27, No. 1 • January/February 2019 EDITORS-IN-CHIEF Murray Campbell (interim) Kyle Wyatt (incoming) [email protected] 3 The Tools of Engagement 21 Being on Fire ART DIRECTOR Kyle Wyatt, Incoming Editor-in-Chief A poem Rachel Tennenhouse Nicholas Bradley ASSISTANT EDITOR 4 Invisible Canadians Elaine Anselmi How can you live decades with someone 22 In the Company of War POETRY EDITOR and know nothing about him? Portraits from behind the lens of Moira MacDougall Finding Mr. -
Narrative Voice in David Elias's Sunday Afternoon
Speaking Redemption: Narrative Voice in David Elias’s Sunday Afternoon Edna A. Froese, St. Thomas More College, Saskatoon Whatever the recent developments in narrative theology have accomplished by way of allowing Christian believers to negotiate postmodern challenges to the authority of the scriptural foundations of their beliefs, the newly emphasized parallels between theology and literature open up wonderful possibilities for reading fiction as well as the Bible itself. Catherine Wallace, for example, in “Faith and Fiction: Literature as Revelation,” argues that literature “has much to offer religion that religion fails to understand and to accept” (2). With Coleridge and then Steiner, Wallace observes that faith is neither “an act of will [nor] an act of knowledge” but “a creative act, the act of imagination”; thus “art and the encounter with God share a common origin in the human spirit” (5). Since “the knowledge of God is not propositional but visionary” (5-6), the poet (or novelist or playwright) is also an “autonomous and significant theologian” (1), whose task it is “to take all the muddled disruptive incoherence of real fact and actual memory – whether communal or personal – and then select and arrange, reform and recast them into a coherent aesthetic whole that tells a visionary truth that facts alone cannot reveal” (10).1 If the 202 Journal of Mennonite Studies truth that the poet thus reveals is to be understood, whether that poet happens to be the redactor of Scripture or a contemporary novelist, “we must first of all read properly, which is to say attentively, details regarded not as historical facts but as poetic choices” (Wallace 10). -
CV June20 Eng.Pdf
a n t o i n e b u s t r o s [email protected] www.antoinebustros.com Updated: 06/2020 E D U C A T I O N University of Southern California. Film music with Elmer Bernstein. University of California, Los Angeles. Film music with Tom Sharp. B.Mus, McGill University; Composition with Profs Bruce Mather and John Rea; orchestration with Profs Bengt Hambreus and Donald Stevens; instrument: piano with Paul Loyonnet; minor in jazz with Mr Luc Beaugrand; Jazz Arrangements with Mr Vic Vogel, Concordia University. D.E.C. in Music from St-Laurent Cegep. MUSIC FOR THE SCREEN 2018 Theme music for Association francophone pour le savoir (ACFAS). 2017 Extraordinary Canadians. Season 2; 6 episodes Producer Kenneth Hirsch, PMA productions. Maurice Richard (by Charles Foran; directed by Adrian Wills) Marshal McLuhan (by Douglas Coupland; directed by Karen Cho) René Lévesque (by John Ralston; directed by Karen Cho) Louis Riel et Gabriel Dumond (by Joseph Boyden; directed by Adrian Wills) Wilfrid Laurier (by André Pratte; directed by Karen Cho) Tommy Douglas (by Vincent Lam; directed by Adrian Wills) Watch CBC: https://watch.cbc.ca/season/extraordinary-canadians/season-2/d907370d-44e8-4764-9af3-a3641376219f Return to Park Ex. Documentary. Producer Périphéria Productrions inc. and Les productions Easter Films; directed by Tony Asimakopoulos Watch CBC: https://watch.cbc.ca/media/cbc-docs-pov/season-1/return-to-park-ex/38e815a-00d01cbe7d0 Amour et argent peuvent faire bon ménage. Documentary. Producer Relais-femmes et les productions mainslibres; directed by Sophie Bissonnette 2015 Despedida. Documentary. Produced and directed by Leopoldo Guttierez, Polo Productions. -
Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle
PSU McNair Scholars Online Journal Volume 3 Issue 1 Identity, Communities, and Technology: Article 14 On the Cusp of Change 2009 Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle Anna Marie Brown Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation Brown, Anna Marie (2009) "Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle," PSU McNair Scholars Online Journal: Vol. 3: Iss. 1, Article 14. https://doi.org/10.15760/mcnair.2009.25 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. Portland State University McNair Research Journal 2009 Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle by Anna Marie Brown Faculty Mentor: Jennifer Perlmutter Citation: Brown, Anna Marie. Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle. Portland State University McNair Scholars Online Journal, Vol. 3, 2009: pages [25‐55] McNair Online Journal Page 1 of 31 Victor-Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle Anna Marie Brown Jennifer Perlmutter, Faculty Mentor Six months ago, the latest literary work from Québécois author Victor-Lévy Beaulieu came off the presses. Known by his fans as simply VLB, Beaulieu is considered to be among the greatest contemporary Québec writers,1 and this most recent work, La Grande tribu, marks his seventieth. -
September 17, 2018 Guideinsider’S
The Hill Times’ September 17, 2018 guideInsider’s The THE100 th TOP LOBBYISTS 26 by Beatrice Paez ANNUAL Nancy Peckford Politically Savvy on women in politics by NEIL MOSS Emily Haws: a primer on fall parties The 17th Annual AFN Chief TERRIFIC Perry Bellegarde 25 Staffers, ON HIS VISION by NEIL MOSS Lisa Van Dusen Joe Jordan’s guide on Washington, D.C. The Prime Minister’s Office in Ottawa. TO THE FALL SESSION The Hill Times photograph by Andrew Meade 2 MONDAY, SEPTEMBER 17, 2018 | THE HILL TIMES INSIDER’S GUIDE Feature Insider’s Guide EDITOR Kate Malloy MANAGING EDITOR Kristen Shane DEPUTY EDITORS Peter Mazereeuw, Charelle Evelyn ASSISTANT DEPUTY EDITOR Abbas Rana DIGITAL EDITOR Beatrice Paez PUBLISHED EVERY MONDAY AND WEDNESDAY BY HILL TIMES PUBLISHING INC. 246 Queen Street, Ottawa, Ontario K1P 5E4 PUBLISHERS Anne Marie Creskey, Jim Creskey, Ross Dickson PUBLISHER/VICE PRESIDENT Don Turner GENERAL MANAGER, CFO Andrew Morrow EDITORIAL SENIOR REPORTER Laura Ryckewaert NEWS REPORTERS Emily Haws, Jolson Lim, Neil Moss, Samantha Wright Allen PHOTOGRAPHERS Sam Garcia, Andrew Meade and Cynthia Münster EDITORIAL CARTOONIST Michael De Adder CONTRIBUTING WRITERS Christopher Guly, Leslie MacKinnon, Cynthia Münster COLUMNISTS Keith Brooks, Karl Bélanger, Andrew Caddell, Andrew Cardozo, John Chenier, David Coletto, Sheila Copps, David Crane, Jim Creskey, Darryl T. Davies, Murray Dobbin, Gwynne Dyer, Michael Geist, Greg Elmer, Riccardo Filippone, Alice Funke, Dennis Gruending, Cory Hann, Chantal Hébert, Joe Jordan, Warren Kinsella, Alex Marland, Gillian McEachern, Arthur Milnes, Dan Palmer, Nancy Peckford, Angelo Persichilli, Kate Purchase, Tim Powers, Jeremy Richler, Susan Riley, Ken Rubin, Sarah Schmidt, Rick Smith, Evan Sotiropoulos, Mathieu R.