We’ve Got Movies 3a We’ve Got •ÏAW Music 4a, 5a We’ve Got Justine 6a AND ENTERTAINMENT ALIVE AND LOCAL THE I.V. MUSIC SCENE Arts has come up with another brilliant idea that all of you loyal Arts readers are going to drool over. We're going to have weekly features called Up Close focusing on local artists, musicians, authors, movements or whatever else U P CLOSE strikes our fancy about local stuff. So, without further ado, we would like to by ramona present the first story in this series. Enjoy. Although some have tried to ignore its presence, the time has come for belching out the truth and forcing the majority of our student ghetto to accept that Isla Vista does indeed a ree^'n8 underbelly where bands that don’t play on Del Playa or at frat parties, bands ^whose names you would never say in front of Mom. and bands some of you would recoil or flinch upon hearing — DO EXIST. ISLA VISTA’S UNDERGROUND* ilS ALIVE AND THRIVING. It may be gutter-rock to some, but to others it’s a refreshing, J r iw fu f raw burst of creative energy — as much fun to support as be a part of — a reason to be alive. If you don't know what, referring to, it’s time to drag yourself out of the clrc<5+ anr be exposed. Therefore, to further i your education, the first in a never-ending ^ series: The Decline of Isla Vista (a glossary of alternative bands). a . . l :

Part One: SLUGGO AND MONO-SHOCK.

Vocals. JAY — (ex-HEAVE, UMBILICAL CHORDS and occasional drum appearances for STEVE GARVEY’S HAIR - the all- cover band.)

Guitar. MIKE — (ex-‘‘lots of bands" and BLOOD SPASM from Arizona who even have an EPout.)

Bass. CHUCK — (ex-DEAD y» LETTER WORD, SHE-DEVILS, I /. and also presently involved in I / m j i È CLUTCH — whose pre-recorded gloom tunes are anxiously awaited to be experienced as background music for the member’s juggling tricks.)

D rum s. ANDREW — (ex- THREATENED HOPE — for only two days, THOSE DAMN KIDS, STEEL TOAST / IRON BAGEL - later known as DADDY BIG PANTS — and also HEEDLESS YOUTH SPEEDING THROUGH LIFE WITH THE THROTTLE WIDE OPEN.)

(See I.V. BANDS, p.4A)

" ..- V" ^9^/9000^9^ ' work of D. H. Lawrence and Miller will speak about scriptwriting.

When Miller sent in his script of The Fox for permission to produce it, Frieda Lawrence (the widow of D. H.) said she'd never seen an adaptation of her husband's work that captured the essence of his writing so accurately, and she gave the production a green light.

If you are interested in theater, scriptwriting, D. H. Lawrence in general, The Fox in particular, or have any questions for Allan Miller or Bill Marks, attend their panel discussion on Wednesday, April 19 at 3:30 PM in the Multicultural Center (in building 434, formerly known to many as Café Interim).

W h o ' s E lisa M o n t e?

And how does she create the coolest conduct a free lecture-demonstration. dances around? And if the dancing is They will dance, discuss their work so cool, why do critics rave that it is so and answer your questions in hot? Campbell Hall at 4 PM next Monday, April 17, so be there! Temperatures aside, Elisa Monte has blazed new trails for herself and her dynamic company of seven dancers in a dance world crowded with copycats.

A fter a dancing career with modern dance luminaries like Lar Lubovitch, Pilobolus and the Martha Graham Even though artist Chris dance companies, Monte struck out on Burden now works primarily with her own when she choreographed a sculpture, it is his performance art duet called Treading in 1979. pieces of the early 1970s for which he is most widely known. Now her dances, described by The Times as "among the most War, the role of technology in society unabashedly sensuous to be seen on and themes of power are the stuff of stage these days, with a physicality Burden's art and he has consistently both raw and deliberate, abandoned yet questioned and overturned tautly controlled," are used by long­ conventions. He shut himself in a standing dance leaders like Alvin Los Angeles' Back Alley Theatre comes storage locker for five days, had Ailey American Dance Theater. to UCSB on Saturday, April 22 at 8 PM himself crucified through the palms in Campbell Hall with their on top of a Volkswagen, and in his At the Elisa Monte Dance Company's production, The Fox. Further details most famous piece, "Shoot," had a UCSB performance (Tuesday, April 18 about the performance will follow friend shoot him in the upper arm at 8 PM in Campbell Hall), they'll next week, but there's with a .22-caliber bullet. perform Treading and three newer works to Monte's avant-garde music ANOTHER FREE ACTIVITY! On Wednesday, April 19 at 8 PM in selections. The show is practically sold Lotte Lehmann Concert Hall, Chris out so rush to see if you can grab the coming up. Back Alley Theatre's Burden will discuss what he terms last remaining tickets. producing director Allan Miller, who "the loaded subject of art." adapted The Fox from a novella by FREE AFTERNOON PERFORMANCE D. H. Lawrence, and UCSB English professor Bill Marks will discuss Tickets for all Arts & Lectures events and film series may be purchased at the A&L Ticket Office Even if you can't get tickets for the adapting literary works for stage. Tueday night show,, the company will M -F, 9-5. Single film tickets must be purchased at Marks will provide expertise on the the door beginning at 7 PM.

M o n d a y Tuesday W e dn e sd ay Thursday Friday Saturday Sunday UCSB

13 14 15 16

Reign of Terror Bird 8 PM/Campbell Hall 8 PM/Campbell Hall

17 18 19 20 Chris Burden 21 22 23 8 PM/Lotte Lehmann Concert Hall Ana Castillo 4 PM/Girvetz 1004 m Elisa Monte Dance Co. Elisa Monte Dance Co. Northern Lights Back Alley Theatre Bagdad Cafe Lecture- Demonstration 8 PM/Campbell Hall ARTS & LECTURES 4 PM/Campbcll HaU 8 PM/Isla Vista Theater Orphans of the Storm 8 PM/Campbell HaU 8 PM/Campbell HaU Panel: The Fox 8 PM/Campbell Hall 3:30 PM/Multicultural Center Charge tickets by phone: 961-3535. 04»13»89 3Â

CALM CHILLER TRAIN BLOWN AWAY Aussie Thriller “D ead C alm ” A8cVs “Bird” Plays this Sunday byjesseengdahl but they’re the simpler variety, carefully placed throughout a Bird’s life to the screen Dead Calm is extremely un­ drawn, deliberately paced story. are well-meant. It is an nerving. A totally windless, What’s so good about this movie is achievement in itself that motionless, endless sea. When that there is so much tension, this film was made, but tranquility becomes death. because instead of seeing and unlike the fine Buddy Holly Many movies find that to be fearing that anything could happen Story, Bird assumes too staightforward; they are necessarily at any time, we are drawn into pure much in what should narrow. The best thing about the moments, undiluted situations when have been a simple tale of new Australian thriller Dead Calm we wait for one tiling to happen, or a talented man who was (and much of Aussie cinema) is that it not happen. These are strung out so tourtured in his private knows how to be simple without painfully that we actually have time life. being simplistic. Dead Calm is not, as to realize how deep we are, thus Charlie Parker was a many have said, an “intelligent” how deep the characters. The real byadam liebowitz What carries Bird is the man who had a talent thriller, as it doesn't explore the suspense, as Hitchcock always music; a mix of originals equal in screwing up his deeper implications of its character's knew, is in the waiting. In recent years Charlie and redubs. The quality personal life to his actions. Just call it smart — because I don’t want to say “intelligent" Parker has become a K- of the re-creation of some musical talent: a heroin by this it manages to stay completely because this isn’t a big, twisted tale tel/Muzak jazz king; all of Parker's classics is so addict, a drunk and an within itself, the most vital (and of battling intellects creating fan­ the kids have one of his good that not even the adulterer. However, Bird elusive) element in creating absolute tastically horrific scenarios. It's also albums in their collection, stuffy Academy of Motion makes no pretense of fear. not huge (or tiny) man-killing suitable for making out or Picture Arts (dig, Oscars) what view it has of monsters best fought Rambo-style by having deep con­ could overlook Parker's personal I’m not going to explain the plot; a group of young, stupid-yet- versations. This is not to (overlisten) the film’s tragedies, going so far as it's so minimal that anything given resourceful people of whom only two belittle the musical genius achievement, awarding it to point out in the film’s would detract from the suspense. I or one will survive (allowing only one of the Bird, but most just best sound editing. closing how former was glad I didn’t know anything survivor was actually a major step get in their lives the The tunes are great, friends of Parker are still about it. The reason everyone is towards maturity for horror/thiller watered-down, safe but director Eastwood living successful, drug- acting like Dead Calm is some kind of movies, which shows how limited the image one tends to get of (sounds wierd, doesn't it) free lives. Hitchcockian, thinking-man's thriller genre is). Dead Calm is actually very an artistic pioneer. gets in a little over his In turn to have in­ is because such a lean story doesn't physical, but it's a subtle, human Arts and Lectures is head with what is best dulged in a romanticism rely on all of the bigger, more foolish power. By using realistic situations, presenting director^!) called a European style of about Parker's drug cliches that have since poisoned the physicality carries more force * Clint Eastwood's vision of storytelling; jumping abuse would have most movies of this type, the "don’t we can imagine it, so we believe it. the life of Charlie Parker throughout Parker’s life seemed pretentious. But go in the house”s, the escape cars Four (out of five) stars. Miss it and this Sunday night as part in a non-linear fashion. dare we say in the clean magically crashing. It has its share, weep. of the continuing In­ This free-wheeling jazz and sober late '80s that ternational Film series. A style is an attempt to certain artists’ talents are film which deserves match the loose feel of in fact linked to how credit for bringing the Parker's music, but is a willing they are to alter music and life of Parker style better left to jazz or their body chemistry. MEET THE GIRLS to the mainstream is also the artsy filmmaking of a Romanticism no, but “just a film whose ultimate Godard. say no" editorializing is product and message is Still, all the intentions better left to elementary THE WHOLE TOWN IS questionable. of trying to bring the school propaganda films. TALKING ABOUT.

IS LEGITIMATELY STARTLING’1 '...JANET MASUN» NY TIMES J CERTAIN TO BE ONE OF THIS YEAR’S MOST CONTROVERSIAL DANCE CLUB f FUCKS.” ..«* REED • AT THE MOVIES REACHES WILD AND ORIGINAL COMIC HIGHS.” - “K g g SANTA BARBARA S CONNECTION A BRAZEN BUCK FOR COMEDY?’ ... KATHLEEN CARROLL • NY DAILY NEWS “'■fiearfiu-i t h e COOLEST KIDS... • LIVE MU SIC THE HOTTEST MOVIE.”... movieunemagazine • COMEDY ■ Jj& a t M j— • DANCING & GOOD TIMES

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MAN WITH THE BRINGING DOW! by jesse engdahl ai Try to tell Crowded House’s BLUE GUITAR that anything is perfect, and you'll probably get a sarcastic laugh. The lead Review of Peter Case’s New Record singer/guitarist/songwriter takes too much delight in painting the utter complication of life, with special care given to lovingly illuminate the deepest contradictions: “...Don't you just love this life, when it's holding you down....” he sings with harmonies so pretty you know he really does. And yet, perfection is something that Finn, along with bassist and drummer Paul Hester, brought a packed house at the Arlington very near last Sunday. A transcendental moment when some odd combination of elements fuses to both awaken and satiate the deepest desires. Sound cheesy, or just disgusting? Imagine the most intelligent, effervescent pop band in its prime giving a stellar, tour-ending performance. Crowded House knows just how absurd that sounds, and that’s exactly why they could pull it off. The ticket, of course, is the music. Songs that have a certain controlled madness, positioning slow leads Folky goof Peter Case. against speedy choruses, shifting beats, chords and lyrics in strange, by tony pierce unanticipated ways that seem so flawless once completed. The ability to O.K., you’re watching “Valley Girt” and it's the create a new, unbearably catchy part where the punk dude is showing the valley babe chorus and killer hook for every song, that the underground ródi scene in Hollywood is so just as addictive as the last, and then mudi cooler than the techno commercial schlock use it so sparingly just when you expect she's listening to. They walk into a dub and The (and want) them to beat it to death. Phmsouls are singing “A Million Miles Away,” which Crowded House knows what's good for turns out to be their song. us; they’re everything that can be ac­ Well, Peter Case has come a long way since his complished with pop music. days as lead Plimsoui; he got a haircut, changed But, they don’t shove it down our clothes, got married and released two solo records, throats. They give a performance that is including the latest entitled The nm with the Blue post just as layered as their music; between emphatically delivering the ironic, often This record sounds like what could have happened melancholy songs they bound about if tite old band had grown up as classy as Case did. It vivaciously, kicking and joking like rocks as much as a record, but has better kindergarteners at recess. This is, of words. It's as folky as Tracy's record without being as course, the only way to present serious oppressively depressing. pop music: with the least seriousness. Neil Fim “Poor Old Tom” is the story of a young Navy sailor Between the importance of the U2s, the working”, doing a “swing" version of who has a bad-luck life. Acoustic 12-string and airiness of the Debbie Gibsons, and the "Whole Lotta Love," or a crudely harmonica are spliced in the background as Case vitality of the ignored underground, demented rewording of “The Brady tells one of the best stories you’ll hear in a song. Mr. such goofiness is a breath of cool, clean Bunch,” they always had 'em laughing. Dylan best get out of those Wilbury clothes, 'cause sincerity. They spanked, skanked and pranked, there's competition come 'round. This song is sad, Whether stopping halfway through walked on the wild side, thanked but the saddest part is that most people won’t even the first song to complain that it “isn’t everyone in the world and got it all on hear it Other groovin' musicians appreciate Case’s talent, though. , David Lindley, T-Bone Burnett, (Continued from cover) because “I had about twc David (Los Lobos) Hilago, Benmont (The Heart- The Name. What I always thought was an practice... and I had to come i breakers) Tench and some studio studs like Jim onomonopeia (words that sound like they are — you didn't want the guys to yell a Keltner, Mitchell Frown and Jerry Schef showed up know, like in Batman comics) is undefined by the dying," but “most of the lyric to put in their two-cents worth. The music is full, rich band themselves, who only claim to have chosen the come into my head at the time and dynamic — like good coffee — good hot coffee. name so as NOT to have to answer questions about Feeling the cops have beer Damn Good Hot Coffee. WHAT it means (they just assume everyone can "develoment" of alternative The single "Put Down the Gun” will hopefully find figure it out for themselves)... so interpret it as you out on police intervention : a place on KTYD it’s the brightest rose in this will. Sluggo’s recently destined to b sparkling bunch. Air guitarists will love peace The Band. Sluggo’s past year has been spent creating O PENING band — we tried h freaks’ll dig it and, like, if babes from the valley hear a wide variety of instrumentals covering a diverse like if.” Tired of being shut you listening to it you just might, you know, impress range of genres (punk, funk, , country) rather “want to play first from now or ’em. than just being like all those bands that "play loud all All you have to say Is this: “Cool words, huh? But the time" — although they boast some pretty serious Mono-Shock: listen to the production ... his strong voice rings out equipment with some »serious wattage. Sluggo, out to Vocals, Guitar. GRADY — (ex but you can still hear the clearness in the acoustic "play music and have fun," with recent addition Jay, and JACK SOO’s MEMORIAL guitar. I just love acoustic guitar, don’t you?” unknowingly added, "to drink a whole lot and break Vocals, Bass. SCOTT — (ex-! Don’t get too upset if she makes references to equipment" to their playlist. VIG O DA and JACK SO O ’s ME Guns ‘N’ Roses. You’ll know fe r sure that you can Having been minus the oral fourth for so long, Jay Drums. RUBIN — (ex-UMBI impress the babes and you might not even need this took on the job of adding poetic phrases to numerous VIGODA, JACK SOO’S MEM cool record. But get it anyway, cuz when it comes to songs identified previously by names like "the first currently also a member of IA good music and hot chicks — too much is never song," "the second song" or “the speedmetal song." BROWNIE.) enough. "Time Waits For No Man,” his first creation evolved The Name. The inspiration

'ìiìÌÀttài ÏÏ0M MW WN THE HOUSE YOU THIRSTY? je at the A rlington JUST SWALLOW

by jay htnman ■ 8111— So, like, you're from Seattle. The Son tes destroyed clubs there. Hendrix got kicked out of high school there. The town itself displays a musical ethos (especially in latter-half 1980s) that loud guitar- dominated fuzz-rock rules O.K. What do you do? Maybe pick up the instruments of your forebears, plug in and bash out some of foe tightest, leanest, wacked-out long-haired punk jn Seattle or foe U.S., kinda like Swallow did. I pnfy have one single ("Guts’V T ra p p e d ”) and one compilation track (“Zoo" from foe 3-record set ".SUB POP 200”) to go by, but it looks like thèse guys have been wèaned on not only the aforemen­ tioned Seattle "tradition,” but also on the dirtbag biker movies of the late *60$, a host of beatnik literary influences and probably a whole lot of Ranier beer as well. “Guts" is a glorious item — a careening, crashing song with Rod Ho's screeching vocals spurting out stuff like, “Wrote a story ’bout a body that was dead/Got into an accident/And he lost his heeeeeeead! /LOST HIS HEADI/LOST! HIS! HEAD!" How lines like that were turned into a singalong anthem is beyond me, but Swallow has done it — I mean, if this is metal, I guess I’ll say I like metal (I don’t T K t N * U i % . Veil Finn thinks about life. The good news for the discriminating consumer is that Swallow has a brand-new LP imaginatively titled Swallow out now on Sub Pop Records n of video. Kenny Loggins was there loving that you should be able to find at Sound Factory or Rock House, and dely it, dancing, singing along (he knew all more importantly, they’ll be playing Santa Barbara for a nominal fee rady the words!), necking with his wife (I next Wednesday (foe 19th) at Club Iguana, 525 State St. with a local ling. hope that was his wife!) and sweating band dubbed The Hidden, sometime around 9:30 p.m. It certainly ked, all over me. As a satisfied crowd drifted wouldn’t be the worst move you've made, and combining in foe guitar iked towards the exits someone shouted hero and long-haired cute guy factors, it sounds like a pretty great II on “Long live Crowded House!” Amen. night indeed,______M . 1 ...... , - „»1 y, 1

Dut two hours before band came from part of Huffy bicycle of Grady's that says night when our bassist got wasted and passed out 3 come up with some lyrics ... I “mono-shock" on it (it’s wheeless naked frame is all and being offended by his rudeness we drew all over to yell at me, so I wrote about that is left). Rubin explains, 'T he original idea was him and took pictures of him ... The lyrics are the lyrics I sing are things that that it was going to be part of my drumset because I basically just venting foe frustration of being fucked he time and rhyme, didn’t have any drums... we don’t use it now though with like that and they range from screaming louder ive been a big problem for foe because we don’t have enough microphones and no to softer." Another Mono-Shock tune "I Stand Aloof” is rnative I.V. bands, and burnt one would hear it" (his $150 5-piece drumset with about "various Isla Vistan’s whose horizons don't antion squelching live music, foe vinyl kitchen chair does foe job better anyway). stretch much further than El Colegio or foe beach...." ted to be foe “world's greatest But Mono-Shock is also a (theme?) song, “Mono- With insights like this Mono-Shock is definitely a fine ; tried headlining and we don't Shock" about “riding your bike and getting shit ... addition to foe growing evolution of foe I.V. un­ ng shut down at parties they getting picked on when you’re a kid ... but you’ve just derground. i nowon." gotta say 'Fuck You, Man'.” So don’t be a stranger — come experienede foe The Band. Scott defines Mono-Shocks qualify as, LIVE energy of both Sluggo a n d Mono-Shock a\ong with a “We’re not that good of musicians to have that wide variety of Isla Vista alternative musical talent at Y - (ex-UMBILICAL CHORDS diverse a sound that Sluggo was speaking of, and a Big Rock Show in Anisq' Oyo Park this Sunday from IORIAL SERVICE) another philosophy of ours is that we usually know noon until 6 pm, sponsored by KCSB. - (ex-SQUID PATROL, ABE we're going to get shut down at a party so we try to >0's MEMORIAL SERVICE) play our best songs first." (Last weekend they began Taking foe stage will also be I.V.’s BLACK x-UMBILICAL CHORDS, ABE their set with a spine-tingling cover of SPIN A L TAPS CLOTHES AND POINTY SHOES, CACTOPUS, XION 'S MEMORIAL SERVICE and — “Listen to foe Flower People.") The best way to get and an 8-man reunion of foe MYSTIC SULTANS OF ter of I.V.’s newest band DOPE a flavor for Mono-Shock would be to look at foe BEN-WA. Be prompt so you don’t miss anything. This essential features behind their concept — their songs will be a memorable event to tell your kids about Diration for Mono-Shocks label themselves. “Let’s Hear if For foe Singer" is about "a someday. 6A ----- arts------04 • 13 • 89 UP&COMING D ANSC APE ’89 DOO TO DO by Charlie denny If you haven’t Okay, all of you cool art and especially you so- Danscape '89 will very-loved among dumb, pretentious, clubby- definitely be an evening been bowling lately, readin’ poetry types ala Justine Bateman, listen well spent. A couple up! We've got some stuff for you to check out this nights ago, I had the you ought to see cumin’week. pleasure of seeing this Besides all the ultra-a Iter native music, KCSB modern dance concert, what you’re missing. has a neat show hosted by everybody's favorite directed by Tonio Shimin psuedo-rad English TA Kirk Nesset: W riter’s and consisting of the AUTOMATIC Gallery Radio offers a sometimes vital variety of works of both faculty and SCORERS poetry, prose, and even music lyrics, especially if student choreographers. X they’re by outlaw Goucho John Andrew Fredrick, Danscape ’89 is sure to leader of the “ Cure” The Black Watch evoke any number of contrast of dream and Fun and excitement are the name of the game when and ex-UCSB English lecturer who was either too emotions in its audience reality — the set and you bowl at the ORCHID BOWL! Automatic interesting a teacher or too young and good — from melancholy to lighting are great for this Scoring keeps score for you and shows it in color on looking to talk to cute little English majors the way fear to joy. More than piece while the ballet at a 2 5 ” screen. W atch TV while you bowl, too! It’s tenured profs do. Recommended, next Tuesday once I felt a tingle go the beginning adds a a Ball! ------6pm. down my spine from charming touch. Home of UCSB’s After months of wandering lost without a used either the beauty of a Jose Ibarra Munguia’s Intercollegiate Bowling Team book store in I.V., you need not any more. The dance or the fear of its "Symphony of Psalms" is Intramural Bowling-Wed. & Sun. Book Den in Santa Barbara is opening a second theme. You are en­ an excellent piece whose Minutes from UCSB! store in our fair town. The Book Den I.V., located couraged to experience beauty stems from its at 903 Embarcadero del Norte, is opening the same — just hear combination of delicate, OPEN 24 HOURS Saturday so you can spend at least half the day what’s on the program. haunting and stirring ORCHID BOWL Hwy 101 at Fairview browsing around. The first work, Holly dancing. The costumes, 5925 Calle Real Goleta • 967-0128 To fill out the night you might hop over to the Schiffer’s “Corridors," is lighting, music and Pub to catch Crucial DBC. The band is part of the performed to Oriental- choreography left me A.S. Program Board’s Saturday Pub Series and style music and has a with chills of appreciation costs only $4 (in advance, $5 at the door). Stay raw, animalistic quality in and gratitude for having tuned for next week's attraction. the dance movements. been able to watch this To take you into the week, The Graduate ‘‘Crescere Allon­ lovely piece of art. presents an A.S. Program Board-sponsored tanandosi," a piece by A n d lastly, concert Rob Base and E Z Rock on Monday. This Vincent Brosseau, is at “Signatures," directed by dynamic duo made the hip-hop hit “It Takes Two" times playful, at times Delila Mosely, wraps up which we admit to tapping our feet to, so all the serious. Interestingly, the the concert perfectly. It more-or-less reason to catch 'em. Tickets are $11 music pauses several displays a variety of in advance and $12 at the door. times for conversation, in costumes and dance Also on Mondays this month Zelo's, located at Italian, between the male styles in a composite of Apr 15 • LOCAL MUSIC NIGHT • 630 State Street, has a Video Art Series. Videos dancers, and this gives several solos. Colorful SOMETHING FOR NOTHING chock full o’ art — what more could you ask for? th e dance more and serious, jazzy and TOAD THE WET SPROCKET By the way — Mr. Weatherman — Arts got a call dimension. funky, this unique piece today confirming that The Replacements ordered “Our World” by completes an enchanting THE I*RAILS 4 cases of Heineken, 4 cases of domestic beer, 2 Jacqueline Naumann evening of good dance bottles of Jack Daniels, 1 bottle of Jim Beam and 1 uses speech also. This works. Tickets for Dan­ I Apr 1 6 Nicaraguan Hurricane bottle of vodka to be backstage for their May 7 work is chilling; scape '8 9 s performances Victim's Benefit concert on campus. Since we're gonna interview Naumann's choreograp­ on April 13-15 at 8 p.m. them, we’re expecting a share in the partiables. hy skillfully displays the at U C SB 's Main Theatre Featuring There ya go, Mr. Cynical, the boyz from Minyapolis pain and fear of torture. are available now STRUNZ Er FARAH are still at it, no matter what the other, commercial Valerie Huston’s through Arts and Lec­ medias may report. Yours in freedom, A and E. “Mirage” is an interesting tures. Apr 1 8 KTYD Welcomes “It’s poetry, Hollywood style,” proclaimed the Los A cigarette's life Angeles Timed View section, and to prove it they Theflam e compels it GREGG ALLMAN printed A Cigarette’s Life, by everybody’s fave To turn afiery red. celebrity/intellectual party-girl, Justine Bateman. Hypnotic, swirling smoke ¡A p r 21 DESERT ROSE BAND The non-acerbic article named over 20 stars, from Is emittedfrom its head. Rutger Hauer to Howard Hesseman who’ve lately Apr 2 2 CRUCIAL DBC With each hit, ignition been delivering their musings at ex-L.A. hotspot More burning of thefriend. LETS GO BOWLING Helena's, so we can only ponder why the View’s The waste sect grows, and NO DOUBT editors chose sweet Justine’s as the one Finally descends. representative to be published in its entirety. Devoured by the air, Apr 2 4 KCSB Welcomes Preparedforfinale, I It’s smothered byforce DEAD MILKMEN Ending its trite ballet. Apr 2 5 LEO KOTTKE Er LYLE LOVETT THE FINEST SELECTION OF ¡A p r 2 6 M ID G E URE COMPACT DISCS May 5 EDGAR WINTER CASSETTES & RECORDS Er LEON RUSSELL NEW TITLES NOW IN STOCK:

| M a y 6 LOVE Er M ONEY THE CULT - "SONIC TEMPLE" DANSCAPE SALE PRICED 12.99 Compact Disc May 11 THE FIXX A Modern 6.99 L P Et T ap e ¡ M a y 1 3 YELLOWJACKETS Dance Concert PETER C A S E - "The Man with the Blue Post Modern May 15 THIRD WORLD Fragmented Neo-Traditionalist Guitar!" Er THE WAILERS FABULOUS THUNDERBIRDS- "Powerful Stuff" NEW ON C O M P A C T DISC ¡ M a y 1 6 JON BUTCHER DIRECTED BY V ELV ET UND ERGROUND • "Live at Max’s Kansas City” PETER TO SH - "Captured Live" May 2 6 GUADALCANAL TONIA SHIMIN U N TO N KWESI JO H N SO N - "Forces of Victory" DIARY MIKEY DREAD - "Happy Family" 8 "African Anthem! (on 1 CD) BESSIE SMITH • "The Collection" I May 2 7 RADIATORS APRIL 13 - APRIL 15 DUKE ELLINGTON • "Indigos" Tickets Available at Ventura Theatre "CASH PAID FOR USED CD's, CASSETTES & LP's" 26 So. Chestnut Downtown Ventura MAIN THEATRE - 8 PM For Dinner Reservations ft Ticket Information CALL (805) 648-1888 m orninglory CONCERT UNE (805) 648-1936 rrcKM^^ttAmrmm Box Office 961-3535 AND ALL LOCATIONS i i i i - i i

MAY COMPANY • MUSIC PLUS h J AILHOUSE RECORDS OPEN 10-10 DAILY. 10-8 SUNDAYS 910 Embarcadero Del Norte. Isla Vista 968-4665 FOLGNER PRODUCTIONS UNIVERSITY OF CALIFORNIA • TICKETS FOR LOCAL AND SOUTHERN CALIFORNIA EVENTS SANTA BARBARA, CALIFORNIA 04 • 13 • 89 7A LESSONS IN SWIMMING CHRIS BURDEN Lydia Emard Exhibit at the Women's Center Gallery by laurie I. mccullough photo classes in the UCSB Art Studio LECTURE Most things bitch in’ in department. Enter UCSB art are best when they’re art studio grad Lydia The works of artist He will be discussing unknown, before the Em ard, whose color Chris Burden certainly what he refers to as "the word gets out and photography exhibit aren't for everyone. loaded subject” of art. everyone's got a hand in opened this week at the % In his most well-known The lecture is free — and the beautiful pot. Women's Center Gallery. and controversial piece, kids, please leave the Usually it’s called a Swimming pools, Locker rooms “Shoot," Burden had a firearms at home. Diana camera. It's a is tribute to the Diana's friend shoot him with a wonderous piece of grace and influence. It is .22 caliber rifle in the seven-dollar plastic that sadly, however, evidence upper arm. And yes, the REGGAE! produces square pic­ that image alone is not bullets were real. tures. The Diana can hold solid photographic On other occasions AFRICAN long exposures and ground. Burden has rolled naked usually creates blurred, For it’s not that these across a stage covered CARRIBEAN ethereal images. In even pictures of sole figures with broken glass, has the most incapable hands swimming or in locker been crucified through FOR THE BEST this seven-dollar anti­ rooms aren’t beautiful. his palms on top of a ETHNIC MUSIC FROM camera is a piece of joy. Many of them, yawn, are; Volkswagen, and has A R O U N D THE W ORLD, Better than your 35mm it’s just that beauty only CHECK OUT OUR scenes whose varied space of an industrial held live wires to his EXTENSIVE SELECTION- automatic PHd (push takes you so far. The water colors lack control, steel shower. They are chest, sending electrical AVAILABLE ON here dummy) camera, the quietness of Emard's but in a series of three powerful and a bit currents through his COMPACT DISC, Diana’s virtue goes work ought to be its images of a woman in a body. RECORD & CASSETTE. beyond its technical ease. grace; only that quiet locker room shower. The creepy, making Lydia Burden, who has since MANY HARD-IO-FMD AND It’s subtle and always leaves you all too quickly. white images contrast Emard’s "Swimming abandoned such IMPORTED T lfliS I arty. Where Emard's work solitude and space, a pools, Locker rooms" dangerous pastimes and “ CASH P A » FOR USED C D 'e T Use of the Diana has succeeds most is not in figure alone and worth the momentary is now an associate been circulating through the numerous pool purifying, but in the large view. professor at UCLA, will morninglory w an speak at Lotte Lehmann ----- m usic— < OPEN 10-10 DAILY M Concert Hall on Wed­ S 10-4 SUNDAYS ■ ■ V10 b n tm rc o d w o D *l N on* nesday, April 19 at 8 p.m. Wo VMo 966-46*6 noms roe locpi ART FESTIVAL IN SB ANO L A CVINIS Hey, the weather’s nice, the sun stays out late, Providing major-level entertainment is jazz great folks are tan, what could this mean? Only one thing Dizzy Gillespie and world-class composer Henry — spring is here and it's time for the Santa Barbara Brant, who will be performing his piece "Rainforest." Arts Festival. The downtown organization has put Everything from drawing classes for kids to Andean together an impressive festival full of events, ac­ music to experimental theater has been arranged to tivities and art of all kinds. Started 11 years ago, this provide a festival for culture lovers young, old, Willy annual event provides a plethora of possibilities for traditional, experimental and everywhere in- getting out and experiencing art live and in person. between. Happening from April 15 to May 7, the festival The Downtown Association hopes the festival’s Wonka calender specializes in dance, music, theatre, literary diversity will attract both Santa Barabara residents FRIDAY, April 14 arts and visual arts. The entire downtown area will as well as people from outside communities while be participating in the festival. The Lobero and The bringing music, art and happy faces to the ravaged I.V. Theatre $2.50 Arlington will host the major music and theater downtown area. For festival information call 962- 7 • 9 • 11 pm i performances, while La Cumbre Plaza is slated as 2098 or keep your, eyes open for a schedule of Sponsored by Psi Chi > the site for a series of outdoor jazz concerts. events. Siakal ft , * NEW FROM W O O D Y ALLEN • "2 Thumbs Up Ebert ^ A i ANOTHER! IWOMAN

April 14-20 7:15 Nightly & 2:30 Sun " V IC " Theatre 965-1886

METROPOLITAN GOLETAS

THEATRES CORP. CINEMA h* y Movie Hotline 963-9503 6050 Hollister Ave., Goleta : 144 m r c V- K 5S&2 SSSS Fletch Lives (PG) 5 :36, 7 :30, 9:30 S A N T A B A R B A R A Sat ft Sun aleo 1:4*. 3:46 I Ú FIESTA FOUR Dream Team (PG13) 916 State St., S.B. 5:30, 7 :40, 9:80 H p S P S I H 8 a t Cr Su n alao 1:16, 3:25 I Rain Man (R) | Major League (R) No OMM, graia a h i or h«|BR niln 12. 2 :30. E. 7 :46. 10:16 1, 3 :16, 6 :30, 8710:16 Sunday et the Grenade | No pone, group h Im or began niiM GOLETA a RIVIERA Fletch Lives (PG) 320 S. Kellogg Ave., Goleta 1:30, 3:30, 6:30, 7 :30, 9:46 Pelle 2044 Alameda Padre Serra No pan«, group abs or began nta The Conqueror Dangerous Chances Are (PG) 6,7:36.10:10 Liaisons (R) 1:16, 3:30, 6:40, 7 :46,10 S i l t S un a lto 12.2:30 6 . 7 :20. 9:36 Set & Sun aleo 12:30, 2:46 Troop Beverly FAIRVIEW Hills (PG) 251 N. Fairview, Goleta PLAZA DE ORO % 1, 3 :06, 6 :16, 7 :20 , 9:30 Cousins (PG13) tBUNNY 349 Hitchcock Way, S.B. ROCKY HORROR P IC T U R E SH O W 5:20,7:30,9:40 Accidental Friday at M id n ita ______Sat S Sun also 1.3:10 f S t * * Tourist (PG) GRANADA The Rescuers (G) < y v 7 :40: Sa t » Su n *l*o 3:10 5:40.7:16 1216 State St. S.B. Sat e Sun also 12:40,2:20.4 The Accused (R) Saparats admission raquirsd 6 :30 , 9:60 Dream Team (PG13) LWAILER S e t & Su n also 1:00 12:25.2:36,6,7:26.9:60 Sing (PG13) WITH SPECIAL GUESTS No p m m , group h Im or bagan nim 8:30,10:10 Dead Calm (R) Soparata admission rsqulrad 5 :30, 7 :36, 9:36 New York S a t 9 Su n also 1:30, 3:30 SANTABARBARA B9 f THE ORIGINAL ____ Wo perns, grow «te» or besen nim Stories (PG) 12:40,3:06.6:40.0:20.10:60 TWIN DRIVE-IN 108 SWAP MEET!! Sun only 12:40,6:40,10:60 DOUBLE FEATURES! Fish Called Wanda 00 L SKATELLITES CTTOW 907 S. Kellogg, Goleta Adventures of 10 9 6 4 - 9 0 5 0 Baron B e a c h e s (PG131 W ednesday Evenings Munchausen (PG) 8; F, 8 a S also 11:66 4:30-10 pm 12.2:30.6:06.7:00.10:36 Sun only 3:06,8:20 Skin Deep 00 FRIDAY, APRIL 14-7PM EVERY SUNDAY No passes, group v im or bergan n iln ______1ft15______7 am to 4 pm W orking Girl (R) Captain Video, 9:16: F. S & S also 12 AH programa, showtimes & restrictions subject to changa w ithout n o tici > Î2SÏSÂ . including Arlington b the County bowl Morninglory Music, M ay Co. & Music •. f,f, fi l il a •u l WINDJAMMER

presents

Monday April 17th

LIVE IN CONCERT! ROB BASE & D.J. E.Z. ROCK

The party starts at 7:30!

ALL AGES WELCOMT

. S I G r a d u a t e ) ] 9 5 5 SmtA-UAnd« « c i 7 .W < r. 9iU TICKETS: $9 students SI 1 general/door

s OPEN BA R with Valid I.D. TICKETS ON SALE AT A.S. TICKET OFFICE & MORN1NGLORY Saturday Pub Series #1 FEATURING...

1\

With Special Guest ROYAL CRESCENT MOB M AY 7 8:00 ROBERTSON GYM TICKETS AVAILABLE AT A.S. TICKET OFFICE. MORNINGLORY MUSIC AMD d Ê H B Ê ALL TICKETMASTER OUTLETS. FOR MORE INFORMATION. CALL 961 -3536 CRUCIAL DBC Crucial DBC keeps coming back to the PUB time after time, because audiences keep coming back for more. Don't miss the start of the exciting Saturday PUB Series. The show is this Saturday, April 15 at 8 pm in the Pub. Tickets are $4 advance and $5 at the door.

SANTA BARBARA Lang Enterprises and UC5B AS. Program Board p a c i f i c c o a s t present Saturday May 13th, 12- 8 pm on the UCSB Campus Lagoon

^ B lu e s: STEVIE RAY VAUCHAN

J AND DOUBLE TROUBLE 1 ETTA JAM ES Fjlazz: Larry Carlton solo Art Blakey fir the ¡a il Mess anger, Ja tliS SlC tfC l of the Manhattan Transfer. Justo Almario, Seymour FESTIVAL Duncan, James Mulidore, Crucial DBC ON THE LAGOON

Tickets O n Sale Now Tickets by phone: Tkketmaster (213)480-3232 (714) 740-2000 (80S) 583-8700 Mon.- Fri. 8 am-9 pm, Sat & Sun. 8:45 am- 7 pm, Day of Performance until 1:00 pm. In Person: Captain Video, Mominglory Music, UCSB AS. Ticket Office, May Co., MusicPIus. For more information call: (805) 961-8436 The Sixth Annual EXTRAVAGANZA on May 6 will definitely be the hottest event of the school year. A full day of STAR, Ç M P P f 7E0C//ÍA PPE&WT .. free entertainment, what more could you ask for. This year's event will feature some of the best bands around, including... Jane's Addiction Mary's Danish AND ALL YOUR FAVORITE LOCAL BANDS There is much more in store for you once you enter Storke Reid on Saturday, May 6. Don't miss outlll

Dr. Darrell Posey to Give Lecture Anthropologist and long-time activist on the behalf of Amerindians in Brazil, Dr. Posey will give a free lecture to all interested. Posey will discuss controversial contemporary issues of interest including the Rain Forest and Amerindians. His lecture, “Alternative Management Models in . VyU^L .-r. . Tropical Development,” will take place on April 18 at 5 pm in Buchanan TALBNT 1910. "Don't Bank on Amerika" 5M V /T The film that depicts the riots that shook the campus, community, state and country will be shown on Saturday, May 15. Included are scenes with Bill Allen, Angela Davis and Ronald Reagan. This will be followed by the v ¡ f 3 . m I. V. slide show. It all happens in the I.V. Theatre at 6,7,8,9, and 10 pm. * An Evening with Chris Burden THE PUB Chris Burden is one of the most intriguing figures in the art world. He • S r w s A 8 m will, in fact, discuss art at a free public lecture on Wednesday, April 19 at 8 pm in Campbell Hall. His previous performance pieces were often violent, J and his sculptures are no less provoking. The lecture will be held in Lotte Lehmann Concert Hall. * Everyone is cordially invited to attend a This page provided Free, Public Reading Featuring and paid for by the POETRY READING FOR Associated Student P E A C E and the E N V IR O N M E N T Ana Castillo program Board HELD IN THE MULTICULTURAL CENTER Poet and novelist, Castillo will read and discuss a variety of her works this M O N D A Y , A P R IL 17 A T 7:30 P M Thursday, April 20. The lecture will be held in Girvetz Hall, room 1004 at 4 pm.