DOCSLIB.ORG

November / December

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
November / December CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 6 Number 6 November-December 2006 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers LIFE,LIFE, DEATHDEATH ANDAND DRUMMINGDRUMMING ININ THETHE HEARTHEART OFOF AFRICAAFRICA inside this issue: BY RIC ALVISO inside this issue: In the Kirundi language of Burundi the words for drum and king are the same. BobBob Dylan:Dylan: t was near the end of Peter Gabriel’s set at the ModernModern Times,Times, WOMAD Festival on September 18, 1993, in Dominguez Hills, California, where I, along with Ancient thousands of others, had gathered to sample sounds Ancient from some of the world’s finest musicians. There I was a sudden prolonged silence in the middle of a FootprintsFootprints song. For a moment I wondered if there were tech- nical difficulties on stage. Then I heard it. At first a low rumble from the back of the stage, it grew stronger and stronger until it thundered in my eardrums. Then, as the audi- PLUS:PLUS: ence watched in amazement, a line of men began to appear on stage, swaying from side to side, with enormous barrel-shaped Ross Altman’s drums balanced precariously on their heads. Without missing a Ross Altman’s beat, the drums were lowered to the ground in a large semi-cir- HowHow CanCan II KeepKeep FromFrom TalkingTalking cle, and one-by-one each drummer took turns ferociously pounding the largest, most-colorful drum placed in the center. LarryLarry Wines’Wines’ It was my first introduction to the Royal Drummers of Burundi. In Africa, drums are much more than rhythm. Drums are TiedTied toto thethe TracksTracks life. Each drum, rhythm, and movement of the drummers can be symbolic- imitating language, birds, and animals, repre- NEW!NEW! DirtDirt senting agriculture, fertility, regeneration, royalty, and com- menting on events in everyday life. The layers of rhythm are interconnected, representing the communal fabric of African NEW!NEW! ForkloreFolklore society. Yet this music and society allows space for individu- alism and the improvisational freedom to create a unique CalendarCalendar ofof EventsEvents moment never to be repeated exactly the same way again. In my travels to study music in Senegal and Zimbabwe, the depth && muchmuch more...more... DRUMMING page 22 Page 2 FolkWorks November-December 2006 EDITORIAL Hi Folks, ular culture. An amusing clip, show- PUBLISHERS & EDITORS Leda & Steve Shapiro Can you believe it is already the ing how popular Square Dancing LAYOUT & PRODUCTION end of 2006? Where did the year was, is a “campy” Lucky Strike Alan Stone Creative Services go? At the beginning of the year, we commercial with cigarettes doing a FEATURED WRITERS began a new concert series at the square dance. Check it out. Brooke Alberts, Lookaround Craft and Folk Art Museum. It has As we march into the holiday Ross Altman been a great series with terrific per- season, it is easy to get wrapped up How Can I Keep From Talking formers and wonderful audiences. in its commercial nature. Instead, David Bragger, Old-Time Oracle We did find that, while the concept in the folk spirit, think outside the Uncle Ruthie Buell of having concerts in an intimate box. Use materials found around Halfway Down the Stairs museum space seemed ideal, in real- the house and create your gifts Valerie Cooley, That Reminds Me... ity, it was a challenge for us and the from scratch. It might not be as Linda Dewar, Grace Notes museum staff. So, as this season and cool as giving someone an iPod but Richard Gee, Law Talk PHOTO BY SONYA SONES PHOTO BY SONYA series comes to an end, we would BY LEDA & STEVE SHAPIRO your friends and family will really Roger Goodman, Keys to the Highway like to thank all who made it possi- appreciate it. Or cook something David King, Dirt ble, particularly the volunteers who different. Our newest writer, Michael Macheret, Forklore Dennis Roger Reed, Reed’s Ramblings shlepped chairs, setup sound and Google Videos (www.google.com). Michael Macheret has a new food We first discovered YouTube while Dave Soyars, Dave’s Corner lighting and prepared the refresh- column. His first exploration Larry Wines, Tied to the Tracks ments. We want to thank all the surfing the web the day after the includes food of the season from Crosby, Stills, Nash and Young con- EDITORS musicians and the museum staff. around the world. If this interests David Ascher • Mary Pat Cooney As the year comes to an end, cert. Do you know that you can see you, go to your computer and find video footage of CSNY as a group Diane Sherman • Chris Stuart some of the writers and friends have a new recipe or take a cooking CONTRIBUTING WRITERS put together their “TOP TEN” lists. or as individuals from concerts 30 class. There are a few around town. Ric Alviso • Rex Butters Perhaps it will inspire you to pur- years ago. It’s incredible. There are And, when you are thinking of Tom Cheyney • Audrey Coleman chase recordings of their favorite a huge variety of videos available what to give, think of FolkWorks. Pat MacSwyney • Joel Okida artists, either for yourself or as gifts for viewing. There is footage of the Give a gift of a FolkWorks mem- DISTRIBUTION for friends. It is a time for sharing young Bob Dylan. There is even bership (see Page 27). Brooke Alberts • Ross Altman and rejoicing. footage of old 1950s Square From all of us at FolkWorks, Ric Alviso • Beverly/Irwin Bar Dancing from Bob Osgood’s Sets in Anna Byrne • Judy CaJacob Speaking of sharing, a couple of we wish you all a happy Audrey Coleman • Jim Cope the best technological things that Order. The 15 minute clip brings Chriskwanukah. Mary Dolinskis • Marge Gajicki have come to our attention are you back to a time when Square Sharon Gates • Cliff Gilpatric YouTube (www.youtube.com) and Dancing was an integral part of pop- Ken Helms • Sue Hunter Holly Kiger • Stan Kohls Amy Masumiya Bill/Mary Anne McCarthy Russ/Julie Paris Larry Rainwater • Milt Rosenberg Doug Moon • Daria Simolke BECOME A MEMBER Alaina Smith • Sylvia Stachura SEE PAGE 28 Mimi Tanaka • Larry Wines Lynn Worrilow LOGO DESIGN www.FolkWorks.org The opinions expressed herein are not necessarily those of FolkWorks Tim Steinmeier Thanks to all those who have supported and inspired us, especially Warren Casey of the IN THIS ISSUE Wicked Tinkers. Published bi-monthly by FolkWorks a 501 Music at the Skirball EDITORIAL ................................................... 2 (c)(3) non-profit organization an affiliate of Cuartetango BOB DYLAN: MODERN TIMES, Country Dance and Song Society (CDSS). dancers ANCIENT FOOTPRINTS............................. 3 BOARD OF DIRECTORS MEDIA SPONSOR: KEYS TO THE HIGHWAY ......................... 4 THE PYTHAGOREAN COMMA, THE SPIRAL OF Brooke Alberts • Ric Alviso FIFTHS Kay Gilpatric • Roger Goodman Promoting NEW! FORKLORE ...................................... 5 Don Kiger • Holly Kiger Folk/Traditional Arts DINING AT THE INTERNATIONAL HOLIDAY TABLE Teresa Modnick • Gitta Morris www.FolkWorks.org TIED TO THE TRACKS ............................. 6 Lisa Richardson • Steve Shapiro THOUGHTS ON THE BEST (AND WORST) OF 2006 Mimi Tanaka • Monika White NEVENKA-WHEN MARIGOLDS SING ....7 Leda Shapiro, Executive Director DAVE’S CORNER OF THE WORLD ........ 8 ADVISORY BOARD Héctor del Curto ON-GOING STORYTELLING EVENTS ....8 Richard Gee • Howard & Roz Larman MUSIC ON THE RADIO ............................. 8 Sabrina Motley • Colin Quigley SEEKING THE ROOTS OF SALSA........... 9 Cait Reed • Tom Sauber REED’S RAMBLINGS ............................... 10 WHADDA YA MEAN YA NEVER HEARD OF…? CONTACT INFORMATION CD REVIEWS ........................................ 10-12 P.O. Box 55051, Sherman Oaks, CA 91413 Phone: 818-785-3839 INTERVIEW..................................................13 Wednesday, November 1 [email protected] • www.FolkWorks.org CUARTETANGO WRITING ON THE PURPLE SAGE: CODY BRYANT 8:00 p.m. ©2006 FolkWorks All Rights Reserved $30 General Featuring guest bandoneonist Héctor del Curto NEW! DIRT ................................................. 14 $25 Skirball Members ON-GOING MUSIC HAPPENINGS ..........15 $20 Full-Time Students Experience all the passion of Nuevo Tango when string quartet CALENDAR OF EVENTS ................... 16-17 AD RATES Cuartetango, takes the stage. This triumphant ensemble brings ON-GOING DANCE HAPPENINGS ........ 18 together the best musicians and dancers of Buenos Aires and New Size 1 X 3X 6X TOM CHEYNEY’S TOP TEN 2006… York, under the direction of premiere tango violinist, singer, and Full Pg $700 $660 $600 SO FAR.......................................................... 19 1/2 pg $415 $375 $325 dancer Leonardo Suarez Paz. At the Skirball, the band will welcome as OLD TIME ORACLE ................................ 19 1/4 pg $265 $245 $200 their guest the world-renowned bandoneón player Héctor Del Curto. HINDU WIZARD RINGS AND MAGICAL BEANS 1/8 pg $175 $155 $125 UNCLE RUTHIE’S TEN BEST LIST....... 20 1/16 pg $95 $85 $75 “Enchanted, inspired, and creative.”—Legendary tango lyricist Horacio Ferrer UNCLE RUTHIE ........................................ 20 SPECIFICATIONS “I LOVED IT, BUT THE COMMITTEE SAID….” Sunday, December 10 Full Pg ........................................ 9.5 x 15" HANUKKAH FAMILY FESTIVAL ...THAT REMINDS ME... .......................... 21 1/2 pg H ................................ 9.5 x 7.375" 11:00 a.m.–4:00 p.m. AS THE TWIG IS BENT $8 General With musical performance
Load more

Recommended publications
  • History & Records
    HISTORY & RECORDS ® HORIZON LEAGUE IN THE POSTSEASON NCAA 2011 NCAA® Division I Men’s Basketball Championship 1982 Marquette 67, No. 10 Evansville 62 Second Round Third Round Regional Regional National National Regional Regional Third Round Second Round MARCH 17-18 MARCH 19-20 Semifinals Finals Semifinals Semifinals Finals Semifinals MARCH 19-20 MARCH 17-18 1983 Alcorn State 81, No. 12 Xavier 75 MARCH 24-25 MARCH 26-27 APRIL 2 APRIL 2 MARCH 26-27 MARCH 24-25 1984 Memphis 92, No. 11 Oral Roberts 83 First Four 1985 No. 4 Loyola 59, Iona 58 16 UTSA 70 12 UAB 52 First Round 11 USC 46 16 UNC Asheville 81 E Mar 16 E Mar 15 DAYTON SW Mar 16 SE Mar 15 Loyola 70, Southern Methodist 57; 16 Alabama St. 61 12 Clemson 70 March 15-16 11 VCU 59 16 UALR 77 Watch On 1 Ohio St. (32-2) 75 1 Kansas (32-2) 72 Mar 18 1 Ohio St. 98 1 Kansas 73 Mar 18 Georgetown 65, Loyola 53 16 UTSA (19-13) 46 16 Boston U. (21-13) 53 Cleveland Tulsa Ohio St. 60 Kansas 77 Mar 20 1 1 Mar 20 1986 Alabama 97, No. 12 Xavier 80 (1st Rd.) 8 George Mason (26-6) 61 8 UNLV (24-8) 62 Mar 18 8 George Mason 66 9 Illinois 59 Mar 18 9 Villanova (21-11) 57 9 Illinois (19-13) 73 Newark 4 Kentucky 76 1 Kansas 61 San Antonio 1987 No. 13 Xavier 70, Missouri 69 (1st Rd.) Mar 25 Mar 25 5 West Virginia (20-11) 84 5 Vanderbilt (23-10) 66 Mar 17 5 West Virginia 63 12 Richmond 65 Mar 17 Duke 65, Xavier 60 (2nd Rd.) 12 Clemson (21-11) 76 12 Richmond (27-7) 69 Tampa Denver Kentucky 62 Richmond 57 Mar 19 4 12 Mar 19 4 Kentucky (25-8) 59 4 Louisville (25-9) 61 1988 Kansas 85, No.
    [Show full text]
  • Proudly Serving Celts in North America Since 1991 MARCH/APRIL 2020
    ISSUE 29 VOLUME 2 Proudly Serving Celts in North America Since 1991 MARCH/APRIL 2020 THE FACES OF IRELAND (Clockwise L-R) – Children at the Saint Patrick’s Day parade in Dublin, Ireland; buskers at night on the streets of Galway, Ireland, 2020 European City of Culture; the spectacular Bullig Bay Loop on Ireland’s Beara Peninsula; stones are eternal as seen at Beaghmore, an early Bronze Age megalithic with stone circles and cairns, north west of Cookstown, County Tyrone in Northern Ireland. [Read more about Tourism Ireland and Galway, 2020 European City of Culture on pages 19 & 29] INSIDE THIS ISSUE WIN FREE TICKETS • Celtic Fest Vancouver Win a pair of tickets to see the Irish supergroup Dervish on March 15 at Western Canada’s Kay Meek Arts Centre, West Vancou- Biggest Celtic Festival ver (see page 7 for details). Mark your entry ‘Dervish’ by March 6. • Seattle Irish Week Win a pair of tickets to see The Celtic Full Program of Events Tenors perform with VSO on Friday, PHOTO: Operio Photography March 27 at the Orpheum Theatre, SPRINGTIME is the season for GAA sports. Pictured above are • St. David’s Day Vancouver (see page 5 for details). members of the Vancouver Irish Sporting and Social Club Mark your entry ‘Celtic Tenors’ by camogie team soloing the ball out on the attack against Seattle Celebrations Vancouver March 19. Gaels at Emerald City Cup. [Read more pages 26 & 27] Win a pair of tickets to see M’Anam & • Reflections on a Chor Leoni on April 24, at Chan Centre St.
    [Show full text]
  • Rosemary Lane the Pentangle Magazine
    Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album.
    [Show full text]
  • THE SEED THIEF by Jacqui L'ange Submissioncorrect
    The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University The Seed Thief Jacqui L’Ange LNGJAC001 A dissertation submitted in partial fulfillment of the requirements for the award of the degree of Master of Arts in Creative Writing Town Faculty of the HumanitiesCape Universityof of Cape Town 2012 COMPULSORY DECLARATION This work has notUniversity been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Town Cape of University Abstract At face value, The Seed Thief is a contemporary quest story. Maddy Bellani, a botanist with the Millennium Seed Bank in Cape Town, is sent on the trail of an African plant thought to be extinct on the continent, and believed to be growing in Brazil. Maddy is a reluctant heroine, a botanist of many places but no home, who responds to the call because she believes it might help her put some of her unsettledness to rest. But when she finds herself in a place that shakes her preconceptions to the core, the myths she has constructed to prop up her life and sense of self come crashing down around her.
    [Show full text]
  • Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
    Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters.
    [Show full text]
  • MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
    Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music.
    [Show full text]
  • Lista De Inscripciones Lista De Inscrições Entry List
    LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,
    [Show full text]
  • Damn Sure Blue
    KATE CAMPBELL DAMN SURE BLUE 09/21/18 Singer-songwriter Kate Campbell turned to the Man in Black for inspiration on her latest Large River Music release Damn Sure Blue. In fact, two of the songs from this soulful collection of tunes stem directly from Johnny Cash’s prolific catalog—the folk classic, “The Ballad of Ira Hayes” and his self-penned “Forty Shades of Green.” In addition to giving a nod to Cash, Kate chose his ode to the Emerald Isle in commemoration of her annual treks to Ireland where she hosts a music and heritage tour every summer for a group of die-hard fans. And by enlisting award-winning Americana guitar whiz Will Kimbrough as producer, this album plays like a Sunday afternoon drive down Highway 61 with country, folk, and blues blowing in the breeze. Damn Sure Blue’s opening line, “I’m not bitter, I’m just mad,” taps into the tide of discontent that many feel about the current state of American politics. Even a casual glance at daily headlines is enough to resonate with Kate’s reflective thoughts in “Change Should’ve Come By Now” and “Long Slow Train.” But she offers some hopeful words for this social malaise in her contemplative tune inspired by an Emily Dickinson poem, “This, and My Heart Beside.” “When You Come Back Home” speaks to love’s devotion amid the weariness of life’s journey and serves as a tender centerpiece for the record. “Sally Maxcy” tells a heart-rending tale of loss from an eighteenth-century letter shared with Kate by her friend Joanne Maxcy Martin.
    [Show full text]
  • 'With a Heavier Back...Comes a Lighter Spirit'
    ISSUE 24 VOLUME 2 Proudly Serving Celts in North America Since 1991 FEBRUARY 2015 WELSH schoolchildren wave the red dragon – the official na- tional flag of Wales. On March 1 Welsh around the world cel- ebrate the feast day of Saint David, the patron saint of Wales. [To learn more, see pages 2 & 8] Are you ready for CelticFest Vancouver? Twelve fun-filled days of Celtic entertainment from March 6-17. Check out the full line-up on page 6. ARTWORK BY: Nataša Ilincic, artist and illustrator. ‘With a heavier back....comes a lighter spirit’ This month’s cover artwork is by artist Nataša Ilincic. She was inspired after a visit to Wales last year where she worked on an organic farm near Llanidloes, experiencing rural life, sleeping in a barn, tending to animals and wandering through the hills nearby. [For more about the artist, see page 2] NORTHERN IRELAND WIN FREE TICKETS SEVENTY-FIVE years since CANADA’S new Ambassador Win free tickets to Festival du Bois Mackin Park, Coquitlam, starting Febru- PARTIES AGREE ON his “finest hour” in leading the to Ireland Kevin Vickers pre- ary 26 (see page 4 for details). Entry by February 19. Mark your entry: A £2 BILLION DEAL fight against fascism in the sented his credentials to Presi- Festival du Bois. Second World War, Winston dent Higgins at Áras an Win tickets to CelticFest, to A Tribute to the Pogues at the Imperial, 319 TO SECURE Churchill is remembered as “a Uachtaráin on January 21. Main Street, Vancouver on March 7 (see page 6 for details).
    [Show full text]
  • 2019-20 Horizon League Men's Basketball
    2019-20 Horizon League Men’s Basketball Horizon League Players of the Week Final Standings November 11 .....................................Daniel Oladapo, Oakland November 18 .................................................Marcus Burk, IUPUI Horizon League Overall November 25 .................Dantez Walton, Northern Kentucky Team W L Pct. PPG OPP W L Pct. PPG OPP December 2 ....................Dantez Walton, Northern Kentucky Wright State$ 15 3 .833 81.9 71.8 25 7 .781 80.6 70.8 December 9 ....................Dantez Walton, Northern Kentucky Northern Kentucky* 13 5 .722 70.7 65.3 23 9 .719 72.4 65.3 December 16 ......................Tyler Sharpe, Northern Kentucky Green Bay 11 7 .611 81.8 80.3 17 16 .515 81.6 80.1 December 23 ............................JayQuan McCloud, Green Bay December 31 ..................................Loudon Love, Wright State UIC 10 8 .556 70.0 67.4 18 17 .514 68.9 68.8 January 6 ...................................Torrey Patton, Cleveland State Youngstown State 10 8 .556 75.3 74.9 18 15 .545 72.8 71.2 January 13 ........................................... Te’Jon Lucas, Milwaukee Oakland 8 10 .444 71.3 73.4 14 19 .424 67.9 69.7 January 20 ...........................Tyler Sharpe, Northern Kentucky Cleveland State 7 11 .389 66.9 70.4 11 21 .344 64.2 71.8 January 27 ......................................................Marcus Burk, IUPUI Milwaukee 7 11 .389 71.5 73.9 12 19 .387 71.5 72.7 February 3 ......................................... Rashad Williams, Oakland February 10 ........................................
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
    BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE • a (tie. Leaa richer J [fH1*V?*!?n w If John Hancock is proud to support the Boston Symphony Orchestra. the future is yours A World-Class Alcohol and Drug Treatment Program lliii View from The McLean Center, Princeton, MA E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment wvvw.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teaching facility of Harvard Medical School, an affiliate of Partners Massachusetts General Hospital and a member of H E A I T H L \ R F Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Official | Hospital of the Boston Red Sox Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]