February 2006

Total Page:16

File Type:pdf, Size:1020Kb

February 2006 FREE SAN DIEGO 10 YEARS ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news November 2011 www.sandiegotroubadour.com Vol. 11, No. 2 what’s inside Welcome Mat ………3 Mission Contributors San Diego Drum Shop Full Circle.. …………4 Josh White Jr. Recordially, Lou Curtiss Front Porch... ………6 Dixieland Jazz Festival David Page Kelsea Little Parlor Showcase …8 Coco and Lafe Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Stages Highway’s Song. …12 Creole Choir of Cuba Of Note. ……………13 Big Shot Reub & the Reloaders Emmylou Harris Wild Older Women Quimera Music Peter Case ‘Round About ....... …14 November Music Calendar The Local Seen ……15 Photo Page Come visit me and see my art in Spanish Village. I’m in Studio 37 Mondays and Wednesdays. NOVEMBER 2011 SAN DIEGO TROUBADOUR welcome mat RSAN ODUIEGBO ADOUR A Music Store Just for Drummers Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news by Mark Pulliam sponsoring monthly swap meets (offering used equipment and the like) in the spa - MISSION CONTRIBUTORS rums (and drummers) are often cious parking lot; “drum nights” each the Rodney Dangerfield of the Tuesday from 7-11 p.m. featuring product To promote, encourage, and provide an FOUNDERS music business – they tend to get specialists from leading suppliers demon - alternative voice for the great local music that Ellen and Lyle Duplessie D no respect. Rich dilettantes collect fancy strating new and existing products, as is generally overlooked by the mass media; Liz Abbott namely the genres of alternative country, Kent Johnson vintage guitars, not drums. Teenagers well as impromptu drummer jam ses - Americana, roots, folk, blues, gospel, jazz, and PUBLISHERS usually want to learn to play the guitar, sions; and regular meet-ups/drum circles, bluegrass. To entertain, educate, and bring Liz Abbott not drums. Rock and roll and blues leg - organized in conjunction with the Socal together players, writers, and lovers of these Kent Johnson ends are predominantly guitar players – Drum Society. Beginning in 2012, San forms; to explore their foundations; and to expand the audience for these types of music. EDITORIAL/GRAPHICS think Eric Clapton, Jimi Hendrix, Duane Diego Drum Shop plans to become a Liz Abbott Allman, Stevie Ray Vaughan, and Jeff provider of “Music Together,” which is an Chuck Schiele SAN DIEGO TROUBADOUR, the local source for Beck--rather than the rhythm section that internationally recognized early child - alternative country, Americana, roots, folk, ADVERTISING blues, gospel, jazz, and bluegrass music news, made their music possible. The reality is, hood music and movement program for Kent Johnson is published monthly and is free of charge. all musical groups, regardless of genre, babies, toddlers, preschoolers, and Letters to the editor must be signed and may be DISTRIBUTION have a drummer (often overlooked). kindergartners (and their parents). edited for content. It is not, however, guaranteed Kent Johnson that they will appear. Dave Sawyer What would Rush be without Neal Peart? San Diego Drum Shop carries a full line All opinions expressed in SAN DIEGO Indian Joe Stewart Or Genesis without Phil Collins? Or the of drums (Gretsch, Sonor, TJS), drum TROUBADOUR are solely the opinion of the Dan Long Eagles without Don Henley? Or the Band heads (Aquarian, TAMA, Craviotto, Paul Cruz writer and do not represent the opinions of the without Levon Helm? You get the point. Pearl), cymbals (Zildjian, Istanbul, staff or management. All rights reserved. PHOTOGRAPHY Steve Covault So why does San Diego have so many gui - Sabian, Stagg), sticks (Vic Firth, Vater, ADVERTISING INFORMATION Dennis Andersen tar stores but (until recently) no music Zildjian), other percussion instruments For advertising rates, call 619/298-8488, e-mail Dan Chusid [email protected], or visit www.sandiegotrou - stores specializing in drums? (including cowbells, shakers, tam - badour.com WEB That is the question that father-son bourines, jingle sticks, xylophones, bar SUBSCRIPTIONS are available for $30/yr. Chris Clarke team Paul and Chris Scott asked them - chimes, etc.), stick accessories and spe - Doug Walker Send check payable to S.D. Troubadour to: selves on a recent cross-country road trip, cialty sticks, and a complete line of drum San Diego Troubadour WRITERS visiting cities large and small with spe - accessories. San Diego Drum Shop sells P.O. Box 164 Beston Barnett La Jolla, CA 92038 Peter Bolland cialty drum stores. They returned to San equipment ranging in price from entry WHERE TO FIND US Can’t find a copy of the Sandra Castillo Diego with a vision—to create a full-serv - level (complete kits for as little as $399) San Diego Troubadour? Go to Lou Curtiss ice retail outlet for musicians who play to the ultra-high end (handmade cymbals www.sandiegotroubadour.com and click Frank Kocher the drums (or beginners wishing to for $499). If it has anything to do with on FIND AN ISSUE for a complete list of Jim McInnes learn). The result, which opened on June drums, San Diego Drum Shop carries it, locations we deliver to. Bart Mendoza SUBMITTING YOUR CD FOR REVIEW Gregory Page 25 at 4580 Alvarado Canyon Road, Suite with knowledgeable sales personnel to If you have a CD you’d like to be considered for Mark Pulliam H, is in the heart of Mission Valley (in the help the customer in a friendly retail review, please send two copies to: San Diego Terry Roland industrial park behind Adventure 16, environment. Troubadour, P.O. Box 164, La Jolla, CA 92038. Chuck Schiele near the trolley station). Side by side, The adjacent Bluesky Studios offers SUBMITTING A CALENDAR LISTING Sven-Erik Seaholm with ample parking, are the San Diego instruction by well-known drummers Email your gig date, including location, address, José Sinatra Toby Ahrens, Ron Haslam, and Tom and time to [email protected] by Steve Thorn Drum Shop, selling new and used drums the 22rd of the month prior to publication. D. Dwight Worden and drum accessories; and Bluesky Donlinger. The rehearsal studios come in ©2011 San Diego Troubadour John Wyllie Studios, featuring rehearsal studios avail - various sizes, including one large enough Cover photo & design: Chuck Schiele able for hourly rental (with or without for a full group to practice or perform, amplifiers and equipment) and teaching complete with overhead spot lighting to The San Diego Troubadour is dedicated to the memory of Ellen and Lyle Duplessie , rooms with professional instructors. Both replicate the “stage” environment. For whose vision inspired the creation of this newspaper. experienced and aspiring drummers can further information, call Chris Scott or pound away day or night without having Jon Oren at 619-521-4860, or contact to worry about annoyed parents or noise them by e-mail at complaints from neighbors. [email protected], or visit In addition, San Diego Drum Shop the store at 4580 Alvarado Canyon Road, aims to become the gathering place for Suite H, San Diego, CA 92120. San Diego’s drum-playing community, www.sandiegotroubadour.com 3 NOVEMBER 2011 SAN DIEGO TROUBADOUR full circle Josh White Jr. Turns Toward the Blues and His Father's Legacy by Terry Roland hasn’t picked up his story. Like some folks session musician in Chicago. With the say, “you can’t make this stuff up!” money he earned, he eventually returned here aren’t many people who have Two months after his father’s death, home to Greenville, South Carolina where lived a life along the crests of seven-year-old Josh found he could pick up his mother lived. TAmerican history and its culture. For a sizable two dollars a week by leading a In 1930 a New York record company, Josh White Jr., his life over the last 70 years blind blues street singer named Blind Man ARC Records, came to Chicago looking for has seen the depths of southern racism, the Arnold to street corners and then help with Josh White. They wanted the “boy who heights of musical celebration and celebrity entertainment by joining in with a tam - recorded for Paramount in 1928.” When success, and the kind of achievement that bourine. The street singer found that he was they found him he agreed, with the influ - transcends it all. Born to cultural icon Josh making more money with this gifted child ence of his mother, to sign a recording con - White, in 1940, today he embraces his who also learned to dance and sing. For a tract provided he would only record gospel father’s legacy and has been an important near decade Blind Man Arnold realized that music. As a result he was billed as “Josh catalyst in keeping his music and life story he could rent Josh out to other blind street White, the Singing Christian.” It didn’t take in the public eye. He’s also been an artist blues singers, as many as 66, including long until he succumbed to the temptation who has been willing to take his music any Blind Lemon Jefferson, Blind Blake, and of the “the devil’s music,” otherwise known where that people are open to hearing the Billy Joe Taggart. Soon, a student-teacher as the blues, and he began to accept session stories expressed through an acoustic blues relationship developed between Josh and his work for up-and-coming artists as well. In guitar and his blues-soaked voice, which guitar-playing, blues-singing employers. It order to make this work, at 18 and still rings out with the depth of his soul. wasn’t long before he mastered their guitar underage, he signed on as “Pinewood Tom” When listening to Josh White Jr. it styles.
Recommended publications
  • Soul on Fire: the Life and Music of Peter Steele Copyright © 2014 FYI Press, Inc
    SOUL ON THE LIFE AND MUSIC OF FIRE PETER STEELE WAGNER BY JEFF BY Dedicated to the memory of Peter Thomas Ratajczyk and Barbara Emma Banyai SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. Soul on Fire: The Life and Music of Peter Steele Copyright © 2014 FYI Press, Inc. All rights reserved. www.petersteelebio.com Cover photo by John Wadsworth Cover design by Scott Hoffman and Adriene Greenup Photographs as credited Book design by Scott Hoffman for Eyedolatry Design Copyediting by Valerie Brooks Editing and additional contributions by Adriene Greenup First published in the United States in 2014 by FYI PRESS Greensboro, NC 27403 www.fyipress.com ISBN 978-1-934859-45-2 Printed in the United States of America SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. “There is no weapon more powerful than the human soul on fire” —General Ferdinand Foch “Do you believe in forever? I don’t even believe in tomorrow” —Peter Steele SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. CONTENTS Prologue: Too Late for Apologies vii Part I: RED 1 Ground Zero Brooklyn 1 2 Into the Reactor 13 3 You Are What You Eat 35 4 Extreme Neurosis 63 Part II: GREEN 5 Power Tools 91 6 Into the Sphincter of the Beast 117 (and other Fecal Origins) 7 Religion…Women…Fire 129 8 An Accidental God 147 9 Product of Vinnland 171 Part III: BLACK 10 It’s Coming Down 203 11 The Death of the Party 225 12 Repair — Maintain — Improve 249 13 All Hail and Farewell 275 Gratitude 296 Endnotes 297 SOF Sample 4/11/2015 - Copyright FYI Press, Inc.
    [Show full text]
  • Voices in the Hall: Sam Bush (Part 1) Episode Transcript
    VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better.
    [Show full text]
  • Adams Avenue Street Fair
    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news September-October 2004 THIRD ANNIVERSARY ISSUE Vol. 4, No. 1 official program adams ave. street fair - what to see , where to 7 S t a g e s • 8 0 M u s i c a l A c t s • go , how to get there • O s v Welcome ………………3 e h Street Fair Headliners …8 r t Performing Artists …10-19 o 4 o Schedules, Map ………12 0 B 0 s F P t Welcome Mat ………3 o f Mission Statement o a Contributors d r , C Full Circle.. …………4 A r San Diego Music Awards & Lou Curtiss t s s s t e Front Porch …………6 Stag & CeeCee James r 7 A Victoria Robertson C , Acoustic Music San Diego r d a Adams Ave. Street Fair o f o See pp. 8-19 t F Of Note. ……………19 s 0 Victoria Robertson B 0 Joe Morgan o 4 Northstar Session o t r Ramblin’... …………20 h e s Bluegrass Corner v Zen of Recording O José Sinatra Jim McInnes’ Radio Daze Funk • Country • World • Blues • Jazz • Folk • Zydeco • Rockabilly • Latin ‘Round About ....... …22 Sept.-Oct. Music Calendar The Local Seen ……23 nce again, the last weekend in September brings and many more — and continues to draw musicians to San Diego from all over the country who seek fame and exposure. Photo Page us the the largest, most diverse, free music festival Othat may exist in the world today. At the Adams Fun and family-oriented, there is so much to enjoy at the Avenue Street Fair, located between Bancroft Street and 35th Adams Avenue Street Fair: Three beer gardens, carnival rides, Street in Normal Heights, more than 80 different musical acts a pancake breakfast, and more than 400 food and arts and will take the stage over a two-day period: Saturday, September crafts booths.
    [Show full text]
  • Philadelphia Dance Company DANCO on DANCO 8Pm | $20 in Advance/$25 Day of Show
    Contact: Phil Sumpter | Director of Marketing | 215.925.9914 ext 15 | [email protected] FOR IMMEDIATE RELEASE: August 8, 2011 PAINTED BRIDE ANNOUNCES 2011 – 2012 LINE-UP DISTINQUISHED BY CARIBBEAN MUSIC & CULTURE, 2-YEAR THEATER INITIATIVE, AND 2-WEEK HOLIDAY THEATER PRODUCTION FOR FAMILIES CABARET DANCE PARTY FEATURING LATIN BIG BANDS CONTINUES SALSA CALIENTE 2.0 – OCT 7 LONG-AWAITED REGIONAL DEBUT OF NEW WORLD MUSIC SENSATION CREOLE CHOIR OF CUBA – OCT 16 GRAMMY NOMINEE ELIO VILLAFRANCA & THE JASS SYNCOPATORS FEATURING VICTOR LEWIS AND SPECIAL GUEST MEMBERS OF LOS PLENEROS DE LA 21 – OCTOBER 29 AWARD-WINNING THEATER DIRECTOR AIN GORDON COMES TO PHILADELPHIA TO UNEARTH STORIES FROM OUR COMMUNITIES MADE POSSIBLE THROUGH PEW’S PTI AWARD PARTNERED WITH GAS & ELECTRIC ARTS, BRIDE MOUNTS ALTERNATIVE HOLIDAY THEATER PRODUCTION ADAPTED FROM AWARD-WINNING CHILDREN’S BOOK HERSHEL AND THE HANUKKAH GOBLINS – DEC 20 - 31 Philadelphia, PA – Continuing its role as a catalyst for independent artists from the region and around the globe – Painted Bride Art Center enters its 42nd year offering audiences alternative travel passage to experience a world of culture fueled by various artistic forms and genres including music, dance, theater and the visual arts. 2011 – 2012 EVENT LISTINGS (ORDERED BY DATE) PRESS NOTE: ADDITIONAL EVENTS TO BE ANNOUNCED FALL 2011 Event bill listings w/ extended descriptions and links to additional info VISUAL ARTS | September 2 – October 16 On the Wall: Works by Anita Allyn, Marta Sanchez, Christian Herr, Jamar Nicholas, Mauro Zamora, and Nami Yamamoto Guest exhibit curator: Robert Raczka Art-in-Progress day: Friday, Sept 2 | 11am – 7pm.
    [Show full text]
  • Magazine Still Lacking a Clever Title
    8 This Magazine Column Still Lacks a Clever Title Old Time Country: The Magazine of Traditional can get someof that international attention. CountryMusic is publishedquarterly by the Center for the Study of SouthernCulture, The University "Old time music" is a tricky term. In western of Mississippi, University, Mississippi, USA 38677, Canada(and possibly in parts of the U.S., notably the sameuniversity that publishesliving Blues. To the northern Midwest, as well) it refers to European get Old Time Country in Canada,send them $14.00 flavored dancemusic, waltzes, polkas, kolomaykas a year, which sounds like a bargain to me. The (if you're in that neck of the prairies), played by journal has some connectionto the Jimmie Rogers ensemblesthat are often heavy on piano accordion Memorial Association,but generallythe focus is on and saxes. In the southeasternU.S., that music is the music of the era that began with Rogers, not foreign, in at least a provincial sense;there, "old with the music of the era at which he was centered. time" refers to banjo/fiddle music, the genre that I mean, it's about old time Country Music, more developedinto bluegrass,though, of course,as time than it is about Old Time Music. You're more passesand memories become shortenedby sound likely to encounter Bashful Brother Oswald than bites & MTV, it's difficult for some folks not to Dock Boggs here, though, to be fair, the most think of bluegrass as "old time." That's one of recent issueincluded a feature on Riley Puckett, as many controversiesthat surface regularly in The well as reviews of discsby Uncle Dave Macon and Old Time Herald: A Magazine Dedicated To Old- Mike Auldridge.
    [Show full text]
  • November '92 Sound
    mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time.
    [Show full text]
  • A Cultural History of Opryland USA, Nashville, and the Suburban South
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-10-2020 Country Fun: A Cultural History of Opryland USA, Nashville, and the Suburban South William C. Nieman Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Popular Culture Commons, Cultural History Commons, and the United States History Commons Recommended Citation Nieman, William C., "Country Fun: A Cultural History of Opryland USA, Nashville, and the Suburban South" (2020). Honors Theses. 1348. https://egrove.olemiss.edu/hon_thesis/1348 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. COUNTRY FUN: A CULTURAL HISTORY OF OPRYLAND USA, NASHVILLE, AND THE SUBURBAN SOUTH by William C. Nieman A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford April 2020 Approved by ______________________________ Advisor: Professor Ted Ownby ______________________________ Reader: Professor Rebecca Marchiel ______________________________ Reader: Professor Jay Watson © 2020 William Chalmer Nieman ALL RIGHTS RESERVED ii In memory of Frankie and John Prine, two Nashvillians that we lost too early. iii ACKNOWLEDGMENTS First, my thanks go to the faculty members who have shaped me into the scholar, writer, and critical thinker that I am today, including Ted Ownby, Darren Grem, Katie McKee, Brian Foster, Ralph Eubanks, Patrick Alexander, Garrett Felber, and Kirk Johnson.
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • NOVEMBER 12, 2007 ARTIST VARIOUS TITLE Country Style USA
    SHIPPING DATE: OKTOBER 29, 2007 (estimated) STREET DATE: NOVEMBER 12, 2007 ARTIST VARIOUS TITLE Country Style U.S.A. Season 1 LABEL Bear Family Records CATALOG # BVD 20111 PRICE-CODE AT EAN-CODE 4000127 201119 ISBN-CODE 978-3-89916-348-3 FORMAT DVD digipac with 28-page booklet, b/w, NTSC, Multiregion GENRE Country TRACKS 91 PLAYING TIME 13 shows at 15 min. each (approx.) SALES NOTES COUNTRY STYLE USA The greatest repository of classic late 1950s and early 1960s country music on film. Ever! Around 1956-'57, the United States Armed Services filmed a series of recruitment videos with the top country stars of the day. Unseen for decades, these films capture the all-time greatest Nashville stars of the day singing many of their greatest hits. These are classic 'live' performances that represent the only chance that most of us will ever have of seeing these giants of country music at the very top of their game. Many fans have only ever dreamed of being in Nashville during the 1950s and seeing this parade of top stars. Now that dream is a reality. They're performing 'live' in your living room. The picture and sound quality is crystal clear, and there are mini-biographies and rare photos to round out the experience. Here are some of the many, many artists featured in this series: TRACK LISTING Host: Charlie Applewhite 1. Jim Reeves Stay All Night, Stay A Little Longer Waiting For A Train Am I losing You Army Recruiting Spot June Webb It's Too Late When Love Dies Jim Reeves According To My Heart Stay All Night, Stay A Little Longer 2.
    [Show full text]
  • Op6ocountrydtibum
    op6OCountrydtibum Capitol Magnetics Increases Lacquer Disc Prices 621/2% Weeks Weeks "prudent for them to keep very quiet or they On On by Lola Scobey may find nobody will sell to them at all." 7/23 Chart 7/23 Chart 1 OL' WAYLON 25 SOUTHERN NIGHTS NASHVILLE - When there are only two Steve Temmer, head of Gotham Audio, GLEN CAMPBELL (Capitol SO 11601) 20 21 the Pyral product, adds that WAYLON JENNINGS(RCAAPL1-2317 1 12 major manufacturers of a product, and one which imports raises prices 621/2%, major out- the protests "come under the heading of 2 KENNY ROGERS 26 IN PRISON IN PERSON suddenly (United Artists UA LA 689G) 2 17 I SONNY JAMES (Columbia KC 34708) 28 4 rage, shake-ups and shifts in the market being a cry baby. don't see what a $3 price 3 THE BEST OF FREDDY This is now happening in the increase has to do with a $40,000 record 27 MAKING A GOOD THING are inevitable. FENDER U.S. lacquer market. release." (ABC/Dot DO 2079) 3 12 BETTER OLIVIA NEWTON -JOHN (MCA 2280) 32 2 On 1, Capitol Magnetic Products, Delicate Situation 4 CHANGES IN LATITUDES June - CHANGES IN 28 LOVERS, FRIENDS & division of Capitol Industries, which Temmer's remarks point up the delicacy ATTITUDES STRANGERS manufactures lacquers under the trade of the lacquer market. It is one in which JIMMY BUFFETT (ABC AB 990) 5 19 BARBARA MANDRELL name Audio Discs, announced a whopping quality control standards are extremely (ABC/Dot DO -2076) 31 7 S TO LEFTY FROM WILLIE 621/2% price increase effective July 1.
    [Show full text]
  • An Ethnomusicological Study of the Policies and Aspirations for US
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Beyond the Blockade: An Ethnomusicological Study of the Policies and Aspirations for U.S.-Cuban Musical Interaction Timothy P. Storhoff Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC BEYOND THE BLOCKADE: AN ETHNOMUSICOLOGICAL STUDY OF THE POLICIES AND ASPIRATIONS FOR U.S.-CUBAN MUSICAL INTERACTION By TIMOTHY P. STORHOFF A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2014 Timothy Storhoff defended this dissertation on April 2, 2014. The members of the supervisory committee were: Frank Gunderson Professor Directing Dissertation José Gomáriz University Representative Michael B. Bakan Committee Member Denise Von Glahn Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To Mom and Dad, for always encouraging me to write and perform. iii ACKNOWLEDGMENTS This dissertation was made possible through the support, assistance and encouragement of numerous individuals. I am particularly grateful to my advisor, Frank Gunderson, and my dissertation committee members, Michael Bakan, Denise Von Glahn and José Gomáriz. Along with the rest of the FSU Musicology faculty, they have helped me refine my ideas and ask the right questions while exemplifying the qualities required of outstanding educators and scholars. From the beginning of my coursework through the completion of my dissertation, I could not have asked for a finer community of colleagues, musicians and scholars than the musicologists at the Florida State University.
    [Show full text]