DOCSLIB.ORG

Special Reader Bonus

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Special Reader Bonus BROOKLYN Your Neighborhood – Your News Now Including Park Slope Courier, Carroll Gardens/Cobble Hill Courier, Brooklyn Heights Courier & Williamsburg Courier Aug. 3-9, 2012 SERVING GOWANUS, PARK SLOPE, PROSPECT HEIGHTS, WINDSOR TERRACE, BROOKLYN HEIGHTS, DUMBO, METROTECH, BOERUM HILL, CARROLL GARDENS, COBBLE HILL, RED HOOK, WILLIAMSBURG & GREENPOINT The ‘Lost SPECIAL Free The Boro’s Circus’ is coupons ultimate in town READER to save$ classified See 24/Seven BONUS you cash section Windsor’s war with STRAPHANGER Walgreens BY NATALIE O’NEILL Windsor Terrace residents have a less-than welcoming mes- MINDS THE GAP sage for their neighborhood’s new- est business: feed us or leave! More than 100 protesters ral- lied outside the former home of the Says ‘accessible’ community’s only grocery store on Wednesday to demand that the new tenant — the drugstore chain stations aren’t Walgreens — offer fresh food or back out of the deal. so accessible “You’re not welcome here — and we’re not taking this laying BY ALFRED NG down,” said protest organizer Michele Kaplan often gets Steve Levine. stuck on the train, but unlike Neighbors last month began many commuters, it’s not delays fi ghting the nation’s largest phar- or track work that slow her down macy chain after it announced its — it’s the space between the sub- plans to replace the Key Foods at way car and the platform. Prospect and 11th avenues, say- Kaplan, who uses a wheelchair, ing it would create a food desert says too-steep gaps at certain sta- that would force families and old tions purported to be “ accessible ” people to trek more than a mile to to disabled passengers — including Park Slope for sustenance. many in Downtown — are actually More than 3,000 people — impassible, leaving her trapped roughly one third of all house- part-way over the tracks if she isn’t holds in the neighborhood — have careful. since signed petitions pledging to “It is an incredibly scary ex- boycott the pharmacy, according perience, and I am pretty fearless the movement’s organizers. in my chair,” said Kaplan, who Protesters urged the chain to documents her struggles commut- open a full-service food market or ing at her blog MindTheGapMTA. give up the space to a grocer that tumblr.com . will, waving signs reading “Green Kaplan is one of 60,000 handi- beans, not Walgreens!” and “If capped straphangers who she you build it, we won’t come!” in claims are constantly inconve- front of the now-graffi tied-cov- LEFT AT THE STATION: Michele Kaplan says she struggles to get her wheelchair over the large gap between trains and nienced by the inconsistent spac- Continued on Page 16 platforms — even at so-called “accessible” stations. Photo by Elizabeth Graham Continued on Page 16 A CNG Publication • Vol. 32 No. 31 UPDATED EVERY DAY AT BROOKLYNDAILY.COM 2 INSIDE Kings against Queens NNN%9IFFBCPE;8@CP%:FD GL9C@J?<;9P:E>(D<KIFK<:?:<EK<IEFIK?('K?=CFFI9IFFBCPE#EP(()'( . 3-8, 2012 An interborough water balloon battle pitted Brooklynites against their UG rivals from the north in an epic splash contest at Astoria Park in Queens. , A There were no clear victors in the July 28 confl ict, where Queens com- IFE L batant Peter Chanwent went on the attack (left) and Brooklyn fi ghters Frequent flyer: Performing her risky rope dances, Dana Abrassart is back this year for Gemino & Scorpio’s Lost Circus. Photo by Linus Gelber Hayley Swinburne and Ariel Gonzalez sought cover (below). OURIER OUTSIDERS ON THE INSIDE C Circus welcomes weirdos and wild to join in on the acts By Danielle Furfaro face painting, and photo booths. bring together elements of from all t would be a pity to let those jug- “We couldn’t find the kind of events corners of the New York City perfor- gling skills get rusty. in New York City that we wanted to go mance world. I Instead of practicing by them- to,” said Fuchs. “So we made them “Larisa is great because she puts selves, stilt walkers, contortionists, and ourselves.” artists in touch with each other and jugglers can join Gemini & Scorpio’s The goal is to entertain, more so in says, ‘Why don’t you do something Lost Circus for a night of spectacles the sense of a dinner party than a show, together?’” said James. “She has great and specialties where the audience isn’t so there are some rules including an vision.” just sitting holding their breaths, they’re elaborate dress code that encourages Though there will be plenty of wearing costumes and makeup, too, and dark cabaret, funky formal, Tim Burton- planned and unplanned performances showing off their inner circus freaks. esque looks, and welcomes “stilts and by circus aficionados and sideshow “Lost Circus is a party. It’s not a characters.” enthusiasts, there’s no limit to the oddi- show,” said curator Larisa Fuchs, who “We require costuming at every ties and whimsies guests can bring, as is a co-founder of Gemini & Scorpio. event,” said Fuchs. “We have to feel long as everyone is excited to be there “There are no assigned seats. The audi- they are part of the event. We want to — and be weird. ence is not required to sit and behave.” see that you read the invite and you “If people want to show up with Billed as “circus and dark cabaret want to be here.” hoola hoops or flags, they are welcome with a steampunk twist,” the Lost And like any good party, there’s to,” said Fuchs. “We want everyone to Circus is one of the many social plenty of steampunk marching band bring their own elements.” performance extravaganzas hosted music, gypsy punk accordions, and Gemini and Scorpio’s Lost Circus by Gemini & Scorpio, originally an slapstick curmudgeons performing at the Irondale Center (85 S. Oxford online dating service for creative, skits. St., between Lafayette Avenue and artistic young people. It quickly mor- Shayfer James, who plays dark, Fulton Street in Fort Greene, gemin- phed into an events company that put theatrical music, and is planning an iandscorpio.com) Saturday, Aug. 11, 8 Steamy punks: Emperor Norton’s Stationary Marching Band, billed as riotous on inventive activities for singles and act that will come complete with a fire pm–9 pm, VIP tea salon $35, 9pm–late steampunk brass, will be one of the acts in the upcoming Lost Circus. couples alike, such as art installations, dancer, said Gemini & Scorpio events party $25, after 1 am $10. Photo by Michael Crockett Your entertainment guide Page 17 DT Police Blotter ....................8 Letters ...............................14 Sports ...............................25 Community Newspaper Group / Christina Santucci Community Newspaper Group / Christina Santucci HOW TO REACH US Bookstore will get you lit-faced Mail: Courier Life Molasses Books in Bushwick plans to serve coffee, beer, and wine Publications, Inc., 1 Metrotech Center North BY DANIELLE FURFARO store on consignment. So far, much likely stay open until midnight. 10th Floor, Brooklyn, If they won’t come for the books, of the collection is used books, but Winn built his book collection N.Y. 11201 they might come for the coffee. the shop is building up its new of- during a year of selling literature General Phone: And if they don’t come for the cof- ferings as well. on the street in places like Kensing- fee, they’ll defi nitely come for the Winn is optimistic about the ton and Park Slope and he’s ecstatic (718) 260-2500 booze. business, but he isn’t delusional. to fi nally have a brick-and-mortar News Fax: That’s the business model at “When people want a specifi c store in his neighborhood — in (718) 260-2592 Molasses Books — Bushwick’s fi rst book, they are probably going to or- part because he’ll no longer need to News E-Mail: purveyor of literature in recent der online,” he said. “I know that.” rely on his car-driving girlfriend [email protected] memory. But he believes bookstores of- to ferry himself and his inventory Even though opening a book- fer something shoppers will never around the borough. Display Ad Phone: store in 2012 might seem as fi scally encounter when they order books “Lugging around crates of books (718) 260-8302 prudent as penning a novel in a online. based on someone else’s schedule Display Ad E-Mail: notebook made of $100 bills, entre- “There is something communal isn’t very sustainable,” he said. [email protected] preneur Matthew Winn has taken about a bookstore, something tac- The bookstore isn’t the only new Display Ad Fax: the leap after padding the landing tile about it,” said Winn. “People Bushwick business to attempt to with a big coffee bar and a pending go to a bookstore to go somewhere. draw customers with suds as well (718) 260-2579 license to serve beer and wine. And they want a reason to stick as services: the yoga studio Cobra Classified Phone: “It’s proven that it’s still possi- around after they’ve bought the Club shocked the meditative world (718) 260-2555 ble to maintain a bookstore if you book.” when it opened with an adjoining Classified Fax: subsidize it with other things,” said That’s where the drinks come bar weeks ago. Photo by Stefano Giovannini (718) 260-2549 Winn. in. Molasses Books [770 Hart St. Molasses Books sells fi ction, THREE SHEETS TO THE WIND: Matt Winn, For now, Molasses will sell only between Knickerbocker and Wil- Classified E-Mail: non-fi ction, and poetry — and Winn the owner of a new Bushwick bookstore, coffee and soft drinks until 8 pm six son avenues, (631) 882–5188].
Load more

Recommended publications
  • Wenders Has Had Monumental Influence on Cinema
    “WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film.
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • Rent Glossary of Terms
    Rent Glossary of Terms 11th Street and Avenue B CBGB’s – More properly CBGB & OMFUG, a club on Bowery Ave between 1st and 2nd streets. The following is taken from the website http://www.cbgb.com. It is a history written by Hilly Kristal, the founder of CBGB and OMFUG. The question most often asked of me is, "What does CBGB stand for?" I reply, "It stands for the kind of music I intended to have, but not the kind that we became famous for: COUNTRY BLUEGRASS BLUES." The next question is always, "but what does OMFUG stand for?" and I say "That's more of what we do, It means OTHER MUSIC FOR UPLIFTING GORMANDIZERS." And what is a gormandizer? It’s a voracious eater of, in this case, MUSIC. […] The obvious follow up question is often "is this your favorite kind of music?" No!!! I've always liked all kinds but half the radio stations all over the U.S. were playing country music, cool juke boxes were playing blues and bluegrass as well as folk and country. Also, a lot of my artist/writer friends were always going off to some fiddlers convention (bluegrass concert) or blues and folk festivals. So I thought it would be a whole lot of fun to have my own club with all this kind of music playing there. Unfortunately—or perhaps FORTUNATELY—things didn't work out quite the way I 'd expected. That first year was an exercise in persistence and a trial in patience. My determination to book only musicians who played their own music instead of copying others, was indomitable.
    [Show full text]
  • Lecture: Tuesday / Thursday 11:00 A.M.–12:15 P.M., Castellaw 101 Screening: Wednesday 6:00–10:00 P.M., Castellaw 101
    Baylor University ● Dept. of Communication Studies, Film & Digital Media Division ● Spring 2011 Lecture: Tuesday / Thursday 11:00 a.m.–12:15 p.m., Castellaw 101 Screening: Wednesday 6:00–10:00 p.m., Castellaw 101 Professor: Dr. James Kendrick Office: Castellaw 119 Office Hours: Monday, Wednesday 12:00–2:00 p.m. All other times by appointment Phone: 710-6061 E-Mail: [email protected] Web Site: http://homepages.baylor.edu/james_kendrick COURSE DESCRIPTION This course offers an institutional, aesthetic, and cultural history of motion pictures across the world, starting with the invention of moving picture technologies in the late 19th century and concluding with the ever-rising dominance of the Hollywood blockbuster and the development of digital cinema in the 21st century. In studying the history of motion pictures, we will take into account not only the major figures who influenced their development both technologically and aesthetically, but also the cultural influences, politics, and economic factors that helped shape them. We will consider the development of motion pictures as a narrative form, cultural commodity, political object, art form, and avenue of escapist entertainment. One of the keys emphases in the class will be the historical intersections of various sites of cultural production (movies, television, advertising, censorship, political propaganda, etc.) and how they influence and shape each other. Because the breadth of international film history far exceeds what can be covered in a single semester, this course will focus most heavily on the history of film in the United States, although we also look at various historical moments in the Soviet Union, Japan, France, Germany, Italy, and Poland.
    [Show full text]
  • Seven Short Stories on Blowups and Resolutions
    Proceedings of 12th G¨okova Published online at Geometry-Topology Conference GokovaGT.org pp. 1 – 48 Seven short stories on blowups and resolutions Herwig Hauser To Raoul Bott – with great respect. “At that time, blowups were the poor man’s tool to resolve singularities.” This phrase of the late 21st century mathematician J.H.Φ. Leicht could become correct. In our days, however, blowups are still the main device for resolution purposes (cf. fig. 1). Figure 1: Resolution of the surface Helix: x2 − x4 = y2z2 by two blowups. These notes shall give an informal introduction to the subject. They are complemented by the discussion of many special and less known features of blowups. The lectures adress to students and geometers who are not experts in the field, but who need to use blowups occasionally or who just want to have a good comprehension of them. References are scattered in the literature and mostly concentrate on only part of the story. This text is neither complete, but hints at least at the variety of properties, results and techniques which are related to blowups and which make them so attractive. Actually, it may serve as the starting point to write a comprehensive treatise on blowups (which should in particular include the solutions to all exercises). The obvious objection from algebraic geometers to such a project will be that blowups are too simple to deserve a separate treatment. The many open and intricate questions listed in these notes may serve as a reply to this reproach. The material stems from lectures held by the author at the Mathematical Sciences Re- search Institute (MSRI) at Berkeley in April and May 2004 and during the Conference on Geometry and Topology at G¨okova, Turkey, in June 2005.
    [Show full text]
  • Parish Profile for St
    PARISH PROFILE FOR ST. PAUL’S EPISCOPAL CHURCH TABLE OF CONTENTS Who We Are . 3 Our Mission and Ministry . 6 Gifts and Ministry of St . Paul’s . 7 Our New Rector . 13 Our History . 15 Where We Are Located: Carroll Gardens and Brooklyn . 18 Building Infrastructure . 20 Parish Finances . 25 Rector Compensation . 26 WHO WE ARE Many of us experience the contemplative space and authentic community at St . Paul’s as a refuge in an often hectic urban landscape . Believing that beauty attunes us to God, we value and invite others into an aesthetic experience of worship—through hymns, ritual, poetry, and the space of the church itself, which offers a palpable sense of the sacred as well as continuity with those who have worshiped here before us . Founded in 1849, St . Paul’s is a diverse, progressive- future . Our volunteer choir, led by our director of music minded parish of about 170 members who form a and our organist, is at the heart of our worship on close-knit community of worshippers . Our shared faith Sunday mornings . in God grounds and supports us in our daily lives . We draw on our Anglo-Catholic tradition to worship As listeners eager to understand and interpret God’s together in our uniquely beautiful historic church, joining word, we value sermons that apply scripture to our each Sunday to participate in a sung Rite I liturgy at daily lives with intelligence and spiritual insight . In our an east-facing altar, with candles, incense, and a relationships with our priest, we look for authenticity, choral anthem .
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • 1 Modular Narratives in Contemporary Cinema
    Notes 1 Modular Narratives in Contemporary Cinema 1. Evan Smith also notes the success during the late 1990s of films featuring complex narrative structures, in terms of ‘impressive reviews, Oscar wins, and dollar-for-dollar returns’ (1999, 94). 2. Lev Manovich argues that narrative and database are two distinct and com- peting cultural forms: ‘the database represents the world as a list of items, and it refuses to order this list. In contrast, a narrative creates a cause-and-effect trajectory of seemingly unordered items (events)’ (2001b, 225). As I discuss in Chapter 2, Manovich’s argument must be qualified by an understanding of narrative’s ability to make use of the database for its own ends. 3. Manuel Castells, for example, argues that the dominant temporality of today’s ‘network society’, produced through technologization, globalization and instantaneous communication, is ‘timeless time’ (2000, 494): ‘Time is erased in the new communication system when past, present, and future can be programmed to interact with each other in the same message’ (406). 4. Ricoeur’s analysis centres upon Mann’s The Magic Mountain (1924), Woolf’s Mrs. Dalloway (1925) and Proust’s In Search of Lost Time (1913–27). 5. Syuzhet patterning, argues Bordwell, is medium-independent; the same pat- tern could be reproduced, for example, across literature, theatre and cinema (1985, 49). 6. In his treatment of order, duration and frequency, Bordwell is drawing upon the work of narratologist Gérard Genette. Like Bordwell, Genette distin- guishes between the narrative content (‘story’) and the way this content is organized and expressed (‘discourse’) (1980, 27).
    [Show full text]
  • Suggested Fashion Films and TV
    Suggested Fashion Films and TV: • 1800-1850 o Dinner at Eight (1933) o Beau Brumell: This Charming Man (2008) o Letty Lynton (1932) • 1850-1890 o Grand Hotel (1932) o Little Women (1994) o Baby Face (1933) o The Young Victoria (2009) o Atonement (2007, also 1940s) o Mrs. Brown (1997, Netflix) o The Women (1939) o Possession (2002) • 1940s o Gone with the Wind (1939) o Land Girls (Netflix) • 1890s o Home Fires o The Paradise (Netflix) o Mildred Pierce (1945) • 1900s o His Girl Friday (1940, Netflix) Double Indemnity (1944) o Mr. Selfridge o The Big Sleep (1946) o My Fair Lady (1964) o Ball of Fire (1941) o A Room with a View (1986, Netflix) o Key Largo (1948) o Wings of the Dove (1997, Netflx) o Casablanca (1942) o Daughters of the Dust (1991) o o The Philadelphia Story (1940) • 1910s o Now, Voyager (1942) o Downton Abbey (Netflix)-also 1920s o Zoot Suit Riots (documentary, 2002) o Tillie’s Punctured Romance (1914, YouTube) o Malcolm X (1992, also 1950s, 1960s) o The House of Mirth (2000) • 1950s • 1920s o Velvet (Netflix) o Miss. Fisher’s Murder Mysteries (Netflix) o Call the Midwife (Netflix) o Coco Chanel & Igor Stravinsky o How to Marry a Millionaire (1953, Netflix) o Cold Comfort Farm (1995) o An Affair to Remember (1957, Netflix) o The Great Gatsby (2013) o Roman Holiday (1953, Netflix) o The Cat’s Meow (2001) o All that Heaven Allows (1955) o Salome (1923, YouTube) o Far From Heaven (2002) o The House of Elliot o Imitation of Life (1959) o The Wild Party (1929) o Carol (2015) o It (1927) o Funny Face (1957) o Why Change Your Wife (1920, YouTube) o Sabrina (1954) o Our Dancing Daughters (1928) o The Wild One (1953) o Our Modern Maidens (1929) o Rebel Without a Cause (1955) • 1930s o Gentlemen Prefer Blondes (1953) Dancing on the Edge (Netflix) o o All about Eve (1950) o Mildred Pierce (HBO Miniseries, 2011) o Rear Window (1954) o The Divorcee (1930) o Carol (1952) o Madam Satan (1930) • 1960s o Christopher Strong (1933) o Mad Men (Netflix) o Holiday (1938) o The Marvelous Mrs.
    [Show full text]
  • Tech Startups Moving to NYC Out-Of-Town Broker Wave of Digital Companies from Across U.S
    20120514-NEWS--0001-NAT-CCI-CN_-- 5/11/2012 7:30 PM Page 1 INSIDE Jamie Dimon’s TOP STORIES $2 billion ‘oops!’ Brooklyn Brewery In the taps new leaders Markets PAGE 2 ® Page 6 VOL. XXVIII, NO. 20 WWW.CRAINSNEWYORK.COM MAY 14-20, 2012 PRICE: $3.00 Tech startups moving to NYC Out-of-town broker Wave of digital companies from across U.S. speed with which we’re able to de- vate investors, and supported with hits a local wall velop products will be accelerated.” incubator labs and other shared PAGE 2 sees Big Apple as base for next-stage growth For decades, New York work spaces, some of them has been known as the sponsored by the city.There’s time to head for the big city. And town companies left when also proximity to hometown Pearson’s test flubs BY MATTHEW FLAMM $2.8B there wasn’t any question which one. they needed to expand and REVENUES for industries like media, adver- could cost it dearly “Our clients are in New York,” couldn’t afford the higher software firm tising, fashion and finance— It took three years and $1 million for said Alex White,chief executive and salaries and rent. But a re- Infor, which all going through digital dis- PAGE 4 moves its HQ the founders of Next Big Sound to co-founder of Next Big Sound, versal is taking place here in June ruptions—and a growing build their company out of an incu- which analyzes data for the music among tech firms:Compa- pool of engineers, as well as Enrollments are up bator lab in Boulder, Colo.
    [Show full text]
  • Pliego De Prescripciones Técnicas Del Contrato
    DIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SUBDIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SERVICIO DE BIBLIOTECAS PÚBLICAS Página: 1 de 74 PLIEGO DE PRESCRIPCIONES TÉCNICAS DEL CONTRATO PARA EL “SUMINISTRO DE MATERIAL AUDIOVISUAL Y MULTIMEDIA CON DESTINO A LAS BIBLIOTECAS DEL AYUNTAMIENTO DE MADRID” A ADJUDICAR POR PROCEDIMIENTO ABIERTO Expediente 300/2016/00718 1.- OBJETO DEL CONTRATO Adquisición de material audiovisual y multimedia (Blue-Ray, DVD, CD Audio y DVD Audio) para la creación, actualización y mantenimiento de fondos de las bibliotecas municipales, según relación de títulos y número de ejemplares para cada título recogida en los Anexos I y II del presente Pliego de Código de verificación : PY6bdfce6aa1a25a Prescripciones Técnicas La empresa que resulte adjudicataria suministrará el número de ejemplares de cada disco (Blue-Ray, DVD, CD Audio y DVD Audio) recogidos en el Anexo I y II con el descuento que haya presentado en su oferta. En caso de baja de adjudicación (de conformidad con el apartado 1 del Anexo I y II del Pliego de Cláusulas Administrativas Particulares) se deberá incrementar el número de unidades a suministrar de entre las relacionadas en el Anexo I y II del Presente Pliego de Prescripciones Técnicas. 2.- DURACION DEL CONTRATO La fecha prevista de inicio del contrato es el 1 de septiembre de 2016. La duración máxima del contrato será de 15 días hábiles contados desde la fecha prevista de inicio o desde el día siguiente a la formalización, si ésta http://www- fuera posterior. 3.- LUGAR DE ENTREGA DEL SUMINISTRO Los suministros serán entregados en las condiciones que se detallan en este Pliego de Prescripciones Técnicas en las siguientes dependencias del Ayuntamiento de Madrid: Unidad Central de Bibliotecas Públicas.
    [Show full text]