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Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees - Jazzletter PO Box 240, Ojai CA 93024-0240 Vol. 19 No. 10 October 2000 back in those early New York days. Never did read Constant Mail Bag Lambeit’s book, though I used to see it on library shelves. Pleasants stirred me so with his argtmients that I would ofien, Thank you, thank you! That was like getting permission to even in recent years, grab the book just to read certain, take off a pair of shoes that pinch. chapters’ and get fired up again. You lay it out splendidly, I always wondered what I lacked when others seemed to show correlating ideas about modem art, and then top it off comprehend so much in serial music. Same with modern by demonstrating how Pleasants himselfwas taken in by the dance, with certain exceptions. And, married to a figurative jazz mongers, just as we were bilked by the Serious Music painter for twenty-one years, I saw first-hand the pain felt by hucksters. It was depressing and infuriating to learn how the one who truly tried to create an ordered and empathetic New York Times dealt with his obit. Made him look like a world within the deep space of his own canvas, only to be Moe Berg type. dismissed as unimportant by those who venerated the Thanks for telling me about Schoenberg and the prevail- accidental. - ing attitudes about him and that kind of music. It validates The original Second City troupe in Chicago had a skit in my instincts. The notion that music “progresses” has always which a noted broadcaster-critic-artist was explaining some bothered me. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
046-49 Stonesthrow.Qxd
046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer. -
Western Criticism, Labelling Practice and Self-Orientalised East Asian Films
Travelling Films: Western Criticism, Labelling Practice and Self-Orientalised East Asian Films Goldsmiths College University of London PhD thesis (Cultural Studies) Ji Yeon Lee Abstract This thesis analyses western criticism, labelling practices and the politics of European international film festivals. In particular, this thesis focuses on the impact of western criticism on East Asian films as they attempt to travel to the west and when they travel back to their home countries. This thesis draws on the critical arguments by Edward Said's Orientalism: Western Conceptions of the Orient (1978) and self-Orientalism, as articulated by Rey Chow, which is developed upon Mary Louise Pratt's conceptual tools such as 'contact zone' and 'autoethnography'. This thesis deals with three East Asian directors: Kitano Takeshi (Japanese director), Zhang Yimou (Chinese director) and 1m Kwon-Taek (Korean director). Dealing with Japanese, Chinese and Korean cinema is designed to show different historical and cultural configurations in which each cinema draws western attention. This thesis also illuminates different ways each cinema is appropriated and articulated in the west. This thesis scrutinises how three directors from the region have responded to this Orientalist discourse and investigates the unequal power relationship that controls the international circulation of films. Each director's response largely depends on the particular national and historical contexts of each country and each national cinema. The processes that characterise films' travelling are interrelated: the western conception of Japanese, Chinese or Korean cinema draws upon western Orientalism, but is at the same time corroborated by directors' responses. Through self-Orientalism, these directors, as 'Orientals', participate in forming and confirming the premises of western Orientalism. -
Luther Lee Sanders '64 1 Luther Lee Sanders '64
Honoring….. Honoring…LUTHER LEE SANDERS '64 1 LUTHER LEE SANDERS '64 Captain, United States Army Presidential Unit Citation Vietnamese Cross of Gallantry 1st Cav Div 101st Abn Div 1965 ‐ 1966 1969 th 3 Bn 187 Para Inf “Rakkasans” While at Texas A&M... Before Texas A&M... When anyone uses the term “Son of the Service”, In September 1960, Lee Sanders travelled from think of Luther Lee Sanders. Lee was born in Colo- Vacaville, California to College Station where he en- rado Springs, spent his childhood in several places rolled as an Agricultural Economics major. Back then, around the world, and attended three different high Army cadets who were students in the College of Agri- schools before graduating from Vacaville High culture were assigned to Company D-1 or “Spider D”. School, just outside Travis AFB, California. A few weeks into our Fish Year, Lee was one of several At an early age, Lee learned the value and hundred who tried-out for the Fish Drill Team. Lee cer- importance of non-commissioned officers tainly knew how to do Drill and Ceremonies. When the in any organization – especially when it selection process eliminated most of the hundreds who comes to maintaining “good order and tried, Lee was one of the 44 freshmen selected. From discipline”. Lee’s father was a Chief Mas- that point forward until Mother’s Day, Fish Drill Team ter Sergeant in the U. S. Air Force. was a big part of Lee’s effort. In fact, it was Master Sergeant Sanders who aimed Lee toward Texas A&M at an early age. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Wenders Has Had Monumental Influence on Cinema
“WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film. -
2011 01 Newsletter Printer Final
January 2011 The Currahee! The Newsletter of the 506th Airborne Infantry Regiment Association (Airmobile — Air Assault) We Stand Together – then, now, and always Hill 996, A Shau Valley, July 10, 1969 1st Lt. Leonard “Len“ Griffin 2/319th Artillery, 101st Airborne Division Forward Observer to D Company, 1/506th, Vietnam 1969 On July 11, 1969, on a nondescript mountain top vived Hill 996 told our medic Rick “Doc” Daniels, ʺNo numbered 996 near Hamburger Hill in the A Shau Valley one will ever know what happened here.ʺ Seventeen of Vietnam, the 1/506th Infantry and other units engaged a days later Sgt Denton died in a mortar attack. I swore, if I larger NVA force. The day before, the forward observer could, I would take up Sgt. Denton’s challenge and tell for D 1/506th was injured jumping out of a helicopter on the story. When I decided to face my demons of Viet‐ the air assault. I was called and told to replace him and nam, I had to face Hill 996. Thanks to enormous support that is how I got involved with the men of the 506th and of those who were there with me, I made it. th Hill 996. By the end of the day on the 11 , 20 Americans I felt the men who didn’t walk off the Hill should had been killed and 26 wounded. Eight Silver Stars were be remembered and honored to some degree. Living awarded to the men and one Medal of Honor to SPC. near Toccoa, Georgia, the Mecca of the 101st Airborne Gordon Roberts who survived the war. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Original Music in Film - Part One - Clips Shown for Educational Purposes Only
Original Music In Film - Part One - Clips Shown for Educational Purposes Only: The Gold Rush (Cabin Scene) - Charlie Chaplin Street Scene (Main Title and Cityscape) - Alfred Newman King Kong (Main Title and Sacrifice of Maiden) - Max Steiner Lawrence of Arabia (The Desert) - Maurice Jarre Captain Blood (Main Title) - Erich Wolfgang Korngold Swing Time (The Way You Look Tonight) - Jerome Kern, Dorothy Fields Coco and Igor (‘The Rite of Spring’ - premiere Paris 1913) - Stravinsky Lost Horizon - (Main Title and Panic) Dimitri Tiomkin (cond. by Max Steiner) The Adventures of Robin Hood (Main Title) - Erich Wolfgang Korngold Alexander Nevsky (Battle on the Ice) - Sergei Prokofiev Gone with the Wind (Main Title) - Max Steiner The Sea Hawk (Main Title) - Erich Wolfgang Korngold The Sea Hawk (Strike for the Shores of Dover - Shanty) - Erich Wolfgang Korngold Citizen Kane (Opening - Xanadu) - Bernard Herrmann The Devil and Daniel Webster (AKA - All that Money Can Buy) - (Main Title) - Bernard Herrmann The Devil and Daniel Webster (The Devil’s Hoedown) - Bernard Herrmann King’s Row (Main Title ) - Erich Wolfgang Kornold Star Wars (Opening) - John Williams Casablanca (Main Title and Spy Round-up) - Max Steiner Laura (Main Title) - David Raksin The Lost Week-End (Hallucinations) - Miklos Rozsa Spellbound (Open Doors - Love Theme) - Miklos Rozsa The Best Years of Our Lives (Homecoming) - Hugo Friedhofer Henry V (Opening) - Sir William Walton The Killers (Main Title) - Miklos Rozsa Lost Horizon (Main Title/Crowd Panic) - Dimitri Tiomkin (cond. M. Steiner) -
Takeshi Kitano O'brien, Shelley Available from Sheffield Hallam University Research Archive (SHURA) At
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Filmbites presents : Takeshi Kitano O'BRIEN, Shelley Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/15360/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version O'BRIEN, Shelley (2015). Filmbites presents : Takeshi Kitano. In: Filmbites presents : Takeshi Kitano, Sheffield, Three Sundays in May. (Unpublished) Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk FILMBITES PRESENTS TAKESHI KITANO PRESENTED BY THE SHOWROOM CINEMA in association with SHEFFIELD HALLAM UNIVERSITY Tutor: Shelley O'Brien Takeshi Kitano aka 'Beat' Takeshi Takeshi Kitano has gained a reputation as the most original Japanese director of recent years. He can also be regarded as a renaissance man in that he is a multi- talented film editor, screenwriter, actor, comedian, television personality, painter, tap dancer and author. Each of these facets underpin his work as a director. Indeed, Kitano can be regarded as an auteur - in the truest sense - writing, directing, acting in and editing films under his company label Office Kitano, as well as employing the same personnel such as actor, Susumu Terajima, and composer, Joe Hisaishi.