DOCSLIB.ORG

By the Way Guitar Tab

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By the Way Guitar Tab BY THE WAY As recorded by Red Hot Chili Peppers (from the 2002 Album "By The Way") Transcribed by Stephen Brown Words by Anthony Kiedis, Flea, John Frusciante and Chad Smith Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith Arranged by Hal Leonard A Intro Moderately P = 120 F5 C/E A5 1 4 V V V V V V V V V V V V V V V V Ie 4 V V V V V V V V V V V V V V V V Gtr I mp T A 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 B 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 B Chorus F5 C A5/E 5 e V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A 9 9 7 7 B 8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 7 7 7 7 8 8 8 8 8 8 8 8 V j V V j Ie V V V V V V V V V V V V V V V V V V V V Gtr III T A 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 2 2 7 9 5 2 B sl. sl. 2002 MOEBETOBLAME MUSIC Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ BY THE WAY - Red Hot Chili Peppers Page 2 of 10 F5 C5 A5 G5 9 e V V V V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V T A 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 5 5 B 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 sl. c c V j Ie V V V V V V V V V V V V V V V V V u u T 5 2 2 2 5 2 0 0 0 0 2 9 5 5 2 A 2 2 2 B sl. sl. F5/C C A5 V V V V V V V V V V V V V V V V 13 e V V V V V V V V V V V V V V V V V V V V V V V V I V V V V V V V V Gtr II f T 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 A 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 B 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 V j V V Ie V V V V V V V V V V V V V V V V V V V W u u T A 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 2 2 7 9 5 2 B sl. sl. C Interlude N.C. (Dm) } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } 17 } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } Ie x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x T x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x A x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x B Ie T A B 2002 MOEBETOBLAME MUSIC Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ BY THE WAY - Red Hot Chili Peppers Page 3 of 10 D Verse TN.C. (Dm) } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } 19 } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } Ie x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x T x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x A x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x B e }V V j }V V j I } } T 7 7 7 7 A x x x x B } } } } } } } } } } } } } } } } } } } } } } } V V V V } } 21 } } } } } } } } } } } } } } } } } } } } } } } l l l Ie x x x x x x x x x x x x x x x x x x x x x x x T x x x x x x x x x x x x x x x x x x x x x x x 13 13 13 13 x x A x x x x x x x x x x x x x x x x x x x x x x x B V V j V V j Ie } } } } T 7 7 7 7 A x x x x B 2002 MOEBETOBLAME MUSIC Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ BY THE WAY - Red Hot Chili Peppers Page 4 of 10 Dm V V } } } } } } } } } } } V V } } } } } } } } } } } 23 V V } } } } l } } } } } } } V V } } } } l } } } } } } } Ie 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x T 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x A 12 12 12 12 B } } } } } } } } } } } } } } } } } } } Ie } } } fff T x x A x x x x x x x x x x x x x x x x x x x x B V V } } } } } } } } } } } V V } } } V V V V } } 25 V V } } } } l } } } } } } } V V } } } l l l Ie 10 10 x x x x x x x x x x x 10 10 x x x T 10 10 x x x x x x x x x x x 10 10 x x x 13 13 13 13 x x 10 10 x x x x x x x x x x x 10 10 x x x A 12 12 12 12 B } } } } } } } } } } } } } } } } } } } } } } Ie T x x x x x x x x x x x x x x x x x x x x x x A B V V } } } } } } } } } } } V V } } } } } } } } } } } 27 V V } } } } l } } } } } } } V V } } } } l } } } } } } } Ie 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x T 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x 10 10 x x x x x x x x x x x A 12 12 12 12 B V V j V V j Ie } } } } T 3 3 3 3 A x x x x B 2002 MOEBETOBLAME MUSIC Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ BY THE WAY - Red Hot Chili Peppers Page 5 of 10 to Coda V V } } } } } } } } } } V V V V V V V V V V V V V V V } 29 V V } } } } l } } } } } } V V V V V V V V V V V V V V V } Ie 10 10 x x x x x x x x x x 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 x T 10 10 x x x x x x x x x x 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 x 10 10 x x x x x x x x x x 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 x A 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 x B e }V V j }V V j I } } T 3 3 3 3 x x x A x B E Chorus F C 31 V V V V V } } V V V V V V V V V } e V V V V V } } V V V V V V V V V } I V V V V V } } V V V V V V V V V } V V V V V } } Gtr I 1 1 1 1 1 x x T 1 1 1 1 1 x x 5 5 5 5 5 5 5 5 5 x 2 2 2 2 2 x x 5 5 5 5 5 5 5 5 5 x A 3 3 3 3 3 x x 5 5 5 5 5 5 5 5 5 x B 3 3 3 3 3 x x 3 3 3 3 3 3 3 3 3 x 1 1 1 1 1 x x V V V V V V V V V V V V V V V Ie V V V V V V V V V V V V V V V fff 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 T 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 A 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 B 2002 MOEBETOBLAME MUSIC Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ BY THE WAY - Red Hot Chili Peppers Page 6 of 10 Dm F C 33 V V V V V V V V V V V V V V V V } V V V V V } } V e V V V V V V V V V V V V V V V V } V V V V V } } V I V V V V V V V V V V V V V V V V } V V V V V } } V V V V V V } } 1 1 1 1 1 x x T 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 x 1 1 1 1 1 x x 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 x 2 2 2 2 2 x x 5 A 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 x 3 3 3 3 3 x x 5 B 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 x 3 3 3 3 3 x x 3 1 1 1 1 1 x x c V V V V V V j V V V V j V V V V Ie V V V V V V V V V V V u u 1 1 1 1 3 5 1 1 1 5 (1) 1 T 3 1 3 5 1 (3) 1 1 2 2 2 2 2 2 2 2 2 2 A 7 7 7 7 7 B Am B` c 36 V V V V V V V V } V V V V V V V k V V V V V V V Ie V V V V V V V V } V V V V V V V V V V V V V V V V V V V V V V } V V V V V V V V V V V V V V 0 0 0 0 0 0 0 T 5 5 5 5 5 5 5 5 x 1 1 1 1 1 1 1 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 x 2 2 2 2 2 2 2 3 3 3 3 3 3 3 A 5 5 5 5 5 5 5 5 x 2 2 2 2 2 2 2 3 3 3 3 3 3 3 B 3 3 3 3 3 3 3 3 x 0 0 0 0 0 0 0 1 1 1 1 1 1 1 c c V V V V V V V V V V e V V V V V V j k V U V V V V j I V V V V V V V V V u 0 0 5 (0) 0 0 1 1 0 0 T 1 3 3 1 3 0 0 2 (0) 2 (0) 2 2 2 2 2 A 5 5 5 5 5 2 2 2 B F Interlude D.S.
Load more

Recommended publications
  • Hanszen Freshman Hospitalized in Alcohol Incident Freshman Reported Hazy Memory
    VOLUME 79, NO. 7 ERIK LEIDAL IN A BOX OCTOBER 4,1991 Events set Hanszen freshman hospitalized in alcohol incident freshman reported hazy memory. guardian's consent to treat the mi- Rice. for music by Rodney Gibbs According to roommates, the fresh- nor. The father was eventually In the past, the University has man returned to the party and con- reached and arrived at the hospital at not intervened in parties held be- A Hanszen College freshman sumed ten additional shots. the same time as Waldman. hind close doors to enforce alcohol school's was taken to Park Plaza hospital As the freshman's condition After approximately two hours in policy regulations. Whether clas- Tuesday, September 24, after worsened, the roommates unsuc- thehospital,thefreshmanwenthome sified as a public or private party, drinking sixteen shots of straight cessfully attempted to induce vomit- with the father. alcohol policy violations are evi- big debut tequila at Hanszen's traditional Te- ing. A party co-host, a trained drunk- dent quila Night' room party. The sitter, and friends subsequently came Reactions to the Party "There's little doubt this is a by Michelle Price freshman, released to family later to the freshman's room after hearing violation in [the alcohol policy]," that night, registered a blood alco- about the intoxication level After de- Waldman and the father both ex- said Stebbings. hol level of 0.25 and a blood-oxygen liberation and at the advice of the pressed disbelief at the occurrence Waldman said that Tequila Rice University President George percentage of 82% Legal intoxica- drunk sitter, the friends and room- of such an event Night' crossed the line from a pri- Rupp, Shepherd School Dean tion is 0.1 blood alcohol level and mates notified the campus police and Waldman stated, "It's pathetic that vate to apublic party at the moment Michael Hammond, and a represen- brain damage may begin at a blood- left for the emergency room.
    [Show full text]
  • John Frusciante (Red Hot Chili Peppers) Californication Tour Rig
    www.customtone.com John Frusciante (Red Hot Chili Peppers) Californication Tour Rig Original Guitar Used: Pre-CBS Fender® Strat® Variax Setting: Spank - Various Tuning: Various Brit J ®! Boss®! Electro-! MXR®! Ibanez®! Boss ® DS-2! Harmonix ! Phase 90! WH-10! CE-1 ! Marshall® model 1967! Marshall® model 2555! Big Muff®! Marshall® 412 cab! Marshall® 412 cab! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Fender and Strat are registered trademarks of Fender Musical Instruments Corp. Boss is a registered trademarks of Roland Corp. Electro-Harmonix and Big Muff are registered trademarks of New Sensor Corp. MXR is a registered trademark of Dunlop Manufacturing, Inc. Ibanez is a registered trademark of Hoshino Gakki Co. Ltd. Marshall is a registered trademark of Marshall Amplifica,on Plc. www.customtone.com John Frusciante (Red Hot Chili Peppers) Otherside Original Guitar: Gretsch® White Falcon Variax Setting: R-Billy 1 Tuning: Standard: E-A-D-G-B-E BASS Boss®! Fender® Showman®! DS-1! (2) Marshall® 412 Cabs! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Gretsch is a registered trademark of Fred W. Gretsch Enterprises, Ltd. Boss is a registered trademark of Roland Corp.
    [Show full text]
  • Why the Red Hot Chili Peppers?
    Red Hot Chili Peppers Group 3 Kaitlin Gaedtke Lauren Lalumiere Maisey Pierce Why the Red Hot Chili Peppers? The Red Hot Chili Peppers are an innovative rock group formed in the early 80s. They have seemingly always been hugely influential in the style of rock and alternative rock. Still successful in creating music and performing today. Group Biography RHCP were formed from a California high school friendship and a mutual appreciation for punk rock and funk. Started out as “Tony Flow & the Miraculously Majestic Masters of Mayhem,” this is also where their performing nude “trademark” started They began a recording contract with EMI and gained popularity when their videos were featured on MTV Group Biography (Cont.) Several members fought drug addiction along the way; one (Slovak) even died from a heroin overdose. They’ve had many different members but current members Kiedis and Flea are founders Flea (left in both pictures) and Kiedis (right in both pictures) have been friends since they went to highschool together! Current Members Anthony Kiedis: lead vocals (1983-present) Flea: bass, trumpet, piano, backing vocals (1983-present) Chad Smith: drums, percussion (1988-present) Josh Klinghoffer: guitar, keyboards, backing vocals (2009-present) Anthony Kiedis: went to highschool with Flea in California, where they acknowledged their mutual admiration of punk rock and funk groups by forming a band together. talent for poetry and was convinced by Flea and Slovak to write music. Even after his friend Slovak’s death due to an overdose, Kiedis still battled a drug addiction. In the 2000’s, he attempted to turn his autobiography called “Scar Tissue” into a TV show, which failed.
    [Show full text]
  • Snow Patrol ‘Chasing Cars’
    Rockschool Grade Pieces Snow Patrol ‘Chasing Cars’ Snow Patrol SONG TITLE: CHASING CARS ALBUM: EYES OPEN RELEASED: 2006 LABEL: POLYDOR GENRE: INDIE PERSONNEL: GARY LIGHTBODY (VOX+GTR) NATHAN CONNOLLY (GTR) PAUL WILSON (BASS) JONNY QUINN (DRUMS) TOM SIMPSON (KEYS) UK CHART PEAK: 6 US CHART PEAK: 5 BACKGROUND INFO NOTES ‘Chasing Cars’ is the second single from Snow Although it didn’t achieve a number 1 in the UK or Patrol’s 2006 album Eyes Open. It is a based on a the U.S. ‘Chasing Cars’ still receives massive airplay single three-chord progression, but ‘Chasing Cars’ is and can be heard almost constantly in TV shows. A far from simple. The song starts with a sparse picked moving acoustic version of ‘Chasing Cars’ appears on eighth-note guitar line which is augmented by subtle the soundtrack for the US TV show Grey’s Anatomy. keyboard parts. The arrangement uses changes in dynamics to develop the song. The third chorus sees ‘Chasing Cars’ move up another notch adding RECOMMENDED LISTENING drums and several distorted guitars playing different inversions (where the notes of a chord are arranged Snow Patrol’s songs are masterpieces of in a different order) to create an orchestra-like wall of arrangement and see the guitar adopting a supporting guitars. The end of the song sees the song return to role on their songs rather than the dominant riffs its sparse beginnings with the re-stating of the simple and extended guitar solos you might expect to hear picked guitar part. from a rock, blues or metal band.
    [Show full text]
  • 2018-01-12 Venicequeen.It Interviews Michael Beinhorn MICHAEL
    2018-01-12 VeniceQueen.it interviews Michael Beinhorn MICHAEL BEINHORN AND THE CHILI PEPPERS: A MUTUAL LAUNCH TRAMPOLINE INTRODUCTION Michael Beinhorn is part of Chili Peppers history: because he's the only producer that worked with the original line-up before Hillel Slovak's death (The Uplift Mofo Party Plan, 1987) and the first one who worked with the historical line-up (Mother's Milk, 1989), with Chad Smith and John Frusciante entries. Anthony Kiedis, in his autobiography Scar Tissue, describes Beinhorn as a tyrannical guy for some verse, that as opposed to the previous band's producer, was very focused on the sound, since his great intelligence and musical competence. Kiedis describes particularly the contrasts between the producer and John Frusciante; in fact, Beinhorn asked John to play a musical style very close to metal, while Frusciante didn't feel comfortable playing in that way. Even if there were many incomprehensions, what came up is a fantastic record, the one who pledged the band in the world and that many Chili Peppers fans still love nowadays, thanks to songs like “Fire”, “Nobody Weird Like Me” and “Higher Ground”. Regarding Stevie Wonder's cover, is a track that Beinhorn was asking for a lot, so we have to thank him if the band decided to put on the record; this has generated many contrasts between the producer and Kiedis, since Michael was asking to Anthony to sing the improvisation at the end of the song, according to his autobiography. But The Red Hot Chili Peppers represented only the beginning for the glorious career of Michael Beinhorn as a producer: in fact, he worked with several artists during the years, such as Soundgarden (Superunknown, 1994), Ozzy Osbourne (Ozzmosis, 1995), Hole (Celebrity Skin, 1998), Marilyn Manson - 1 - (Mechanical Animals, 1998), Korn (Untouchables, 1998) and Black Label Society (Shoot To Hell, 2006), just to mention the most imporant.
    [Show full text]
  • John Frusciante : to Record Only Water for Ten Days Review "Kerrang!" (10 Février 2001)
    john Frusciante : To Record Only Water For Ten Days Review "Kerrang!" (10 Février 2001) Solo albums are odd concepts. They often make you wonder whether musicians are truly happy with their lot. Sometimes, these affairs simply give the artist a chance to flex their creative - and in this case, tattooed - muscles outside the musical boundaries imposed by their day job. Red Hot Chili Pepper John Frusciante quietly released his own debut, 'Niandra Lades and Usually Just A T-Shirt', in 1995, at the behest of his celebrity friends Perry Farrell, Butthole Surfers' Gibby Haynes and the now deceased River Phoenix. The trio believed that "there's no good music anymore", and thought perhaps Frusciante's guitar genius could remedy the situation. The baby-faced guitarist was, however, suffering from depression and strung-out on heroin. The resultant lo-fi, self-produced effort was on the whole, an unlistenable din only momentarily revealing his unbridled talent which helped elevate the Chili Peppers to worldwide superstars with his performances on 1989's 'Mother's Milk' and 1991's genre defining 'Blood Sugar Sex Magik'. The album, unsurprisingly, sunk without trace, only managing to shift 45,000 copies worldwide. Conclusive proof that the drugs don't work and do, in fact, make it worse. Even 1997's 'Smile From The Street's You Hold' served only to show the junkie's sorrowful mind-set, and Frusciante himself admitted he recorded and released the album purely for drug money. Thankfully, self-determination freed the guitarist from the jaws of being another heroin-related waste of talent and cleaned up his act, eventually rejoining the Chili Pepper ranks for 1999's 'Californication'.
    [Show full text]
  • Red Hot Chili Peppers to the World Stage
    The Californication album signalled the welcome return of the Red Hot Chili Peppers to the world stage. Paul Tingen discusses the recording with the album’s engineer, Jim Scott. he ‘Californication’ of the world is in full swing. Of course, it’s been going on for decades, mainly via The trouble began when their guitarist John Frusciante Tthe influence of the likes of Hollywood and Disney- descended into a journey of drug-induced self-destruc- land. But recently there’s been a major accessory to the tion. Four years later several near miracles have global takeover, in the form of the latest album from the happened. Frusciante is off drugs, has a new set of rejuvenated Red Hot Chili Peppers. It’s their most suc- teeth, some skin grafts on his arms and clearly still cessful album yet, topping the hit parades all over the knows how to play the guitar. He has also joined singer world and turning platinum in Australia, New Zealand, Anthony Kiedis, bassist Flea and drummer Chad Smith Canada, Japan and the USA, and gold in almost all to resurrect the Chili Peppers, and together they have European countries. created an engaging album. Most of the tracks have a Apparently the title came out of a visit by singer high-energy rock vibe, but they’re interspersed with Anthony Kiedis to Borneo. He was surprised to see the many touching ballads, of which Scar Tissue became a local culture saturated with images from the US, and Cal- monster hit. ifornia in particular, whether it was Coca-Cola, Marlboro, Californication’s engineer Jim Scott has an impressive- and Hollywood movies, or T-shirts, posters, CDs and ly long list of credits to his name, including Natalie cassettes from Californian bands (including the Red Hot Merchant, Lucinda Williams, Counting Crows, Tom Petty, Chili Peppers themselves).
    [Show full text]
  • John Frusciante - Space Cadet "Raw" (N°163 -1994)
    John Frusciante - Space Cadet "Raw" (n°163 -1994) - John Frusciante was the guitarist for the RED HOT CHILI PEPPERS during their climb to stardom, but walked out on them during their last tour. Why? He had a premonition that he had to do it! With his first solo album due, Frusciante reveals he's living in a different dimension, man! ARTIE NELSON freaks out... A skinny guy with bleached hair and pale skin comes down the stairs. He's wearing a blue shirt, is smoking a filterless Camel, and answers to the name of John Frusciante. Yes, THE JOHN FRUSCIANTE, ex-Red Hot Chili Pepper who's now embarking on a solo career. He sits next to me on an old two-piece shocking velvet couch from which we can take in a panoramic view of Los Angeles. With plenty of Evian water and Fruit Smoothie drinks on the table, the topic of conversation is naturally John's new album, called 'Niandra La Des And Usually Just A T-Shirt'! It's out early next year on Rick Rubin's American Recordings label. "It has the vibe of when I was recording it" Frusciante begins. "Just for myself to trip out. It had the same kind of vibe as Jane's Addiction without drums. It seemed just as heavy. Some people are after as macho thug's presence (with the drums), but as long as the feeling of macho stud is there ..." When did you finish the album? "About a year ago. But it's taken this long to get it out, because it was recorded so casually.
    [Show full text]
  • 1. 101 Strings: Panoramic Majesty of Ferde Grofe's Grand
    1. 101 Strings: Panoramic Majesty Of Ferde Grofe’s Grand Canyon Suite 2. 60 Years of “Music America Loves Best” (2) 3. Aaron Rosand, Rolf Reinhardt; Southwest German Radio Orchestra: Berlioz/Chausson/Ravel/Saint-Saens 4. ABC: How To Be A Zillionaire! 5. ABC Classics: The First Release Seon Series 6. Ahmad Jamal: One 7. Alban Berg Quartett: Berg String Quartets/Lyric Suite 8. Albert Schweitzer: Mendelssohn Organ Sonata No. 4 In B-Flat Major/Widor Organ Symphony No. 6 In G Minor 9. Alexander Schneider: Brahms Piano Quartets Complete (2) 10. Alexandre Lagoya & Claude Bolling: Concerto For Classic Guitar & Jazz Piano 11. Alexis Weissenberg, Georges Pretre; Chicago Symphony Orchestra: Rachmaninoff Concerto No. 3 12. Alexis Weissenberg, Herbert Von Karajan; Orchestre De Paris: Tchaikovsky Concerto #2 13. Alfred Deller; Deller Consort: Gregorian Chant-Easter Processions 14. Alfred Deller; Deller Consort: Music At Notre Dame 1200-1375 Guillaume De Machaut 15. Alfred Deller; Deller Consort: Songs From Taverns & Chapels 16. Alfred Deller; Deller Consort: Te Deum/Jubilate Deo 17. Alfred Newman; Brass Of The Hollywood Bowl Symphony Orchestra: Hallelujah! 18. Alicia De Larrocha: Grieg/Mendelssohn 19. Andre Cluytens; Paris Conservatoire Orchestra: Bizet 20. Andre Kostelanetz & His Orchestra: Columbia Album Of Richard Rodgers (2) 21. Andre Kostelanetz & His Orchestra: Verdi-La Traviata 22. Andre Previn; London Symphony Orchestra: Rachmaninov/Shostakovich 23. Andres Segovia: Plays J.S. Bach//Edith Weiss-Mann Harpsichord Bach 24. Andy Williams: Academy Award Winning Call Me Irresponsible 25. Andy Williams: Columbia Records Catalog, Vol. 1 26. Andy Williams: The Shadow Of Your Smile 27. Angel Romero, Andre Previn: London Sympony Orchestra: Rodrigo-Concierto De Aranjuez 28.
    [Show full text]
  • Ecological Models of Musical Structure in Pop-Rock, 1950–2019
    Ecological Models of Musical Structure in Pop-rock, 1950–2019 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas J. Shea, M.A., B.Ed. Graduate Program in Music The Ohio State University 2020 Dissertation Committee: Anna Gawboy, Advisor and Dissertation Co-Advisor Nicole Biamonte, Dissertation Co-Advisor Daniel Shanahan David Clampitt Copyright by Nicholas J. Shea 2020 Abstract This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular- music guitarists. Each offers gestural analyses that provide an alternative to the object- oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between “pop” and “rock” music. ii Dedication To Anna Gawboy, who is always in my corner. iii Acknowledgments Here I face the nearly insurmountable task of thanking those who have helped to develop this research. Even as all written and analytical content in this document is my own, I cannot deny the incredible value collaboration has brought to this inherently interdisciplinary study. I am extremely fortunate to have a small team of individuals on which I can rely for mentorship and support and whose research backgrounds contribute greatly to the domains of this document.
    [Show full text]
  • John Frusciante Plays Guitar in a League Where No Rock Guitarist Can Threaten Him
    John Frusciante plays guitar in a league where no rock guitarist can threaten him. "Aftonbladet" ( Avril 2003) - Tore S Börjesson In 1991 he was the main reason The Red Hot Chili Peppers, with the classical album "Blood Sugar Sex Magik" and the singles "Under the bridge and "Give it away", took the step from being on the Los Angeles alternative scene to becoming one of the world's biggest band. He was praised as being an innovator and a virtuoso: as funky as Bootsy Collins, "punky" as Johnny Thunders, and as equilibristic as Jimi Hendrix. Then he quit his guitar playing, pushed the heroin needle in his arm and put the bong in his mouth, and drugged himself into the deepest state of misery. In 1999 he was back on the album "Californication". He returned with arms scarred by needlestick and infections. Back without teeth. But back - and better than before. In "By the way" he takes it to a level so high, which no other contemporary rock guitarist could reach. Now it isn't merely the most beautiful tones imaginable intertwined; now he is painting pictures. Each song is a series of unique pictures. The variation of technique and colours takes the listener aback. John Frusciante is comparable to a soccer player like Maradona or Zidane. It's about men with fantastic visions, and the technique to turn them into reality. Puls (newspaper thing) met him backstage before the Red Hot Chili Peppers outsold concert in Globen (Swedish arena). Interviewer: The way you approach guitar playing today, how does it differ from the way you did it when you were younger? JF: When I grew up I was only thinking about technique.
    [Show full text]
  • Red Hot Chili Peppers Are an American Alternative Rock Band Formed in Los Angeles, California in 1983
    1. INTRODUCTION The Red Hot Chili Peppers are an American alternative rock band formed in Los Angeles, California in 1983. For most of its career, the group has consisted of vocalist Anthony Kiedis, guitarist John Frusciante, bassist Michael “Flea” Balzary, and drummer Chad Smith. The band's varied musical style has fused traditional rock and heavy metal with various elements of funk, punk rock, hip hop, and pop. In addition to Kiedis and Flea, the group originally featured guitarist Hillel Slovak and drummer Jack Irons. However, Slovak died of a heroin overdose in 1988, resulting in Irons resigning. Irons was replaced briefly by D. H. Peligro, before the band found a permanent replacement in Chad Smith, while Slovak was replaced by an upcoming guitarist Frusciante. This line-up recorded the band's fourth and fifth album, 1989's Mother's Milk and 1991's Blood Sugar Sex Magik. Blood Sugar Sex Magik was a critical success and sold over twelve million copies. However, Frusciante grew increasingly uncomfortable with the band's success and left the band abruptly in 1992. Kiedis, Flea, and Smith employed Dave Navarro of Jane's Addiction for their subsequent album, 1995's One Hot Minute. It failed, however, to match the critical acclaim of Blood Sugar Sex Magik and sold less than half the copies of its predecessor. Shortly afterwards, Navarro was fired from the band due to creative differences. Frusciante, while absent from the band, developed a severe drug addiction and nearly died. In 1998, he completed rehabilitation and, at Flea's request, rejoined the band.
    [Show full text]