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Caterina Corner in Venetian History and Iconography Holly Hurlburt
Early Modern Women: An Interdisciplinary Journal 2009, vol. 4 Body of Empire: Caterina Corner in Venetian History and Iconography Holly Hurlburt n 1578, a committee of government officials and monk and historian IGirolamo Bardi planned a program of redecoration for the Sala del Maggior Consiglio (Great Council Hall) and the adjoining Scrutinio, among the largest and most important rooms in the Venetian Doge’s Palace. Completed, the schema would recount Venetian history in terms of its international stature, its victories, and particularly its conquests; by the sixteenth century Venice had created a sizable maritime empire that stretched across the eastern Mediterranean, to which it added considerable holdings on the Italian mainland.1 Yet what many Venetians regarded as the jewel of its empire, the island of Cyprus, was calamitously lost to the Ottoman Turks in 1571, three years before the first of two fires that would necessitate the redecoration of these civic spaces.2 Anxiety about such a loss, fear of future threats, concern for Venice’s place in evolving geopolitics, and nostalgia for the past prompted the creation of this triumphant pro- gram, which featured thirty-five historical scenes on the walls surmounted by a chronological series of ducal portraits. Complementing these were twenty-one large narratives on the ceiling, flanked by smaller depictions of the city’s feats spanning the previous seven hundred years. The program culminated in the Maggior Consiglio, with Tintoretto’s massive Paradise on one wall and, on the ceiling, three depictions of allegorical Venice in triumph by Tintoretto, Veronese, and Palma il Giovane. These rooms, a center of republican authority, became a showcase for the skills of these and other artists, whose history paintings in particular underscore the deeds of men: clothed, in armor, partially nude, frontal and foreshortened, 61 62 EMWJ 2009, vol. -
Europa E Italia. Studi in Onore Di Giorgio Chittolini
21 CORE VENICE AND THE VENETO Metadata, citation and similar papers at core.ac.uk Provided by Reti Medievali Open Archive DURING THE RENAISSANCE THE LEGACY OF BENJAMIN KOHL Edited by Michael Knapton, John E. Law, Alison A. Smith thE LEgAcy of BEnJAMin KohL BEnJAMin of LEgAcy thE rEnAiSSAncE thE during VEnEto thE And VEnicE Smith A. Alison Law, E. John Knapton, Michael by Edited Benjamin G. Kohl (1938-2010) taught at Vassar College from 1966 till his retirement as Andrew W. Mellon Professor of the Humanities in 2001. His doctoral research at The Johns Hopkins University was directed by VEnicE And thE VEnEto Frederic C. Lane, and his principal historical interests focused on northern Italy during the Renaissance, especially on Padua and Venice. during thE rEnAiSSAncE His scholarly production includes the volumes Padua under the Carrara, 1318-1405 (1998), and Culture and Politics in Early Renaissance Padua thE LEgAcy of BEnJAMin KohL (2001), and the online database The Rulers of Venice, 1332-1524 (2009). The database is eloquent testimony of his priority attention to historical sources and to their accessibility, and also of his enthusiasm for collaboration and sharing among scholars. Michael Knapton teaches history at Udine University. Starting from Padua in the fifteenth century, his research interests have expanded towards more general coverage of Venetian history c. 1300-1797, though focusing primarily on the Terraferma state. John E. Law teaches history at Swansea University, and has also long served the Society for Renaissance Studies. Research on fifteenth- century Verona was the first step towards broad scholarly investigation of Renaissance Italy, including its historiography. -
“Safe from Destruction by Fire” Isabella Stewart Gardner’S Venetian Manuscripts
“Safe from Destruction by Fire” Isabella Stewart Gardner’s Venetian Manuscripts Anne- Marie Eze Houghton Library, Harvard University ver a decade ago the exhibition Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle explored the rich Pan- OEuropean and American expatriate culture that fl ourished in Venice at the end of the nineteenth century and inspired Isabella Stewart Gardner (1840–1924) to create a museum in Boston as a temple to Venetian art and architecture (fi g. 1). On this occasion, attention was drawn for the fi rst time to the museum’s holdings of Venetian manuscripts, and it was observed that in her day Gardner had been the only prominent American collector of manuscripts to focus on Venice.1 The Isabella Stewart Gardner Museum’s collection of Venetian manuscripts comprises more than thirty items, spanning the fi eenth to eighteenth centuries. The collections can be divided into four broad categories: offi cial documents issued by the Doges; histories of the Most Serene Republic of Venice—called the “Sereni- ssima”—its government, and its patriciate; diplomas; and a statute book of 1 Helena Szépe, “Isabella Stewart Gardner’s Venetian Manuscripts,” in Gondola Days: Isa- bella Stewart Gardner and the Palazzo Barbaro Circle, ed. Elizabeth Anne McCauley, Alan Chong, Rosella Mamoli Zorzi, and Richard Lingner (Boston: Isabella Stewart Gardner Museum, 2004), 233–3⒌ 190 | Journal for Manuscript Studies Figure 1. Veronese Room, Isabella Stewart Gardner Museum, Boston. a lay con aternity.2 Most of the manuscripts contain complete and dated texts, are illuminated, and survive in their original bindings. The Gardner’s collection not only charts the evolution over three centuries of Venetian book production, but also provides a wealth of sources for the study of the history, portraiture, iconography, genealogy, and heraldry of the Republic of Venice. -
Vendetta E Parentela Patrizia. Venezia, Inizio XVI Secolo
Corso di Laurea magistrale ( ordinamento ex D.M. 270/2004 ) in Storia Magistrale dal MedioEvo all’Età Contemporanea Tesi di L aurea Vendetta e parentela patrizia. Venezia, inizio XVI secolo Relatore Ch. Prof. Claudio Povolo Laureando Andrew Vidali Matricola 832943 Anno Accademico 20 14 / 20 15 INDICE Lista delle abbreviazioni pag. 3 Introduzione pag. 4 Capitolo Primo pag. 7 Capitolo Secondo pag . 26 Capitolo Terzo pag. 47 Capitolo Quarto pag. 68 Capitolo Quinto pag. 117 Capitolo Sesto pag. 146 Conclusioni pag. 171 Bibliografia pag. 174 2 LISTA DELLE ABBREVIAZIONI Diari : Marin Sanudo, Diarii (1496 - 1533) , a cura di R. Fulin, F. Stefani, N. Barozzi, M. Allegri, G. Berchet, Venezia, Tip. M. Visentini, 1879 - 1903, voll. 58 DBI : Dizionario Biografico degli Italiani, Roma, Istituto dell’Enciclopedia Italiana Treccani, 1960 - , 82 voll. Raspe : Archivio di Stato di Venezia, Avogaria di Comun, Registri Criminali : Archivio di Stato di Venezia, Consiglio di dieci, Deliberazioni, Criminali, Registri Miste : Archivio di Stato di Venezia, Consiglio di dieci, Deliberazioni, Miste, Registri 3 INTRODUZIONE In una breve recensione scritta circa vent’anni fa, Daniel Lord Smail 1 tirava le somme dei risultati raggiunti da due importanti opere da poco pubblicate, Mad Blood Stirring 2 e Faide e parentele 3 . Due opere significative, che ancora oggi meritano di essere menzionate negli studi che si o ccupano della tematica della vendetta. Lo studioso considerò che le opere sopracitate si occupavano di contesti storici periferici – la valle della Fontanabuona, nella parte orientale della Liguria, e la Patria del Friuli – e così altrimenti non poteva ess ere, poiché By the sixteenth century, Italian city - states, towns, and (elsewhere in Europe) kingdoms had restricted blood vengeance to the peripheries of society. -
VENICE Grant Allen's Historical Guides
GR KS ^.At ENICE W VENICE Grant Allen's Historical Guides // is proposed to issue the Guides of this Series in the following order :— Paris, Florence, Cities of Belgium, Venice, Munich, Cities of North Italy (Milan, Verona, Padua, Bologna, Ravenna), Dresden (with Nuremberg, etc.), Rome (Pagan and Christian), Cities of Northern France (Rouen, Amiens, Blois, Tours, Orleans). The following arc now ready:— PARIS. FLORENCE. CITIES OF BELGIUM. VENICE. Fcap. 8vo, price 3s. 6d. each net. Bound in Green Cloth with rounded corners to slip into the pocket. THE TIMES.—" Good work in the way of showing students the right manner of approaching the history of a great city. These useful little volumes." THE SCOTSMAN "Those who travel for the sake of culture will be well catered for in Mr. Grant Allen's new series of historical guides. There are few more satisfactory books for a student who wishes to dig out the Paris of the past from the im- mense superincumbent mass of coffee-houses, kiosks, fashionable hotels, and other temples of civilisation, beneath which it is now submerged. Florence is more easily dug up, as you have only to go into the picture galleries, or into the churches or museums, whither Mr. Allen's^ guide accordingly conducts you, and tells you what to look at if you want to understand the art treasures of the city. The books, in a word, explain rather than describe. Such books are wanted nowadays. The more sober- minded among tourists will be grateful to him for the skill with which the new series promises to minister to their needs." GRANT RICHARDS 9 Henrietta St. -
Venetian Art, 1600–1797 Massimo Favilla, Ruggero Rugolo, And
VENETIAN ART, 1600–1797 Massimo Favilla, Ruggero Rugolo, and Dulcia Meijers* Part One: The 17th Century On 21 August 1609, Galileo Galilei gave a demonstration of his recently perfected telescope to Doge Leonardo Donà and the senators of the Vene- tian Republic from a room atop the bell-tower of St. Mark’s. By means of this extraordinary instrument, places and things once invisible to the naked eye suddenly came within view: in this case, even the domes of the basilica of Santa Giustina in Padua.1 Venice thus witnessed the beginning of a new vision of the world, which in the realm of painting helped bring about the infinite and vertiginous perspectives displayed on the baroque walls and ceilings of all of Europe. Three years earlier, in 1606, the Roman curia had excommunicated the Republic of San Marco for the state’s stalwart defense of its own jurisdic- tion (the Interdict crisis). In the face of unacceptable interference from Rome, the Dominante reacted with obstinate opposition and held its ground throughout the trying episode. The passing of the century brought still other critical moments: the devastating plague of 1630, followed by the disastrous war of Candia (1645–69), in which Venice finally lost the homonymous island (Crete in Italian) to the Ottoman Empire, the high point in 1687 of Venice’s long-awaited first victories over the Ottomans led by the future Doge Francesco Morosini “il Peloponnesiaco,” and the appro- priately solemn consecration of the monumental Basilica della Salute in 1631 (in the wake of the plague) designed by Baldassare Longhena. -
Summary for Gambello, Vittore, 1455/1460-1537 (NAM0437)
KRESS COLLECTION DIGITAL ARCHIVE Gambello, Vittore, 1455/1460-1537 IDENTIFIER NAM0437 NATIONALITY Venetian BIRTH DATE 1455 DEATH DATE 1537 EXTERNAL LINKS UNION LIST OF ARTIST NAMES RECORD http://vocab.getty.edu/page/ulan/500023226 VIRTUAL INTERNATIONAL AUTHORITY FILE RECORD http://viaf.org/viaf/65180005 12 RELATED ART OBJECTS Vittore Gambello "Augustus" (Self-Portrait) [obverse]; Male Figure and Winged Caduceus [reverse] Vittore Gambello A Lion Style of Vittore Gambello Agostino Barbarigo, 1420-1501, Doge of Venice 1486 [obverse]; Venetia on Throne [reverse] NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 1 KRESS COLLECTION DIGITAL ARCHIVE Circle of Vittore Gambello Andrea Gritti, 1455-1538, Doge of Venice 1523 [obverse]; Venetia Holding Scales and Cornucopiae [reverse] Vittore Gambello Classical Subject: Male Figure Carrying a Stag [obverse]; Classical Subject: Flaming Tripod on Altar [reverse] Vittore Gambello Gentile Bellini, 1429-1507, Venetian Painter [obverse]; Incised Inscription [reverse] Vittore Gambello Giovanni Bellini, c. 1430-1516, Venetian Painter [obverse]; An Owl [reverse] Style of Vittore Gambello Giuliano II de' Medici, 1479-1516, Duc de Nemours 1515 [obverse]; Virtue and Fortune [reverse] NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 2 KRESS COLLECTION DIGITAL ARCHIVE Style of Vittore Gambello Leonardo Loredano, 1436-1521, Doge of Venice 1501 [obverse]; Equity Holding Scales and Septre [reverse] Circle of Vittore Gambello Marco Barbarigo, c. 1413-1486, Doge of Venice 1485 [obverse]; Inscription in Wreath of Ivy [reverse] Vittore Gambello Self-Portrait [obverse]; Sacrificial Scene [reverse] Vittore Gambello Sixtus IV (Francesco della Rovere, 1414-1481), Pope 1471 [obverse]; The Pope in Audience [reverse] RECORD LINK https://kress.nga.gov/Detail/entities/NAM0437 NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 3. -
{DOWNLOAD} Venice, a Maritime Republic Pdf Free Download
VENICE, A MARITIME REPUBLIC PDF, EPUB, EBOOK Frederic Chapin Lane | 528 pages | 01 Dec 1973 | JOHNS HOPKINS UNIVERSITY PRESS | 9780801814600 | English | Baltimore, MD, United States Republic of Venice | Account Options Sign in. Try the new Google Books. Check out the new look and enjoy easier access to your favorite features. Try it now. No thanks. Get print book. JHU Press Amazon. Shop for Books on Google Play Browse the world's largest eBookstore and start reading today on the web, tablet, phone, or ereader. Venice, A Maritime Republic. Frederic Chapin Lane. JHU Press , - History - pages. The children's version of the 1 New York Times bestselling classic Seriously, Just Go to Sleep is the G-rated, child-friendly version of the book every parent has been talking about. Of course, kids are well aware of how difficult they can be at bedtime. With Mansbach's new child-appropriate narrative, kids will recognize their tactics, giggle at their own mischievousness, and empathize with their parents' struggles--a perspective most children's books don't capture. Most importantly, it provides a common ground for children and their parents to talk about one of their most stressful daily rituals. This is a fixed-format ebook, which preserves the design and layout of the original print book. User Review - Flag as inappropriate Seamen. Selected pages Title Page. Table of Contents. Contents The Beginnings. A Community Center by Canaletto. Venice about woodcut by Vavassore. Victories BeyondtheSea and in Romania. Illuminated Initial from the Maritime Code of Doge Leonardo Loredan by Giovanni Bellini. The Condottiere in front of San Marco. -
Le Vite Dei Dogi, 1423-1474 II
MARIN SANUDO IL GIOVANE LE VITE DEI DOGI 1423-1474 II TOMO 1457-1474 Introduzione, edizione e note a cura di ANGELA CARACCIOLO ARICÒ Trascrizione a cura di CHIARA FRISON Venezia 2004 Direttore della collana FERIGO FOSCARI Venezia La Malcontenta 2004 Tutti i diritti riservati INDICE DEL II TOMO Doge Pasquale Malipiero 3 Doge Cristoforo Moro 32 Doge Nicolò Tron 154 Doge Nicolò Marcello 191 Bibliografia del I e del II tomo – Principali studi e strumenti utilizzati 283 – Fonti edite 288 – Fonti manoscritte 290 Indice dei nomi del I tomo (Serena de Pont) 291 Indice dei nomi del II tomo (Elena Bocchia) 345 “VENETIAE GENIO URBIS” perché non tutto vada perduto A Chiara e ai miei studenti MARIN SANUDO IL GIOVANE LE VITE DEI DOGI 1423-1474 II TOMO 1457-1474 |f. 76v|a) [1457] Pasqualb) Malipiero Doxe fo creado per l’absolucion1 fat- ta nel Conseio d’i X con la Zonta di Francesco Foscari Doxe, non potendo più il Duca exercitar per la vechieza.2 A dì 23 ottubrio et a dì 24 fo chiamado Gran Conseio per dar principio alla elecione, et forno a Conseio zentilomeni circha nu- mero 800; et prima fo fatti li cinque Coretori qualli fo: sier Pollo Tron Procurator sier Christoffollo Moro Procurator questi veneno dopij et non sier Orsato Zustignian Procurator funo balotadi sier Michel Venier Procurator sier Nicolò Bernardo Questi Coretori il zorno drio – a dì 25 – meseno le sue parti,c) qual fo prese, zoè: sopra il terzo capittollo, che il Doxe sia obligatto far justicia, sia azonto: etiam alli nostri suditi; sopra il 333 che il Doxe non apri letere dil Papa, -
Tra Sacro E Quotidiano. Il Monachesimo Femminile Nella Laguna Di Venezia in Epoca Medievale (Secoli IX-XIV)
UNIVERSITÀ DEGLI STUDI DI MILANO SCUOLA DI DOTTORATO Humanae Litterae DIPARTIMENTO Scienze della Storia e della documentazione storica CORSO DI DOTTORATO Storia Medievale XXIV ciclo Tra sacro e quotidiano. Il monachesimo femminile nella laguna di Venezia in epoca medievale (secoli IX-XIV) M-STO/01 Storia medievale DOTTORANDA: Silvia Carraro TUTOR: Ch.ma Prof. Elisa Ester Occhipinti COORDINATORE DEL DOTTORATO: Ch.ma Prof. Elisa Ester Occhipinti A.A. 2011-2012 O Isnarde monache, quantum est amanda, a te atque ac ab omnibus multum veneranda Virgo Christi genistrix atque conlaudanda, quia te eripuit et multos tristantes in procellis positos ipsam invacantes, munimen de periculis ad eam clamentes, ipsos cunctos adiuvat sua bonitate de mortis periculo eius sanctitate. Ipsa ergo invocamus atque laudes conferamus pio corde supplicamus tali semper domine. Ipsa celi est regina cunctis namque matre divina atque mundi domna. San Giorgio maggiore, doc. n. 68, attegato C sec. XII. i ii Tra sacro e quotidiano. Monachesimo femminile nella laguna di Venezia in epoca medievale (secc. IX-XIV) Indice Sigle e abbreviazioni p. vi Una storia da scrivere p. vii I. Sulle tracce del monachesimo femminile p. 1 1. Origini e fondazioni: tra documenti e tradizione p. 3 2. Il doge e i monasteri femminili: il potere e il sacro p. 13 3. Monasteri di donne p. 24 4. Monache e badesse p. 29 5. Forme di vita religiosa femminile (secoli X-XII) p. 38 6. Venti di riforma p. 45 7. San Zaccaria e Cluny p. 49 II. Esperimenti di vita religiosa tra monasteri e ospedali p. 57 1. Monacha, conversa, devota. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Patrician Lawyers in Quattrocento Venice
_________________________________________________________________________Swansea University E-Theses Servants of the Republic: Patrician lawyers in Quattrocento Venice. Jones, Scott Lee How to cite: _________________________________________________________________________ Jones, Scott Lee (2010) Servants of the Republic: Patrician lawyers in Quattrocento Venice.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42517 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ Swansea University Prifysgol Abertawe Servants of the Republic: Patrician Lawyers inQuattrocento Venice Scott Lee Jones Submitted to the University of Wales in fulfillment of the requirements for the Degree of Doctor of Philosophy 2010 ProQuest Number: 10805266 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted.