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MOSE (EXPERIMENTAL ELECTROMECHANICAL MODULE; ITALIAN: MODULO SPERIMENTALE ELETTROMECCANICO) Overview / Summary of the Initiative
MOSE (EXPERIMENTAL ELECTROMECHANICAL MODULE; ITALIAN: MODULO SPERIMENTALE ELETTROMECCANICO) Overview / summary of the initiative Title: MoSE (Experimental Electromechanical Module; Italian: MOdulo Sperimentale Elettromeccanico) Country: Italy (Veneto region) Thematic area: Security, Climate change Objective(s): 1. To protect from flooding the city of Venice and the Venetian Lagoon, with its towns, villages and inhabitants along with its iconic historic, artistic and environmental heritage. 2. To contribute to the socio-economic growth of the area and hence to the development of the port and related activities. 3. To guarantee the existing and future port activities inside the Lagoon in its various specificities of Chioggia, Cavallino and Venice. Timeline: The launch of the project started in 1973, when for the first time the Italian Government took in consideration the realisation of mechanic structures to prevent Venice from flooding. 2003 (start of the works)-2019 (estimation) Scale of the initiative: EUR 5.493 million (2014 estimation) Scope of the initiative • Focused on new knowledge creation (basic research, TRLs 1-4): TO A CERTAIN EXTENT; the development and following implementation of the MoSE project have focused on knowledge creation and prototypes development since the 1980s. However, this is useful to the construction at the three inlets of the Venice lagoon and mobile barriers. • Focused on knowledge application (applied research, TRLs 5-9): YES; the MoSE project aims to apply the developed technological solutions and to demonstrate its validity. Source of funding (public/private/public-private): Public funding: since 2003 (year of start of the works) the national government has been the financial promoter of the MoSE. -
Biological Warfare Plan in the 17Th Century—The Siege of Candia, 1648–1669 Eleni Thalassinou, Costas Tsiamis, Effie Poulakou-Rebelakou, Angelos Hatzakis
HISTORICAL REVIEW Biological Warfare Plan in the 17th Century—the Siege of Candia, 1648–1669 Eleni Thalassinou, Costas Tsiamis, Effie Poulakou-Rebelakou, Angelos Hatzakis A little-known effort to conduct biological warfare oc- to have hurled corpses of plague victims into the besieged curred during the 17th century. The incident transpired city (9). During World War II, Japan conducted biological during the Venetian–Ottoman War, when the city of Can- weapons research at facilities in China. Prisoners of war dia (now Heraklion, Greece) was under siege by the Otto- were infected with several pathogens, including Y. pestis; mans (1648–1669). The data we describe, obtained from >10,000 died as a result of experimental infection or execu- the Archives of the Venetian State, are related to an op- tion after experimentation. At least 11 Chinese cities were eration organized by the Venetian Intelligence Services, which aimed at lifting the siege by infecting the Ottoman attacked with biological agents sprayed from aircraft or in- soldiers with plague by attacking them with a liquid made troduced into water supplies or food products. Y. pestis–in- from the spleens and buboes of plague victims. Although fected fleas were released from aircraft over Chinese cities the plan was perfectly organized, and the deadly mixture to initiate plague epidemics (10). We describe a plan—ul- was ready to use, the attack was ultimately never carried timately abandoned—to use plague as a biological weapon out. The conception and the detailed cynical planning of during the Venetian–Ottoman War in the 17th century. the attack on Candia illustrate a dangerous way of think- ing about the use of biological weapons and the absence Archival Sources of reservations when potential users, within their religious Our research has been based on material from the Ar- framework, cast their enemies as undeserving of humani- chives of the Venetian State (11). -
(All.10) +Relazione ISPRA 2010.Pdf
ATTIVITÀ DI MONITORAGGIO PER LA BONIFICA DEI FONDALI ANTISTANTI IL TERMINAL RAVANO NEL PORTO DELLA SPEZIA RELAZIONE TECNICA Luglio 2010 PM-EL-LI-P-01.11 PM-El-LI-P-01.11 Responsabile del Dipartimento II ex ICRAM Dott. Massimo Gabellini Coordinatore scientifico Dott.ssa Antonella Ausili Responsabili Scientifici ISPRA del Progetto Dott. Ing. Elena Mumelter Dott.ssa Maria Elena Piccione Staff tecnico ISPRA Francesco Loreti Ing. Lorenzo Rossi Ing. Andrea Salmeri Dott.ssa Antonella Tornato Laboratorio contaminanti organici ISPRA Dott. Giulio Sesta Laila Baklouti Giuseppina Ciuffa Andrea Colasanti Dott.ssa Anna Lauria Andeka de la Fuente Origlia Laboratorio ecotossicologia ISPRA Dott. Fulvio Onorati Dott. Giacomo Martuccio Giordano Ruggiero Dott.ssa Angela Sarni ISTITUTO SUPERIORE DI SANITA’ Dott.ssa Eleonora Beccaloni Dott.ssa Rosa Paradiso Dott.ssa Federica Scaini UNIVERSITÀ DI SIENA - DIPARTIMENTO DI SCIENZE AMBIENTALI “G. SARFATTI” Dott.ssa Cristina Fossi Dott.ssa Silvia Casini Dott.ssa Letizia Marsili Dott.ssa Daniela Bucalossi Dott. Gabriele Mori Dott.ssa Serena Porcelloni Dott. Giacomo Stefanini Dott.ssa Silvia Maltese 2/97 PM-El-LI-P-01.11 ATTIVITÀ DI MONITORAGGIO PER LA BONIFICA DEI FONDALI ANTISTANTI IL TERMINAL RAVANO NEL PORTO DELLA SPEZIA RELAZIONE TECNICA SOMMARIO 1 INTRODUZIONE .................................................................................................... 5 2 PIANO DI MONITORAGGIO................................................................................... 5 2.1 Piano di monitoraggio ante operam................................................................. -
Caterina Corner in Venetian History and Iconography Holly Hurlburt
Early Modern Women: An Interdisciplinary Journal 2009, vol. 4 Body of Empire: Caterina Corner in Venetian History and Iconography Holly Hurlburt n 1578, a committee of government officials and monk and historian IGirolamo Bardi planned a program of redecoration for the Sala del Maggior Consiglio (Great Council Hall) and the adjoining Scrutinio, among the largest and most important rooms in the Venetian Doge’s Palace. Completed, the schema would recount Venetian history in terms of its international stature, its victories, and particularly its conquests; by the sixteenth century Venice had created a sizable maritime empire that stretched across the eastern Mediterranean, to which it added considerable holdings on the Italian mainland.1 Yet what many Venetians regarded as the jewel of its empire, the island of Cyprus, was calamitously lost to the Ottoman Turks in 1571, three years before the first of two fires that would necessitate the redecoration of these civic spaces.2 Anxiety about such a loss, fear of future threats, concern for Venice’s place in evolving geopolitics, and nostalgia for the past prompted the creation of this triumphant pro- gram, which featured thirty-five historical scenes on the walls surmounted by a chronological series of ducal portraits. Complementing these were twenty-one large narratives on the ceiling, flanked by smaller depictions of the city’s feats spanning the previous seven hundred years. The program culminated in the Maggior Consiglio, with Tintoretto’s massive Paradise on one wall and, on the ceiling, three depictions of allegorical Venice in triumph by Tintoretto, Veronese, and Palma il Giovane. These rooms, a center of republican authority, became a showcase for the skills of these and other artists, whose history paintings in particular underscore the deeds of men: clothed, in armor, partially nude, frontal and foreshortened, 61 62 EMWJ 2009, vol. -
The Mose Machine
THE MOSE MACHINE An anthropological approach to the building oF a Flood safeguard project in the Venetian Lagoon [Received February 1st 2021; accepted February 16th 2021 – DOI: 10.21463/shima.104] Rita Vianello Ca Foscari University, Venice <[email protected]> ABSTRACT: This article reconstructs and analyses the reactions and perceptions of fishers and inhabitants of the Venetian Lagoon regarding flood events, ecosystem fragility and the saFeguard project named MOSE, which seems to be perceived by residents as a greater risk than floods. Throughout the complex development of the MOSE project, which has involved protracted legislative and technical phases, public opinion has been largely ignored, local knowledge neglected in Favour oF technical agendas and environmental impact has been largely overlooked. Fishers have begun to describe the Lagoon as a ‘sick’ and rapidly changing organism. These reports will be the starting point For investigating the fishers’ interpretations oF the environmental changes they observe during their daily Fishing trips. The cause of these changes is mostly attributed to the MOSE’S invasive anthropogenic intervention. The lack of ethical, aFFective and environmental considerations in the long history of the project has also led to opposition that has involved a conFlict between local and technical knowledge. KEYWORDS: Venetian Lagoon, acqua alta, MOSE dams, traditional ecological knowledge, small-scale Fishing. Introduction Sotto acqua stanno bene solo i pesci [Only the fish are fine under the sea]1 This essay focuses on the reactions and perceptions of fishers facing flood events, ecosystem changes and the saFeguarding MOSE (Modulo Sperimentale Elettromeccanico – ‘Experimental Electromechanical Module’) project in the Venetian Lagoon. -
Vincenzo Cappello C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Sixteenth Century Titian and Workshop Titian Venetian, 1488/1490 - 1576 Italian 16th Century Vincenzo Cappello c. 1550/1560 oil on canvas overall: 141 x 118.1 cm (55 1/2 x 46 1/2 in.) framed: 169.2 x 135.3 x 10.2 cm (66 5/8 x 53 1/4 x 4 in.) Samuel H. Kress Collection 1957.14.3 ENTRY This portrait is known in at least four other contemporary versions or copies: in the Chrysler Museum, Norfolk, Virginia[fig. 1]; [1] in the State Hermitage Museum, Saint Petersburg [fig. 2]; [2] in the Seminario Vescovile, Padua; [3] and in the Koelikker collection, Milan. [4] According to John Shearman, x-radiographs have revealed that yet another version was originally painted under the Titian workshop picture Titian and His Friends at Hampton Court (illustrated under Andrea de’ Franceschi). [5] Of these versions, the Gallery’s picture is now generally accepted as the earliest and the finest, and before it entered the Kress collection in 1954, the identity of the sitter, established by Victor Lasareff in 1923 with reference to the Hermitage version, has never subsequently been doubted. [6] Lasareff retained a traditional attribution to Tintoretto, and Rodolfo Pallucchini and W. R. Rearick upheld a similarly traditional attribution to Tintoretto of the present version. [7] But as argued by Wilhelm Suida in 1933 with reference to the Chrysler version (then in Munich), and by Fern Rusk Shapley and Harold Wethey with reference to the present version, an attribution to Titian is more likely. -
University Micrdfilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1 . The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2 . When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Christian Allies of the Ottoman Empire by Emrah Safa Gürkan
Christian Allies of the Ottoman Empire by Emrah Safa Gürkan The relationship between the Ottomans and the Christians did not evolve around continuous hostility and conflict, as is generally assumed. The Ottomans employed Christians extensively, used Western know-how and technology, and en- couraged European merchants to trade in the Levant. On the state level, too, what dictated international diplomacy was not the religious factors, but rather rational strategies that were the results of carefully calculated priorities, for in- stance, several alliances between the Ottomans and the Christian states. All this cooperation blurred the cultural bound- aries and facilitated the flow of people, ideas, technologies and goods from one civilization to another. TABLE OF CONTENTS 1. Introduction 2. Christians in the Service of the Ottomans 3. Ottoman Alliances with the Christian States 4. Conclusion 5. Appendix 1. Sources 2. Bibliography 3. Notes Citation Introduction Cooperation between the Ottomans and various Christian groups and individuals started as early as the beginning of the 14th century, when the Ottoman state itself emerged. The Ottomans, although a Muslim polity, did not hesitate to cooperate with Christians for practical reasons. Nevertheless, the misreading of the Ghaza (Holy War) literature1 and the consequent romanticization of the Ottomans' struggle in carrying the banner of Islam conceal the true nature of rela- tions between Muslims and Christians. Rather than an inevitable conflict, what prevailed was cooperation in which cul- tural, ethnic, and religious boundaries seemed to disappear. Ÿ1 The Ottomans came into contact and allied themselves with Christians on two levels. Firstly, Christian allies of the Ot- tomans were individuals; the Ottomans employed a number of Christians in their service, mostly, but not always, after they had converted. -
Intl Law Presentation 3P
Ringvorlesung/ Lecture Series Development Policy XXVI International Law and Development INTRODUCTION Murtaza Jaffer Coverage Understanding international law connection to development discussion on challenges the world faces and how states and citizens can engage with international law and policy to create a better world. Extra focus on IHL - genocide, war crimes & crimes against humanity Domestic/National Law Statute Law (may include customary laws) passed by Parliament of Council or Monarch or Dictator jurisdiction - national boundaries Citizen / State relations International Law Treaty Law Agreed between sovereign states. Approval of Parliament. Governs issues agreed in the treaty - (war & peace; trade; development; environment; immigration; etc) Aspects of International Law Public international law - relationship between states and international entities. includes treaty law, law of sea, international criminal law, the laws of war or international humanitarian law, international human rights law, and refugee law Private international law - largely conflict of laws, jurisdictional issues, civil law Law of supranational organizations - primacy of treaty overriding national laws where does international law come from? Agreement between parties to the treaty Customary international law - practice of states • (codified in the Vienna Convention on the Law of Treaties) International law treaties are as old as people holding territory - fighting and trading. oldest surviving peace treaty, the Ramses-Hattusili Treaty - Temple of Amun in Karnak. Agreed after the Battle of Kadesh 1283 B.C. other interesting examples: Border agreement between the rulers of the city-states of Lagash and Umma 2100 (Lagash and Umma BC of Mesopotamia) in Mesopotamia, inscribed on a stone block, setting a proscribed boundary between their two states. -
Political and Economic Transition of Ottoman Sovereignty from a Sole Monarch to Numerous Ottoman Elites, 1683–1750S
Acta Orientalia Academiae Scientiarum Hung. Volume 70 (1), 49 – 90 (2017) DOI: 10.1556/062.2017.70.1.4 POLITICAL AND ECONOMIC TRANSITION OF OTTOMAN SOVEREIGNTY FROM A SOLE MONARCH TO NUMEROUS OTTOMAN ELITES, 1683–1750S BIROL GÜNDOĞDU Justus-Liebig-Universität Gießen Historisches Institut, Osteuropäische Geschichte Otto-Behaghel-Str. 10, Haus D Raum 205, 35394 Gießen, Deutschland e-mail: [email protected] The aim of this paper is to reveal the transformation of the Ottoman Empire following the debacles of the second siege of Vienna in 1683. The failures compelled the Ottoman state to change its socio- economic and political structure. As a result of this transition of the state structure, which brought about a so-called “redistribution of power” in the empire, new Ottoman elites emerged from 1683 until the 1750s. We have divided the above time span into three stages that will greatly help us com- prehend the Ottoman transition from sultanic authority to numerous autonomies of first Muslim, then non-Muslim elites of the Ottoman Empire. During the first period (1683–1699) we see the emergence of Muslim power players at the expense of sultanic authority. In the second stage (1699–1730) we observe the sultans’ unsuccessful attempts to revive their authority. In the third period (1730–1750) we witness the emergence of non-Muslim notables who gradually came into power with the help of both the sultans and external powers. At the end of this last stage, not only did the authority of Ottoman sultans decrease enormously, but a new era evolved where Muslim and non-Muslim leading figures both fought and co-operated with one another for a new distribution of wealth in the Ottoman Empire. -
Selected Ancestors of the Chicago Rodger's
Selected Ancestors of the Chicago Rodger’s Volume I: Continental Ancestors Before Hastings David Anderson March 2016 Charlemagne’s Europe – 800 AD For additional information, please contact David Anderson at: [email protected] 508 409 8597 Stained glass window depicting Charles Martel at Strasbourg Cathedral. Pepin shown standing Pepin le Bref Baldwin II, Margrave of Flanders 2 Continental Ancestors Before Hastings Saints, nuns, bishops, brewers, dukes and even kings among them David Anderson March 12, 2016 Abstract Early on, our motivation for studying the ancestors of the Chicago Rodger’s was to determine if, according to rumor, they are descendants of any of the Scottish Earls of Bothwell. We relied mostly on two resources on the Internet: Ancestry.com and Scotlandspeople.gov.uk. We have been subscribers of both. Finding the ancestral lines connecting the Chicago Rodger’s to one or more of the Scottish Earls of Bothwell was the most time consuming and difficult undertaking in generating the results shown in a later book of this series of three books. It shouldn’t be very surprising that once we found Earls in Scotland we would also find Kings and Queens, which we did. The ancestral line that connects to the Earls of Bothwell goes through Helen Heath (1831-1902) who was the mother and/or grandmother of the Chicago Rodger’s She was the paternal grandmother of my grandfather, Alfred Heath Rodger. Within this Heath ancestral tree we found four lines of ancestry without any evident errors or ambiguities. Three of those four lines reach just one Earl of Bothwell, the 1st, and the fourth line reaches the 1st, 2nd and 3rd.