Thucydides, Book 6. Edited by E.C. Marchant
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Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
Thucydides Trap Pamphlet
David R. Kotok Lessons From Thucydides Copyright© 2018 by David R. Kotok All rights reserved. Publication Date: 7/20/2018 This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. Printed in the United States of America First Printing, 2018 ISBN 978-1-7325946-1-6 Cumberland Advisors ® 2 N. Tamiami Trail, Suite 303 Sarasota, Florida 34236 www.Cumber.com David R. Kotok Lessons From Thucydides Table of Contents The US stock market, “Thucydides Trap”, and its implications for Part One: Pg. 1 US policy._________________________________________________ A discussion of money, investments, and when Thucydides Trap Part Two: Pg. 8 risks are rising._____________________________________________ Incomplete information has generated negative outcomes for all of Part Three: recorded history.___________________________________________ Pg. 14 Money is both a tool of war and a tool used to avert war; war costs Part Four: money and a lot of it.________________________________________ Pg. 18 Bibliography ________________________________________________ Pg. 24 David R. Kotok Lessons From Thucydides David R. Kotok co-founded Cumberland Advisors in 1973 and has been its Chief Investment Officer since inception. He holds a B.S. in economics from The Wharton School of the University of Pennsylvania, an M.S. in organizational dynamics from The School of Arts and Sciences at the University of Pennsylvania, and an M.A. in philosophy from the University of Pennsylvania. Mr. Kotok’s articles and financial market commentaries have appeared in The New York Times, The Wall Street Journal, Barron’s, and other publications. -
Politics and Policy in Corinth 421-336 B.C. Dissertation
POLITICS AND POLICY IN CORINTH 421-336 B.C. DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by DONALD KAGAN, B.A., A.M. The Ohio State University 1958 Approved by: Adviser Department of History TABLE OF CONTENTS Page FOREWORD ................................................. 1 CHAPTER I THE LEGACY OF ARCHAIC C O R I N T H ....................7 II CORINTHIAN DIPLOMACY AFTER THE PEACE OF NICIAS . 31 III THE DECLINE OF CORINTHIAN P O W E R .................58 IV REVOLUTION AND UNION WITH ARGOS , ................ 78 V ARISTOCRACY, TYRANNY AND THE END OF CORINTHIAN INDEPENDENCE ............... 100 APPENDIXES .............................................. 135 INDEX OF PERSONAL N A M E S ................................. 143 BIBLIOGRAPHY ........................................... 145 AUTOBIOGRAPHY ........................................... 149 11 FOREWORD When one considers the important role played by Corinth in Greek affairs from the earliest times to the end of Greek freedom it is remarkable to note the paucity of monographic literature on this key city. This is particular ly true for the classical period wnere the sources are few and scattered. For the archaic period the situation has been somewhat better. One of the first attempts toward the study of Corinthian 1 history was made in 1876 by Ernst Curtius. This brief art icle had no pretensions to a thorough investigation of the subject, merely suggesting lines of inquiry and stressing the importance of numisihatic evidence. A contribution of 2 similar score was undertaken by Erich Wilisch in a brief discussion suggesting some of the problems and possible solutions. This was followed by a second brief discussion 3 by the same author. -
Athens' Domain
Athens’ Domain: The Loss of Naval Supremacy and an Empire Keegan Laycock Acknowledgements This paper has a lot to owe to the support of Dr. John Walsh. Without his encouragement, guid- ance, and urging to come on a theoretically educational trip to Greece, this paper would be vastly diminished in quality, and perhaps even in existence. I am grateful for the opportunity I have had to present it and the insight I have gained from the process. Special thanks to the editors and or- ganizers of Canta/ἄειδε for their own patience and persistence. %1 For the Athenians, the sea has been a key component of culture, economics, and especial- ly warfare. The Peloponnesian War (431-404 BC) displayed how control of the waves was vital for victory. This was not wholly apparent at the start of the conflict. The Peloponnesian League was militarily led by Sparta who was the greatest land power in Greece; to them naval warfare was excessive. Athens, as the head of the Delian League, was the greatest sea power in Greece whose strengths lay in their navy. However, through a combination of factors, Athens lost control of the sea and lost the war despite being the superior naval power at the war’s outset. Ultimately, Athens lost because they were unable to maintain strong naval authority. The geographic position of Athens and many of its key resources ensured land-based threats made them vulnerable de- spite their naval advantage. Athens also failed to exploit their naval supremacy as they focused on land-based wars in Sicily while the Peloponnesian League built up a rivaling navy of its own. -
Durham Research Online
Durham Research Online Deposited in DRO: 11 April 2016 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Miles, Sarah (2011) 'Gods and heroes in comic space : a stretch of the imagination?', Dionysus ex machina., 2 . pp. 109-133. Further information on publisher's website: http://www.dionysusexmachina.it/?cmd=articoloid=42 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Sarah Miles Gods and heroes in comic space. A stretch of the imagination? Abstract The article explores the stage movement of gods, heroes and mythical figures in Aristophanic stage space. All four of the Aristophanic comedies that contain these characters ( Peace , Birds , Frogs and Wealth ) are found to adhere to the same patterns of stage movement whereby the comic protagonist must be the first to initiate contact with a divine, heroic or mythical character and will do so by undertaking a journey away from the city to find that character. -
Acharnians.Pdf
ARISTOPHANES’ “ACHARNIANS” Produced in 425BCE TRANSLATED BY G. THEODORIDIS ©2004 http://bacchicstage.wordpress.com/ All rights reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON- COMMERCIAL purpose. For use by any theatrical, educational or cinematic organisation, however, including a non-commercial one, permission must be sought. Under no circumstances should any of this work be used as part of a collage, which includes the work of other writers or translators. ————– Dramatis Personae DICAEOPOLIS: A mild-mannered farmer XANTHIAS: A Slave to Dicaeopolis A SECOND SLAVE TO DICAEOPOLIS A DAUGHTER TO DICAEOPOLIS A WIFE TO DICAEOPOLIS EURIPIDES: The Athenian tragedian KIFISOPHOS: A slave to Euripides LAMACHUS: A bombastic general FOUR SLAVES TO EURIPIDES FOUR MEMBERS OF THE EXECUTIVE COMMITTEE MAYBEGOD: A peace negotiator TWO AMBASSADORS TO THE PERSIAN COURT PSEUDOARTABAS: “The King’s Eye” TWO EUNUCHS TO PSEUDOARTABAS THEORUS: Ambassador to Thrace FIVE ODOMANTIAN SOLDIERS MEGARIAN: A mild-mannered pauper TWO DAUGHTERS TO THE MEGARIAN BOETIAN: A mild-mannered merchant ISMENIAS: His slave INFORMER NIKARHOS: Another informer. MISS PEACE DERKETES: A wealthy farmer BEST MAN BRIDESMAID HERALD A HERALD B CHORUS: LACRATIDIS MARILADES DRAKYLOS EUFORIDES PRINIDES OTHER MEMBERS TWO ARCHERS (Female) TWO FLUTE PLAYERS Following the Boetian CROWD AT THE PNYX ACT ONE Scene 1 The stage is divided into two parts. On Stage Left is Dicaeopolis’ house. Front door aspect. On Stage Right is a building which will serve as first, the Pnyx, then Euripides’ house –both front door aspect and indoors and finally as Lamachus’ house, front only. Both houses have a window through which the audience may witness indoor business. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Thucydides 7.42.3: an Unrecognized Fragment of Philistus
Thucydides 7.42.3: an Unrecognised Fragment of Philistus Kopff, E Christian Greek, Roman and Byzantine Studies; Spring 1976; 17, 1; ProQuest pg. 23 Thucydides 7.42.3: an Unrecognized Fragment of Philistus E. Christian Kopff • '>.' \ A () 1 ''>.' \ • l \ 1 \ 1 ,.,. 1 o OE .LJTJfLOC EVT}C LOWV WC E XE Ta 7rpaYfLaTa Kat vOfLLcac ouX OWl' TE '9 '>.' IQ ''>.' \ () 1\7 1 " () [( '..I. 1 \ \ Ovat OLaTpLJ-'EtV OUoE tra ELVA" 07rEP 0• .J.vtKtaC E7ra EV a'f'tKOfLEVOC yap TO A • 1\7 1 ..I. Q 1 • , '() \ , A C 1 7rPWTOV 0 LVLKLac 'f'OJ-'EpOC, WC OUK EU UC 7rPOCEKELTO TaLC upaKoucaLC, -'_ \ \ ' , rT 1 '>.' 'r • '..1.8 \ "..I.() , \ , - W\I\ EV .n.aTavn OLEXEtfLa",EV, V7T'EPW'f' TJ TE Kat E'f' aCEV aUTOV EK T7JC 1 A • 1\ ' ..I.' '" '>." '" ',f, n EI\07r0VV7JCOU\ CTpaTLC!- 0 r VI\L7r7rOC a'f'LKOfLEVOC, TJV OVo av fLETE7rEfL'f'av al (vpaKOCWL, El EKE'Lvoc EV()VC E7r€KELTO' lKavo~ yap aVTO~ olOfLEVOL Elvat fit ''1\'' () ~ N \ , I '" ~ ~ ~, , afLa T av EfLa OV TJCCOUC OVTEC KaL a7rOTETELXLCfLEVOL av "cav, WCTE fLTJo Et I u.l. " ~ , '" , , ',J.., \ ... ) ..... .,., "" t fJ.ETE7rEf"'f'av ETL OfJ.OLWC av aVTOVC W'f'EI\OV , TaVTa OW al'aCK07rWV 0 A ()' ]" I fit \''',.... I ..... , .LJTJfJ.OC EVT}C. Kat yLyvWCKWV OTt Kat aVTOC €I' Tep 7rapOVTL TV 7rPWT'[} ., -'\ 1:" " TJfJ.EPC!- fLctI\tCTa oEtVOTaTOC ECTt TOtCA' EVaVTtOLC, , EJ-'OV'Q'A ETO OTt" Taxoc, a7roxp~cac()aL Tfj 7rapOVCV TOV CTpaTEVJl-aTOC EK7rA~~EL. (Thuc. 7.42.3) .. WER DIESE W[orte] mit dem ausfiihrlichen Berichte vergleicht, den Th[ukydides] im 6. -
Syracuse, Italy)
Sophie Bouffier, Vincent Dumas, Philippe Lenhardt, Jean-Louis Paillet HYDROSYRA Project. Some Reflections about the Ancient Aqueduct of Galermi (Syracuse, Italy) Summary Since 2012, the Centre Camille Jullian team carries out an interdisciplinary study of the aqueduct Galermi, architectural work and hydraulic engineering of about 30 km long. This aqueduct, built between the 5th century BC and the Roman Empire, first supplied drinking water to Greek and/or Roman Syracuse. In the 16th–17th centuries, partial transformations have been done and changed the function of the channel, with the installation of flour mills. In the 19th century, the new Italian state gradually expropriated immediate neighbors who exploited abusively the aqueduct. It was then devoted only to irrigate the Syracusan territory according to a system of concessions that has almost remained unchanged since the 19th century. The paper will present this program and the last results that the team obtained in the last two years, particularly about intakes of water and underground galleries, and which chronology can be proposed. Keywords: Aqueduct; Greek and Roman Antiquity; drinking water; Sicily Seit 2012 führt das Zentrum von Camille-Jullian eine interdisziplinäre Studie zum Galermi- Aquädukt, seiner Architektur und hydraulischen Technik auf ungefähr 30 km Länge durch. Dieses Aquädukt, gebaut zwischen dem 5. Jahrhundert v. Chr. und dem römischen Reich, lieferte zunächst Trinkwasser zum griechischen bzw. römischen Syrakus. Vom 16. bis 17. Jahrhundert sind partielle Umwandlungen getätigt worden, die die Funktion des Kanals durch die Inbetriebnahme von Getreidemühlen änderten. Im 19. Jahrhundert dann ent- eignete der neue italienische Staat stufenweise Anrainer, die das Aquädukt-Wasser illegal angezapft hatten. -
The Peloponnesian War Hope and Fear
The Peloponnesian War Hope and Fear • “The truest explanation… the growth of Athens to greatness and Spartan fear” (Thuc. i.23.5) • “The majority of the Hellenes were angry with the Athenians, some wishing to be delivered from their control, others fearful of falling under it” (Thuc. ii. 8.4) 432 BC Corcyra: 434 -33 • Epidamnus • Colony of Corinth • Seeks colony status from Corcyra • Corinth threatens war • Corcyra appeals to Athens • Adds naval strength to Athens • Strategic position • Athens agrees and sends 30 ships Corcyra: Potidaea • Athenian tribute state • Corinthian Colony • Athens: • Feared that Corinth would use Potidaea to retaliate. • Feared the involvement of Perdiccas of Macedon • Ordered Potidaea to expel the Corinthians • Potidaea rises in revolt, September 433. Potidaea The Megarian Decree • Megara, a member of the Peloponnesian League since 445 BC • Megarian Decree (before 435?) • Megarians may not use Athenian harbors or markets. • Pericles issued the decree to incite war • (Diod. xii 40.6; Aristophanes Peace 603-11) Megarian Decree Corinth • Main instigator in the Peloponnesian League • Athenian interference a breach of the treaty • Corinth demands that the League respond • Athenian treatment of subject states • Megarian Decree • Corcyra • Potidaea Cause, Pretext and First Event • Cause • Athenian Power • Athenian alliance with Corcyra • Pretext • Harsh treatment of subject states • Megarian Decree • First Event • Theban attack on Plataea Diplomacy • Spartan embassies, 432: • First Embassy: • Expel the Cylonian Pollution (Pericles) • Second: • Raise the siege of Potidaea • Give Aegina independence • Rescind the Megarian Decree An offer you can’t accept: • Third Embassy: • “Leave the Hellenes independent” • Pericles’ response (Thuc. 1. 140 - 44) • The Spartans are “…dropping the tone of protest and adopting that of command” • We will dissolve our empire when you dissolve yours • We will not start the fight – but we will respond to any who do. -
Aristophanes in Performance 421 BC–AD 2007
an offprint from Aristophanes in Performance 421 BC–AD 2007 Peace, Birds and Frogs ❖ EDITED BY EDITH HALL AND AMANDA WRIGLEY Modern Humanities Research Association and Maney Publishing Legenda: Oxford, 2007 C H A P T E R 16 ❖ A Poet without ‘Gravity’: Aristophanes on the Italian Stage Francesca Schironi Since the beginning of the twentieth century, Aristophanes has enjoyed a certain public profile: I have counted at least seventy-four official productions that have taken place in Italy since 1911. The most popular play by far seems to be Birds, which has taken the stage in sixteen different productions. Clouds is also reasonably popular, having been staged in twelve different productions. There have also been some interesting rewritings and pastiches of more than one play. But particularly striking is the relative infrequency with which Frogs — in my view one of Aristophanes’ most engaging comedies — has been produced: it has only seen public performance twice, in 1976 and in 2002.1 Indeed, it is one of those two productions of Frogs that attracted my attention: the most recent one, directed by Luca Ronconi at Syracuse in May 2002. As most people know by now, this performance excited many discussions, in Italy,2 as well as abroad,3 because of widespread suspicion that it had incurred censorship at the hands of Berlusconi’s government. I would like to reconsider this episode, not only because it is both striking and ambiguous, but above all because on closer inspection it seems to me a particularly good illustration of how theatre, and in particular ancient Greek and Roman theatre, ‘works’ in Italy. -
Nicias and the Sicilian Expedition
Copyright © Heritage History 2010 Some rights reserved This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the promotion of the works of traditional history authors. The books which Heritage History republishes are in the public domain and are no longer protected by the original copyright. They may therefore be reproduced within the United States without paying a royalty to the author. The text and pictures used to produce this version of the work, PREFACE however, are the property of Heritage History and are subject to certain restrictions. These restrictions are imposed for the purpose of protecting the integrity of the work, for preventing plagiarism, and for helping to The ultimate, it might be said, the only authority for assure that compromised versions of the work are not widely the military and political facts given in this narrative, is disseminated. Thucydides. These facts have been admirably expounded In order to preserve information regarding the origin of this and arranged by Grote, to whom everyone interested in text, a copyright by the author, and a Heritage History distribution date Greek history must be under obligations which cannot be are included at the foot of every page of text. We require all electronic adequately expressed. I have to acknowledge specially my and printed versions of this text to include these markings, and that indebtedness to the maps which accompany the sixth users adhere to the following restrictions. volume of his history. In writing this little book I have also 1.