DOCSLIB.ORG

Alice in Wonderland in Film and Popular Culture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alice in Wonderland in Film and Popular Culture H-Film Alice in Wonderland in Film and Popular Culture Discussion published by Elif Sendur on Friday, May 17, 2019 Alice in Wonderland in Film and Popular Culture Edited by Antonio Sanna Lewis Carroll’s Alice texts have survived the Victorian age and have thrived in popularity until the contemporary times. Written originally for children, the two books have transcended that audience. They are part of the background of every educated Englishman and American as much as of today’s popular culture. The two texts have offered fertile ground for uncountable readings and, simultaneously, Alice has been animated, annotated, musicalized and converted into comic strips. Over forty adaptations for cinema and televisions have been produced since 1903, including the 1951 version by Disney, Harry Harris’ 1985 adaptation, and the 1999 TV film directed by Nick Willing. On the other hand, tens of films have merely quoted and alluded to Carroll’s books, distancing themselves from the original texts and thus re-writing them through a different medium (as is the case of Jan Švankmayer’s 1988 production and of Tim Burton’s 2010 film, but also of Dreamchild, The Matrix, the 2009 science-fiction mini-series, and theResident Evil saga). Alice has also been illustrated by over 150 different artists, from Carroll himself and John Tenniel to Salvador Dalì, and the fictional young girl has become the patron saint of the Surrealists. Carroll’s texts continue therefore to generate numerous adaptations in different media. This collection seeks to analyze the “curioser and curioser” evolution of Alice in Wonderland and Through the Looking Glass in the past century and a half, confronting the various adaptations with the original texts and explaining the significance of the new productions at the time of their release. Contributions are invited on the following topics: · Carroll’s legacy · Issues of adaptation · Representations of madness · Nonsense and linguistic issues · The significance of the Jabberwocky · Human interpreters and animals · Representations of childhood and ageing · Fairy tales · Gender and queer readings · Philosophical readings · Psychoanalytical readings · Exploration of dreams and the subconscious · Fear of the Other · Cultural studies and popular culture · Class consciousness · Science and science fiction · Music videos · Alice merchandise and toys Citation: Elif Sendur. Alice in Wonderland in Film and Popular Culture. H-Film. 05-17-2019. https://networks.h-net.org/node/14467/discussions/4127271/alice-wonderland-film-and-popular-culture Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Film · Items of furniture or clothing Fandom The anthology will be organized into thematic sections around these topics and others that emerge from submissions. I am open to works that focus on other topics as well and authors interested in pursuing other related lines of inquiry. Feel free to contact me with any questions you may have about the project and please share this announcement with colleagues whose work aligns with the focus of this volume. Please submit a 300-500 word abstract of your proposed chapter contribution, a brief CV and complete contact information to Dr. Antonio [email protected] ( ) by the 1st of September, 2019. Full chapters would be due upon signing a contract with a publisher. Note: all full chapters submitted will be included subject to review. Citation: Elif Sendur. Alice in Wonderland in Film and Popular Culture. H-Film. 05-17-2019. https://networks.h-net.org/node/14467/discussions/4127271/alice-wonderland-film-and-popular-culture Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 2.
Load more

Recommended publications
  • Alice's Adventures in Wonderland
    Alice’s Adventures in Wonderland by Lewis Carroll With 42 Illustrations by John Tenniel All in the golden afternoon Full leisurely we glide ; For both our oars, with little skill, By little arms are plied, While little hands make vain pretence Our wanderings to guide. Ah, cruel Three ! In such an hour, Beneath such dreamy weather, To beg a tale of breath too weak To stir the tiniest feather ! Yet what can one poor voice avail Against three tongues together ? Imperious Prima flashes forth Her edict “ to begin it” : In gentler tones Secunda hopes “ There will be nonsense in it ! ” While Tertia interrupts the tale Not more than once a minute. Anon, to sudden silence won, In fancy they pursue The dream-child moving through a land Of wonders wild and new, In friendly chat with bird or beast— And half believe it true. And ever, as the story drained The wells of fancy dry, And faintly strove that weary one To put the subject by, “ The rest next time—” “ It is next time ! ” The happy voices cry. Thus grew the tale of Wonderland : Thus slowly, one by one, Its quaint events were hammered out— And now the tale is done, And home we steer, a merry crew, Beneath the setting sun. Alice ! A childish story take, And, with a gentle hand, Lay it where Childhood’s dreams are twined In Memory’s mystic band, Like pilgrim’s wither’d wreath of flowers Pluck’d in a far-off land. CONTENTS CHAPTER PAGE I Down the Rabbit-Hole 7 II The Pool of Tears 14 III A Caucus-Race and a Long Tale 22 IV The Rabbit Sends in a Little Bill 29 V Advice from a Caterpillar 38 VI Pig
    [Show full text]
  • THE LAND BEYOND the MAGIC MIRROR by E
    GREYHAWK CASTLE DUNGEON MODULE EX2 THE LAND BEYOND THE MAGIC MIRROR by E. Gary Gygax AN ADVENTURE IN A WONDROUS PLACE FOR CHARACTER LEVELS 9-12 No matter the skill and experience of your party, they will find themselves dazed and challenged when they pass into The Land Beyond the Magic Mirror! Distributed to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada Ltd. Distributed to the toy and hobby trade by regional distributors. Distributed in the United Kingdom by TSR Hobbies (UK) Ltd. AD&D and WORLD OF GREYHAWK are registered trademarks owned by TSR Hobbies, Inc. ©1983 TSR Hobbies, Inc. All Rights Reserved. TSR Hobbies, Inc. TSR Hobbies (UK) Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD United Kingdom Printed in U.S.A. WI 53147 ISBN O 88038-025-X 9073 TABLE OF CONTENTS This module is the companion to Dungeonland and was originally part of the Greyhawk Castle dungeon complex. lt is designed so that it can be added to Dungeonland, used alone, or made part of virtually any campaign. It has an “EX” DUNGEON MASTERS PREFACE ...................... 2 designation to indicate that it is an extension of a regular THE LAND BEYOND THE MAGIC MIRROR ............. 4 dungeon level—in the case of this module, a far-removed .................... extension where all adventuring takes place on another plane The Magic Mirror House First Floor 4 of existence that is quite unusual, even for a typical AD&D™ The Cellar ......................................... 6 Second Floor ...................................... 7 universe. This particular scenario has been a consistent .........................................
    [Show full text]
  • Saki / H.H. Munro 1870-1916 Bios
    Saki / H.H. Munro 1870-1916 Bios http://www.litgothic.com/Authors/saki.html Up to now, little has been known about Hector Hugh Munro except that he used the pen name “Saki”; that he wrote a number of witty short stories, two novels, several plays, and a history of Russia; and that he was killed in World War I. His friend Rothay Reynolds published “A Memoir of H. H. Munro” in Saki’s The Toys of Peace (1919), and Munro’s sister Ethel furnished a brief “Biography of Saki” for a posthumous collection of his work entitled The Square Egg and Other Sketches (1924). A. J. Langguth’s Saki is the first full-length biography of the man who, during his brief writing career, published a succession of bright, satirical, and sometimes perfectly crafted short stories that have entertained and amused readers in many countries for well over a half-century. Hector Munro was the third child of Charles Augustus Munro, a British police officer in Burma, and his wife Mary Frances. The children were all born in Burma. Pregnant with her fourth child, Mrs. Munro was brought with the children to live with her husband’s family in England until the child arrived. Frightened by the charge of a runaway cow on a country lane, Mrs. Munro died after a miscarriage. Since the widowed father had to return to Burma, the children — Charles, Ethel, and Hector — were left with their Munro grandmother and her two dominating and mutually antagonistic spinster daughters, Charlotte (“Aunt Tom”) and Augusta. This situation would years later provide incidents, characters, and themes for a number of Hector Munro’s short stories as well as this epitaph for Augusta by Ethel: “A woman of ungovernable temper, of fierce likes and dislikes, imperious, a moral coward, possessing no brains worth speaking of, and a primitive disposition.
    [Show full text]
  • In Commemoration of Hector Munro, 'Saki' Transcript
    The grinning shadow that sat at the feast: In commemoration of Hector Munro, 'Saki' Transcript Date: Tuesday, 14 November 2006 - 12:00AM The Grinning Shadow that sat at the Feast: an appreciation of the life and work of Hector Munro 'Saki' Professor Tim Connell Hector Munro was a man of many parts, and although he died relatively young, he lived through a time of considerable change, had a number of quite separate careers and a very broad range of interests. He was also a competent linguist who spoke Russian, German and French. Today is the 90th anniversary of his death in action on the Somme, and I would like to review his importance not only as a writer but also as a figure in his own time. Early years to c.1902 Like so many Victorians, he was born into a family with a long record of colonial service, and it is quite confusing to see how many Hector Munros there are with a military or colonial background. Our Hector’s most famous ancestor is commemorated in a well-known piece at the Victoria and Albert Museum. Tippoo's Tiger shows a man being eaten by a mechanical tiger and the machine emits both roaring and groaning sounds. 1 Hector's grandfather was an Admiral, and his father was in the Burma Police. The family was hit by tragedy when Hector's mother was killed in a bizarre accident involving a runaway cow. It is curious that strange events involving animals should form such a common feature of Hector's writing 2 but this may also derive from his upbringing in the Devonshire countryside and a home that was dominated by the two strangest creatures of all - Aunt Augusta and Aunt Tom.
    [Show full text]
  • AUDIOBOOKS Alice in Wonderland Around the World in 80 Days at the Back of the North Wind Birthday of the Enfanter Blue Cup Cruis
    AUDIOBOOKS Alice In Wonderland Around the World in 80 days At the Back of the North Wind Birthday of the Enfanter Blue Cup Cruise of the Dazzler Devoted Friend Dragon Farm Dragons - Dreadful Dragon of Hay Hill Dragons - Kind Little Edmund Dragons - Reluctant Dragon Dragons - Snap-Dragons Dragons - The Book of Beasts Dragons - The Deliverers of Their Country Dragons - The Dragon Tamers Dragons - The Fiery Dragon Dragons - The Ice Dragon Dragons - The Isle of the Nine Whirlpools Dragons - The Last of The Dragons Dragons - Two Dragons Dragons - Uncle James Eric Prince of Lorlonia Ernest Fluffy Rabbit Faerie Queene Fifty Stories from UNCLE REMUS Fisherman and his Soul Fisherman and The Goldfish Five Children and It Gentle Alice Brown Ghost of Dorothy Dingley Goblin Market Godmother's Garden Gullivers Travels 1 - A Voyage to Lilliput Gullivers Travels 2 - A Voyage to Brobdingnag Gullivers Travels 3 A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan Gullivers Travels 4 A Voyage to the Country of the Houynhnms Hammond's Hard Lines Happy Prince Her Majesty's Servants Horror of the Heights How I Killed a Bear Huckleberry Finn Hunting of The Snark King of The Golden River Knock Three Times Lair of The White Worm Little Boy Lost Little Round House Loaded Dog Lukundoo Lull Magic Lamplighter Malchish Kibalchish Malcolm Sage Detective Man and Snake Martin Rattler Moon Metal Moonraker Mowgli Mr Papingay's Flying Shop Mr Papingay's Ship New Sun Nightingale and Rose Nutcracker OZ 01 - Wizard of Oz OZ 02 - The Land of Oz OZ 03 - Ozma of Oz
    [Show full text]
  • The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, the Hunting of the Snark, a Tangled Tale, Phantasmagoria, Nonsense from Letters) Online
    yaTOs (Download pdf) The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Online [yaTOs.ebook] The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Pdf Free Lewis Carroll ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #1419651 in Books 2011-11-07Original language:EnglishPDF # 1 1.70 x 6.50 x 9.30l, 1.70 #File Name: 0890097003440 pages | File size: 46.Mb Lewis Carroll : The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters): 1 of 1 people found the following review helpful. Wonderful books for a wonderful priceBy llamapyrLewis Carroll must've been the greatest children's book author of his time. I really admire his writing style and the creativity of his books, having grown up on them since I was 6. I've got a bunch of his novels in hardcover and paperback sitting on my shelves, so it seemed only right to add some digital versions to my library :)Anyway, I came here looking for Alice in Wonderland and Through the Looking Glass and found this set, and for a mere 99 cents it seemed worth a look.
    [Show full text]
  • Alice Easel Introposter ( PDF )
    The Afterlife of Alice in Wonderland Alice Ever After “Well! What are you?” said the Pigeon. “I can see you’re trying to invent something. “T—I’m a little girl,” said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. “A likely story indeed!” said the Pigeon, in a tone of the deepest contempt. Likely or not, Lewis Carroll’s story of Alice — first told in two volumes, Alice ’s Adventures in Wonderland (1865) and Through the Looking Glass (1871) — has delighted readers across centuries and continents. Lewis Carroll is said to be the most quoted author after Shakespeare, and Alice his best-known creation and indeed one of our most cherished child icons. Only Peter Pan rivals Alice in popularity and cultural diffusion. Like J. M. Barrie’s Peter Pan, Alice in Wonderland (a title never used by Carroll) is known by all, even by — perhaps especially by — those who have never read the original texts. Most people recognize not only Alice but also the larger Wonderland menagerie: the caterpillar, the Cheshire Cat, the Hatter (not titled “Mad” in Carroll), and the Mock Turtle. Characters from Through the Looking Glass are equally famous: the Red Queen, the Jabberwocky, Humpty Dumpty, Tweedle-Dee and Tweedle-Dum. Carroll’s original texts are now encountered more often in the context of university courses on children’s or Victorian literature, while many of us know Alice primarily through picturebook retellings, or the animated Disney film, or other variations or revisitations. As early as 1869, other authors tried their hand at A/ice stories, sometimes challenging Carroll’s themes and attitudes, sometimes confirming them.
    [Show full text]
  • ARTICLE: Jan Susina: Playing Around in Lewis Carroll's Alice Books
    Playing Around in Lewis Carroll’s Alice Books • Jan Susina Mathematician Charles Dodgson’s love of play and his need for rules came together in his use of popular games as part of the structure of the two famous children’s books, Alice in Wonderland and Through the Looking-Glass, he wrote under the pseudonym Lewis Carroll. The author of this article looks at the interplay between the playing of such games as croquet and cards and the characters and events of the novels and argues that, when reading Carroll (who took a playful approach even in his academic texts), it is helpful to understand games and game play. Charles Dodgson, more widely known by his pseudonym Lewis Carroll, is perhaps one of the more playful authors of children’s literature. In his career, as a children’s author and as an academic logician and mathematician, and in his personal life, Carroll was obsessed with games and with various forms of play. While some readers are surprised by the seemingly split personality of Charles Dodgson, the serious mathematician, and Lewis Carroll, the imaginative author of children’s books, it was his love of play and games and his need to establish rules and guidelines that effectively govern play that unite these two seemingly disparate facets of Carroll’s personality. Carroll’s two best-known children’s books—Alice’s Adventures in Wonderland (1865) and Through the Looking- Glass and What Alice Found There (1871)—use popular games as part of their structure. In Victoria through the Looking-Glass, Florence Becker Lennon has gone so far as to suggest about Carroll that “his life was a game, even his logic, his mathematics, and his singular ordering of his household and other affairs.
    [Show full text]
  • Concise 4TH PASS FINAL (I-Xviii,1-180).Qxd
    THE Concise AACR2 FOURTH EDITION MICHAEL GORMAN THE Concise AACR2 FOURTH EDITION Based on AACR2 2002 Revision 2004 Update Prepared by MICHAEL GORMAN Chicago: American Library Association Ottawa: Canadian Library Association London: Chartered Institute of Library and Information Professionals 2004 Published 2004 by AMERICAN LIBRARY ASSOCIATION 50 East Huron Street, Chicago, Illinois 60611 ISBN 0-8389-3548-6 CANADIAN LIBRARY ASSOCIATION 328 Frank Street, Ottawa, Ontario, Canada K2P 0X8 ISBN 0-88802-311-1 Facet Publishing for the CHARTERED INSTITUTE OF LIBRARY AND INFORMATION PROFESSIONALS 7 Ridgmount Street, London WC1E 7AE ISBN 1-85604-540-4 Library of Congress Cataloging-in-Publication Data Gorman, Michael, 1941- The concise AACR2, 2004 revision / prepared by Michael Gorman. p. cm. Includes index. ISBN 0-8389-3548-6 1. Anglo-American cataloguing rules. 2. Descriptive cataloging—Rules. I. Title: Concise Anglo-American cataloguing rules, 2004 revision. II. Anglo- American cataloguing rules. III. Title. Z694.15.A56G67 2004 025.3'2–dc22 2004016088 Canadian Cataloguing in Publication Data Gorman, Michael, 1941- The concise AACR2 : based on AACR2 2002 revision, 2004 update / prepared by Michael Gorman. — 4th ed. Includes bibliographical references and index. ISBN 0-88802-311-1 1. Descriptive cataloging—Rules. I. Title. II. Title: Anglo-American cataloguing rules. Z694.15.A56G67 2004 025.3'2 C2004-905125-3 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. ISBN 1-85604-540-4 Copyright © 2004, American Library Association, Canadian Library Association, and the Chartered Institute of Library and Information Professionals 0807060504 54321 To the memory of my father PHILIP DENIS GORMAN 1903–1980 my mother ALICIA F.
    [Show full text]
  • Reply to Donald Rackin's Review of in the Shadow of the Dreamchild
    Reply to Donald Rackin’s review of In the Shadow of the Dreamchild A number of years ago, the noted Carrollian Donald Rackin wrote a scathing review of In The Shadow Of The Dreamchild IN VICTORIAN STUDIES,(VOL. 43 no. 4). The journal refused me the right to reply, so I did so on the web... Mr Rackin's review is largely (I think he would agree), a sweeping and wholesale condemnation of my work in broad, non-specific strokes. In the Shadow of the Dreamchild is, he says, “difficult to take seriously”. He adds that it is “feebly documented”, “tendentious”, unreliable and inaccurate. He claims that I „misrepresent‟ my material both overtly and „insidiously‟. This is fairly uncompromising. He does, however, offer one opening comment on which we can both agree: If Leach's contentions were valid, our understanding of Dodgson, his particular upper-middle-class milieu, and even his literary and photographic achievements, would require substantial revision I wholly accept this. If – and I stress the „if‟ – I am correct in my contention that biography has seriously misrepresented the documentary reality of Charles Dodgson's life, and if those manifold inaccuracies and „myths‟ (as I have termed them) can be proved to exist and to diverge markedly from the documentary reality, then indeed our understanding of Dodgson would require very „substantial revision‟ indeed. So, the vital question would seem to be – am I correct? Mr Rackin would have his readers believe that the very idea is ridiculous. But in truth, all we need to do is review Carroll's biographical history, and we discover all the numerous errors and flights of fancy that combined to create the present image of Lewis Carroll.
    [Show full text]
  • Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’S Jabberwocky
    Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’s Jabberwocky Alice in Wonderland seems to beg for a morbid interpretation. Whether it's Marilyn Manson's "Eat Me, Drink Me," the video game "American McGee's Alice," or Svankmajer's "Alice" and "Jabberwocky," artists love bringing out the darker elements of Alice’s adventures as she wanders among creepy creatures. The 2010 Tim Burton film is the latest twisted adaptation, featuring an older Alice that slays the Jabberwocky. However, unlike the other adaptations, Burton’s adaptation draws most of its grim outlook by gutting Alice in Wonderland of its fundamental core - its nonsense. Alice in Wonderland uses nonsense to liberate, offering frightening amounts of freedom through its playful use of nonsense. However, Burton turns this whimsy into menacing machinations - he pretends to use nonsense for its original liberating purpose but actually uses it for adult plots and preset paths. Burton takes the destructive power of Alice’s insistence for order and amplifies it dramatically, completely removing its original subversive release from societal constraints. Under the façade of paying tribute to Carroll’s whimsical nonsense verse, Burton directly removes nonsense’s anarchic freedom and replaces it with a destructive commitment to sense. This brutal change to both plot and structure turns Alice into a mindless juggernaut, slaying not only the Jabberwock, but also the realm of nonsense, non-linear narrative and real world empires. At first, nonsense in Lewis Carroll’s books seems to just a light-hearted play with language. Even before we come into Wonderland, the idea of nonsense as just a simple child’s diversion is given by the epigraph.
    [Show full text]
  • The Musical Misadventures of a Girl Named Alice Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR Based on the Novel Through the Looking Glass by LEWIS CARROLL
    The Musical Misadventures of a Girl Named Alice based on the novel Through the Looking Glass by Lewis Carroll Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR © Copyright 2002, JAMES DeVITA PERFORMANCE LICENSE The amateur acting rights to this play are controlled exclusively by PIONEER DRAMA SERVICE, INC., P.O. Box 4267, Englewood, Colorado 80155, without whose permission no performance, reading or presentation of any kind may be given. On all programs and advertising this notice must appear: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado.” COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. All other rights in this play, including those of professional production, radio broadcasting and motion picture rights, are controlled by Pioneer Drama Service, Inc., to whom all inquiries should be addressed. WONDERLAN D! The Musical Misadventures of a Girl Named Alice Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR based on the novel Through the Looking Glass by LEWIS CARROLL CAST OF CHARACTERS ALICE .............................................. the same one that chased the rabbit down the hole TROUBADOUR* .............................. quite the singer MOTHER’S VOICE .......................... offstage RED KING ....................................... soporific monarch WHITE KING .................................... defender of the crown RED QUEEN .................................... vicious, nasty temper WHITE QUEEN ...............................
    [Show full text]