Universe and Inner Self in Early Indian and Early Greek Thought
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Atman/Anatman in Buddhism
Åtman/Anåtman in Buddhism and Its Implication for the Wisdom Tradition by Nancy Reigle Does Christianity believe in reincarnation? Of course it does not. Yet, students of the Wisdom Tradition may seek to find evidence that early Christians did accept reincarnation. Similarly in Buddhism. Does Buddhism believe in the åtman, the permanent self? Certainly the Buddhist religion does not. Yet, there is evidence that the Buddha when teaching his basic doctrine of anåtman, no-self, only denied the abiding reality of the personal or empirical åtman, but not the universal or authentic åtman. The Wisdom Tradition known as Theosophy teaches the existence of “An Omnipresent, Eternal, Boundless, and Immu- table PRINCIPLE,” 1 often compared to the Hindu åtman, the universal “self,” while Buddhism with its doctrine of anåtman, “no-self,” is normally understood to deny any such universal principle. In regard to Buddhism, however, there have been several attempts to show that the Buddha did not deny the exist- ence of the authentic åtman, the self.2 Only one of these attempts seems to have been taken seriously by scholars3; namely, the work of Kamaleswar Bhattacharya. His book on this subject, written in French, L’Åtman-Brahman dans le Bouddhisme ancien, was published in Paris in 1973; and an English translation of this work, The Åtman-Brahman in Ancient Buddhism, was published in 2015.4 It is here that he set forth his arguments for the existence of the Upanißadic åtman in early Buddhism. This is the work that we will discuss. How must we understand -
ADVAITA-SAADHANAA (Kanchi Maha-Swamigal's Discourses)
ADVAITA-SAADHANAA (Kanchi Maha-Swamigal’s Discourses) Acknowledgement of Source Material: Ra. Ganapthy’s ‘Deivathin Kural’ (Vol.6) in Tamil published by Vanathi Publishers, 4th edn. 1998 URL of Tamil Original: http://www.kamakoti.org/tamil/dk6-74.htm to http://www.kamakoti.org/tamil/dk6-141.htm English rendering : V. Krishnamurthy 2006 CONTENTS 1. Essence of the philosophical schools......................................................................... 1 2. Advaita is different from all these. ............................................................................. 2 3. Appears to be easy – but really, difficult .................................................................... 3 4. Moksha is by Grace of God ....................................................................................... 5 5. Takes time but effort has to be started........................................................................ 7 8. ShraddhA (Faith) Necessary..................................................................................... 12 9. Eligibility for Aatma-SAdhanA................................................................................ 14 10. Apex of Saadhanaa is only for the sannyAsi !........................................................ 17 11. Why then tell others,what is suitable only for Sannyaasis?.................................... 21 12. Two different paths for two different aspirants ...................................................... 21 13. Reason for telling every one .................................................................................. -
Introduction
INTRODUCTION ’ P”(Bha.t.tikāvya) is one of the boldest “B experiments in classical literature. In the formal genre of “great poem” (mahākāvya) it incorprates two of the most powerful Sanskrit traditions, the “Ramáyana” and Pánini’s grammar, and several other minor themes. In this one rich mix of science and art, Bhatti created both a po- etic retelling of the adventures of Rama and a compendium of examples of grammar, metrics, the Prakrit language and rhetoric. As literature, his composition stands comparison with the best of Sanskrit poetry, in particular cantos , and . “Bhatti’s Poem” provides a comprehensive exem- plification of Sanskrit grammar in use and a good introduc- tion to the science (śāstra) of poetics or rhetoric (alamk. āra, lit. ornament). It also gives a taster of the Prakrit language (a major component in every Sanskrit drama) in an easily ac- cessible form. Finally it tells the compelling story of Prince Rama in simple elegant Sanskrit: this is the “Ramáyana” faithfully retold. e learned Indian curriculum in late classical times had at its heart a system of grammatical study and linguistic analysis. e core text for this study was the notoriously difficult “Eight Books” (A.s.tādhyāyī) of Pánini, the sine qua non of learning composed in the fourth century , and arguably the most remarkable and indeed foundational text in the history of linguistics. Not only is the “Eight Books” a description of a language unmatched in totality for any language until the nineteenth century, but it is also pre- sented in the most compact form possible through the use xix of an elaborate and sophisticated metalanguage, again un- known anywhere else in linguistics before modern times. -
Antiquity Colloquium 2017
KNOWLEDGE AND ITS LIMITS COL 241 – ANTIQUITY COLLOQUIUM – FALL 2017 The Temptation and Expulsion of Adam and Eve, fresco in Sistine Chapel, Michelangelo (1509-10) Prof. Gabrielle Ponce-Hegenauer Prof. Tushar Irani [email protected] [email protected] Office hours: Office hours: Tues. 2:00-5:00pm Tues. and Thurs. 10:30-11:30am Boger 319 Boger 321 Description The sophomore antiQuity colloQuium is the first of a series of five that together constitute the core of the COL program. Our theme this semester is “knowledge and its limits.” Together, we will be reading and interpreting works of literature, history, and philosophy from 7th-century BCE Greece to 3rd-century CE Rome, as well as Jewish scripture. This period marks one of the richest phases of cultural, political, and intellectual innovation in human history. As appeals to aristocratic and religious authorities began to lose their force in this period, questions concerning what to believe, what we can know, and how we know what we know took on key significance. We will explore various approaches to these problems this semester through the study of literature, history, and philosophy. But we will also see how, in tackling such Questions, these disciplines came to develop in this period into uniQue modes of discourse in their own right, with distinctive but compatible ways of interpreting the world around us and the human situation. Readings The translations overleaf are required and are available at the Wesleyan RJ Julia Bookstore on Main Street. (ISBNs for all books are provided in case you wish to purchase the entire list yourselves.) Many of these works can be bought in good second-hand condition online for an inexpensive price, but you must purchase the same translations and editions of the texts listed below so that we’re all on the same page for class discussion. -
Jewish and Christian Cosmogony in Late Antiquity
Texts and Studies in Ancient Judaism Texte und Studien zum Antiken Judentum Edited by Peter Schäfer (Princeton, NJ/Berlin) Annette Yoshiko Reed (Philadelphia, PA) Seth Schwartz (New York, NY) Azzan Yadin-Israel (New Brunswick, NJ) 155 Jewish and Christian Cosmogony in Late Antiquity Edited by Lance Jenott and Sarit Kattan Gribetz Mohr Siebeck Lance Jenott, born 1980, is a post-doctoral research fellow at the University of Oslo. He studied History, Classics, and Religion at the University of Washington (Seattle) and Princeton University, and holds a PhD in the Religions of Late Antiquity from Princeton University. Sarit Kattan Gribetz, born 1984, is a post-doctoral fellow at the Jewish Theological Semi- nary and Harvard University. She studied Religion, Jewish Studies, and Classics at Prince- ton University, where she earned an AB and PhD in the Religions of Late Antiquity. ISBN 978-3-16-151993-2 ISSN 0721-8753 (Texts and Studies in Ancient Judaism) Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2013 by Mohr Siebeck, Tübingen, Germany, www.mohr.de This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher's written permission. This applies particularly to reproductions, translations, microfilms and storage and processing in electronic systems. The book was printed on non-aging paper by Guide-Druck in Tübingen and bound by Großbuchbinderei Spinner in Ottersweier. Printed in Germany. Preface This volume presents essays that emerged from a colloquium on the topic of cosmogony (the creation of the world) among ancient Jews and Chris- tians held at Princeton University in May 2010. -
An Understanding of Maya: the Philosophies of Sankara, Ramanuja and Madhva
An understanding of Maya: The philosophies of Sankara, Ramanuja and Madhva Department of Religion studies Theology University of Pretoria By: John Whitehead 12083802 Supervisor: Dr M Sukdaven 2019 Declaration Declaration of Plagiarism 1. I understand what plagiarism means and I am aware of the university’s policy in this regard. 2. I declare that this Dissertation is my own work. 3. I did not make use of another student’s previous work and I submit this as my own words. 4. I did not allow anyone to copy this work with the intention of presenting it as their own work. I, John Derrick Whitehead hereby declare that the following Dissertation is my own work and that I duly recognized and listed all sources for this study. Date: 3 December 2019 Student number: u12083802 __________________________ 2 Foreword I started my MTh and was unsure of a topic to cover. I knew that Hinduism was the religion I was interested in. Dr. Sukdaven suggested that I embark on the study of the concept of Maya. Although this concept provided a challenge for me and my faith, I wish to thank Dr. Sukdaven for giving me the opportunity to cover such a deep philosophical concept in Hinduism. This concept Maya is deeper than one expects and has broaden and enlightened my mind. Even though this was a difficult theme to cover it did however, give me a clearer understanding of how the world is seen in Hinduism. 3 List of Abbreviations AD Anno Domini BC Before Christ BCE Before Common Era BS Brahmasutra Upanishad BSB Brahmasutra Upanishad with commentary of Sankara BU Brhadaranyaka Upanishad with commentary of Sankara CE Common Era EW Emperical World GB Gitabhasya of Shankara GK Gaudapada Karikas Rg Rig Veda SBH Sribhasya of Ramanuja Svet. -
What the Muses Sang: Theogony 1-115 Jenny Strauss Clay
STRAUSS CLAY, JENNY, What the Muses Sang: "Theogony" 1-115 , Greek, Roman and Byzantine Studies, 29:4 (1988:Winter) p.323 What the Muses Sang: Theogony 1-115 Jenny Strauss Clay HE PROEM to the Theogony has often been analyzed both in T terms of its formal structure and in relation to recurrent hym nic conventions;l it has also been interpreted as a fundamental statement of archaic Greek poetics.2 While differing somewhat in its perspective, the present investigation builds on and complements those previous studies. Dedicated to the Muses, the patronesses of poetry, the opening of the Theogony repeatedly describes these divini ties engaged in their characteristic activity, that is, singing. In the course of the proem, the Muses sing four times: once as they descend from Helicon (lines 11-21), twice on Olympus (44-50, 66f), and once as they make their way from their birthplace in Pieria and ascend to Olympus (71-75). In addition, the prologue describes the song the goddesses inspire in their servants, the aoidoi (99-101), as well as the song Hesiod requests that they sing for him, the invocation proper (105-15). My aim here is a simple one: to examine the texts and contexts of each of these songs and to compare them to the song the Muses instruct Hesiod to sing and the one he finally produces. I See, for example, P. Friedlander, "Das Pro6mium von Hesiods Theogonie" (1914), in E. HEITSCH, Hesiod (Darmstadt 1966: hereafter "Heitsch") 277-94; W. Otto, "Hesiodea," in Varia Variorum: Festgabe fUr Karl Reinhardt (Munster 1952) 49-53; P. -
Vaishvanara Vidya.Pdf
VVAAIISSHHVVAANNAARRAA VVIIDDYYAA by Swami Krishnananda The Divine Life Society Sivananda Ashram, Rishikesh, India (Internet Edition: For free distribution only) Website: www.swami-krishnananda.org CONTENTS Publishers’ Note 3 I. The Panchagni Vidya 4 The Course Of The Soul After Death 5 II. Vaishvanara, The Universal Self 26 The Heaven As The Head Of The Universal Self 28 The Sun As The Eye Of The Universal Self 29 Air As The Breath Of The Universal Self 30 Space As The Body Of The Universal Self 30 Water As The Lower Belly Of The Universal Self 31 The Earth As The Feet Of The Universal Self 31 III. The Self As The Universal Whole 32 Prana 35 Vyana 35 Apana 36 Samana 36 Udana 36 The Need For Knowledge Is Stressed 37 IV. Conclusion 39 Vaishvanara Vidya Vidya by by Swami Swami Krishnananda Krishnananda 21 PUBLISHERS’ NOTE The Vaishvanara Vidya is the famous doctrine of the Cosmic Meditation described in the Fifth Chapter of the Chhandogya Upanishad. It is proceeded by an enunciation of another process of meditation known as the Panchagni Vidya. Though the two sections form independent themes and one can be studied and practised without reference to the other, it is in fact held by exponents of the Upanishads that the Vaishvanara Vidya is the panacea prescribed for the ills of life consequent upon the transmigratory process to which individuals are subject, a theme which is the central point that issues from a consideration of the Panchagni Vidya. This work consists of the lectures delivered by the author on this subject, and herein are reproduced these expositions dilating upon the two doctrines mentioned. -
A Philosophical Inquiry Into the Development of the Notion of Kalos Kagathos from Homer to Aristotle
The University of Notre Dame Australia ResearchOnline@ND Theses 2006 A philosophical inquiry into the development of the notion of kalos kagathos from Homer to Aristotle Geoffrey Coad University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Philosophy Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Coad, G. (2006). A philosophical inquiry into the development of the notion of kalos kagathos from Homer to Aristotle (Master of Philosophy (MPhil)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/13 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. A PHILOSOPHICAL INQUIRY INTO THE DEVELOPMENT OF THE NOTION OF KALOS KAGATHOS FROM HOMER TO ARISTOTLE Dissertation submitted for the Degree of Master of Philosophy Geoffrey John Coad School of Philosophy and Theology University of Notre Dame, Australia December 2006 TABLE OF CONTENTS Abstract iv Declaration v Acknowledgements vi INTRODUCTION 1 CHAPTER 1: The Fish Hook and Some Other Examples 6 The Sun – The Source of Beauty 7 Some Instances of Lack of Beauty: Adolf Hitler and Sharp Practices in Court 9 The Kitchen Knife and the Samurai Sword 10 CHAPTER 2: Homer 17 An Historical Analysis of the Phrase Kalos Kagathos 17 Herman Wankel 17 Felix Bourriott 18 Walter Donlan 19 An Analysis of the Terms Agathos, Arete and Other Related Terms of Value in Homer 19 Homer’s Purpose in Writing the Iliad 22 Alasdair MacIntyre 23 E. -
The Ancient Greeks
The Ancient Greeks WHO ARE THE ANCIENT GREEKS? DEMOCRACY/SLAVERY Demos = power, Kratos = people. The word “democracy” translates to “power of the people.” Athens incorporated the first democratic government. Every citizen could have a say in the actions of the government, so long as they were a male over 18 with parents who were citizens. You could not be a woman, foreigner, or slave. For a society that promoted democracy for all, Ancient Greece was inconsistent that it had a slavery class. Every household that could afford it used slaves to help with chores. Slaves were also used in factories and mines, as well as on farms and ships. These hard labor slaves had a much shorter lifespan than household slaves. THE ROLE OF WOMEN In Ancient Greek, women ran their households. If they were part of the middle or high classes, they also supervised any domestic slaves. In general, the women of Ancient Greece did not have any power or voice. They were not formally educated. Parents arranged their daughters’ marriages. They would be allowed out of the house only to attend funerals or religious festivals, unless they had special permission. Sparta provided women with an exception to this rule. Spartan women were expected to own land, to be physically fit, and to be educated. This quote tells you all you need to know about Spartan women. When going to war, Spartan mothers told their sons, “Either come back victorious, or dead on your shield.” WAR/CULTURE There were many contrasts within Ancient Greece society. This was an era known for war. -
Indian Hieroglyphs
Indian hieroglyphs Indus script corpora, archaeo-metallurgy and Meluhha (Mleccha) Jules Bloch’s work on formation of the Marathi language (Bloch, Jules. 2008, Formation of the Marathi Language. (Reprint, Translation from French), New Delhi, Motilal Banarsidass. ISBN: 978-8120823228) has to be expanded further to provide for a study of evolution and formation of Indian languages in the Indian language union (sprachbund). The paper analyses the stages in the evolution of early writing systems which began with the evolution of counting in the ancient Near East. Providing an example from the Indian Hieroglyphs used in Indus Script as a writing system, a stage anterior to the stage of syllabic representation of sounds of a language, is identified. Unique geometric shapes required for tokens to categorize objects became too large to handle to abstract hundreds of categories of goods and metallurgical processes during the production of bronze-age goods. In such a situation, it became necessary to use glyphs which could distinctly identify, orthographically, specific descriptions of or cataloging of ores, alloys, and metallurgical processes. About 3500 BCE, Indus script as a writing system was developed to use hieroglyphs to represent the ‘spoken words’ identifying each of the goods and processes. A rebus method of representing similar sounding words of the lingua franca of the artisans was used in Indus script. This method is recognized and consistently applied for the lingua franca of the Indian sprachbund. That the ancient languages of India, constituted a sprachbund (or language union) is now recognized by many linguists. The sprachbund area is proximate to the area where most of the Indus script inscriptions were discovered, as documented in the corpora. -
Lankavatara-Sutra.Pdf
Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching.