Prince Black Sweat Mp3, Flac, Wma

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Prince Black Sweat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: Black Sweat Country: Europe Released: 2006 Style: Funk MP3 version RAR size: 1457 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1482 mb Rating: 4.2 Votes: 291 Other Formats: AAC XM ADX MP4 AUD AU MMF Tracklist Hide Credits Black Sweat 1 3:11 Written-By, Producer, Arranged By – Prince Beautiful, Loved & Blessed 2 Written-By, Instruments, Vocals [Other Vocals] – PrinceWritten-By, Vocals [Co-lead Vocals] – 5:18 Tamar* Companies, etc. Phonographic Copyright (p) – NPG Records Copyright (c) – NPG Records Manufactured By – Universal Records Marketed By – Universal Records Record Company – UMG Recordings, Inc. Notes Card sleeve Barcode and Other Identifiers Barcode: 6 02498 54104 3 Label Code: LC01846 Rights Society: SABAM / BIEM Other versions Title Category Artist Label Category Country Year (Format) Black Sweat / NPG Records, Beautiful, MCSTD40457, Universal MCSTD40457, UK & Prince Loved and 2006 985 497-4 Records, Island 985 497-4 Europe Blessed (CD, Records Group Single, Enh) Black Sweat (Tommie Not On Label Sunshine's (Tommie none Prince White Lady none US 2009 Sunshine Self- Edit) (File, released) MP3, Unofficial, 320) Black Sweat NPG Records, 15972-2 DJ, 15972-2 DJ, Prince (CD, Single, Universal US 2006 UNIR 21597-2 UNIR 21597-2 Promo) Records Prince / Tāmar* Universal B0006371-11, Prince / Featuring Records, B0006371-11, UNIR 21597 1, Tāmar* Prince - Black Universal UNIR 21597 1, US 2006 UNIR 21597 1 Featuring Sweat / Records, UNIR 21597 1 S102 Prince Beautiful, Universal S102 Loved & Records Blessed (12") Black Sweat Universal TPLOVEVP1 Prince (12", Single, Records, NPG TPLOVEVP1 Netherlands 2005 Cri) Records Related Music albums to Black Sweat by Prince Universal Minds - The Words Of Prince Far I Prince - Te Amo Corazón The Artist (Formerly Known As Prince) - Black Prince - Welcome 2 America - Volume Five: The Carolinas Prince - My Name Was Prince black mambu - black prince Prince - Fury Prince - 3121.

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1994 Highlander Vol 77 No 3 September 21, 1994
Regis University ePublications at Regis University Highlander - Regis University's Student-Written Archives and Special Collections Newspaper 9-21-1994 1994 Highlander Vol 77 No 3 September 21, 1994 Follow this and additional works at: https://epublications.regis.edu/highlander Part of the Catholic Studies Commons, and the Education Commons Recommended Citation "1994 Highlander Vol 77 No 3 September 21, 1994" (1994). Highlander - Regis University's Student-Written Newspaper. 51. https://epublications.regis.edu/highlander/51 This Book is brought to you for free and open access by the Archives and Special Collections at ePublications at Regis University. It has been accepted for inclusion in Highlander - Regis University's Student-Written Newspaper by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. 0 "'' Notes From i''., 1:,he Barrio ls ',TH*e···.. a re ·~,imethlngl1~ron'g With fegik &poJts! PageS t® >t1r -=I!: Page6 Regis University HI HLANDER VOL. 77 NO. 3 DENVER, COLORADO SEPTMBER 21, 1994 BACCHUS Stirs Controversy RCIA in Effect Once Again by Mario Eason in Student Senate Staff Reporter by Amy Everitt to be a flagrant violation of both The Rite of Christian Initiation of INSIDE: Editor-in-Chief the Constitution of the Student Adults is once again gracing our cam Senate,- and of Federal Law. pus. The Campus Ministry office has put OktoberfestJ: ............... page 2 The Regis chapter of BACCHUS is We feel that the require out the word that anyone interested in in trouble. The organization was in- · ments of the contract of the Stu joining the Catholic Church or receiv ' formed that their chapter was in danger dent Senate Handbook violate this ing the Sacrament of Confirmation Psychology Club.........
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Prince Sign "O" the Times Mp3, Flac, Wma
Prince Sign "O" The Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: Sign "O" The Times Country: Europe Released: 1987 Style: Synth-pop, Funk MP3 version RAR size: 1138 mb FLAC version RAR size: 1181 mb WMA version RAR size: 1255 mb Rating: 4.4 Votes: 234 Other Formats: WMA MOD AAC TTA MIDI RA MPC Tracklist A1 Sign "O" The Times 5:02 A2 Play In The Sunshine 5:05 A3 Housequake 4:38 A4 The Ballad Of Dorothy Parker 4:04 B1 It 5:10 B2 Starfish And Coffee 2:51 B3 Slow Love 4:18 B4 Hot Thing 5:39 B5 Forever In My Life 3:38 C1 U Got The Look 3:58 C2 If I Was Your Girlfriend 4:54 C3 Strange Relationship 4:04 C4 I Could Never Take The Place Of Your Man 6:31 D1 The Cross 4:46 D2 It's Gonna Be A Beautiful Night 8:59 D3 Adore 6:29 Companies, etc. Copyright (c) – NPG Records Phonographic Copyright (p) – NPG Records Licensed To – Warner Bros. Records Inc. Published By – Controversy Music Recorded At – Paisley Park Studios Recorded At – Sunset Sound Recorded At – Dierks Studio Mobile Trucks Mastered At – Cohearent Audio Pressed By – Record Industry – 16823 Credits Arranged By [Strings] – Claire Fischer* (tracks: B3) Arranged By, Composed By, Performer, Producer – Prince Art Direction – Laura LiPuma Drums – Sheila E. (tracks: C1) Engineer – Coke Johnson, Prince, Susan Rogers Guitar – Wendy* (tracks: B3) Lead Guitar – Mico Weaver (tracks: D2) Lead Vocals – Camille (tracks: A3, C2, C3) Lead Vocals [Co-lead Voice] – Jill Jones (tracks: D2), Susannah (tracks: D2) Lyrics By [Co-written] – Carole Raphaell Davis* (tracks: B3), Susannah (tracks: B2) Mastered By [Originally Mastered By] – Bernie Grundman Mastered By [Vinyl] – KPG@CA* Music By [Co-written] – Dr.
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Kontrapunkt“ Karla Janečka
UNIVERSITAS PALACKIANA OLOMUCENSIS 2017 25 MUSICOLOGICA OLOMUCENSIA 25 MUSICOLOGICA musicologica ISSN 1212-1193 olomucensia ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FACULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 49 – 2017 MUSICOLOGICA OLOMUCENSIA 25 Universitas Palackiana Olomucensis 2017 Musicologica Olomucensia Editor-in-chief: Lenka Křupková Editorial Board: Michael Beckerman – New York University, NY; Mikuláš Bek – Masaryk University, Brno; Roman Dykast – Academy of Performing Arts, Prague; Jarmila Gabrielová – Charles University, Prague; Yvetta Kajanová – Komenský University, Bratislava; Magdalena Dziadek – Jagiellonian University in Kraków; Jiří Kopecký – Palacký University, Olomouc Executive editor of Volume 25 ( June 2017): Jan Blüml „Zpracování a vydání publikace bylo umožněno díky fi nanční podpoře, udělené roku 2017 Ministerstvem školství, mládeže a tělovýchovy ČR v rámci Institucionálního rozvojového plánu, Filozofi cké fakultě Univerzity Palackého v Olomouci.“ „Processing and publication of this issue was made possible through the fi nancial support granted in 2017 by Ministry of Education, Youth and Sports of the Czech Republic within the Institutional development plan, to Faculty of Arts, Palacký University in Olomouc.“ Th e scholarly journal Musicologica Olomucensia has been published twice a year (in June and December) since 2010 and follows up on the Palacký University proceedings Acta Universitatis Palackianae Olomucensis – Musicologica Olomucensia (founded in 1993) and Kritické edice hudebních památek [Critical
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Declaration of Joseph J. Cassioppi in Support Of
10-PR-16-46 Filed in First Judicial District Court 5/17/2017 4:18:36 PM Carver County, MN STATE OF MINNESOTA DISTRICT COURT COUNTY OF CARVER FIRST JUDICIAL DISTRICT PROBATE DIVISION In the Matter of: Court File No. 10-PR-16-46 Judge Kevin W. Eide Estate of Prince Rogers Nelson, DECLARATION OF JOSEPH J. Decedent. CASSIOPPI IN SUPPORT OF MOTION TO APPROVE RESCISSION OF EXCLUSIVE DISTRIBUTION AND LICENSE AGREEMENT REDACTED I, Joseph 1. Cassioppi, declare and state as follows: 1. I am a shareholder at Fredrikson & Byron P.A., counsel for Comerica Bank & Trust, N.A. ("Comerica"), the Personal Representative of the Estate of Prince Rogers Nelson. 2. I submit this Declaration in support of Comerica' s Motion to Approve Rescission of Exclusive Distribution and License Agreement. 3. Attached hereto as EXHIBIT A is a redacted copy of a portion of the license and distribution agreement dated April 16, 2014, by and between Warner Bros. Records, Inc. ("WBR"), on the one hand, and the Decedent, PRN Music Corporation, Paisley Park Enterprises, Inc., and NPG Records Inc., on the other hand (the "2014 WBR Agreement"). 4. The 2014 WBR Agreement ... The 1983 and 1986 agreements between the Decedent and WBR The 1991 agreement 10-PR-16-46 Filed in First Judicial District Court 5/17/2017 4:18:36 PM Carver County, MN provided 5. Counsel for the Special Administrator informed me that the Special Administrator and its representatives did not have copies of the Decedent's pre-2014 agreements with WBR during the time they negotiated with UMG Recordings, Inc.
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UPTOWN #38 News
Rave Un2 The Joy Fantastic Marva King, but with the addition of a trumpet player It was announced on the Love 4 One Another and Estelle, a female percussionist from the Twin City website on April 12th that the new album by The Artist Jammers (who play at the local club Bunkers). Larry will be entitled Rave Un2 The Joy Fantastic. It will be a Graham was also on stage most of the time. The con- 10-track single disc. According to the website, The Art- certs focused on covers, including many Sly and The ist has utilised many instruments from the eighties, in- Family Stone numbers and three Stevie Wonder tracks, cluding “the Original Linn Drum Computer, OB-8, clav GCS2000 material, and more recent Artist/NPG material with a wah, guitar and bass.” The new songs are “up- such as “The War,” “The Good Life,” “Mad,” “Come On,” beat major-key with Prince flavour sprinkled through- and “Courtin’ Time.” Several Prince classics were played, out,” according to the website. The sound of the record including the rarely performed (since 1987) “Sign O’ is said to “fit no category.” There has been no informa- The Times.” Some of the more surprising selections in- tion concerning the whereabouts of The Revolution al- cluded “Poom Poom” and “Make Your Mama Happy.” bum Roadhouse Garden. One of the shows featured a new song called “R U Ready?”, possibly intended for Rave Un2 The Joy Fantas- tic. It was described as a fast, dance-oriented funk jam. Las Vegas concert Another new track was played over the speakers by the Tickets went on sale on May 17th for a one-off con- DJ after the May 8th gig.
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An Analysis of the Influence of Prince on Music Marketing OUTSTANDING PAPER – Arts, Music & Entertainment
A Royal Revolution: An analysis of the influence of Prince on music marketing OUTSTANDING PAPER – Arts, Music & Entertainment Deirdre T. Guion Peoples, [email protected] Introduction “Albums — remember those? Albums still matter. Albums, like books and black lives, still matter." These are the opening words for the presentation of album of the year at the 57th annual Grammy Awards for what we now know was one of the last television appearances of Prince (Gajewski and Lee 2015). Embodied in that one line is the culmination of a careers’-long battle for acknowledgement, acceptance, and control by an entertainer who refused to play by the rules of the recording industry. Prince figured out early in his career that the link between a musician and their audience was marketing. Marketing that typically was developed and controlled by the record label and not the musician. This study uses the culture production system (CPS) to explore how the musical artist Prince launched a revolution against the marketing practices of the music industry while capitalizing on some of those same practices to craft his image and propel his career. Along the way Prince paved a path for future artists to better maintain control of their artistic output. In exchange for fronting all of the production, distribution and marketing expenses of a musician’s recordings, the record labels also retained ownership of those recordings in accordance with the “work for hire” provision of the Copyright Act of 1976. This long-standing industry practice to include ownership of songs as a part of a recording contract has been a point of contention for several musicians (Sisario 2016).
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Final Nominations List General Field
THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 59th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2015 through September 30, 2016 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. 1. HELLO Adele Greg Kurstin, producer; Julian Burg, Tom Elmhirst, Emile Haynie, Greg Kurstin, Liam Nolan, Alex Pasco & Joe Visciano, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers Track from: 25 [XL Recordings/Columbia Records] 2. FORMATION Beyoncé Beyoncé Knowles, Mike Will Made-It & Pluss, producers; Jaycen Joshua & Stuart White, engineers/mixers; Dave Kutch, mastering engineer Track from: Lemonade [Parkwood Entertainment/Columbia Records] 3. 7 YEARS Lukas Graham Future Animals & Pilo, producers; Delbert Bowers, Sebastian Fogh, Stefan Forrest & David LaBrel, engineers/mixers; Tom Coyne, mastering engineer Track from: Lukas Graham [Warner Bros. Records] 4. WORK Rihanna Featuring Drake Boi-1da, producer; Noel "Gadget" Campbell, Kuk Harrell, Manny Marroquin, Noah "40" Shebib & Marcos Tovar, engineers/mixers; Chris Gehringer, mastering engineer [Westbury Road Entertainment] 5. STRESSED OUT Twenty One Pilots Mike Elizondo & Tyler Joseph, producers; Neal Avron & Adam Hawkins, engineers/mixers; Chris Gehringer, mastering engineer Track from: Blurryface [Fueled By Ramen] © The Recording Academy 2016 - all rights reserved 1 Not for copy or distribution 59th Finals - Press List General Field Category 2 4. VIEWS Album Of The Year Drake Award to the Artist(s) and to the Album Producer(s), Recording dvsn, Future, Kyla, PARTYNEXTDOOR, Rihanna & Engineer(s) and/or Mixer(s) & Mastering Engineer(s), if other than Wizkid, featured artists; Brian Alexander-Morgan, the artist.
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Greatest Hits Collection Prince 4Ever Arrives on November 22 Remastered, Deluxe Version of Purple Rain Due in Early 2017
For Immediate Release NPG RECORDS & WARNER BROS. RECORDS ANNOUNCE TWO NEW PRINCE RELEASES, BOTH WITH PREVIOUSLY UNRELEASED MUSIC GREATEST HITS COLLECTION PRINCE 4EVER ARRIVES ON NOVEMBER 22 REMASTERED, DELUXE VERSION OF PURPLE RAIN DUE IN EARLY 2017 October 21, 2016 (Burbank, CA) - Today, NPG Records and Warner Bros. Records announced two new Prince releases that will celebrate the iconic artist’s music and introduce fans to previously unreleased music. This will mark the first Prince recordings released since his passing on April 21st of this year. Released on November 22nd in the U.S. and November 25th around the world, PRINCE 4Ever will bring together 40 of Prince’s best-loved songs, including the blockbuster hits “When Doves Cry,” “Let’s Go Crazy,” “Kiss,” “Little Red Corvette,” “Purple Rain,” “Raspberry Beret,” “Sign O’ The Times,” “Alphabet Street,” “Batdance,” and “Cream.” PRINCE 4Ever includes “Moonbeam Levels” - a previously unreleased song originally recorded in 1982 during the1999 sessions and later considered for the never released Rave Unto The Joy Fantastic album. PRINCE 4Ever will also arrive with a 12-page booklet of never-before-seen photos by acclaimed photographer Herb Ritts. In addition, early next year will see the release of the much-anticipated remastered, deluxe version of Purple Rain, plans for which were agreed with Prince before he passed away. The remaster of the classic Purple Rain will arrive with a second album of previously unreleased material. More details will be revealed closer to the release date. The track-listing for PRINCE 4Ever is as follows: 1. 1999 2. Little Red Corvette 3.
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2017 Programme Bergen International Festival
BERGEN BERGEN 24 MAY — 07 JUNE INTERNATIONAL 2017 FESTIVAL 2017 PROGRAMME BERGEN INTERNATIONAL MORE INFO WWW.FIB.NO/EN FESTIVAL BERGEN INTERNATIONAL 003 FESTIVAL 2017 PROUD SPONSOR OF DIVERSITY Who are we? In a time of immense global changes and chal- itself as well as its near and distant surround- lenges, the question of who we are or who we ings. My concern is to ensure there is artistic want to be is of the highest relevance. When room and openness allowing the audience to encountering the unfamiliar and those unfami- encounter something new and different we liar to us, we are confronted with other world- might not yet have words for. views and identities, which may sometimes strike us as provoking, sometimes as gratifying. Identity is the overall theme for the 2017 Bergen International Festival. We invite the audience The arts field presents us with powerful to a voyage of discovery across the various attempts at depicting differences and diversity art forms in our comprehensive programme. as an enriching force. They all contribute to the You will find a multitude of complex identities recognition that what is different and unknown among the performing and creative artists, who may be quite normal – as well as essential, inno- are always on the move towards new places. vative, and inspiring. Meet them on their journey – and perhaps you might also meet yourself. One of arts’ traits is just that; it creates a feeling of community across differences. Through art Welcome! we may come together in a way that bridges the gap between people from different cultures and social classes, with our different languages, religions, and cultures.
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Mcelgi~Ggo Before the GEC COPYRIGHT OFFICE 1 9 2002 LIBRARY of CONGRESS General,COUNSEL Washington, D.C
MCElgi~ggo Before the GEC COPYRIGHT OFFICE 1 9 2002 LIBRARY OF CONGRESS GENERAl,COUNSEL Washington, D.C. GP GGPVAiGi.A ) ) In Re: ) ) Adjustment of Rates and Terms for the ) Digital Performance of Sound Recordings ) Docket No. 2002-1 CARP DTRA3 ) ) ) ) NOTICE OF INTENT TO PARTICIPATE The Recording Industry Association of America, Inc. ("RIAA"), on its own behalf. and on behalf of SoundExchange, presently an unincorporated division of the RIAA, submits the following comments in response to the Copyright Office Notice published at 67 Fed. Reg. 70093 (November 20, 2002). The members of RIAA and SoundExchange, which are not entirely co-extensive, own the copyrights in more than 85 lo of all the sound recordings legitimately sold in the United States. The Librarian of Congress has designated SoundExchange as the agent to receive royalty fees and statements of account submitted by eligible nonsubscription transmission services under provisions:of the Section 112 and 114 licenses that are directly at issue in the above-referenced proceeding. 37 C.F.R. $ 261.4(b). Accordingly, RIAA and SoundExchange each have a significant interest in the royalty rates that are the subject of the proceeding referenced above. See 17 U.S.C. $ 803(a)(1). Attached as Exhibits A and B are lists of RIAA and SoundExchange members. These lists, particularly the SoundExchange list, may be amended as additional record companies join one or both organizations. On behalf of its members, RIAA is engaged in ongoing negotiations with the affected services and remains hopeful that voluntary agreements will be reached and that CARP proceedings will be avoided.
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Read Black Magnolias Special Issue on Prince
Black Magnolias March-May, 2020 Vol. 8, No. 3 (Special Prince Issue) 1 Black Magnolias ISSN 2155-1391 Copyright 2020 Black Magnolias Black Magnolias is published quarterly by Psychedelic Literature. Subscription Rates: single issue $12.00, annual subscription $40.00. Outside the U.S. add $7.00 postage for single issue and $28.00 postage for annual subscription. All payment in U.S. dollars drawn on an U.S. bank or by International Money Order, made to Psychedelic Literature. Individual issues/copies and annual subscription orders can be purchased at www.psychedelicliterature.com/blackmagnolias.html. Postmaster: Send address changes to Black Magnolias, c/o Psychedelic Literature, 203 Lynn Lane, Clinton, MS 39056. Address all correspondence regarding editorial matters, queries, subscriptions, and advertising to [email protected], or Black Magnolias, 203 Lynn Lane, Clinton, MS 39056, or (601) 383-0024. All submissions must be sent via e-mail as a word attachment. All submissions must include a 50 - 100 word biographical note including hometown and any academic, artistic, and professional information the writer desires to share, along with the writer’s postal mailing address, e-mail address, and phone number. All rights reserved. Rights for individual selections revert to authors upon publication. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the Publishers. Founding Publishers Monica Taylor-McInnis C. Liegh McInnis C. Liegh McInnis, Editor Cover Art Black Magnolias XXX, 2020 Monica Taylor-McInnis Note: Cover art was originally designed by Monica Taylor-McInnis for Africology Journal, and we decided to keep it once we moved the special issue to Black Magnolias.
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INVENTORY Decedcnt IZIORIGINAL [:1 AMENDED D SUPPLEMENTAL
10-PR-16-4610'PR'1646 Filed in First Judicial District Court 1/4/2017 2:38:15 PM Carver County, MN STATE OF MINNESOTA FIRST JUDICIAL DISTRICT DISTRICT COURT COUNTY OF CARVER PROBATE DIVISION Court File No. 10-PR-16-46 Estate of ' Prince Rogers Nelson, INVENTORY Decedcnt IZIORIGINAL [:1 AMENDED D SUPPLEMENTAL Date of Death: April 21, 2016 Bremer Trust, N ationai Association, the Personal Representative of the Estate, states: 1. The following is a true and correct inventory at date of death values of all the property of the Estate, both real and personal, which has come into my possession as Personal Representative. If an appraisal of any asset has been made, the name and address of each appraiser used is included. After diligent search and inquiry concerning the assets of the Estate, the following is a list of the Estate assets by category: SCHEDULE VALUE Schedule A: Real Estate $ 25,431,900.00 Schedule B: Stocks, Bonds, and Other Securities $ 0.00 Schedule C: Bank Accounts, Mortgages, Contracts for Deed, Notes and Cash $ 110,080.51 Schedule D: Other Personal Property $ 836,166.70 SUBTOTAL $ TBD Less Schedule E: Mortgages and Liens $ 0.00 TOTAL 35 TBD 2. A copy of this Inventory, including all schedules, has been mailed to the surviving spouse, if any, and to all rcsiduary distributees of the Decedent and to interested persons and creditors who have requested a copy of the Inventory. MlNN. STAT. § 5243-706 P600 Inventory MNCLE © 20 l 6 I l 30455590 001 10-PR-16-461 0 _ PR _ 1646 Filed in First Judicial District Court 1/4/2017 2:38:15 PM Carver County, MN Under penalties for perjury, I declare or afﬁrm that I have read the Inventory and I know or believe its representations are true and complete.
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