DOCSLIB.ORG

Twin Galaxies Superstars of Video Games Compilation 001-600

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Twin Galaxies Superstars of Video Games Compilation 001-600 SetYear Sport CardNumber DefaultDescription MGDescription BKDescription SetName TeamName OtherAttributes Serialnum PrintRun RC Autograph Memorabilia Type Genre Property Character SetType Flags Factor Brand Manufacturer SourceSet Notes Player Serial Seeding SetFactor 2011 non-sports Cover Card for Series "C" Limited Series - Only 200 copies printed Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 1 Paul Zimmerman Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 1 Billy Mitchell color Color Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 1 Billy Miller color/25 Color - 25 copies printed Walter Day Collection Superstars of 2011 serial 25 25 Cards - NonSports m b The Walter Day Collection 2011 non-sports 1B Billy Miller Grayscale/117 Grayscale - 117 copies printed Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 1C Billy Mitchell Grayscale/117 Grayscale - 117 copies printed Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 2 Ralph Baer ERR#{marketing toy agnate/20 Error card - 20 copies distributed with backside typo (marketing toy agnate…) Walter Day Collection Superstars of 2011 serial 20 20 Cards - NonSports m b The Walter Day Collection 2011 non-sports 2 Ralph Baer COR Corrected card issued Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 3 Morningdove Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 4 Ben Gold Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 5 Peter Bouvier#{E3 prototype E3 Prototype text on backside (Pete plans to select 10 new games…) Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 5 Pete Bouvier#{Updated back Updated text on backside Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 6 Samantha Hancock Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 7 Steve Wiebe Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 7A Steve Wiebe#{Grayscale/117 Grayscale - 117 copies printed Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 8 Kristian Farnan Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 9 Keisha Howard Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 10 Tommy Tallarico Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 11 Joel West Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 12 Star Worlds Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 13 Robert Welkner Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 14 Andrew Breyer Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 15 Stephen Boyer Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 16 Geoffrey Lin Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 17 Donald Hayes Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 18 Marie-Laure "Kayane" Norindr Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 19 Rick Carter Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 20 Brian Kuh/100 RARE Card - 100 copies printed Walter Day Collection Superstars of 2011 serial 100 100 Cards - NonSports m b The Walter Day Collection 2011 non-sports 21 Twin Galaxies Arcade Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 22 Eric Akeson Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 23 Patrick O'Malley Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 24 Leo Daniels Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 24A Leo Daniels Hoose Artwork/117 Alternate frontside - Hoose Artwork - 117 copies Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 25 Michael Sroka#{Alternate front E3 prototype E3 Prototype - Alternate frontside Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 25 Michael Sroka Standard Card Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 25A Michael Sroka Hoose Artwork/117 Alternate frontside - Hoose Artwork - 117 copies Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 26 Kyle Goewert Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 27 Director of Doctor Kong Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 28 Partick Scott Patterson Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 29 Carl White Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 30 Ken "sushi-x" Williams Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 31 Hank Chien Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 32 David Nelson Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 32A David Nelson Hoose Artwork/117 Alternate frontside - Hoose Artwork - 117 copies Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 33 Jeri Ellswoth Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 34 Greg Mott Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 35 Ken Sweet Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 36 Jessica Villareal Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 37 Rodney Day Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 38 Big Johnny and Uncle Walters Ice Cream Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 39 Gary Hatt Standard Card Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 39A Gary Hatt#{Alternate front/117 Alternate frontside - Hoose Artwork - 117 copies Walter Day Collection Superstars of 2011 serial 117 117 Cards - NonSports m b The Walter Day Collection 2011 non-sports 40 Mark Robichek Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 41 Brian Kingrey Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 42 Ellis Rowland Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 43 Bobby Wilson Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 44 Matthew Miller Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 45 David Cruz Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 46 Tri Force Johnson Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 47 King of Chinatown Movie Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 48 Todd Friedman Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 49 Paul Dean Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 50 Chris Ayra Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 51 Elizabeth Bolinger Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 51A Elizabeth Bolinger/500 RARE Card - 500 copies printed Walter Day Collection Superstars of 2011 serial 500 500 Cards - NonSports m b The Walter Day Collection 2011 non-sports 52 Brian Cady Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 53 Ray Lapsey Walter Day Collection Superstars of 2011 Cards - NonSports m b The Walter Day Collection 2011 non-sports 54 Michael Vacca Walter Day Collection
Load more

Recommended publications
  • Ah, the Glorious 1980'S
    Jeff Kirkendall’s Thoughts For The Month Column Thoughts, Opinions, Reviews, Commentary & More! Hello and Welcome! My name is Jeff Kirkendall and I'm an independent filmmaker and actor from the Upstate New York area. This is the section of the Very Scary Productions website where I write about topics related to independent filmmaking, digital video production, acting, movies in general, horror movies in particular, my own indie movies, as well as anything and everything related or in between. I decided to create this commentary page because I find that I often come across things that either interest me, excite me, intrigue me, or maybe just bug me. Any topic related to movies and cinema is fair game, from the most mainstream to the most controversial. For example I'll often read about movie projects that I have a strong interest in or opinion on, for one reason or another. This page gives me a forum to discuss these things. It's all about discussion and furthering understanding of our pop culture. Anyone who has feedback concerning what I have to say here, feel free to contact me (see the contact link at http://www.veryscaryproductions.com/). I'd also like to point out that the following is just my opinion, and everyone is free to agree or disagree with what I have to say. Enjoy, and to all the Indies out there: Keep on Filming! SUBJECT: Movie Review – The King of Kong: A Fistful of Quarters (documentary) Note: The following review of The King of Kong: A Fistful of Quarters may contain details that could be considered spoilers.
    [Show full text]
  • Concert Review: Symphony Help Breathe Life Into Video Games | Deseret News
    11/23/2016 Concert review: Symphony help breathe life into video games | Deseret News Family Concert review: Symphony help breathe life into video games By Scott Iwasaki Published: March 29, 2008 12:00 a.m. "VIDEO GAMES LIVE!" Utah Symphony, Abravanel Hall, Friday, additional performance today, 355-2787 With strobe lights, a big video screen, mirror balls and an electric guitar, it was clear that "Video Games Live!" is not a typical symphony concert. And to have the Utah Symphony give two acts of video-game music life in a place other than the TV was nothing short of a rush. By the end of the show, the symphony did exactly what narrator and game composer and "Video Game Live!" co-founder Tommy Tallarico said it would do — "Show how culturally significant video games and video game music is in the world today." Conducted by video-game-music composer and "Video Game Live!" co-founder Jack Wall, the symphony, aided by the Snow College Choir, took the nearly sold-out audience on a journey from the early days of video gaming to the present. Kicking off the evening with the "blip-bleep" of "Pong" and ending with a rousing crescendo of "Final Fantasy VII," the concert brought old and young gamers together. With a symphonic suite, the concert highlighted pioneering games such as "Donkey Kong," "Dragon's Lair," "Tetris," "Frogger" and "Space Invaders," to name a few. In keeping with the "Space Invaders" theme, Tallarico chose a member from the audience to play a giant screen version of the game while the symphony performed the theme.
    [Show full text]
  • Pioneering E-Sport: the Experience Economy and the Marketing of Early 1980S Arcade Gaming Contests
    International Journal of Communication 7 (2013), 2254-2274 1932–8036/20130005 Pioneering E-Sport: The Experience Economy and the Marketing of Early 1980s Arcade Gaming Contests MICHAEL BOROWY DAL YONG JIN Simon Fraser University This article sets out to historicize the development of e-sport (organized competitive digital gaming) in the early 1980s using three new conceptual frameworks. We identify e-sport as an accompaniment of the broader embryonic gamer culture, a hallmark of the “experience economy” concept, and as a succession of consumer practices whose development was coterminous with the rise of event marketing as a leading promotional business strategy. By examining the origins of e-sport as both a marketized event and experiential commodity, we see this period as a transitory era bridging different phases in the areas of sports, marketing, and technology, resulting in the expansion of competitive cyberathleticism. Keywords: e-sport, professional gamer, arcade, experience economy, event marketing, video games, public events Introduction In the early 2000s, competitive player-versus-player digital game play (henceforth e-sports) has been a heavily promoted feature of overall gamer culture. Although e-sport—known as an electronic sport and the leagues in which players compete through networked games and related activities (Jin, 2010)— has existed since the early 1980s, the increased attention toward the activity in the 21st century has signaled that the gaming industry is adopting more flexible avenues of public event consumption with the goal of generating higher profit margins. While stand-alone e-sports events are common, their use as adjuncts of other industry events, including major trade shows, press conferences, and even traveling orchestras, demonstrates that competitive gaming continues to play a major role in the machinery of game industry event marketing.
    [Show full text]
  • The Videogame Style Guide and Reference Manual
    The International Game Journalists Association and Games Press Present THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL DAVID THOMAS KYLE ORLAND SCOTT STEINBERG EDITED BY SCOTT JONES AND SHANA HERTZ THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL All Rights Reserved © 2007 by Power Play Publishing—ISBN 978-1-4303-1305-2 No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher. Disclaimer The authors of this book have made every reasonable effort to ensure the accuracy and completeness of the information contained in the guide. Due to the nature of this work, editorial decisions about proper usage may not reflect specific business or legal uses. Neither the authors nor the publisher shall be liable or responsible to any person or entity with respects to any loss or damages arising from use of this manuscript. FOR WORK-RELATED DISCUSSION, OR TO CONTRIBUTE TO FUTURE STYLE GUIDE UPDATES: WWW.IGJA.ORG TO INSTANTLY REACH 22,000+ GAME JOURNALISTS, OR CUSTOM ONLINE PRESSROOMS: WWW.GAMESPRESS.COM TO ORDER ADDITIONAL COPIES OF THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL PLEASE VISIT: WWW.GAMESTYLEGUIDE.COM ACKNOWLEDGEMENTS Our thanks go out to the following people, without whom this book would not be possible: Matteo Bittanti, Brian Crecente, Mia Consalvo, John Davison, Libe Goad, Marc Saltzman, and Dean Takahashi for editorial review and input. Dan Hsu for the foreword. James Brightman for his support. Meghan Gallery for the front cover design.
    [Show full text]
  • Video Games Live
    Sunday, November 17, 2019, 7pm Zellerbach Hall Video Games Live with the UC Berkeley Symphony Orchestra Tommy Tallarico, creator, executive producer, host, guitar Emmanuel Fratianni, conductor Jason Paige, soloist Chad Gorr, lighting director and production manager Derek Almstead, audio engineer Steve Miller, video operator Cal Performances’ 2019–20 season is sponsored by Wells Fargo. 15 PROGRAM NOTES Video Games Live™? is an immersive concert new friends as we celebrate a pastime that has event celebrating music from the most popular evolved to become an important part of our video games of all time. Created, produced, and culture. Even if you don’t play video games, we hosted by well-known game industry veteran promised that you’ve never heard or seen an and superstar Tommy Tallarico, it features orchestral per formance quite like this. orchestras from around the world performing to exclusive, synchronized video footage Achievements & Accomplishments and lighting, and with celebrity Internet solo Incorporated in 2002, Video Games Live is the per­­formers, electronic percussion, live action, first and most successful video game touring and unique interactive segments, all creating concert in the world, having been performed an explosive, one-of-a-kind entertainment ex- over 500 times in 42 countries on five conti- per i ence. Special events surround the show, nents. Over 11,000 people were present for the including a pre-show costume contest and debut performance at the Hollywood Bowl with a post-show meet-and-greet with top game the Los Angeles Philharmonic and since then, composers. Pre- and post-show events are open over two million people have experienced the to all ticket holders.
    [Show full text]
  • Trolley Ain't No Gravy Train
    INSIDE: GET THE RIGHT RESULTS WITH OUR CLASSIFIEDS SECTION Yo u r World — Yo u r News BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2016 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/14 pages • Vol. 39, No. 49 • December 2–8, 2016 • FREE BILLION $ MILE Planned BQE repairs to be most expensive in city history By Lauren Gill Brooklyn Paper It’s Brooklyn’s billion-dol- lar mile! The city’s much-needed repair of the decrepit 1.5-mile Brooklyn Heights stretch of the Brooklyn– Queens Expressway will be the most expensive project in Depart- ment of Transportation history at a whopping $1.7 billion, accord- ing to officials. That’s $17,887 an inch, or $214,646 a foot, or $704,225 a FIXING meter — any way you measure Photo by Jordan Rathkopf it, it’s a lot of money for a short the BQE Elf Emily Season poses for the perfect selfie with Cobble Hill’s Karen Moshman. stretch of road. The expressway’s triple cantile- ver bridge — a three-tiered stretch fic on the elevated roadway open that hangs below the fabled Prome- in both directions will remain open nade and carries some 140,000 ve- at any given time. hicles per day — is nearly 70 years File photo by Evan Gardner But parts of the Promenade may GO UP TO ELVEN The triple cantilever looks pretty crummy, and it is going to have to close during the repairs, old and already a decade past its expected lifespan, and engineers cost $1.7 billion to fix. agency reps said.
    [Show full text]
  • Fighting Games, Performativity, and Social Game Play a Dissertation
    The Art of War: Fighting Games, Performativity, and Social Game Play A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Todd L. Harper November 2010 © 2010 Todd L. Harper. All Rights Reserved. This dissertation titled The Art of War: Fighting Games, Performativity, and Social Game Play by TODD L. HARPER has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Mia L. Consalvo Associate Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARPER, TODD L., Ph.D., November 2010, Mass Communications The Art of War: Fighting Games, Performativity, and Social Game Play (244 pp.) Director of Dissertation: Mia L. Consalvo This dissertation draws on feminist theory – specifically, performance and performativity – to explore how digital game players construct the game experience and social play. Scholarship in game studies has established the formal aspects of a game as being a combination of its rules and the fiction or narrative that contextualizes those rules. The question remains, how do the ways people play games influence what makes up a game, and how those players understand themselves as players and as social actors through the gaming experience? Taking a qualitative approach, this study explored players of fighting games: competitive games of one-on-one combat. Specifically, it combined observations at the Evolution fighting game tournament in July, 2009 and in-depth interviews with fighting game enthusiasts. In addition, three groups of college students with varying histories and experiences with games were observed playing both competitive and cooperative games together.
    [Show full text]
  • 08-1448 Brown V. Entertainment Merchants Assn. (06/27/2011)
    (Slip Opinion) OCTOBER TERM, 2010 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus BROWN, GOVERNOR OF CALIFORNIA, ET AL. v. ENTERTAINMENT MERCHANTS ASSOCIATION ET AL. CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT No. 08–1448. Argued November 2, 2010—Decided June 27, 2011 Respondents, representing the video-game and software industries, filed a preenforcement challenge to a California law that restricts the sale or rental of violent video games to minors. The Federal District Court concluded that the Act violated the First Amendment and permanently enjoined its enforcement. The Ninth Circuit affirmed. Held: The Act does not comport with the First Amendment. Pp. 2–18. (a) Video games qualify for First Amendment protection. Like pro- tected books, plays, and movies, they communicate ideas through fa- miliar literary devices and features distinctive to the medium. And “the basic principles of freedom of speech . do not vary” with a new and different communication medium. Joseph Burstyn, Inc. v. Wil- son, 343 U. S. 495, 503. The most basic principle—that government lacks the power to restrict expression because of its message, ideas, subject matter, or content, Ashcroft v. American Civil Liberties Un- ion, 535 U.
    [Show full text]
  • CB-1990-03-31.Pdf
    TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager.
    [Show full text]
  • Arcade-Style Game Design: Postwar Pinball and The
    ARCADE-STYLE GAME DESIGN: POSTWAR PINBALL AND THE GOLDEN AGE OF COIN-OP VIDEOGAMES A Thesis Presented to The Academic Faculty by Christopher Lee DeLeon In Partial Fulfillment of the Requirements for the Degree Master of Science in Digital Media in the School of Literature, Communication and Culture Georgia Institute of Technology May 2012 ARCADE-STYLE GAME DESIGN: POSTWAR PINBALL AND THE GOLDEN AGE OF COIN-OP VIDEOGAMES Approved by: Dr. Ian Bogost, Advisor Dr. John Sharp School of LCC School of LCC Georgia Institute of Technology Georgia Institute of Technology Dr. Brian Magerko Steve Swink School of LCC Creative Director Georgia Institute of Technology Enemy Airship Dr. Celia Pearce School of LCC Georgia Institute of Technology Date Approved: March 27, 2012 In memory of Eric Gary Frazer, 1984–2001. ACKNOWLEDGEMENTS I would like to thank: Danyell Brookbank, for companionship and patience in our transition to Atlanta. Ian Bogost, John Sharp, Brian Magerko, Celia Pearce, and Steve Swink for ongoing advice, feedback, and support as members of my thesis committee. Andrew Quitmeyer, for immediately encouraging my budding pinball obsession. Michael Nitsche and Patrick Coursey, for also getting high scores on Arnie. Steve Riesenberger, Michael Licht, and Tim Ford for encouragement at EALA. Curt Bererton, Mathilde Pignol, Dave Hershberger, and Josh Wagner for support and patience at ZipZapPlay. John Nesky, for his assistance, talent, and inspiration over the years. Lou Fasulo, for his encouragement and friendship at Sonic Boom and Z2Live. Michael Lewis, Harmon Pollock, and Tina Ziemek for help at Stupid Fun Club. Steven L. Kent, for writing the pinball chapter in his book that inspired this thesis.
    [Show full text]
  • Certificate for Approving the Dissertation
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Kevin J. Rutherford Candidate for the Degree: Doctor of Philosophy Director (Jason Palmeri) Reader (Michele Simmons) Reader (Heidi McKee) Reader (Kate Ronald) Graduate School Representative (Bo Brinkman) ABSTRACT PACK YOUR THINGS AND GO: BRINGING OBJECTS TO THE FORE IN RHETORIC AND COMPOSITION by Kevin J. Rutherford This dissertation project focuses on object-oriented rhetoric (OOR), a perspective that questions the traditional notions of rhetorical action as solely a human province. The project makes three major, interrelated claims: that OOR provides a unique and productive methodology to examine the inclusion of the non-human in rhetorical study; that to some extent, rhetoric has always been interested in the way nonhuman objects interact with humans; and that these claims have profound implications for our activities as teachers and scholars. Chapter one situates OOR within current scholarship in composition and rhetoric, arguing that it can serve as a useful methodology for the field despite rhetoric’s traditional focus on epistemology and human symbolic action. Chapter two examines rhetorical history to demonstrate that a view of rhetoric that includes nonhuman actors is not new, but has often been marginalized. Chapter three examines two videogames as sites of theory and practice for object-oriented rhetoric, specifically focusing on a sense of metaphor to understand the experience of nonhuman rhetors. Chapter four interrogates the network surrounding a review aggregation website to argue that, while some nonhumans may be unhelpful rhetorical collaborators, OOR can assist us in improving relationships with them.
    [Show full text]
  • Game Narrative Review
    Journey: Game Narrative Review ==================== Your name: Lauryn Gordon Your school: SMU Guildhall Your email: [email protected] Month/Year you submitted this review: November 2015 ==================== Game Title: Journey Platform: PS3 (eventual PS4) Genre: Adventure/Art Game Release Date: March 13, 2012 (PSN-NA); August 28, 2012 (Retail-NA) Developer: thatgamecompany; Tricky Pixels (eventual PS4 port) Publisher: Sony Computer Entertainment Game Director: Jenova Chan Overview Journey is a multiplayer game that tells the story of two anonymously paired online players struggling to survive a harsh and beautiful world. Each player begins as a small, red-cloaked figure with only the ability to run. After receiving their first scarf piece, players learn to fly and shout a musical sound. Unlike traditional adventure games, Journey has no leveling up, no in-game dialogue, and no skills system. Players rely on their ability to communicate through sound and flight to overcome puzzles in each level. The story of Journey is the story of player’s interactions. Journey’s anonymously pair system provides players a unique cooperative, storytelling experience. The designers of Journey intended players to play with another person. Still, both single-player and multi-player Journey exemplify how games can tell stories through players’ interactions with the world around them. Combining a limited controls scheme with the human need to communicate, Journey is the strongest example of a game where playing the game is the story. Every element in Journey supports the idea that narrative in a game is there to service the player’s experience of that game, not supplant it. Journey does not tell the story of the characters in their world.
    [Show full text]