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FINISHING the PICTURE by Arthur Miller
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused. -
WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour). -
Read Book Beautiful Thing Ebook Free Download
BEAUTIFUL THING PDF, EPUB, EBOOK Jonathan Harvey | 96 pages | 07 Jan 2003 | Bloomsbury Publishing PLC | 9780413710307 | English | London, United Kingdom Beautiful Thing PDF Book Australian promotional poster for the film. Edit page. Company Credits. The next morning, Ste panics and leaves before Jamie awakens, avoiding him for days. Jamie is a shy teenager, often bullied at school. Looking for a movie the entire family can enjoy? Parents Guide. Edit page. As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Genres: Documentary. John Altman. The film was originally intended for television broadcast only, but it was so well-received that it was subsequently released in cinemas. Jayson Beth Goddard Favorite Documentary. Get some streaming picks. Added to Watchlist. Jamie Gangel. The Times. A screen adaptation of the play was released in by Channel 4 Films , [1] with a revised screenplay also by Harvey. Rate This. Their relationship develops as they visit a gay pub together. The party ends badly, with Sandra taking vengeance on Leah for gossiping. Country: USA. The plot is set against sub-texts of Sandra's desire to manage her own pub, and thus escape the estate, and of her new relationship with her hippy boyfriend Tony; and of Leah, the Visit our What to Watch page. Struggles, hope, mistakes, redemption, setbacks, courage, kindness Please help improve this article by adding citations to reliable sources. Lowman Pauling, Ralph Bass. Self - Narrator Arshay Cooper Photo Gallery. In the absence of a third bed, Ste has to make do with sleeping 'top-to-toe' with Jamie. -
Chapter 1 Politics and Theatre
Notes Chapter 1 Politics and Theatre 1 Shellard (1999: 12-13) discusses censorship of works by Unity Theatre, a socia list theatre company based in London, during the 1950s. 2 For further information about the theatre companies of the 1970s, see Dreams and Deconstructions: Alternative Theater in Britain, ed. Sandy Craig (Ambergate: Amber Lane Press, 1980) and Stages in the Revolution: Political Theatre since 1960, Catherine Itzin (London: Eyre Methuen, 1980). 3 Rees (1992) quotes John Ashford, the first editor of Time Out, as saying he introduced the term in the late1960s, borrowing the term that had come to categorize the non-invited performances at the Edinburgh Festival. 4 Eyre and Wright state, 'Arts Council funding for alternative theatres in 1969/ 1970 came to £15,000; ten years later, funding from the Drama Panel alone amounted to £1.5 million' (284). 5 Recent surveys have shown clear trends towards political disengagement and falling confidence in the efficacy of the political system. A well-known and accessible source of survey information is the yearly report British Social Attitudes, published in London by Sage Publications and the National Centre for Social Research. The 18th Report, edited by Alison Park eta/. and published in 2001, included the information that 63% of respondents in 2000 thought the system of government needed improvement, compared to 49% in 1973. At the same time, 26% (compared with 19% in 1974) felt that parties 'are only interested in votes' rather than in the opinions and needs of constituents, and 19% (compared to 11 'Yo in 1991) felt that 'things go on the same' regardless of which party is in power. -
Michael Baxter Musical Director CV Copy
Michael Baxter MUSICAL DIRECTOR Michael trained at Guildford School of Acting and has worked extensively as an actor, singer and musical director. He is also an experienced singing tutor, having previously held teaching positions at Sylvia Young Theatre School, Guildford School of Acting, W1Workshops and the Urdang Academy. Michael is currently the Resident Musical Director for Headliners Theatre Company, where he has worked on over 50 theatre productions, including Astonishing, directed by Stephen Mulhern and Jonathan Wilkes, Money Makes the World Go Round, conceived by Ruthie Henshall, and the Oliver Award-winning musical, Top Hat. CREDITS Musical Director Guys and Dolls New Wimbledon Theatre Musical Director Thoroughly Modern Mille Urdang Academy Chorus Master David Phelps: Live in London IndigO2 at The O2 Arena Musical Director Smash: The UK Launch Party Soho Theatre Musical Director Sleeping with Straight Men Above the Stag Theatre Musical Director Jon Robyns: How Did I Get Here? Leicester Square Theatre Musical Director Direct from the West End Theatre Royal, Windsor Musical Director The Ladies That Lunch The English Theater of Bruges Musical Director Barry Manilow’s Copacabana University of Westminster Musical Director West End: In Session Three Card Cabaret Musical Director The Falsetto and The Fingers King’s Head Theatre / Edinburgh Festival Musical Director Hot Mikado Guildford School of Acting Assistant Musical Director Jack and the Beanstalk Yvonne Arnaud Theatre, Guildford Musical Director Sondheim Revue Guildford School of Acting SELECTED PERFORMANCE EXPERIENCE Swing Les Misérables UK & International Tour th Ensemble Les Misérables: The 25 Anniversary The O2 Arena Annas Jesus Christ Superstar Ljubljana Festival Featured Ensemble Wonderful Town The Barbican Centre L.A. -
Phillip Aiden Philip Stewart
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Phillip Aiden Philip Stewart Location: Greater London Eye Colour: Green Height: 6'2" (187 cm) Hair Colour: Dark Brown Playing Age: 36 - 50 Hair Length: Short Voice Character: Engaging Voice Quality: Deep Musical Musical, Ensemble, BILLY ELLIOT, UK Tour, Stephen Daldry Musical, Swing, CHICAGO, Cambridge Theatre, London, Walter Bobbie/Ann Reinking Musical, Ensemble u/s Maxwell, Dr Meyer, BEAUTIFUL AND DAMNED, Lyric Theatre, London, Craig Revel Horwood Musical, Sgt Fogarty/ Ensemble, CHICAGO, Larnaca Festival, Greece, Mitch Sebastian Musical, Ensemble u/s Beast, BEAUTY AND THE BEAST, RSC Stratford upon Avon, Laurence Boswell/Stuart Hopps Musical, Aaron/ Ensemble, CHICAGO, UK Tour/ Asia, Scott Faris/ Gary Chryst Musical, Prince of Transylvania/Ensemble, MY FAIR LADY, Royal National Theatre and Drury Lane, Trevor Nunn/ Matthew Bourne Musical, Ensemble, MACK AND MABEL, Piccadilly Theatre,London, Paul Kerryson/ Michael Smuin Musical, Feat. Sailor/Ensemble, ANYTHING GOES, Grange Park Opera, David Pountney/Craig Revel Horwood Musical, Ensemble, FOLLIES, Haymarket Theatre, Leicester, Paul Kerryson Musical, Ensemble, CALAMITY JANE, Haymarket Theatre, Leicester, Paul Kerryson/David Needham Musical, Ensemble, ALWAYS, Victoria Palace Theatre, London, Frank Hauser/Thommie Walsh Musical, Ensemble, EVITA, Spektrum Theatre, Oslo, Ken Urmston Musical, Ensemble, ME AND MY GIRL, UK Tour, Mike Ockrent/Gillian Gregory Musical, Singer/ Dancer, -
Cultural Infrastructure List in Lambeth 2020
Cultural Infrastructure List in Lambeth March 2020 Contents Introduction ......................................................................................................................... 4 Purposes of the document ................................................................................................. 4 Structure of the Paper ....................................................................................................... 4 Methodology ...................................................................................................................... 4 Policy Context ..................................................................................................................... 6 Draft London Plan Intend to Publish Version December 2019 ........................................... 6 Draft Revised Lambeth Local Plan – Proposed Submission Version January 2020 ........... 7 Leisure, recreation, arts and cultural facilities in Lambeth .............................................. 8 Table 1 – Archives and libraries in Lambeth .................................................................... 10 Map 1 – Archives and libraries in Lambeth ...................................................................... 12 Table 2 – Art centres in Lambeth ..................................................................................... 13 Map 2 – Art Centres in Lambeth ...................................................................................... 15 Table 3 – Art galleries and museums (including commercial/ private -
Phoebe Vigor Actor
Phoebe Vigor Actor Agents Helen Robinson Assistant [email protected] Polly Dixon-Green +44 (0) 20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company WHEN THE BIRDS COME Margret Alexander Lass Edinburgh Fringe Festival 2019 THE UGLY DUCKLING Sidney Ruby Thompson Hull Truck Theatre RUPERT STREET LONELY Clarine Steven Dexter Above the Stag Theatre HEARTS CLUB BEAUTIFUL THING JONATHAN Leah Steven Dexter Above the Stage Theatre HARVEY WIND BIT BITTER BIT BIT BIT Mary Sami Ibrahim The Vaults HER MOTHER COURAGE AND HER Kattrin Hannah Chissick Tarento Productions | CHILDREN Southwark Playhouse JANE EYRE U/S Jane Eyre Sally Cookson National Theatre | Bristol Old Vic FORCE OF TRUMP Swing Sami Ibrahim Neuron INDIGNANT Old Woman William Loftie Chelsea College of Art FRAGMENTS Scientist Ria Parry | Tom The North Wall Theatre Hoggarth United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company HENRY V Princess Mark Bulloch SLT Katherine ENVELOPED IN VELVET Sarah Piers Black Hawkins Ransack Theatre Company THAT FACE Martha Amy O'Toole | Thea The University of Paulett Manchester A MIDSUMMER NIGHT'S Helena Tony Simotes Shakespeare and DREAM Company THEY'LL BE HOME BY Joker Carran Waterfield Triangle Theatre CHRISTMAS TWELFTH NIGHT Viola Toby Hulse BOVTS AFTER THE END Louise Sophie Ellerby The University of Manchester ONCE A CATHOLIC Mary Mooney Harriet Wright | The University -
Well Made Play'
The persistence of the 'well made play' Book or Report Section Accepted Version Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408 Available at http://centaur.reading.ac.uk/31307/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Wissenschaftlicher Verlag Trier All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online GRAHAM SAUNDERS The Persistence of the ‘Well-Made Play’ in British Theatre of the 1990s The story of the well-made play in twentieth-century British theatre is one of dominance and decline, followed by an ongoing resistance to prevailing trends. In this article, I hope to argue that during the early 1990s the well- made play enjoyed a brief flourishing and momentary return (literally) to centre stage before it was superseded again - in much the same way that the likes of Terence Rattigan and Noël Coward were swept away by the Angry Young Men of the Royal Court during the 1950s. However, between 1991- 1994 I contend that the well-made play re-established itself, not only as a West End entertainment, but one which came of age in terms of formal experimentation and the introduction of political commentary into a genre which had always been perceived as conservative in both form and ideology. -
Representing the Crisis' in Masculinity: British and North American Male Playwrights, 1990-2005
Representing the Crisis' in Masculinity: British and North American Male Playwrights, 1990-2005 Kathryn Ann Whittaker, BA (Hons), MA This thesis is submitted for the degree of Doctor of Philosophy September 2009 ProQuest Number: 11003508 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003508 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Copyright © 2009 by Kathryn A. Whittaker All rights reserved Contents Abstract v Acknowledgements vii Introduction The 'crisis' in masculinity 1 Hegemonic masculinity 9 Theorising masculinities on stage 11 Constructions of the 'crisis' 17 The 'backlash' 26 Reflections on the discourse 30 Men and masculinities in cultural representation 33 Methodology 49 Overview of chapters 51 Chapter One Fighting for the Phallus: Straight White Masculinity and Fear of the Feminine in Patrick Marber's Closer and Neil LaBute's The Shape of Things Introduction to the plays and critical responses 60 British context and play writing tropes 68 US context and play writing tropes -
Catalogue of New Plays 2016–2017
PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents. -
We Made That Appendices
BATTERSEA DESIGN & TECH QUARTER APPENDICES | 10-02-2020 CONTENTS 1.0 Introduction p3 3.2 Land uses and building types 6.0 Implementation strategy p53 About this project Existing dominant planning use About Battersea Design & Tech Quarter Proposed dominant planning use Pre-application discussions checklist About the team Business clusters Current s106 contributions and CIL liabilities Existing spatial typologies Existing yard space & parking Existing building heights 2.0 Wider area p4 Assessment against draft London Plan Policy E7 (existing) 7.0 Document references p62 Existing area floorspace ratio 2.1 Policy context Study area 3.3 Open space Planning policy map Existing open space and routes 8.0 Commercial viability p63 Vauxhall & Nine Elms master plan Reported crime Local plan review Local views 3.4 Transport & movement Conservation and heritage Key thresholds and severance Existing road network classification 2.2 Social & cultural infrastructure Bus routes and stops Social infrastructure Existing cycling routes Wider cultural infrastructure Existing routes to green space Existing routes to stations 2.3 Open space Green space and Metropolitan Open Land 2.4 Transport & movement 4.0 Focus areas p41 Transport nodes PTAL map Existing road network classification 4.1 Havelock Terrace Bus routes and stops 4.2 Ingate Place Existing cycling routes 4.3 Silverthorne Road Proposed cycling routes Air quality 5.0 On-site observations p48 3.0 Study area p21 5.1 Area character 3.1 Policy context 5.2 Connectivity & movement Study area 5.3 Public space