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An Expressive Theory of Tax Kitty Richards
Cornell Journal of Law and Public Policy Volume 27 Article 2 Issue 2 Winter 2017 An Expressive Theory of Tax Kitty Richards Follow this and additional works at: https://scholarship.law.cornell.edu/cjlpp Part of the Tax Law Commons Recommended Citation Richards, Kitty (2017) "An Expressive Theory of Tax," Cornell Journal of Law and Public Policy: Vol. 27 : Iss. 2 , Article 2. Available at: https://scholarship.law.cornell.edu/cjlpp/vol27/iss2/2 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Journal of Law and Public Policy by an authorized editor of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. AN EXPRESSIVE THEORY OF TAX Kitty Richards* The tax code is full of ineffective, inefficient, inequitable, or other- wise problematic provisions that make little sense when evaluated through the lens of traditional tax policy analysis, yet remain popular with citizens and legislators alike. The tax literature is equally full of carefully-researched, technically precise, and theoretically sound pro- posals for reform that nonetheless fail to get traction in the public de- bate. Why? What tax scholarship is missing is the importance of social mean- ing: what do our tax laws say about our society's values, and how is taxation being used to construct cultural ideals in contested spaces? This Article applies expressive theory, well developed in the crimi- nal and constitutional law literature, to a series of tax policy puzzles, demonstratinghow attention to social meaning can help to explain other- wise inexplicable behavior by legislators and policymakers, and can al- low scholars to engage more productively in the policy process. -
R089-10A.Pdf
ADOPTED REGULATION OF THE STATE BOARD OF HEALTH LCB File No. R089-10 Effective October 15, 2010 EXPLANATION – Matter in italics is new; matter in brackets [omitted material] is material to be omitted. AUTHORITY: §§1-3, NRS 441A.120. A REGULATION relating to communicable diseases; revising provisions governing the testing for communicable diseases of certain persons employed by or seeking employment with a licensed house of prostitution; revising provisions requiring the wearing and use of a prophylactic by certain employees and patrons of a licensed house of prostitution; and providing other matters properly relating thereto. Section 1. Chapter 441A of NAC is hereby amended by adding thereto a new section to read as follows: As used in this section and NAC 441A.800 to 441A.815, inclusive, “sex worker” means a prostitute who is employed by or has a contract to work in a licensed house of prostitution. Sec. 2. NAC 441A.800 is hereby amended to read as follows: 441A.800 1. A person seeking employment as a [prostitute in a licensed house of prostitution] sex worker shall submit to the State [Hygienic] Public Health Laboratory [in the Division] or a medical laboratory licensed pursuant to chapter 652 of NRS and certified by the [Health Care Financing Administration] Centers for Medicare and Medicaid Services of the United States Department of Health and Human Services: (a) A sample of blood for a test to confirm the presence or absence of human immunodeficiency virus infection (HIV) and syphilis . [; and] --1-- Adopted Regulation R089-10 (b) [A] If the person is female and has a uterine cervix, a cervical specimen for a test to confirm the presence or absence of gonorrhea and Chlamydia trachomatis by culture or antigen detection or [DNA probe.] nucleic acid testing. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Coyote Publishing, Inc. V. Miller: Blurring the Standards of Commercial and Noncommercial Speech Nicole E
Golden Gate University Law Review Volume 42 Article 9 Issue 1 Ninth Circuit Survey January 2012 Coyote Publishing, Inc. v. Miller: Blurring the Standards of Commercial and Noncommercial Speech Nicole E. Wolfe Follow this and additional works at: http://digitalcommons.law.ggu.edu/ggulrev Part of the Commercial Law Commons, and the Constitutional Law Commons Recommended Citation Nicole E. Wolfe, Coyote Publishing, Inc. v. Miller: Blurring the Standards of Commercial and Noncommercial Speech, 42 Golden Gate U. L. Rev. (2012). http://digitalcommons.law.ggu.edu/ggulrev/vol42/iss1/9 This Note is brought to you for free and open access by the Academic Journals at GGU Law Digital Commons. It has been accepted for inclusion in Golden Gate University Law Review by an authorized administrator of GGU Law Digital Commons. For more information, please contact [email protected]. Wolfe: Coyote Publishing, Inc. v. Miller NOTE COYOTE PUBLISHING, INC. v. MILLER: BLURRING THE STANDARDS OF COMMERCIAL AND NONCOMMERCIAL SPEECH NICOLE E. WOLFE* It is not easy to describe the present position of legal opinion on advertising and free speech. Only a poet can capture the essence of chaos.1 INTRODUCTION Prostitution is regarded as one of the world’s oldest professions.2 While the sale of sexual services has been in existence for centuries, practically every state in the United States has enacted laws that fully prohibit it.3 The underlying purposes for creating such laws include * J.D. Candidate, May 2012, Golden Gate University School of Law, San Francisco, California; B.A. Political Science and Law, Societies and Justice, University of Washington, Seattle, Washington. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Read Book Beautiful Thing Ebook Free Download
BEAUTIFUL THING PDF, EPUB, EBOOK Jonathan Harvey | 96 pages | 07 Jan 2003 | Bloomsbury Publishing PLC | 9780413710307 | English | London, United Kingdom Beautiful Thing PDF Book Australian promotional poster for the film. Edit page. Company Credits. The next morning, Ste panics and leaves before Jamie awakens, avoiding him for days. Jamie is a shy teenager, often bullied at school. Looking for a movie the entire family can enjoy? Parents Guide. Edit page. As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Genres: Documentary. John Altman. The film was originally intended for television broadcast only, but it was so well-received that it was subsequently released in cinemas. Jayson Beth Goddard Favorite Documentary. Get some streaming picks. Added to Watchlist. Jamie Gangel. The Times. A screen adaptation of the play was released in by Channel 4 Films , [1] with a revised screenplay also by Harvey. Rate This. Their relationship develops as they visit a gay pub together. The party ends badly, with Sandra taking vengeance on Leah for gossiping. Country: USA. The plot is set against sub-texts of Sandra's desire to manage her own pub, and thus escape the estate, and of her new relationship with her hippy boyfriend Tony; and of Leah, the Visit our What to Watch page. Struggles, hope, mistakes, redemption, setbacks, courage, kindness Please help improve this article by adding citations to reliable sources. Lowman Pauling, Ralph Bass. Self - Narrator Arshay Cooper Photo Gallery. In the absence of a third bed, Ste has to make do with sleeping 'top-to-toe' with Jamie. -
At What • Price?
• at what • price? Strike nears end? The Dalhousie Faculty Association reached a tentative agreement with the University's administration on Tuesday. >News pg 3 Beloved basket a I nter & Ron coach cut win appeal > Sports pg 12 Anna Hunter jumped up and cheered when she found out her and slate-mate Dave Ron were reinstated to the DSU presidential race on Thursday. N > ews pg 4 TroubleSum FourSum Sum41 's favourite pastime: snatching all hotel furniture from their guitar tech's and recreating replicas of his room in the hotel lobby (down to the last article of clothing). No piece of furniture is spared. >Arts pg 11 Editorial elections lor TION 2002/2003 Dal Gazette. Student Night Monday TOONIE Wednesdavs! cJ3er April 1st. 5221 Sackville at the corner of Argyle ~25-7673 Rll'avet CUTS eHGIU5iVe Wilh SUSAlJOtJ"f Dalhousie Student Hook any Husabout Consecutive Pass of at least 1month duration or a Union FleHipass of ab least 15 days in 2montihs + tiiiHusabouti London link between Loooon and Paris aoo geb af@IMmrtt11%1tWW41Mii • TWO NtGHTS AT ST. CHRISTOPHER'S INN • BIG BUS PASS • ONE. EVENING MEAL • DAILY BAGGED BREAKFAST • FREt. HOT TJB AND SAUNA USE >! Must; be boohed betirneen March 15 - Mag 91/02 ~ 0 ~ ::1RAVELCUIS Canada's student travel exoerts! WEDNESDAY NIGHTS OPEN MIC NIGHT 100 PRJZE EVER_Y WEEK THORSDAYS ARE The DSU would like to remind everyone that when the strike is over the DSU elections will continue with a shortened campaigning period and 3 days of voting. ENTER TO WIN! c.,.,., to t h< Grawood Lounge and fill out your ballot to WIN TICKETS TO THE SHOWI Tired of doing your taxes? Do them quickly ana easily online with QuickTaxWeb. -
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Chapter 1 Politics and Theatre
Notes Chapter 1 Politics and Theatre 1 Shellard (1999: 12-13) discusses censorship of works by Unity Theatre, a socia list theatre company based in London, during the 1950s. 2 For further information about the theatre companies of the 1970s, see Dreams and Deconstructions: Alternative Theater in Britain, ed. Sandy Craig (Ambergate: Amber Lane Press, 1980) and Stages in the Revolution: Political Theatre since 1960, Catherine Itzin (London: Eyre Methuen, 1980). 3 Rees (1992) quotes John Ashford, the first editor of Time Out, as saying he introduced the term in the late1960s, borrowing the term that had come to categorize the non-invited performances at the Edinburgh Festival. 4 Eyre and Wright state, 'Arts Council funding for alternative theatres in 1969/ 1970 came to £15,000; ten years later, funding from the Drama Panel alone amounted to £1.5 million' (284). 5 Recent surveys have shown clear trends towards political disengagement and falling confidence in the efficacy of the political system. A well-known and accessible source of survey information is the yearly report British Social Attitudes, published in London by Sage Publications and the National Centre for Social Research. The 18th Report, edited by Alison Park eta/. and published in 2001, included the information that 63% of respondents in 2000 thought the system of government needed improvement, compared to 49% in 1973. At the same time, 26% (compared with 19% in 1974) felt that parties 'are only interested in votes' rather than in the opinions and needs of constituents, and 19% (compared to 11 'Yo in 1991) felt that 'things go on the same' regardless of which party is in power. -
The State of Sex: Tourism, Sex and Sin in the New American Heartland
THE STATE OF SEX The State of Sex is a study of Nevada’s legal brothels that situates the nation’s only legal brothel industry in the political economy of con- temporary tourism. Nevada is part of the “new American heartland,” as its pastimes, people, and politics have become more central to the nation. The rise of a service and leisure economy over the past 60 years has propelled sexuality into the heart of contemporary markets. Yet, neoliberal laws in the United States promote business but limit sexual commerce. How have Nevada’s legal brothels survived, while the rest of the country criminalizes prostitution? How do the brothels operate? Who works in them? This book brings social theory on globalizing econ- omies, politics, leisure consumption, and emotional labor in interactive service work together with research on contemporary prostitution and sexual commerce. The authors employ an innovative, multi-method sociological approach, combining historical analysis of how the brothels came to be with over a decade’s worth of ethnographic research on the current state of the industry. Barbara G. Brents, Ph.D., is Associate Professor of Sociology and Faculty Affiliate in Women’s Studies at the University of Nevada, Las Vegas. Crystal A. Jackson, M.A., is a Ph.D. student in the Department of Sociology at the University of Nevada, Las Vegas. Kathryn Hausbeck, Ph.D., is Senior Associate Dean of the Graduate College and Associate Professor in Sociology at the University of Nevada, Las Vegas. Edited by Valerie Jenness, University of California–Irvine and Jodi O’Brien, Seattle University This innovative series is for all readers interested in books that provide frameworks for making sense of the complexities of contemporary social life. -
Well Made Play'
The persistence of the 'well made play' Book or Report Section Accepted Version Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408 Available at http://centaur.reading.ac.uk/31307/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Wissenschaftlicher Verlag Trier All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online GRAHAM SAUNDERS The Persistence of the ‘Well-Made Play’ in British Theatre of the 1990s The story of the well-made play in twentieth-century British theatre is one of dominance and decline, followed by an ongoing resistance to prevailing trends. In this article, I hope to argue that during the early 1990s the well- made play enjoyed a brief flourishing and momentary return (literally) to centre stage before it was superseded again - in much the same way that the likes of Terence Rattigan and Noël Coward were swept away by the Angry Young Men of the Royal Court during the 1950s. However, between 1991- 1994 I contend that the well-made play re-established itself, not only as a West End entertainment, but one which came of age in terms of formal experimentation and the introduction of political commentary into a genre which had always been perceived as conservative in both form and ideology. -
Representing the Crisis' in Masculinity: British and North American Male Playwrights, 1990-2005
Representing the Crisis' in Masculinity: British and North American Male Playwrights, 1990-2005 Kathryn Ann Whittaker, BA (Hons), MA This thesis is submitted for the degree of Doctor of Philosophy September 2009 ProQuest Number: 11003508 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003508 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Copyright © 2009 by Kathryn A. Whittaker All rights reserved Contents Abstract v Acknowledgements vii Introduction The 'crisis' in masculinity 1 Hegemonic masculinity 9 Theorising masculinities on stage 11 Constructions of the 'crisis' 17 The 'backlash' 26 Reflections on the discourse 30 Men and masculinities in cultural representation 33 Methodology 49 Overview of chapters 51 Chapter One Fighting for the Phallus: Straight White Masculinity and Fear of the Feminine in Patrick Marber's Closer and Neil LaBute's The Shape of Things Introduction to the plays and critical responses 60 British context and play writing tropes 68 US context and play writing tropes