Phoebe Vigor Actor

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Phoebe Vigor Actor Agents Helen Robinson Assistant [email protected] Polly Dixon-Green +44 (0) 20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company WHEN THE BIRDS COME Margret Alexander Lass Edinburgh Fringe Festival 2019 THE UGLY DUCKLING Sidney Ruby Thompson Hull Truck Theatre RUPERT STREET LONELY Clarine Steven Dexter Above the Stag Theatre HEARTS CLUB BEAUTIFUL THING JONATHAN Leah Steven Dexter Above the Stage Theatre HARVEY WIND BIT BITTER BIT BIT BIT Mary Sami Ibrahim The Vaults HER MOTHER COURAGE AND HER Kattrin Hannah Chissick Tarento Productions | CHILDREN Southwark Playhouse JANE EYRE U/S Jane Eyre Sally Cookson National Theatre | Bristol Old Vic FORCE OF TRUMP Swing Sami Ibrahim Neuron INDIGNANT Old Woman William Loftie Chelsea College of Art FRAGMENTS Scientist Ria Parry | Tom The North Wall Theatre Hoggarth United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company HENRY V Princess Mark Bulloch SLT Katherine ENVELOPED IN VELVET Sarah Piers Black Hawkins Ransack Theatre Company THAT FACE Martha Amy O'Toole | Thea The University of Paulett Manchester A MIDSUMMER NIGHT'S Helena Tony Simotes Shakespeare and DREAM Company THEY'LL BE HOME BY Joker Carran Waterfield Triangle Theatre CHRISTMAS TWELFTH NIGHT Viola Toby Hulse BOVTS AFTER THE END Louise Sophie Ellerby The University of Manchester ONCE A CATHOLIC Mary Mooney Harriet Wright | The University of Ruby Thompson Manchester TITUS ANDRONICUS Titus Adronicus Phil Shepherd RADA Youth CARMEN Children's ENO Chorus KHOVANSHCHINA Children's ENO Chorus THE PIED PIPER Billy Keith Elliott BAC PICK UP (Rehearsed Reading) Electra Lowell Belfield Footlights SAFE (Rehearsed Reading) Rubita Kay Michael Soho Theatre Film Production Character Director Company IN CASE OF EMERGENCY (Short) Voice Sami Ibrahim Neuron Hub ILKLEY Verity Harry Michell Aimiage Production Company DIM RESOLVE (Short) Girlfriend Chris Jackson Sister Productions RICHARD E GRANT'S SEVEN Lust Graham Smith Back2Back Productions DEADLY SINS THE TARGET Brittany Rajesh Rajilal People Productions Other Production Character Director Company POST COITAL Juliet Lowell Walker Web Series United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company SOMETHING MORE Clown Simon Amstell Music Video BREATHE Stephanie Franks Andy Wilson Web Series United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

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FINISHING the PICTURE by Arthur Miller
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused.
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WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour).
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Phillip Aiden Philip Stewart
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SUMMER 2018 // INSIGHT // 03 Texts to This Number Are Charged at Your Standard Network Rate
FOLLOW US ON TWITTER: @Insight_NR SUMMERInsight 2018 WIN! AN iPAD MINI Just the tonic First distillery delivers for Manchester IN THE SPOTLIGHT CHAIN REACTION Curtain up Bike charity on new for refugees LGBT+ theatre moves up complex a gear NR_Summer_p01.indd 1 03/07/2018 15:02 OUT& ABOUT NEWS WITH LET’S INSIGHT GET EDITOR SOCIAL CHRISTINA SALZANO Welcome to the Summer issue of Insight. This edition is packed with lots of fantastic venues that I’m sure will leave you shouting ‘encore’. Some of the many food and drinks businesses in our arches have been making hay during World Cup fever with promotions and big screen events but there TUNNEL OF LOVE are plenty of great venues that can’t be beat for entertainment all year round. A great example is Manchester, where we travelled to for the Tour this issue. From bowling alleys and a baseball bar to the chance to create your own gin – ▲ A series of colourful hearts floating in space have been Jimmy C said he was delighted that people were engaging there really is something to keep everyone amused. painted inside a Southwark railway arch in memory of with the mural, which he hoped conveyed the message, “that We chat to Jay Cahill, a para-Jiu-Jitsu gold medallist, those who died in the 2017 London Bridge terror attack. love is the force that will always come through”. co-founder of Base Mcr and owner of a martial arts Street artist Jimmy Cochran, aka Jimmy C, transformed the It’s not the first time Jimmy C has worked with Network and fitness centre.
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Publicover, L., & Preedy, C
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Explore Bristol Research Publicover, L., & Preedy, C. (2015). Introduction: Space on the Early Modern Stage. Cahiers Élisabéthains, 88(1), 7-17. DOI: 10.7227/CE.88.1.1 Peer reviewed version Link to published version (if available): 10.7227/CE.88.1.1 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Sage at 10.7227/CE.88.1.1. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/pure/about/ebr-terms.html Introduction: Space on the Early Modern Stage Chloe PREEDY and Laurence PUBLICOVER Since the early twentieth century, research into the practical conditions of performance has been a consistently prominent and influential presence in early modern scholarship. With the discovery of the Rose Theatre’s architectural foundations in 1989, and the widely promoted opening of Shakespeare’s Globe in 1997, popular and academic interest escalated further. From the late 1980s, a significant volume of criticism has been published that addresses the physical layout, audience composition, and geographical placement of the sixteenth- and seventeenth- century English playhouses.1 Yet despite, or perhaps because of, such intense interest, the study of spatial representation in the early modern theatres has been a rather disparate affair.
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GO BANG YOUR TAMBOURINE by Philip King
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES August-October 2019 Season The London premiere GO BANG YOUR TAMBOURINE by Philip King. Directed by Tricia Thorns. Designed by Alex Marker. Costume Design by Eleanor Tipler. Sound Design by Dominic Bilkey. Presented by Two’s Company and Karl Sydow, in association with Tilly Films and Neil McPherson for the Finborough Theatre. Cast: Mia Austen. Sebastian Calver. John Sackville. Patience Tomlinson. “There’s a devil inside you egging you on to put a stop to his happiness – and that’s why you’d want me to come away with you, isn’t it?” The London premiere of Philip King’s 1970 play Go Bang Your Tambourine opens at the Finborough Theatre for a four week limited season on Tuesday, 6 August 2019 (Press Nights: Thursday, 8 August 2019 and Friday, 9 August 2019 at 7.30pm). Young David Armstrong misses his mother. Following her death, he now lives alone in their North Country house, a devoted member of the Salvation Army. But tongues start to wag when David advertises for a lodger, and good-hearted, attractive Bess, a local barmaid, moves in. But when David’s estranged Casanova of a father decides to move back in, uninvited and unwanted, the impossible situation quickly comes to a head… Seen in London for the first time, Philip King’s touching domestic family drama is a new insight into the work of a classic British playwright. Playwright Philip King (1904-1979) was born in Yorkshire. Known as both playwright and actor, he is best known as the author of the classic 1944 farce See How They Run.
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Scriptie 4.Indd
Eindhoven University of Technology MASTER Contemporary forum a desire for niche culture de Visser, K.T. Award date: 2016 Link to publication Disclaimer This document contains a student thesis (bachelor's or master's), as authored by a student at Eindhoven University of Technology. Student theses are made available in the TU/e repository upon obtaining the required degree. The grade received is not published on the document as presented in the repository. The required complexity or quality of research of student theses may vary by program, and the required minimum study period may vary in duration. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain CONTEMPORARY FORUM A DESIRE FOR NICHE CULTURE TheThe LondonLondon UUndergroundnderground asas a wayway ofof representingrepresenting ffringeringe ccultureulture ttoo societysociety K.T.KK.TT. dede VisserViV sssserer CONTEMPORARY FORUM A DESIRE FOR NICHE CULTURE Graduation Committee: Prof. ir. J.D. Bekkering Ir. J.J.P.M. van Hoof Ir. M.P. Hemel MArch RA Graduation Studio: “Contemporary Cultural Forum” October 2015 - January 2016 Master Architecture, Building & Planning University of Technology Eindhoven Department of the Built Environment De Groene Loper 6 5612 AZ Eindhoven Author: K.T.
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