GO BANG YOUR TAMBOURINE by Philip King
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MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
FINISHING the PICTURE by Arthur Miller
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
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Sarah Esdaile Director
Sarah Esdaile Director Sarah graduated in English and Drama from Goldsmiths College in 1991. Whilst at London University and subsequently, she worked with many producers and theatres including Bill Kenwright, Robert Fox and Theatre Royal Brighton. In 1996 she was one of twelve invited on the first Directors’ Course run by the National Theatre Studio. She was previously Associate Director at the West Yorkshire Playhouse. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes CALL THE MIDWIFE 11 BBC 1 / Neal Street Productions 1 episode 2021 Television Production Company Notes EASTENDERS BBC Continuing Drama 20 episodes and strands in a 16-episode silo 2019 - 2021 block United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes ABIGAIL’S PARTY ATG UK tour by Mike Leigh; starring Jodie Prenger 2019 DESIGN FOR LIVING LAMDA by Noel Coward 2018 SCRATCH NIGHT & FERTILITY Bush Theatre As part of Fertility Fest 2018 FIGHT CLUB TALK 2018 DANCING AT LUGHNASA BADA 2018 LAMDA SHOWCASE Trafalgar Studios 2018 THE SPOTLIGHT PRIZE The Under Globe Director 2017 ABIGAIL'S PARTY by Mike Leigh Theatre Royal Bath Tour 2017 Productions WALKING ON EGG SHELLS by as part of Fertility Fest Curated by Jessica Hepburn at Amy Rosenthal Birmingham Repertory Theatre and 2016 Park Theatre - May/June 2016 FIVE WOMEN WEARING THE LAMDA Linbury Studio SAME DRESS by Alan Ball 2016 TESTING THE ECHO by David Show curated by Director of David Edgar piece with Edgar Emma Manton Juliet Stevenson & Zubin Varla for 2016 MOVING STORIES Charity event at the National Theatre 14th Feb 2016 fundraiser for the United Nations Refugee Agency THE BFG adapted by David Octagon Theatre. -
A SUBJECT of SCANDAL and CONCERN by John Osborne
Press Information VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Summer Season – May to August 2016 The London Premiere A SUBJECT OF SCANDAL AND CONCERN by John Osborne. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Simon Gethin Thomas. Music by Piers Sherwood Roberts. Choreography by Ste Clough. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Ralph Birtwell. Doron Davidson. Edmund Digby-Jones. Caroline Moroney. Jamie Muscato. Richard Shanks. “I have injured no man’s reputation, taken no man’s property, attacked no man’s person, violated no oath, taught no immorality. I was asked a question and answered it openly.” In a production commissioned by the Finborough Theatre, the London premiere – and the first production in over 40 years – of John Osborne's A Subject Of Scandal And Concern will run at the Finborough Theatre, playing nine Sunday and Monday evenings and Tuesday matinees from Sunday, 22 May 2016 (Press Night: Monday, 23 M ay 2016 at 7.30pm) Cheltenham, 1842. George Jacob Holyoake is a poor young teacher, making his way from Birmingham to Bristol to visit a friend who has been imprisoned for publishing a journal that criticises the establishment. When he makes a stop in Cheltenham to address a lecture, his words and his overwhelming commitment to speaking the truth will change his life forever. Arrested and tried for blasphemy, and separated from his starving wife and child, Holyoake is faced with the choice of conforming to the establishment or staying true to his beliefs during in a time of injustice and intolerance. -
Two's Company Presents
Two’s Company presents TRICIA THORNS (Director) FORGOTTEN VOICES FROM THE GREAT WAR Started her career in the West End as part of John Neville’s company at Forgotten Voices from the Great War – the Fortune, after a Classics BA from Nottingham University. The project started as a protest against the US/UK invasion of Iraq in As Director: Red Night (Finborough), What The Women Did (Southwark 2003. Two’s Company mounted a production of Miles Malleson’s Black Playhouse), Forgotten Voices from the Great War (Pleasance), Black ‘Ell ‘Ell at the Soho Theatre. The play shows a young officer, returning from (Soho Theatre), Twelfth Night (Dulwich Picture Gallery), Peer Gynt the front, decorated for bravery, but traumatised by his experience and MY REAL WAR 1914 - ? (Alleyn’s Theatre), Passion Play 2000, The Mysteries, The Knack, refusing to go back. We felt that this cry of pain and rage written in 1916 Dulwich Cavalcade and several plays for children which she also wrote. expressed better than anything the folly of starting another war. As Actress, Theatre includes: End of Story (Chelsea Theatre), Harry Adapted from “War Letters” by Havilland Le Mesurier We had discovered Black ‘Ell in the course of a search for plays about and Me (Warehouse), Façade (Dingley and Dulwich Festivals) A Kind of by Tricia Thorns the First World War which were written during the War or soon Alaska (Edinburgh, tour and USA), Time’s Up (Windsor), The Libertine / afterwards. At the time, the only one any of us knew was Journey’s End. Man of Mode (Royal Court & Out of Joint tour), Betrayal (BAC and tour), We were amazed to find not only plays about soldiers but also about Run For Your Wife (West End) and leading roles in theatres in Salisbury, those left at home; German, Russian and American plays; plays by 2nd Lieutenant Havilland Le Mesurier (LEM) is played by Ipswich, Edinburgh, Liverpool, Guildford, Derby and many more. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour). -
Michael Baxter Musical Director CV Copy
Michael Baxter MUSICAL DIRECTOR Michael trained at Guildford School of Acting and has worked extensively as an actor, singer and musical director. He is also an experienced singing tutor, having previously held teaching positions at Sylvia Young Theatre School, Guildford School of Acting, W1Workshops and the Urdang Academy. Michael is currently the Resident Musical Director for Headliners Theatre Company, where he has worked on over 50 theatre productions, including Astonishing, directed by Stephen Mulhern and Jonathan Wilkes, Money Makes the World Go Round, conceived by Ruthie Henshall, and the Oliver Award-winning musical, Top Hat. CREDITS Musical Director Guys and Dolls New Wimbledon Theatre Musical Director Thoroughly Modern Mille Urdang Academy Chorus Master David Phelps: Live in London IndigO2 at The O2 Arena Musical Director Smash: The UK Launch Party Soho Theatre Musical Director Sleeping with Straight Men Above the Stag Theatre Musical Director Jon Robyns: How Did I Get Here? Leicester Square Theatre Musical Director Direct from the West End Theatre Royal, Windsor Musical Director The Ladies That Lunch The English Theater of Bruges Musical Director Barry Manilow’s Copacabana University of Westminster Musical Director West End: In Session Three Card Cabaret Musical Director The Falsetto and The Fingers King’s Head Theatre / Edinburgh Festival Musical Director Hot Mikado Guildford School of Acting Assistant Musical Director Jack and the Beanstalk Yvonne Arnaud Theatre, Guildford Musical Director Sondheim Revue Guildford School of Acting SELECTED PERFORMANCE EXPERIENCE Swing Les Misérables UK & International Tour th Ensemble Les Misérables: The 25 Anniversary The O2 Arena Annas Jesus Christ Superstar Ljubljana Festival Featured Ensemble Wonderful Town The Barbican Centre L.A. -
Phillip Aiden Philip Stewart
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Phillip Aiden Philip Stewart Location: Greater London Eye Colour: Green Height: 6'2" (187 cm) Hair Colour: Dark Brown Playing Age: 36 - 50 Hair Length: Short Voice Character: Engaging Voice Quality: Deep Musical Musical, Ensemble, BILLY ELLIOT, UK Tour, Stephen Daldry Musical, Swing, CHICAGO, Cambridge Theatre, London, Walter Bobbie/Ann Reinking Musical, Ensemble u/s Maxwell, Dr Meyer, BEAUTIFUL AND DAMNED, Lyric Theatre, London, Craig Revel Horwood Musical, Sgt Fogarty/ Ensemble, CHICAGO, Larnaca Festival, Greece, Mitch Sebastian Musical, Ensemble u/s Beast, BEAUTY AND THE BEAST, RSC Stratford upon Avon, Laurence Boswell/Stuart Hopps Musical, Aaron/ Ensemble, CHICAGO, UK Tour/ Asia, Scott Faris/ Gary Chryst Musical, Prince of Transylvania/Ensemble, MY FAIR LADY, Royal National Theatre and Drury Lane, Trevor Nunn/ Matthew Bourne Musical, Ensemble, MACK AND MABEL, Piccadilly Theatre,London, Paul Kerryson/ Michael Smuin Musical, Feat. Sailor/Ensemble, ANYTHING GOES, Grange Park Opera, David Pountney/Craig Revel Horwood Musical, Ensemble, FOLLIES, Haymarket Theatre, Leicester, Paul Kerryson Musical, Ensemble, CALAMITY JANE, Haymarket Theatre, Leicester, Paul Kerryson/David Needham Musical, Ensemble, ALWAYS, Victoria Palace Theatre, London, Frank Hauser/Thommie Walsh Musical, Ensemble, EVITA, Spektrum Theatre, Oslo, Ken Urmston Musical, Ensemble, ME AND MY GIRL, UK Tour, Mike Ockrent/Gillian Gregory Musical, Singer/ Dancer, -
Production Credits Oct 19
Name date venue company role type A Real Princess December 2003 The Blue Elephant Stonecrabs Composer Children's Sotoba Komachi and the Damask Drum Mar - Dec 04 Greenwich Picture Playhouse Stonecrabs Composer International theatre The Brockley Jack. New End A Servant of Two Masters November 2004 Theatre Stonecrabs Composer Theatre Miss Julie February 2005 Greenwich Picture Playhouse Stonecrabs Composer Theatre Runners - the return August 2005 Edinburgh Festival - Underbelly Merco Productions Composer Theatre Josephine the singer April 2005 The Diorama Stonecrabs Composer Caberet/Performance Waltz no. 6 June 2005 Greenwich Picture Playhouse Stonecrabs Composer International Theatre Our Lady of the Drowned June 2006 Southwark Playhouse Stonecrabs Composer International Theatre Composer/Sound Basic April 2007 Hackney Empire studio Stonecrabs designer New Writing Composer/Sound Charity wars September 2007 The Pleasance Stonecrabs designer International Theatre Composer/Sound Dogs Sep - Oct 07 Oval House / UK tour Yellow Earth designer Theatre The Story of the Eye June 2008 Central St Martins Degree show Sound design Degree show Name date venue company role type Stonecrabs Young 00:13:00 March 2009 The Albany Directors Showcase Composer New Writing Vivid Dreams Composer/Sound The Doorbells of Florence May 2009 The Rosemary Branch theatre productions designer New Writing Hanjo and Hellscreen double Composer/Sound bill June 2009 Oval House Stonecrabs designer International Theatre Churchill Bromley, Hampstead Ambassador Composer/Sound Heartbreak -
Cultural Infrastructure List in Lambeth 2020
Cultural Infrastructure List in Lambeth March 2020 Contents Introduction ......................................................................................................................... 4 Purposes of the document ................................................................................................. 4 Structure of the Paper ....................................................................................................... 4 Methodology ...................................................................................................................... 4 Policy Context ..................................................................................................................... 6 Draft London Plan Intend to Publish Version December 2019 ........................................... 6 Draft Revised Lambeth Local Plan – Proposed Submission Version January 2020 ........... 7 Leisure, recreation, arts and cultural facilities in Lambeth .............................................. 8 Table 1 – Archives and libraries in Lambeth .................................................................... 10 Map 1 – Archives and libraries in Lambeth ...................................................................... 12 Table 2 – Art centres in Lambeth ..................................................................................... 13 Map 2 – Art Centres in Lambeth ...................................................................................... 15 Table 3 – Art galleries and museums (including commercial/ private