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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
Radio 4 Extra Listings for 5 – 11 March 2016 Page 1 of 10 SATURDAY 05 MARCH 2016 Appeared in the Same Scientific Journal
Radio 4 Extra Listings for 5 – 11 March 2016 Page 1 of 10 SATURDAY 05 MARCH 2016 appeared in the same scientific journal. Each had independently SAT 04:00 Wildbrain (b0729kh8) "rediscovered" the rules of inheritance that Gregor Mendel had 1997 - Heat 4 SAT 00:00 Charles Chilton - Journey into Space (b007jmt2) found four decades earlier in his solitary investigations of pea Lionel Kelleway visits Derbyshire, to test three contestants' Operation Luna plants. wildlife knowledge in the BBC Natural History Unit's quiz. 5. The First of Many Kathy Willis reassesses Mendel's famous pea experiments in the SAT 04:30 No Commitments (b007jp1m) The stalled rocket ship prevents Captain Jet Morgan and his light of his attempts to uncover what happens over several Series 8 crew from returning to Earth. generations when hybrid plants are created. As historian Jim Fresh Starts Written and produced by Charles Chilton. Endersby explains, Mendel's initial results may have stunned Former TV soap star Charlotte finds the path to self-knowledge. Jet Morgan …. Andrew Faulds him and shown what plant breeders might have suspected for Stars Rosemary Leach and Celia Imrie. From January 2002. Lemmy Barnett …. Alfie Bass decades, but science now had mathematical laws to create new SAT 05:00 Dry Slopes (b0729jgv) Doc …. Guy Kingsley-Poynter varieties. Series 2 Mitch …. David Williams Historian Greg Radick sheds light on how Mendelism, in the The Invisible Man Other parts played by David Jacobs years leading up to the First World War, became heavily Nobody seems to pay Angus much attention these days. Music composed and orchestra conducted by Van Phillips. -
31 March 2017 Page 1 of 8
Radio 4 Extra Listings for 25 – 31 March 2017 Page 1 of 8 SATURDAY 25 MARCH 2017 roadside drama, which has him asking questions of Graham SAT 07:30 Yes Yes Yes (b00tcstj) Greene again.. Series 1, The Last Gasp Gold SAT 00:00 Stephen Baxter - Voyage (b007q9ld) Reader Paul Bazely John Rawling relives the 1991 World Athletics Championships 1985-86 Project Ares Producer Duncan Minshull. when Britain©s 400m men©s relay team beat the USA to gold. The first manned Mars mission blasts off on a perilous voyage of SAT 03:00 Charles Dickens - The Personal History of David SAT 08:00 Archive on 4 (b00kmhl4) discovery - both scientific and personal. Stars Laurel Lefkow. Copperfield (b007jmtp) Lynne Truss - Did I Really Ask That? SAT 00:30 Soul Music (b01mw2dj) Good and Bad Angels Lynne Truss shares her personal treasure trove of interviews with Series 14, Bach©s St Matthew Passion David falls in love, and questions his friendship with Steerforth. world famous writers. Bach©s St Matthew Passion was written in 1727 and was probably Stars Miriam Margolyes, Sheila Hancock and Phil Daniels. Between 1980 and 1990, Lynne was a part-time arts journalist, first performed as part of the Good Friday Service at SAT 04:00 The 3rd Degree (b05vx4dx) meeting and interviewing many giants of the theatre, including Thomaskirche in Leipzig. This programme explores ways in Series 5, Aston University Arthur Miller, Tom Stoppard, Simon Gray, Athol Fugard and which Bach©s St Mattew Passion touches and changes people©s A quiz show hosted by Steve Punt where a team of three Anthony Minghella. -
Of Thetheatre Richard Lester’S
VOICE Journal of the Alex Film Society Vol. 12, No. 1 May 6, 2006, 2 pm & 8 pm 05/06 of theTHEATRE Richard Lester’s By Jim Elyea In late 1963, A Hard Day’s Night It was one of those serendipitous pairings of the right was intended by United Artists to be done fast and group, The Beatles, and the right director, Richard cheap to exploit the fame of The Beatles in the British Lester. Lester, an American, had worked in England market in the few months before it faded. The idea for many years, first in television, then in films. In behind making the picture was that even if the movie the six and a half weeks of shooting, Richard Lester didn’t do particularly well, United Artists Records defined forever how the world thought of The Beatles. would be able to make a tidy sum on the deal by No matter what else is written about or shown of those issuing the soundtrack album. This was, of course, four lads from Liverpool, it is the characters that we see before their appearances on “The Ed Sullivan Show” in A Hard Day’s Night that are The Beatles to us all. in February of 1964, when they became literally overnight sensations in America. Walter Shenson A documentary style was settled upon, which involved was talked into producing this quickie comedy. When hand-held cameras for much of the shooting, and Shenson then met with director Richard Lester and the using of available light whenever possible. Lester mentioned the idea of the movie to him, Lester literally constantly grabbed the camera, and shot what he leapt on his chair at the Hilton Coffee Shop and said, wanted to at the moment. -
Radio 4 Extra Listings for 5 – 11 May 2012 Page
Radio 4 Extra Listings for 5 – 11 May 2012 Page 1 of 7 SATURDAY 05 MAY 2012 David Bannerman as Jimmy, Jan Shand as Penny, Susie Baxter but why? as Liz, Anny Tobin as Sheila, Elizabeth Kelly as Emily, David With the Second World War over, former spies Josephine SAT 00:00 Paradise Lost in Cyberspace (b007jpfm) King as Tom and Paul Downing as Paul. Daunt and Susan Dervish are running their own detective Episode 4 Producer: Sue Wilson agency. The Old-Age Paramilitaries have developed a secret weapon to First broadcast on BBC Radio 4 in 1990.'. Stars Imelda Staunton as Josephine Daunt, Anna Massey as destroy the Central Database computer. George Smith is the SAT 05:00 Millport (b0075sxz) Susan Dervish, Bill Patterson as Bill Mackie, Dermot Crowley man to use it. Series 1 as Father Mike Finucan and Carl Prekopp as Tommy. Colin Swash's dystopian comedy set in 22nd-century Britain, The Storm Format by Imelda Staunton and Anna Massey. Written by Guy starring Stephen Moore as George Smith. A pensioner mysteriously disappears from the town of Millport Meredith. George ...... Stephen Moore on the Isle of Cumbrae, off the west coast of Scotland. Producer: Cherry Cookson. Director: Janet Whitaker. Doris ...... Patsy Byrne Bittersweet comedy written by and starring Lynn Ferguson as First broadcast on BBC Radio 4 in 2003. O'Connell ...... Geoffrey McGivern 30-something barmaid Irene Bruce, who hankers after a better SAT 14:00 The Goon Show (b007jtqc) Mrs Cookson ...... Edna Dore life on the mainland. Series 7 Andrea Sunbeam ...... Lorelei King Irene ...... Lynn Ferguson Six Charlies in Search of an Author Dawkins ..... -
Suffer the Little Children
Suffer the little children Introduction Suffer the children For this paper I take this quote from the ASV Bible in a different sense to its real meaning. Obviously the real interpretation of Matthew 19:14 is, ‘Let alone’ or ‘permit’. 1 However, this paper regards the real suffering of children in this corrupt society. This Bible verse is one of many that show Jesus’ concern for young children. In this he is manifesting the concern of God in general for children, hence the Lord’s condemnation in the OT of hurting children. 2 The iniquity of hurting children Since God cares for children and commands his people to be good to their children, it is anathema to hurt children; indeed this is ingrained upon the conscience of every rational person. Thus the practice of abusing children is both irrational and worthy of God’s condemnation to hell fire. Any government that presided over abusing children, or knowingly tolerated this abuse, is insane, ungodly and worthy of condemnation. The great sin of Israel One of the key reasons given in the Old Testament for Israel’s judgment and condemnation was that its idolatry from God to idols caused Israelites to sacrifice their children to Molech. Israel’s apostasy was so great that its rulers ritually killed their own children. Ritual killing of children was an evil practised by idolatrous nations and so God commanded Israel, from the beginning, never to do such a thing. Indeed, God judged the previous nations in Canaan for completing their iniquity and making their judgment certain by sacrificing their children in the fulness of their sin. -
Phil Davis: the Process of Acting
Phil Davis: the process of acting Article Accepted Version Cassidy, G. and Knox, S. (2018) Phil Davis: the process of acting. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 315-332. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018785833 Available at http://centaur.reading.ac.uk/77043/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1177/1749602018785833 Publisher: Sage All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Phil Davis: The Process of Acting Gary Cassidy and Simone Knox Abstract: British actor Phil Davis has had a long and distinguished career across film, television and theatre. He has received widespread acclaim for his ‘invisible’ acting and ‘unshowy’ performances. This article provides insights into Davis’ approach to and view on the process of acting via a transcribed interview that was conducted as the closing keynote of the ‘Acting on Television: Analytical Methods and Approaches’ symposium hosted at the University of Reading on the 8 April 2016. This material is framed by a contextualising introduction that provides an overview of Davis’ work and proposes that John Flaus’ (1992) concept of lamprotes is useful for understanding Davis’ acting. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Daniels__Oldfield__Deborah TF
TRABAJO DE FIN DE MÁSTER EN ESTUDIOS LITERARIOS Y CULTURALES INGLESES Y SU PROYECCIÓN SOCIAL FROM EAST CHEAM TO CHINGFORD VIA PECKHAM: BRITAIN’S JOURNEY FROM THE 1950s TO THE PRESENT DAY, AS SEEN THROUGH HER SITCOMS. DEBORAH DANIELS OLDFIELD TUTORA: DRA. MARÍA LUZ ARROYO VÁZQUEZ FACULTAD DE FILOLOGÍA UNED CONVOCATORIA JUNIO – CURSO ACADÉMICO 2020-21 Trabajo de Fin de Máster en Estudios Literarios y Culturales Ingleses y Su Projección Social Título del Trabajo: From East Cheam To Chingford Via Peckham: Britain’s Journey From the 1950s To the Present Day, As Seen Through Her Sitcoms. Autora: Deborah Daniels Oldfield Tutora: Dra. María Luz Arroyo Vázquez Facultad de Filología UNED Convocatoria: Junio – Curso Académico 2020-21 1 TABLE OF CONTENTS Table of Contents………………………………………………………………………...…2 List of Television Sitcoms Featured………………………………………………………...3 1. Introduction………………………………………………………………………………6 2. Post-war Britain Gives Birth To the Television Sitcom.…………………..…………..12 2.1. Britain in the 1950s – Rebuilding the Nation……………………………………...12 2.2. Television Sitcoms in the 1950s – Class, Conscripts and Competition..………….15 3. The Swinging Sixties and the Striking Seventies Herald the “Golden Age” of the Sitcom…………………………………………………………………………………..21 3.1. Britain in the 1960s – They’d Never Had It So Good……..……………………... 21 3.2. Television Sitcoms in the 1960s – Clergy, Chaos and “Coons”….……....……….26 3.3. Britain in the 1970s – The Nation Crumbles…………………………...………….35 3.4. Television Sitcoms in the 1970s – Insults, Intolerance, and Ire……..…...………..41 4. The Exciting Eighties and Notorious Nineties Initiate the Age of Sitcom “Girl Power”…………………………………………………………………………….53 4.1. Britain in the 1980s – The Ladies Step Forward……………………....…………..53 4.2. Television Sitcoms in the 1980s – Wartime Witticisms, Wheeler-Dealers, and Women…………………………………………………………………………….59 4.3. -
1 “I Grew up Loving Cars and the Southern California Car Culture. My Dad Was a Parts Manager at a Chevrolet Dealership, So V
“I grew up loving cars and the Southern California car culture. My dad was a parts manager at a Chevrolet dealership, so ‘Cars’ was very personal to me — the characters, the small town, their love and support for each other and their way of life. I couldn’t stop thinking about them. I wanted to take another road trip to new places around the world, and I thought a way into that world could be another passion of mine, the spy movie genre. I just couldn’t shake that idea of marrying the two distinctly different worlds of Radiator Springs and international intrigue. And here we are.” — John Lasseter, Director ABOUT THE PRODUCTION Pixar Animation Studios and Walt Disney Studios are off to the races in “Cars 2” as star racecar Lightning McQueen (voice of Owen Wilson) and his best friend, the incomparable tow truck Mater (voice of Larry the Cable Guy), jump-start a new adventure to exotic new lands stretching across the globe. The duo are joined by a hometown pit crew from Radiator Springs when they head overseas to support Lightning as he competes in the first-ever World Grand Prix, a race created to determine the world’s fastest car. But the road to the finish line is filled with plenty of potholes, detours and bombshells when Mater is mistakenly ensnared in an intriguing escapade of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and “towing” the line in a top-secret mission orchestrated by master British spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer).