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Intimations Surnames
Intimations Extracted from the Watt Library index of family history notices as published in Inverclyde newspapers between 1800 and 1918. Surnames H-K This index is provided to researchers as a reference resource to aid the searching of these historic publications which can be consulted on microfiche, preferably by prior appointment, at the Watt Library, 9 Union Street, Greenock. Records are indexed by type: birth, death and marriage, then by surname, year in chronological order. Marriage records are listed by the surnames (in alphabetical order), of the spouses and the year. The copyright in this index is owned by Inverclyde Libraries, Museums and Archives to whom application should be made if you wish to use the index for any commercial purpose. It is made available for non- commercial use under the Creative Commons Attribution-Noncommercial-ShareAlike International License (CC BY-NC-SA 4.0 License). This document is also available in Open Document Format. Surnames H-K Record Surname When First Name Entry Type Marriage HAASE / LEGRING 1858 Frederick Auguste Haase, chief steward SS Bremen, to Ottile Wilhelmina Louise Amelia Legring, daughter of Reverend Charles Legring, Bremen, at Greenock on 24th May 1858 by Reverend J. Nelson. (Greenock Advertiser 25.5.1858) Marriage HAASE / OHLMS 1894 William Ohlms, hairdresser, 7 West Blackhall Street, to Emma, 4th daughter of August Haase, Herrnhut, Saxony, at Glengarden, Greenock on 6th June 1894 .(Greenock Telegraph 7.6.1894) Death HACKETT 1904 Arthur Arthur Hackett, shipyard worker, husband of Mary Jane, died at Greenock Infirmary in June 1904. (Greenock Telegraph 13.6.1904) Death HACKING 1878 Samuel Samuel Craig, son of John Hacking, died at 9 Mill Street, Greenock on 9th January 1878. -
Sodium Chloride Or Rock Salt | Peters Chemical Company
MSDS Sheet – Sodium Chloride or Rock Salt | Peters Chemical Company Call Now - 1-973-427-8844 Home Contact Us Deicers Airport Runway Deicers Deicing Articles Lime & Limestone Misc. Print This Page MATERIAL SAFETY DATA SHEET Product Name: Sodium Chloride – Rock Salt – Halite EPA Reg. No: N/A 1. PRODUCT IDENTIFICATION Product Name: Sodium Chloride – Rock Salt UN/MA#: N/A DOT Hazard Class: N/A 2. INGREDIENTS & RECOMMENDED OCCUPATIONAL EXPOSURE LIMITS TLV See Addendum 1 10 MG/M3 as nuisance dust. 3. PHYSICAL DATA Density: 40 – 70 lb/ft Boiling Point: N/A dry solid Melting Point: Partially decomposes at 12o F Vapor Pressure: N/A Vapor Density: N/A pH: 6-8 Solubility in Water: 100% Evaporation Rate: N/A Appearance and Odor: White Crystals and mild aromatic odor 4. FIRE AND EXPLOSION HAZARD DATA Flash Point: N/A Flammable Limits: N/A Fire Extinguishing Media: Considered non-combustible. Dry chemical. Foam, CO2, Water, Spray or Fog. Special Fire Fighting Procedures: Use self-contained breathing apparatus and full protective clothing. Fight fire from upwind side. Avoid run-off. Keep non-essential personnel away from immediate fire area, and out of any fall-out or run-off areas. Unusual Fire and Explosion Hazards: None 5. REACTIVITY DATA Stability: Stable Incompatibility: None Hazardous Decomposition or By-Products: None Conditions to Avoid: None Hazardous Polymerization: Will not occur http://www.peterschemical.com/sodium-chloride/msds-sheet-sodium-chloride-or-rock-salt/[1/8/2014 2:35:52 PM] MSDS Sheet – Sodium Chloride or Rock Salt | Peters Chemical Company 6. SPILL OR LEAK PROCEDURES Steps to be taken in case material is released: In case of release to the environment, report spills to the National Response Center 1-800-424-8802. -
Advances in Carpet Manufacture
SOFTbank E-Book Center Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Woodhead Publishing in Textiles: Number 87 Advances in carpet manufacture Edited by K. K. Goswami © SOFTbank2009 Woodhead E-Book Publishing Center Limited Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Published by Woodhead Publishing Limited in association with The Textile Institute Woodhead Publishing Limited, Abington Hall, Granta Park, Geat Abington Cambridge CB21 6AH, UK www.woodheadpublishing.com Woodhead Publishing India Private Limited, G-2, Vardaan House, 7/28 Ansari Road, Daryaganj, New Delhi ± 110002, India Published in North America by CRC Press LLC, 6000 Broken Sound Parkway, NW, Suite 300, Boca Raton, FL 33487, USA First published 2009, Woodhead Publishing Limited and CRC Press LLC ß Woodhead Publishing Limited, 2009 The authors have asserted their moral rights. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. Reasonable efforts have been made to publish reliable data and information, but the authors and the publishers cannot assume responsibility for the validity of all materials. Neither the authors nor the publishers, nor anyone else associated with this publication, shall be liable for any loss, damage or liability directly or indirectly caused or alleged to be caused by this book. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming and recording, or by any information storage or retrieval system, without permission in writing from Woodhead Publishing Limited. The consent of Woodhead Publishing Limited does not extend to copying for general distribution, for promotion, for creating new works, or for resale. -
Belper Mills Site
Belper North Mill Trust Outline masterplan for the renewal of the Belper Mills site February 2017 Belper North Mill Trust Outline masterplan for the renewal of the Belper Mills site Contents Page numbers 1 Introduction 1 2 Heritage significance 1 - 4 3 End uses 4 - 5 4 Development strategy 5 - 9 4.1 Phase 1 6 - 7 4.2 Phase 2 7 4.3 Phase 3 8 4.4 The end result 9 5 Costs of realisation 10 - 11 6 Potential financing – capital and revenue 11 - 15 6.1 Capital/realisation 11 - 12 6.2 Revenue sustainability 12 - 15 7 Delivery 15 - 16 Appendices 1 Purcell's Statement of Significance 2 Purcell's Feasibility Study Belper North Mill Trust Outline masterplan for the renewal of the Belper Mills site 1 Introduction As part of this phase of work for the Belper North Mill Trust we have, with Purcell Architects, carried out an outline masterplanning exercise for the whole Belper Mills site. At the outset, it is important to say that at the moment the site is privately owned and that while Amber Valley Borough Council initiated a Compulsory Purchase Order process in 2015, that process is still at a preliminary stage. This is a preliminary overview, based on the best available, but limited, information. In particular, access to the buildings on site has been limited; while a considerable amount of the North Mill is accessible because it is occupied, access to the East Mill, now empty, was not made available to us. Also, while we have undertaken some stakeholder consultation, we have not at this stage carried out wider consultation or public engagement, nor have we undertaken detailed market research, all of which would be essential to any next stage planning for the future of the site. -
From the World's First Factory, to a Museum of Making
From the world’s first factory, to a Museum of Making Derby’s rich history and heritage is going to be celebrated in 2020 on the site of the world’s first factory, when the city opens a major new £17m museum. Run by Derby Museums, the Museum of Making - in the Derwent Valley Mills UNESCO World Heritage Site - will be a contemporary space telling Derby’s 300-year history of innovation and “making”. It will also be aimed, partly, at inspiring new creativity. Designed and made by the people and industries of Derby it will become a focal point for a dynamic calendar of exhibitions, workshops, activities and events. Revealing the whole building to the public for the very first time, the new Museum will display over 50,000 objects including the Rolls-Royce Eagle Engine, which helped power the first transatlantic flight 100 years ago in June 1919. This concept has been developed by Derby Museums in collaboration with the local community, it will help to shape the way in which Derby is understood and appreciated - thanks to the long list of innovators, makers and creators associated with the city. The Silk Mill of John and Thomas Lombe itself is believed to be the world’s first factory. The silk throwing machines in this building were based on machines studied by John Lombe in Italy - the designs of these having been copied and smuggled into England in an early example of industrial espionage. The layout of the mills, with a large number of people in two buildings doing a number of processes, was the prototype for the modern factory and was a model for the later textile mills built for Arkwright and partners 50 years later. -
Enlightenment and Dissent No.29 Sept
ENLIGHTENMENT AND DISSENT No.29 CONTENTS Articles 1 Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson 42 Concepts of modesty and humility: the eighteenth-century British discourses William Stafford 79 The Invention of Female Biography Gina Luria Walker Reviews 137 Scott Mandelbrote and Michael Ledger-Lomas eds., Dissent and the Bible in Britain, c. 1650-1950 David Bebbington 140 W A Speck, A Political Biography of Thomas Paine H T Dickinson 143 H B Nisbet, Gottfried Ephraim Lessing: His Life, Works & Thought J C Lees 147 Lisa Curtis-Wendlandt, Paul Gibbard and Karen Green eds., Political Ideas of Enlightenment Women Emma Macleod 150 Jon Parkin and Timothy Stanton eds., Natural Law and Toleration in the Early Enlightenment Alan P F Sell 155 Alan P F Sell, The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions Leonard Smith 158 David Sekers, A Lady of Cotton. Hannah Greg, Mistress of Quarry Bank Mill Ruth Watts Short Notice 161 William Godwin. An Enquiry Concerning Political Justice ed. with intro. Mark Philp Martin Fitzpatrick Documents 163 The Diary of Hannah Lightbody: errata and addenda David Sekers Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson In the late eighteenth century Britain possessed the freest, most wide-ranging and best circulating press in Europe. 1 A high proportion of the products of the press were concerned with domestic and foreign politics and with wars which directly involved Britain and affected her economy. Not surprisingly therefore the French Revolution and the French Revolutionary War, impacting as they did on British domestic politics, had a huge influence on what the British press produced in the years between 1789 and 1802. -
6 X 10 Long Title.P65
Cambridge University Press 978-0-521-15382-9 - Heroes of Invention: Technology, Liberalism and British Identity, 1750-1914 Christine MacLeod Index More information Index Acade´mie des Sciences 80, 122, 357 arms manufacturers 236–9 Adam, Robert 346 Armstrong, William, Baron Armstrong of Adams, John Couch 369 Cragside Aikin, John 43, 44, 71 arms manufacturer 220 Airy, Sir George 188, 360 as hero of industry 332 Albert, Prince 24, 216, 217, 231, 232, 260 concepts of invention 268, 269, 270 Alfred, King 24 entrepreneurial abilities of 328 Amalgamated Society of Engineers, knighted 237–8 Machinists, Millwrights, Smiths and monument to 237 Pattern Makers 286–7 opposition to patent system 250, 267–8 ancestor worship, see idolatry portrait of 230 Anderson’s Institution, Glasgow 113, 114, president of BAAS 355 288, 289 Punch’s ‘Lord Bomb’ 224–5 Arago, Franc¸ois 122, 148, 184 Ashton, T. S. 143 Eloge, to James Watt 122–3, 127 Athenaeum, The 99–101, 369 Arkwright, Sir Richard, Atkinson, T. L. 201 and scientific training 359 Atlantic telegraph cables 243, 245, 327 as national benefactor 282 Arthur, King 15 as workers’ hero 286 Askrill, Robert 213 commemorations of, 259 Associated Society of Locomotive Cromford mills, painting of 63 Engineers and Firemen 288 enterprise of 196, 327, 329 era of 144 Babbage, Charles 276, 353, 356–7, factory system 179 375, 383 in Erasmus Darwin’s poetry 67–8 Bacon, Sir Francis in Maria Edgeworth’s book 171 as discoverer 196 in Samuel Smiles’ books 255, 256 as genius 51, 53, 142 invention of textile machinery 174, 176 bust of 349 knighthood 65 n. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Industrialism, Androids, and the Virtuoso Instrumentalist
UNIVERSITY OF CALIFORNIA Los Angeles Performing the Mechanical: Industrialism, Androids, and the Virtuoso Instrumentalist A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts by Leila Mintaha Nassar-Fredell 2013 © Copyright by Leila Mintaha Nassar-Fredell 2013 ABSTRACT OF THE DISSERTATION Performing the Mechanical: Industrialism, Androids, and the Virtuoso Instrumentalist by Leila Nassar-Fredell Doctor of Musical Arts University of California, Los Angeles, 2013 Professor Robert S. Winter, Chair Transactions between musical androids and actual virtuosos occupied a prominent place in the music of the eighteenth and nineteenth centuries. Instrumentalists and composers of instrumental music appropriated the craze for clockwork soloists, placing music in a position of increased social power in a society undergoing rapid technological transformation. The history of musical automata stretches back to antiquity. Androids and automata, vested by audiences with spiritual and magical qualities, populated the churches of the broader populations and the Renaissance grottos of the aristocracy. As ii the Industrial Revolution began, automata increasingly resembled the machines changing the structure of labor; consequently, androids lost their enchanted status. Contemporary writers problematized these humanoid machines while at the same time popularizing their role as representatives of the uncanny at the boundaries of human identity. Both instrumental performers and androids explored the liminal area between human and machine. As androids lost their magic, musical virtuosos assumed the qualities of spectacle and spirituality long embodied by their machine counterparts. In this process virtuosi explored the liminal space of human machines: a human playing a musical instrument (a machine) weds the body to a machine, creating a half-human, half-fabricated voice. -
Prices and Profits in Cotton Textiles During the Industrial Revolution C
PRICES AND PROFITS IN COTTON TEXTILES DURING THE INDUSTRIAL REVOLUTION C. Knick Harley PRICES AND PROFITS IN COTTON TEXTILES DURING THE 1 INDUSTRIAL REVOLUTION C. Knick Harley Department of Economics and St. Antony’s College University of Oxford Oxford OX2 6JF UK <[email protected]> Abstract Cotton textile firms led the development of machinery-based industrialization in the Industrial Revolution. This paper presents price and profits data extracted from the accounting records of three cotton firms between the 1770s and the 1820s. The course of prices and profits in cotton textiles illumine the nature of the economic processes at work. Some historians have seen the Industrial Revolution as a Schumpeterian process in which discontinuous technological change created large profits for innovators and succeeding decades were characterized by slow diffusion. Technological secrecy and imperfect capital markets limited expansion of use of the new technology and output expanded as profits were reinvested until eventually the new technology dominated. The evidence here supports a more equilibrium view which the industry expanded rapidly and prices fell in response to technological change. Price and profit evidence indicates that expansion of the industry had led to dramatic price declines by the 1780s and there is no evidence of super profits thereafter. Keywords: Industrial Revolution, cotton textiles, prices, profits. JEL Classification Codes: N63, N83 1 I would like to thank Christine Bies provided able research assistance, participants in the session on cotton textiles for the XII Congress of the International Economic Conference in Madrid, seminars at Cambridge and Oxford and Dr Tim Leung for useful comments. -
Matthew Boutlon and Francis Eginton's Mechanical
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository MATTHEW BOULTON AND FRANCIS EGINTON’S MECHANICAL PAINTINGS: PRODUCTION AND CONSUMPTION 1777 TO 1781 by BARBARA FOGARTY A thesis submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly publications since their invention in the 1770s. Such interest as there has been has focussed on the unknown process, and the lack of scientific material analysis has resulted in several confusing theories of production. This thesis’s use of the Archives of Soho, containing Boulton’s business papers, has cast light on the production and consumption of mechanical paintings, while collaboration with the British Museum, and their new scientific evidence, have both supported and challenged the archival evidence. This thesis seeks to prove various propositions about authenticity, the role of class and taste in the selection of artists and subjects for mechanical painting reproduction, and the role played by the reproductive process’s ingenuity in marketing the finished product. -
Regents Exam in Global History and Geography Ii (Grade 10)
REGENTS EXAM IN GLOBAL HISTORY AND GEOGRAPHY II (GRADE 10) The University of the State of New York REGENTS HIGH SCHOOL EXAMINATION REGENTS EXAM IN GLOBAL HISTORY AND GEOGRAPHY II (GRADE 10) Tuesday, August 13, 2019 — 12:30 to 3:30 p.m., only Student Name _____________________________________________________________ School Name ______________________________________________________________ The possession or use of any communications device is strictly prohibited when taking this examination. If you have or use any communications device, no matter how briefl y, your examination will be invalidated and no score will be calculated for you. Print your name and the name of your school on the lines above. A separate answer sheet has been provided to you. Follow the instructions from the proctor for completing the student information on your answer sheet. Then fi ll in the heading of each page of your essay booklet. This examination has three parts. You are to answer all questions in all parts. Use black or dark-blue ink to write your answers to Parts II and III. Part I contains 28 multiple-choice questions. Record your answers to these questions as directed on the answer sheet. Part II contains two sets of constructed-response questions (CRQ). Each constructed- response question set is made up of two documents accompanied by several questions. When you reach this part of the test, enter your name and the name of your school on the fi rst page of this section. Write your answers to these questions in the examination booklet on the lines following these questions. Part III contains one essay question based on fi ve documents.