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1/28/2008 10:56 AM Greetings
1/28/2008 10:56 AM Greetings: This is the last update before we announce the awards on Feb. 15th. If your name is incorrect, or you are in the wrong category, please let us know so we might correct it. If you see someone in a list that does not belong, please share your opinion with us as well. This is a list of your votes, your thoughts, how you feel regarding the music industry in Oklahoma. This list will be opened up to make changes one time before we publish for the final time so before Feb. 14th let us know. On this date we will make final corrections and publish the winners… if all holds together. This year saw many more votes and we are anxious as you to know the final results… Respectfully, Stan Moffat Payne County Line Promotions, LLC Stillwater, OK. 1001 HALL OF FAME: Artist: All American Rejects Bob Childers Cody Canada Cross Canadian Ragweed Don Wood Garth Brooks Johnny Lee Merle Haggard Mike Barham Mike McClure Randy Crouch Ray Wylie Hubbard Scott Evans Stoney LaRue Texas Jack Tom Skinner Travis Linville Wanda Watson Wayne Coyne 1002 HALL OF FAME: Blues Artists: Big Daddy and the Blueskickers D C Miner Dustin Pittsley Jeff Parker Jeff Beguin Kevin Phariss Band Leon Russell The Wanda Watson Band Wanda Watson Wes Jeans Zen Okies 1003 HALL OF FAME: Female Country Artists: Camille Harp Jocelyn Rowland Miss Amy Monica Taylor Reba McEntire Shawna Russell Susan Herndon Wanda Watson 1004 HALL OF FAME: Male Country Artists: Bob Childers Brandon Jenkins Cross Canadian Ragweed Garth Brooks Jason Boland Merle Haggard Mike McClure Randy -
Press Quotes
PRESS QUOTES ASSOCIATED PRESS: Wise words pour forth from Chris Smither – observations and aphorisms, similes and internal rhymes, run-on sentences and concise quips, all in a conversational flow. The careful construction of Smither’s lyrics is a thing of beauty and the bedrock of his bluesy folk music. Smither is an excellent acoustic guitarist and first-rate foot-stomper. NATIONAL PUBLIC RADIO: [Smither] taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar lines are sleek, unhurried and insistent. And then there's the voice – equal parts gravel and molasses. (I edited a little out) ROLLING STONE: Bathed in the flickering glow of passing headlights and neon bar signs, Smither's roots are as blue as they come. There is plenty of misty Louisiana and Lightnin' Hopkins in Smither's weathered singing and unhurried picking. So fine. MOJO (5 STARS): Hundred Dollar Valentine is a thing of profound beauty; deep, sad, wise songs, allied to perfectly crafted arrangements, from a a man who’s live long enough in darkness to address the big, heavy questions with a lightness of touch. OXFORD AMERICAN It was that rhythmic push-and-pull, that New Orleans sensibility that made Smither stand out NEW YORK TIMES: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate. MAVERICK: Cast your mind back to the first time you heard Hank Williams, Big Bill Broonzy or JJ Cale and remember how good it felt. -
(Anesthesia) Pulling Teeth Metallica
(Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
1 Music of Oklahoma Itinerary Oklahoma's Rhythm and Routes
Oklahoma’s Rhythm and Routes Itinerary Six-Day Itinerary Music has long been an integral part of the Oklahoma experience. From the songs of the common man written by legendary folk singer Woody Guthrie to the chart-topping hits of country superstars Garth Brooks and Blake Shelton, Oklahomans have long been churning out tunes that touch the world. This tour takes travelers around the state to explore the state’s unique musical past and present. Day 1 it the nickname “Stillwater’s Jumpin’ Little Juke Joint.” You’ll kick off your tour in northeastern Oklahoma, starting Enjoy a delicious charbroiled burger with a plate of the in Miami at the Coleman Theatre. Opened in 1929 as a famous cheese fries, then head over to the gift shop to vaudeville theater, this stunning building features a pick up souvenirs that feature the restaurant’s Spanish Colonial Mission-style exterior and opulent Louis recognizable logo: a grinning cartoon boy and his dog. XV interior. On your tour, you’ll get to explore the ornate theater, see the restored 2,000-pound chandelier and hear Next you’ll head to the outskirts of town to The Farm. The its legendary Mighty Wurlitzer organ play. former home of late songwriter Bob Childers is considered the birthplace of red dirt music, a genre that takes its After lunch, you’ll move on to Bartlesville. For one week name from the color of the Oklahoma soil. While Childers’ each June, the city is home to the OKM Music Festival, home burned years ago, the garage that he turned into a which features concerts from Oklahoma and national performance space remains. -
Boys and Girls by Alice Munro
Boys and Girls by Alice Munro My father was a fox farmer. That is, he raised silver foxes, in pens; and in the fall and early winter, when their fur was prime, he killed them and skinned them and sold their pelts to the Hudson's Bay Company or the Montreal Fur Traders. These companies supplied us with heroic calendars to hang, one on each side of the kitchen door. Against a background of cold blue sky and black pine forests and treacherous northern rivers, plumed adventures planted the flags of England and or of France; magnificent savages bent their backs to the portage. For several weeks before Christmas, my father worked after supper in the cellar of our house. The cellar was whitewashed, and lit by a hundred-watt bulb over the worktable. My brother Laird and I sat on the top step and watched. My father removed the pelt inside-out from the body of the fox, which looked surprisingly small, mean, and rat-like, deprived of its arrogant weight of fur. The naked, slippery bodies were collected in a sack and buried in the dump. One time the hired man, Henry Bailey, had taken a swipe at me with this sack, saying, "Christmas present!" My mother thought that was not funny. In fact she disliked the whole pelting operation--that was what the killing, skinning, and preparation of the furs was called – and wished it did not have to take place in the house. There was the smell. After the pelt had been stretched inside-out on a long board my father scraped away delicately, removing the little clotted webs of blood vessels, the bubbles of fat; the smell of blood and animal fat, with the strong primitive odour of the fox itself, penetrated all parts of the house. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
ST PAUL & the BROKEN BONES LMVA Saving Water Spin Doctors
ST PAUL & sPIN DOCtORs THE BROKEN BONES August 22 • 7:00 PM ROCK UNDer the RADar August 8 • 7:00 PM ounded in New York City, the SPIN DOCTORS are most famous for their F90’s hits “Two Princes” and “Little Miss Can’t Be Wrong.” In fact, “Two Princes” was the most played song in the world in 1993. Reunited since 2001, all four founding members of the band will be on stage bringing their trademark jam band sound to the Lake. The Spin Doctors’ albumPocket Full of Kryptonite was nominated for Best Pop/Rock Album in addition to a Grammy nomination for Best Rock Performance (Duo or Group with Vocals). Their latest rit, elemental rhythm, tight-as-a-drumhead playing, and album, If the River Were Whiskey (2013) was their best reviewed a profound depth of feeling: these are the promises of a album to date. ‘Whiskey’ is a ten song collection of original songs that great soul band and ST PAUL & THE BROKEN BONES lead singer Chris Barron described as a “ramshackle, broken carriage deliverG on those promises. Front man Paul Janeway’s handle “St. running down a cobblestone hill.” The blues-based album allows Paul” is a wry allusion to the vocalist’s grounding in the church. Like these road-tested musicians to show off what they do best: play live many a legendary soul singer, Janeway, a native of the small town of shows. Chelsea, Alabama, was raised on the gospel side, virtually no non- religious music could be heard in his devout household. Janeway PAWNSHOP KINGS: says, “The only secular music that I heard at all was a 70’s group Opening for SPIN DOCTORS called the Stylistics, and Sam Cooke. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study. -
2013 Nominee Best Children's Album 2015 & 2013 Gold
Nearly twenty years into his performinG career, Alastair Moock has manaGed to carve out a unique niche for himself: He is a songwriter committed to celebrating the roots of American music while knockinG down the walls between different audiences, genres and musical traditions. Today, his audiences range from adults to preschoolers, and he plays everything from theaters to niGhtclubs to schoolrooms. Like his boyhood hero, Woody Guthrie, Moock believes in the power of music to reach all people — young and old, far and wide. 2013 Nominee Best Children’s Album Moock started performinG in 1995, movinG from his home outside New York City to the folk haven of Boston, Massachusetts. After workinG his way up throuGh the local coffeehouse and club circuit, he beGan tourinG the U.S. and Europe, eventually graduating to renowned events like the Newport Folk Festival and Norway’s BerGen Music Fest. In 2007 Moock was nominated for a Boston Music Award for OutstandinG SinGer-Songwriter of the Year. The Boston Globe called him “one of the town's best and most adventurous songwriters” and The Washington Post declared “every sonG a Gem.” Over the years, Moock had occasionally performed for kids on the side, but it wasn’t 2015 & 2013 until his twin daughters were born in 2006 that he was inspired to make his first Gold Medal Winner foray into family music. In 2010, he joined the roster of YounG Audiences of Massachusetts to bring his program “Music and Social Change” to schools throuGhout the state. That same year, he released his first family music album, A Cow Says Moock. -
03 Almanac Front.Indd
ALMANACALMANAC WEEKLYWEEKLY A miscellany of Hudson Valley art, adventure and ideas | Calendar & Classifieds | Issue 3 | Jan. 17 – 24 night music stage art movie kids taste garden sky history calendar The Eagles Have Landed LOOK UP BRENDAN LALLY 2 ALMANAC WEEKLY Jan. 17, 2019 MUSICMUSICMUSIC Rock Academy plays Kings on Saturday, January 19. The Radiohead at Colony Albany-area Lustre Kings are a well- known force nationally in the rocka- The skilled apprentices of the Rock billy revival movement, and their trib- Academy set their sights on the epoch- ute to the King, who would have been al space-rock of Radiohead at Colony 84 this year, is inspired and authentic. in Woodstock on the third weekend For this special date, the Lustre Kings in January. Radiohead’s career can be will be joined by other members of the understood in terms of its “before Kid region’s talented rock ‘n’ roll revival A” atmospheric guitar rock and the scene. Tickets cost $20 in advance, “Kid A and after” trailblazing electro/ $25 on the day of the show. art-pop. The Rock Academy intends to do justice to both, announcing that Elvis bash they will draw on everything from The Saturday, Jan. 19 Bends (this writer’s preferred record) 9 p.m. through In Rainbows, thereby hon- Club Helsinki oring Radiohead’s own longstanding 405 Columbia St. tradition of denying the existence of Hudson their debut record Pablo Honey, as if www.helsinkihudson.com it were nothing more than an embar- rassing baby photograph. – John Burdick Falcon hosts David Amram this Sunday Radiohead by Rock Academy Friday/Saturday, Jan.