1 Music of Oklahoma Itinerary Oklahoma's Rhythm and Routes
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1/28/2008 10:56 AM Greetings
1/28/2008 10:56 AM Greetings: This is the last update before we announce the awards on Feb. 15th. If your name is incorrect, or you are in the wrong category, please let us know so we might correct it. If you see someone in a list that does not belong, please share your opinion with us as well. This is a list of your votes, your thoughts, how you feel regarding the music industry in Oklahoma. This list will be opened up to make changes one time before we publish for the final time so before Feb. 14th let us know. On this date we will make final corrections and publish the winners… if all holds together. This year saw many more votes and we are anxious as you to know the final results… Respectfully, Stan Moffat Payne County Line Promotions, LLC Stillwater, OK. 1001 HALL OF FAME: Artist: All American Rejects Bob Childers Cody Canada Cross Canadian Ragweed Don Wood Garth Brooks Johnny Lee Merle Haggard Mike Barham Mike McClure Randy Crouch Ray Wylie Hubbard Scott Evans Stoney LaRue Texas Jack Tom Skinner Travis Linville Wanda Watson Wayne Coyne 1002 HALL OF FAME: Blues Artists: Big Daddy and the Blueskickers D C Miner Dustin Pittsley Jeff Parker Jeff Beguin Kevin Phariss Band Leon Russell The Wanda Watson Band Wanda Watson Wes Jeans Zen Okies 1003 HALL OF FAME: Female Country Artists: Camille Harp Jocelyn Rowland Miss Amy Monica Taylor Reba McEntire Shawna Russell Susan Herndon Wanda Watson 1004 HALL OF FAME: Male Country Artists: Bob Childers Brandon Jenkins Cross Canadian Ragweed Garth Brooks Jason Boland Merle Haggard Mike McClure Randy -
John Fullbright: All the Way from Okemah, Oklahoma
John Fullbright All The Way from Okemah, Oklahoma Alliance in Memphis one time and asked him to sit in on violin. It was another of those moments where we finished playing and looked at each other and said: ‘that kind of has to happen on the album.’ Plus he’s Fats. He is the ‘Fat Man.’” The drum stool was occupied by Giovanni Carnuccio III. “He’s also in the Turnpike Troubadours. I played with him several times in McClure’s studio. McClure would use him for a number of bands. It was a perfect fit.” When I put it to John that he’d chosen musicians with whom he already enjoyed a working relationship, he replied: “Absolutely.” Rounding out the coterie of session players was organist, John Knudson and solo recording artist, Jess Klein. “She drove up from Austin. She’s the only other harmony voice on the album. I just love her to death. I think she’s a really fantastic John Fullbright performs during CD release party at songwriter.” Waterloo Records, N. Lamar, Austin, Tx. on May 22, 2012 On Tuesday February 17, the eve of the 2009 Folk Alliance Conference, John Fullbright performed at ohn Fullbright’s sophomore recording and studio debut Greg Johnson’s listening room, The Blue Door in Oklahoma FROM THE GROUND UP released Stateside early May, was City. I’ll let John relate what occurred next: “We recorded recorded at 115 Recording Studio in Norman, Oklahoma; my performance the night before Folk Alliance began. Travis a facility owned and operated by Wes Sharon. -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y. -
WDAM Radio's History of Elvis Presley
Listeners Guide To WDAM Radio’s History of Elvis Presley This is the most comprehensive collection ever assembled of Elvis Presley’s “charted” hit singles, including the original versions of songs he covered, as well as other artists’ hit covers of songs first recorded by Elvis plus songs parodying, saluting, or just mentioning Elvis! More than a decade in the making and an ongoing work-in-progress for the coming decades, this collection includes many WDAM Radio exclusives – songs you likely will not find anywhere else on this planet. Some of these, such as the original version of Muss I Denn (later recorded by Elvis as Wooden Heart) and Liebestraum No. 3 later recorded by Elvis as Today, Tomorrow And Forever) were provided by academicians, scholars, and collectors from cylinders or 78s known to be the only copies in the world. Once they heard about this WDAM Radio project, they graciously donated dubs for this archive – with the caveat that they would never be duplicated for commercial use and restricted only to musicologists and scholarly purposes. This collection is divided into four parts: (1) All of Elvis Presley’s charted U S singles hits in chronological order – (2) All of Elvis Presley’s charted U S and U K singles, the original versions of these songs by other artists, and hit versions by other artists of songs that Elvis Presley recorded first or had a cover hit – in chronological order, along with relevant parody/answer tunes – (3) Songs parodying, saluting, or just mentioning Elvis Presley – mostly, but not all in chronological order – and (4) X-rated or “adult-themed” songs parodying, saluting, or just mentioning Elvis Presley. -
Playing in the Dirt: Stillwater and the Emergence of Red
PLAYING IN THE DIRT: STILLWATER AND THE EMERGENCE OF RED DIRT MUSIC By AARON M. MOORE Bachelor of Arts in Education in History Northeastern State University Tahlequah, Oklahoma 1998 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, 2010 © 2010 Aaron M. Moore ALL RIGHTS RESERVED PLAYING IN THE DIRT: STILLWATER AND THE EMERGENCE OF RED DIRT MUSIC Thesis Approved: Dr. William Bryans Thesis Adviser Dr. Michael Logan Dr. L.G. Moses Mr. Wayne Bovenschen Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS It is a pleasure to thank the many people who made this thesis possible. First I would like to express my gratitude to Jay Falkner for introducing me to Red Dirt music in 1998 by playing Jimmy LaFave’s album Austin Skyline and for subsequently involving me in his many bands. Without the contacts made from working with Marshallcity and South 40, I would have been unable to begin this project. It is difficult to overstate my gratitude to John Cooper and Brad Piccolo of the Red Dirt Rangers. Their willingness to share their experiences and contact others in the Red Dirt community to get their assistance has been a true blessing. I am indebted to my advisor, Dr. Bill Bryans for his willingness to work with me on a popular history topic. His efforts to explain things clearly and simply were of great value during course work and during my thesis-writing period. I would also like to thank Dr. -
Steve Ripley a Rock and Roll Legend in Our Own Backyard Who Has Worked with Some of the Greats
Steve Ripley A rock and roll legend in our own backyard who has worked with some of the greats. Chapter 01 – 1:16 Introduction Announcer: Steve Ripley grew up in Oklahoma, graduating from Glencoe High School and Oklahoma State University. He went on to become a recording artist, record producer, song writer, studio engineer, guitarist, and inventor. Steve worked with Bob Dylan playing guitar on The Shot of Love album and on The Shot of Love tour. Dylan listed Ripley as one of the good guitarist he had played with. Red Dirt was first used by Steve Ripley’s band Moses when the group chose the label name Red Dirt Records. Steve founded Ripley Guitars in Burbank, California, creating guitars for musicians like Jimmy Buffet, J. J. Cale, and Eddie Van Halen. In 1987, Steve moved to Tulsa to buy Leon Russell’s recording facility, The Church Studio. Steve formed the country band The Tractors and was the cowriter of the country hit “Baby Like to Rock It.” Under his own record label Boy Rocking Records, Steve produced such artists as The Tractors, Leon Russell, and the Red Dirt Rangers. Steve Ripley was sixty-nine when he died January 3, 2019. But you can listen to Steve talk about his family story, his introduction to music, his relationship with Bob Dylan, dining with the Beatles, and his friendship with Leon Russell. The last five chapters he wanted you to hear only after his death. Listen now, on VoicesofOklahoma.com. Chapter 02 – 3:47 Land Run with Fred John Erling: Today’s date is December 12, 2017. -
John Fullbright Pg 30 “What’S So Bad About Happy?” T He Oklahoma Tunesmith Seeks Answers to That Burning Question and Others While Crafting the Songs of His Life
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue JOHN FULLBRIGHT pg 30 “What’s so bad about happy?” T he Oklahoma tunesmith seeks answers to that burning question and others while crafting the songs of his life. by Lynne Margolis FEATUREs 26 Q&A: Billy Joe Shaver — By Holly Gleason 38 Miranda Lambert: The true heart and real deal behind the platinum supernova — By Holly Gleason 42 The Mastersons: The duke and duchess of Americana power pop embrace their chemistry on Good Luck Charm — By Holly Gleason 43 Corb Lund: Americana’s favorite Hurtin’ Albertan goes to Memphis — By Adam Dawson 46 Kelly Willis and Bruce Robison: “This will be our year, took a long time to come ...” — By Richard Skanse 50 Robyn Ludwick: Hard woman with a heartache — By Richard Skanse John Fullbright photo by John Carrico 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Photo: John Carrico I can’t, for the life of me, remember what song it was that John Fullbright Advertising/Marketing: Kristen Townsend played the first time I saw him — but I damn sure remember the impact. Advertising: Erica Brown It was back in February 2011 at the 23rd International Folk Alliance Conference Artist & Label Relations: Kristen Townsend in Memphis, sometime well after midnight, when the private showcases overrunning the top three floors of the Marriott were in full swing. I’d wandered Contributing Contributing from room to room for what felt like (and probably was) hours, catching a song Writers Photographers here, a short set there, and foraging for drinks and late-night snacks the whole time. -
Steve Ripley a Rock and Roll Legend in Our Own Backyard Who Has Worked with Some of the Greats
Steve Ripley A rock and roll legend in our own backyard who has worked with some of the greats. Chapter 01 – 1:10 Introduction Announcer: Steve Ripley grew up in Oklahoma, graduating from Glencoe High School and Oklahoma State University. He went on to become a recording artist, record producer, songwriter, studio engineer, guitarist, and inventor. Steve worked with Bob Dylan, playing guitar on the Shot of Love album and on the Shot of Love tour. Dylan listed Ripley as one of his favorite guitarists. The term Red Dirt was first used by Ripley’s band Moses when the group chose the label name Red Dirt Records. Steve founded Ripley Guitars in Burbank, California, creating guitars for musicians like Ry Cooder, J.J. Cale, and Eddie Van Halen. In 1987, Steve moved to Tulsa to buy Leon Russell’s recording studio called The Church Studio. He formed the country band The Tractors and was the co-writer of the country hit “Baby Likes to Rock It.” The first Tractors album sold over two million copies. Steve Ripley was inducted into the Oklahoma Music Awards Red Dirt Hall of Fame, along with Bob Childers and Tom Skinner. Ripley currently is Music Archivist and Curator of the Leon Russell collection for OKPOP. What you are about to hear is a segment from Steve Ripley’s yet-to-be-posted oral history interview, but we wanted you to hear these chapters as he talks about his relationship with Bob Dylan, dining with the Beatles, and his friendship with Leon Russell. Chapter 02 – 10:45 Concept of The Tractors John Erling: Today’s date, April 17, 2018. -