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Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
1/28/2008 10:56 AM Greetings
1/28/2008 10:56 AM Greetings: This is the last update before we announce the awards on Feb. 15th. If your name is incorrect, or you are in the wrong category, please let us know so we might correct it. If you see someone in a list that does not belong, please share your opinion with us as well. This is a list of your votes, your thoughts, how you feel regarding the music industry in Oklahoma. This list will be opened up to make changes one time before we publish for the final time so before Feb. 14th let us know. On this date we will make final corrections and publish the winners… if all holds together. This year saw many more votes and we are anxious as you to know the final results… Respectfully, Stan Moffat Payne County Line Promotions, LLC Stillwater, OK. 1001 HALL OF FAME: Artist: All American Rejects Bob Childers Cody Canada Cross Canadian Ragweed Don Wood Garth Brooks Johnny Lee Merle Haggard Mike Barham Mike McClure Randy Crouch Ray Wylie Hubbard Scott Evans Stoney LaRue Texas Jack Tom Skinner Travis Linville Wanda Watson Wayne Coyne 1002 HALL OF FAME: Blues Artists: Big Daddy and the Blueskickers D C Miner Dustin Pittsley Jeff Parker Jeff Beguin Kevin Phariss Band Leon Russell The Wanda Watson Band Wanda Watson Wes Jeans Zen Okies 1003 HALL OF FAME: Female Country Artists: Camille Harp Jocelyn Rowland Miss Amy Monica Taylor Reba McEntire Shawna Russell Susan Herndon Wanda Watson 1004 HALL OF FAME: Male Country Artists: Bob Childers Brandon Jenkins Cross Canadian Ragweed Garth Brooks Jason Boland Merle Haggard Mike McClure Randy -
Oklahoma State Golf - in the News Location Stillwater, Oklahoma 74078 HONORS Founded Dec
TABLE OF CONTENTS COWBOY GOLF HISTORY 1 Table of Contents • Quick Facts • Credits 126 OSU at the NCAA Championships CREDITS 2 2014-15 Roster • 2014-15 Schedule 128 NCAA Champion Teams The Oklahoma State University Men’s Golf Guide 3 Primary Media Outlets 138 Year-By-Year NCAA Tournament was written and edited by Coordinator of Athletic 4 OSU Golf History 150 School-by-School Consecutive NCAA Appearances Media Relations Ryan Cameron and Alan Bratton, 6 Cowboy Scholarship Endowment 151 NCAA Tournament Success Head Coach. It was designed and produced by Grant 7 Cowboy Pro-Am 152 NCAA Championship Finishes Hawkins Design. 8 Karsten Creek Golf Club 153 OSU at Conference Championships 12 Karsten Creek Donors 154 Individual Big Eight Tournament Finishes Karsten Creek photos were taken by Mike Klemme, 13 Karsten Creek Hole-by-Hole 155 Individual Big 12 Tournament Finishes Golfoto/provided by Henebry Photography; and, 15 Cowboy Golf Coaches 156 Conference Tournament Team Records Chris Carroll. Action photos provided by Kevin 16 Solheim Tribute 157 OSU at the NCAA Regional Allen, Kohler Co.; Jeremy Cook, OSU; Terry Harris, 17 This Is Oklahoma State University 158 Individual Regional Finishes Ardmore; Mike Holder, OSU; Will Hart, NCAA Photos; Craig Jenkins, GCAA; Tony Sargent, Stillwater; COACHES RECORDS James Schammerhorn, OSU; Steve Spatafore, 20 Alan Bratton, Head Coach 160 Individual Records Sportography; Sideline Sports; Brian Tirpak, Western 22 Brian Guetz, Assistant Coach 161 Year-by-Year Individual Leaders Kentucky; Golf Coaches Association of America; The 23 Jake Manzelmann, Speed, Strength & Conditioning 161 Miscellaneous Individual Stats Daily Oklahoman; the PGA Tour and Matt Deason, 23 Ryan Cameron, Coordinator of Media Relations 162 All-Time Most Rounds in the 60s Doug Healey, Monte Mahan, Sandy Marucci, Brad 24 Mike McGraw – 2005-2013 163 Year-by-Year Team Statistics Payne, Ed Robinson, Phil Shockley and Paul 26 Mike Holder – 1973-2005 163 Team Season Records Rutherford; Tina Uihlein, USGA. -
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked. -
THE ARIZONA ROUGH RIDERS by Harlan C. Herner a Thesis
The Arizona rough riders Item Type text; Thesis-Reproduction (electronic) Authors Herner, Charles Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 02:07:43 Link to Item http://hdl.handle.net/10150/551769 THE ARIZONA ROUGH RIDERS b y Harlan C. Herner A Thesis Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1965 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of require ments for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under the rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the dean of the Graduate College when in his judgment the proposed use of this material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: MsA* J'73^, APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: G > Harwood P. -
The New Mexican Review, 06-30-1910
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 6-30-1910 The ewN Mexican Review, 06-30-1910 New Mexican Printing Co. Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Co.. "The eN w Mexican Review, 06-30-1910." (1910). https://digitalrepository.unm.edu/sfnm_news/7985 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. THE NEW MEXICAN REVIEW, FORTY-SEVE- N YEAR SANTA EE. N. M., THURSDAYS JUJSE 30 1910. NO 14 ed in Bplendid health until today. mountains at Red River, Taos county, L Divorce Suit. CAUGHT BY THE OF New Mexico. - Suit for divorce was filed in San I "The gold band encircling the pen, Juan county by Mrs, O. Grimes, vs. was made from bullion taken from Roscue Grimes, whom she charges the mines of Taos county. SANDS Made B. MEET T with desertion and abandonment. The InFHOIET QUICK and presented by George couple were married In March. 1907. Paxton, a resident ot Red River, New Sullivan and' Ervlen Back. Mexico." There was rather a sad story In con Will Territorial Engineer Sullivan' and President and His Prede- Two Youths Die Horrible President Taft Does Not Well Known Trader'Murder-e- d Apportion Delegates nection with the quill pen, with Land Commissioner Ervlen have re- Hands in Grande Want which the President state- at Pueblo Bonito for Constitutional turned fro man extensive on land cessor Will Shake Death Rio at Bryan to Write signed the trip hood bill. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
Gentrification in Oklahoma City: Examining Urban
GENTRIFICATION IN OKLAHOMA CITY: EXAMINING URBAN REVITALIZATION IN MIDDLE AMERICA Clint C. Petty, B.A. Thesis Prepared for the Degree of MASTER OF SCIENCE UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Sean Tierney, Major Professor Murray Rice, Committee Member Donald Lyons, Committee Member Paul Hudak, Chair of the Department of Geography James D. Meernik, Acting Dean of the Toulouse Graduate School Petty, Clint C. Gentrification in Oklahoma City: Examining Urban Revitalization in Middle America. Master of Science (Applied Geography), August 2011, 63 pp., 7 tables, 20 illustrations, 58 titles. Gentrification applies not only to the largest and oldest cities; it is a multi-scalar phenomenon playing out in smaller and less prominent settings as well. This study examines temporal changes in property values, demographic characteristics, and types of businesses in the central Oklahoma City area. A major urban revitalization project which began in 1993 created strong gentrification characteristics near the renewal's epicenter, the Bricktown entertainment district. Data suggest that several specific neighborhoods in the surrounding area exhibited rising property values, improving educational attainment rates, decreasing household sizes, and a shift toward cosmopolitan retail activity. While it is evident that Bricktown has been transformed, the socio-economic traits of surrounding neighborhoods have been altered by the ripple effects of urban renewal. Copyright 2011 By Clint C. Petty ii ACKNOWLEDGEMENTS This research was greatly improved by contributions from multiple people. I would like to thank Dr. Sean Tierney (University of North Texas Geography) for his conceptual support and for helping me focus a broad idea into a coherent research plan. I would also like to thank Dr. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Charlie Christian
Prof. Jeff Campbell Trevor de Clercq 03/05/07 CHARLIE CHRISTIAN CHRONOLOGICAL BIOGRAPHY (based on Broadbent 2003) July 29, 1916: Charlie Christian (hereafter CC) born in Bonham, TX Father is a compressor operator in cotton mill; Mother is a hotel maid c.1918 (age 2): Father loses eyesight; Family moves to Oklahoma City, OK; Father works as a busker on the streets of the city as a guitar player 1926 (age 10): Father dies; CC inherits his father's two guitars 1928 (age 12): CC begins high school; Takes classes with Zelia N. Breaux Oil discovered in Oklahoma City 1930's (teenager): Oklahoma City is a major stopover for bands traveling east and west Deep Deuce area of Oklahoma City becomes a popular jazz neighborhood Older brother Edward becomes an established band leader Western Swing bands feature electric guitar with single-note solos 1932 (age 16): CC meets and jams with Lester Young 1933 (age 17): T-Bone Walker returns to Oklahoma City and jams with CC CC takes bass lessons with Chuck Hamilton 1934 (age 18): CC amplifies his acoustic guitar during gigs with brother Edward 1935 (age 19): CC jams with Cootie Williams as Duke Ellington comes through town CC has a regular gig with Leslie Sheffield and the Rhythmaires 1936 (age 20): CC begins touring the Plains States with various ensembles 1937 (age 21): CC acquires his first electric guitar and amp (Gibson ES150) 1938 (age 22): First recordings of jazz on an electric guitar are made Charlie Parker sees CC play in Kansas City 1939 (age 23): CC returns to Oklahoma City and fronts his own small group Benny Goodman begins recording with various electric guitarists Benny Goodman offers guitar-player Floyd Smith a contract, which is turned down by Smith's manager John Hammond, Goodman's manager, offers CC the job Aug. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
About the University
Oklahoma State University 15 ABOUT THE UNIVERSITY The Mission Proud of its land-grant heritage, Oklahoma State University advances knowledge, enriches lives and stimulates economic development through The History instruction, research, outreach and creative activities. Oklahoma State University was founded on December 25, 1890, as Oklahoma Agricultural and Mechanical College, just 20 months after Student Profile the Land Run of 1889. When the first students assembled for class on Oklahoma State University has a diverse student body. Students come December 14, 1891, no buildings, books or curriculum existed. Since its not only from Oklahoma, but also across the nation and world. Of beginning as a land-grant institution, OSU has held true to the land-grant OSU's more than 32,900 students, approximately 71 percent are on mission of instruction, extension and research. the Stillwater campus, including students at the Center for Veterinary In 1894, two and one-half years after classes began in local churches, Health Sciences. The remaining student population is spread over the 144 students moved into the first academic building, later named Old OSU system's four other campuses: OSU-Oklahoma City, OSU Institute Central, which is still located on the southeast corner of campus and of Technology in Okmulgee, OSU-Tulsa and the OSU Center for Health today houses the Honors College. In 1896, Oklahoma A&M held its first Sciences in Tulsa. More than 77 percent of the undergraduates enrolled commencement with six male graduates. are Oklahoma residents; 23 percent are out-of-state residents; and three percent are from more than 80 foreign countries.