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(Anesthesia) Pulling Teeth Metallica
(Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey -
1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study. -
The Curtain Rises on a New Era for Broadway
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11,..1..1.11.1...1..11.1.111 I II In #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLED 780 A06 B0128 001 MAR 02 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT - APRIL 21, 2001 The Curtain Rises On A New Era For Broadway Atlantic Revives Musical Theater Gains fresh Creativity Even As Some Artists Struggle To Make Voices Heard Dance's Big Beat BY WAYNE HOFFMAN Rent seemed to offer Broadway Now that the dust has settled, ing a show, which makes investors BY MICHAEL PAOLETTA NEW YORK-Five years ago this a way out of the doldrums after insiders have divided opinions and wary of taking creative risks. NEW YORK -Two years ago, week, Rent hit Broadway like a years of declining box office and mixed emotions about the state of New composers are developing Big Beat Records stopped put- meteorite. A modern retelling of daring shows -but they often ting out product. Now, with the Puccini's La Bohème, Rent trans- find themselves consigned to off- imminent release of Plummet's ferred the setting to New York's Broadway or regional theaters. gritty East Village and translat- Record companies are releasing ed the opera into a rock -inspired cast albums from more unusual score. The musical, by a then - shows -but with almost no sup- unknown composer, filled its port from radio, they have trou- BIG stage with then -unheralded ble finding an audience. -
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50. -
Free Phish Sbds
Free phish sbds click here to download cjfphan21 6 years ago. @LedZeppelin said: just grab the spreadsheet shows that are marked SBD's. Or write down the dates and get them from. Phish Destroys America: Best of 97' Content SBDs This is thanks to another phan , and I thought I would pass it along to 7 Roses Are Free -> (12/11/97). Looking to join a shared SBD/any awesome music downloading site was part of one for a Free iPhone tour app created by a fellow redditor. www.doorway.ru will webcast 10 shows this Fall beginning this weekend in Hampton. Pick up the "I Saw It Again" Webcast Pass or buy shows individually. Mike Gordon Minneapolis FREE DOWNLOAD & Portland SBDs Released at www.doorway.ru Archive. Mike's March Tour begins tomorrow. Phish news, audio, videos, auctions — updated daily. Free Downloads (6); Free Man In Paris (1); Free Phish Tickets (1); Free Webcast (1); Freebird (3). Harry Hood (8/2/97 Gorge Amphitheatre - George, WA) - McGrupp And The Watchful Hosemasters (10/29/98 Greek Theatre - Los Angeles, CA) why when you can get it for free? also, a lot of us have already given Phish tens of thousands of dollars over the decades.» tcarlic • Wed Jul Finding new Phish soundboard recordings has proved as elusive as finding Finally, this SBD compilation contains a few tracks from August 7, at years so I'm not all that concerned about a couple discs of free music!. Phish Summer tour SBD + torrents: /07/20 George was webcast via Live Phish and featured the Phish debut of Set Your Soul Free. -
LESTER BOWIE Brass Memories
JUNE 2016—ISSUE 170 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LESTER BOWIE brASS MEMories REZ MIKE BOBBY CHICO ABBASI REED PREVITE O’FARRILL Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2016—ISSUE 170 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Rez Abbasi 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Mike Reed 7 by ken waxman General Inquiries: [email protected] On The Cover : Lester Bowie 8 by kurt gottschalk Advertising: [email protected] Encore : Bobby Previte by john pietaro Calendar: 10 [email protected] VOXNews: Lest We Forget : Chico O’Farrill 10 by ken dryden [email protected] LAbel Spotlight : El Negocito by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Miscellany 41 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 42 Andrew Vélez, Ken Waxman Contributing Writers Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Eric Wendell, Scott Yanow Jazz is a magical word. -
Understanding ‗It': Affective Authenticity, Space, and the Phish
Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene By C2010 Elizabeth Anne Yeager Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie J. Tucker ________________________________ Ben Chappell ________________________________ Henry Bial ________________________________ Eric Weisbard ________________________________ Nicole Hodges Persley Date Defended: December 14, 2010 ii The Dissertation Committee for Elizabeth Anne Yeager certifies that this is the approved version of the following dissertation: Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene ________________________________ Chairperson, Sherrie J. Tucker Date approved: April 18, 2011 iii Abstract ―Understanding It: Affective Authenticity, Space, and the Phish Scene‖ is an ethnographic study of ―scene identity‖ around the contemporary rock band Phish. Utilizing data generated from six years of ethnographic fieldwork, including over one hundred and fifty interviews with Phish scene participants, this project explores how the production of space at Phish shows works to form a Phish scene identity. I contend that the identity of the Phish scene, what the band members and fans refer to as ―it‖ and I call a spatial articulation of affective authenticity, is produced and formed by scene members themselves, drawing from the interrelations between the production of space (practices that create a specific environment) at shows and a white, middle and upper-middle class cultural memory of the Grateful Dead scene. I situate this process amidst a cultural backdrop of 1980s and 1990s identity politics and in particular, multiculturalism and suggest that Phish scene identity be analyzed as a middle class performance of resistance that achieves community and meaning without resisting class privilege. -
Intermixx Webzine 1 Intermixx Webzine 2
InterMixx Webzine 1 InterMixx Webzine 2 August 28th - 31st, 2003 at the Sheraton Society Hill, One Dock Street, Philadelphia, PA, a new music industry will be born. Philly is a symbol of independence... AND just like this great country of ours was founded by a bunch of rebels seeking freedom, so too are we seeking the freedom of independence from a music industry that is no longer run by musicians for the love of music. Instead, it's now run by multi-national corporations that are more concerned with profits than with artists and the music which they lovingly create to share with the world. There are currently over 2200 indie musicians and industry people on the IMC2003 email group, working to create a new music industry... the INDIE music industry! Please check out the web site at IMC2003.com, join us in building this revolutionary event. Nothing about the IMC will be the same as what we’ve been used to regarding music conferences. Throw out your preconceptions and help us make this exactly what YOU need it to be! Showcase Performance Workshop submission deadlines have been determined, watch the site for the Phase 1 Application Form. The application deadline is October 31, 2002. On the site you can download a print-ready poster to promote IMC, help us determine your needs by answering the Poll questions, read the brand new FAQ page with lots of updated info, check out the beginnings of our radical PDF Conference Directory, and much more. InterMixx Webzine 3 by Steve Bornstein Who can fathom the allure of music? It can loves. -
Improvisational Music Performance: On-Stage Communication of Power Relationships David A
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2012 Improvisational Music Performance: On-Stage Communication of Power Relationships David A. Steinweg University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Mass Communication Commons, and the Music Commons Scholar Commons Citation Steinweg, David A., "Improvisational Music Performance: On-Stage Communication of Power Relationships" (2012). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4407 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Improvisational Music Performance: On-Stage Communication of Power Relationships by David A. Steinweg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Fred Steier, Ph.D. Stacy Holman Jones, Ph.D. Elizabeth Bell, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: August 9, 2012 Keywords: Performativity, Frame Analysis, Ethnography, Grateful Dead, Reflexivity Copyright © 2012, David A. Steinweg Acknowledgements I would like to express my sincere gratitude toward a number of individuals who made this project possible. I extend a huge thank you to Fred Steier for inspiring and directing me throughout all stages of this project’s development. Without you, Fred, I would not be the person I am today. I would also like to thank the rest of my committee, Stacy Holman-Jones, Elizabeth Bell, and Dan Belgrad for their guidance and creative input. -
Theater of Jambands: Performance of Resistance
THEATER OF JAMBANDS: PERFORMANCE OF RESISTANCE by CHRISTINA L. ALLABACK A DISSERTATION Presented to the Department ofTheater Arts and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy June 2009 11 University of Oregon Graduate School Confirmation ofApproval and Acceptance ofDissertation prepared by: Christina Allaback Title: "Theatre ofJambands: Performance ofResistance" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofTheater Arts by: John Schmor, Chairperson, Theater Arts John Watson, Member, Theater Arts Theresa May, Member, Theater Arts Daniel Wojcik, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. June 13,2009 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. III © 2009 Christina L. Allaback IV An Abstract ofthe Dissertation of Christina L. Allaback for the degree of Doctor ofPhilosophy in the Department ofTheater Arts to be taken June 2009 Title: THEATER OF JAMBANDS: PERFORMANCE OF RESISTANCE Approved: _ Dr. John Schmor Jambands were born in the Haight-Ashbury district ofSan Francisco with the Grateful Dead, who dominated this musical geme until the mid-nineties. Jamband expert Dean Budnick coined the term shortly thereafter to describe bands that perform long, improvised jams during their live shows. As these improvised shows have increased in popularity, they have become great spectacles, featuring light shows, filmed images, dancing, storytelling, and short plays. While the performance happening inside the arena deserves study, there is an equally interesting performance that takes place in parking lots before and after the shows. -
Fall 2020 PHIL 6150: History of Continental Philosophy: 'In a Minute
Fall 2020 ─ PHIL 6150: History of Continental Philosophy: ‘In a minute, I’ll be free’: Hegel, Phish, and the Beautiful Failure of Aesthetic Emancipation Course Director: Jim Vernon Email: [email protected] Office Hours: By appt. (and, sadly, on Zoom). Course Description: “[W]e must maintain that art’s vocation is to unveil the truth in the form of sensuous artistic configuration […] and so to have its end and aim in itself, in this very setting forth and unveiling. For other ends, like instruction, purification, bettering, financial gain, struggling for fame and honour, have nothing to do with the work of art as such, and do not determine its nature”, Hegel’s Aesthetics, 55. “We’re living among infinite possibilities, and the prevalent philosophies of postmodernist pessimism that come out of the universities are really a major tragedy [because t]he opportunities for progress and change of a positive nature are absolutely tremendous” ─ Robert Anton Wilson, speaking in Maybe Logic: The Lives and Ideas of Robert Anton Wilson (dir. L. Baucher, 2003). “Hopeless has exceptions”, banner flown over the Clifford Ball, Plattsburgh, NY, Aug. 16-17, 1996. “Welcome to the dream everybody” ─ Trey Anastasio, introducing the final ‘Gamehenge’ set, 7/8/1994, Great Woods, MA There may be no theory of art that lies further from current trends in both philosophical aesthetics and artistic practice than that of G.W.F. Hegel. The most influential aesthetic discourses since the 1950s ─ those that define what we might loosely call the ‘postmodern’ era ─ have in the main rejected the universal and positive accounts of human essence that defined Enlightenment modernity, as well as the progressive narratives of what humanity has accomplished and might yet achieve, replacing them with ‘critical’, or pessimistic, conceptions of world history, social institutions, and individual/collective capacity. -
Criterion Pictures USA Inc
Criterion Pictures USA Inc. - CPLUSA_Titles Page 1 01-Oct-21 Select: !\fstatus\=1 and NOT ONEOF(\FDCODE\,"28,29,30,31,32,33,34")!! : : CPLUSA_TITLES CODE Title Name RunMinYear Subject Rating F00385 One Hundred Rifles 110 1969 Restricted TAR068 12:08 Bucharest 89 2006 Not Rated F102711 12 Rounds 107 2009 PG-13 F132043 12 Rounds 2: Reloaded 94 2013 Restricted F131472 12 Years a Slave 133 2013 Restricted UBK412 12 Years a Slave 24 2015 F031298 127 Hours 93 2010 Restricted F02210 Thirteen Rue Madeleine 95 1946 General F02209 Thirteenth Letter 85 1951 Not Rated A71094 14 Days in Paradise 87 2007 UBX208 14 Tanks and a Shipwreck 47 2013 TAR008 16 Years of Alcohol 102 2003 Restricted 201571 1917: Revolution in Russia 28 1988 General 1BRE01 1929-1941: The Great Depression 25 1990 1BRE02 1945-1989: The Cold War 25 1991 YWU809 2.0: Point of No Return 44 2016 UHV106 2,000 - Foot Tower 48 2008 196569 20 Animals That Will Kill You 0 2013 F07174 20 Dates 88 1999 Restricted S0002366 The 2000s: A New Reality 176 2015 General S0002404 20th Century History, Season 1 50 1990 196735 21st Century Sex Slaves 0 2012 YXQ507 24-Hour Watch 45 2013 YWU511 24 Hours After Asteroid Impact 0 0 General YWU612 24 Hours After Hiroshima 0 2010 General F030875 27 Dresses 110 2008 PG-13 F30275 28 Days Later 112 2003 Restricted F030643 28 Weeks Later 100 2007 Restricted F06597 Twenty Ninth Street 101 1991 Restricted YXQ210 3,000-Pound Coke Bust 45 2010 TRO621 30 Girls and 30 Days 80 2013 TRO525 30 Minutes Or Less 5 2001 F099109 365 Nights in Hollywood 77 1935 YWU716 The