X UFRJ INTERNATIONAL SYMPOSIUM ON MUSICOLOGY “SIM-UFRJ CELEBRATES ITS 10 YEARS” School of Music / Graduate Studies Program , August 12–16, 2019

General Committee Maria José Chevitarese (UFRJ), Chair Pauxy Gentil-Nunes (UFRJ) Maria Alice Volpe (UFRJ) Marcelo Jardim (UFRJ) Ronal Silveira (UFRJ) Beth Villela (UFRJ) Mário Alexandre Dantas Barbosa (UFRJ) Ivette Céspedes Gomes (UFRJ) Rafaela Theodoro da Fonseca (UFRJ)

Program Committee Maria Alice Volpe (UFRJ), Chair Andrea Adour da Câmara (UFRJ), Submission Coordinator Antonio Augusto, Coordinator of the Research Line History and Documentation of Brazilian and Ibero-American Music (UFRJ) Frederico Barros, Coordinator of the Research Line Ethnography of Musical Practices (UFRJ) Sérgio Álvares, Coordinator of the Research Line Music, Education and Diversity (UFRJ) Carlos Almada, Coordinator of the Research Line Poetics of Music Creation (UFRJ) Pedro Bittencourt, Coordinator of the Research Line Interpretive Practices and their Reflective Processes (UFRJ) Edilson Vicente de (Federal University of Ouro Preto, Minas Gerais, ) Manuel Pedro Ferreira (NOVA - New University of , )

II Extension course “Pedagogy of the History of Brazilian Music for Basic Education” Maria Alice Volpe, Coordinator Mário Alexandre Dantas Barbosa (UFRJ e CPII), Pedagogical Coordinator Pedagogical Nucleus Mário Alexandre Dantas Barbosa (UFRJ e CPII) Anna Cristina Cardozo Fonseca (CPII) João Miguel Bellard Freire (UFRJ) Aline Santos da Paz de Souza (UFRJ and Prefeitura Municipal do Rio de Janeiro)

Nucleus of Academic Integration between Undergraduate and Graduate Studies Tiago dos Santos de Souza (UFRJ) Silviane Paiva de Noronha (UFRJ)

CALL FOR PAPERS

The School of Music and the Graduate Studies Program announce the X International Symposium on Musicology of the Federal University of Rio de Janeiro, to be held from August 12 to 16, 2019, and welcome the submission of proposals. In order to shelter the diverse currents of musical research of the present time, it will be open to the propositions of themes and approaches, and still suggests the following topics:

 issues and tendencies of Ibero-Afro-American musicologies  the area of music and the challenges of intra-, inter-, multi- and trans- disciplinarity  cultural dialogues, circulation, transfer and appropriation of ideas, ideologies, repertoires, aesthetics, styles, techniques and musical practices  musicologies and analytical theories: dialogues, frontiers and intersections  creation and musical performance  pedagogy of music  music and identity  reception studies  intertextuality studies  newspapers and musical criticism  heritage and achives  institutional, scientific, artistic and cultural policies  cultural management and production The selected papers will be published in the Proceedings in electronic format, and will be available at no cost on the site of the School of Music of the UFRJ, and electronic repositories of academic-scientific publications.

IMPORTANT DATES Submission deadline: June 02, 2019 Notification to successful applicants: June 14, 2019 Symposium: August 12-16, 2019 SUBMISSION GUIDELINES

1. Proposals must be sent to the e-mail [email protected] no later than June 2nd, 2019, and shall be addressed to the Program Committee Chair according to the instructions below. 2. Proposals must be original works and address issues related to the conference theme SIM_UFRJ2019. 3. Proposals should contain the following elements: name of the author(s), institutional affiliation, title of the work, the complete text, author(s)’s short curriculum(a) and e-mail address(es). 4. The complete text must have a minimum length of 2,000 words and a maximum of 3,000 words, including bibliographical references, and must contain at most 3 figures (images, illustrations, musical examples, tables, tables, etc.) 5. Proposals may be written in Portuguese, Spanish, and English. Proposals in Portuguese, and Spanish must include the following information in English: title of the paper, abstract, and author(s)’s short curriculum(a). Academic writing must follow ABNT guidelines, and quotations must be indicated in the text by the author-date system.

6. Each paper will have 15 minutes for oral presentation.

7. Proposals must contain the following information in the body of the e-mail:

Author(s)’s information:

1st author name (as it appears in publications): ______Full Address: ______Tel.: ______Email: ______

2nd author name (as it appears in publications): ______Full Address: ______Tel.: ______Email: ______

8. Proposals must follow the template below, and be sent as attached electronic file in Microsoft Word *.doc, *.docx or Rich Text Format [*.rtf]. Please, identify the electronic file name as .

9. Only one proposal per author (main or individual) will be approved, being possible further proposals in co-authorship (secondary author or supervisor).

10. In submitting the proposal, the authors declare that they are aware of the rules for submitting and participating in the event and, if the proposal is approved by the Program Committee, they authorize the editor of SIM_UFRJ2019 to publish it in printed and/or digital format on the institution’s website, and distribute it in electronic repositories of academic-scientific publications.

Acknowledgments of proposals received will be sent by email to all who submit proposals. For inquiries concerning submissions, please contact Andrea Adour by the e- mail [email protected]. Further details, including those concerning the preliminary and final program and general information on accommodations, will be made available at the UFRJ School of Music website http://www.musica.ufrj.br and at the UFRJ Graduate Studies Program in Music website http://www.musica.ufrj.br/posgraduacao/index.php. SUBMISSION TO X SIM_UFRJ 2019

Author’s name Institutional affiliation e-mail

(and if it applies:) Second author’s name Institutional affiliation e-mail

Title of the paper in English (up to 20 words): bold, Times New Roman, size 12, center

Text (font Times New Roman, type size 12; 1.5 line spacing; justified alignment; 3 cm for all margins) text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text. Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text “quotation over 3 lines between quotation marks” (AUTHOR, year, p. ). Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text ext text text text text text text text text text text text text text text text text text text text text.1 Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text

1 Footnote for additional comments or information. Times New Roman, type size 10; 1.0 line spacing; justified alignment. text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text.

A quotation longer than 3 lines should be blocked in single-spaced and indented text, font Times New Roman, type size 10; 1.0 line spacing; justified alignment. Quotation quotation quotation quotation quotation quotation quotation quotation quotation quotation quotation quotation quotation quotation quotation. (AUTHOR, year, p. )

Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text (Figure 1).

Images such as illustrations, musical examples, tables, figures, charts, etc. should be placed in the text as Figure and identified at the bottom with proper numbering and legend that synthetically explains the information gathered there. Once the paper has been aproved for publication, the images should be sent separately in individual files in .jpeg ou .tif (minimum resolution of 300 dpi) and named according to their placement in the text. For example: fig_1.jpg; fig_2.jpg; fig_3.jpg; table_1.tif; table_2.tif, etc.

The author is responsible for obtaining copyright permission for reproduction of all images, such as illustrations, musical texts, tables, figures, and music examples.

Figure 1. Legend, font Times New Roman, type size 10; 1.0 line spacing; centered alignment.

Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text.

References At the end of the text, include references (bibliographical, sites, historical documentation, audio-visual records, etc.). Historical documentation and ethnographic records may be listed separatedly at the discretion of the author.

Examples:

BÉHAGUE, Gerard. “Boundaries and Borders in the study of music in Latin America: a conceptual re-mapping”, Latin American Music Review, vol. 21 no. 1, p. 16-30, 2000. CORRADO, Omar. Música y modernidad en Buenos Aires 1920-1940. Buenos Aires: Gourmet Musical, 2010. NOGUEIRA, Ilza. “Análise e crítica musical: entre ideologias e utopias”. In: VOLPE, Maria Alice (ed.). Teoria, Crítica e Música na Atualidade. (Série Simpósio Internacional de Musicologia da UFRJ, vol. 2). Rio de Janeiro: Universidade Federal do Rio de Janeiro, Escola de Música, Programa de Pós-graduação em Música, 2012, p. 17-30.

Short curriculum(a) of the author(s) AUTHOR’S NAME followed by a short biographical note informing the author(s)’s professional activities and academic training, up to 150 words in the following order: institutional affiliation, title (from highest to lowest), other relevant information and main publications (journal or publisher, year). Times New Roman, type size 10; 1.0 line spacing; 3 cm for all margins; justified alignment. All information in the same paragraph, each item separated by dot.