Transit by Ben Aaronovitch Prologue the Doctor Stood Alone on A

Total Page:16

File Type:pdf, Size:1020Kb

Transit by Ben Aaronovitch Prologue the Doctor Stood Alone on A Transit By Ben Aaronovitch Prologue The Doctor stood alone on a Devonian beach and tried to persuade the lungfish to return to the sea. 'You won't like it,' said the Doctor. He noticed that the fish's fins had become short stubby legs. It had become an Ichthyostega, the first true amphibian. The Doctor checked his watch. About two million years early at that. 'You're making a big mistake,' said the Doctor. The amphibian ignored him, its flat head fixed on the line of cool vegetation ahead. It had covered a quarter of the distance across the hot white sand. 'I know it's crowded in there,' pleaded the Doctor. 'I know the food chain is overstocked, I know it's a fish-eat-fish ocean ...' He trailed off. The gill slits had healed up, the legs lengthened. Claws sprouted from the feet. The panting mouth was full of teeth. From across the sea came the sound of thunder. 'Don't do it," said the Doctor. But too late. The reptile was suddenly flushed with hot blood. Hair sprouted over its body, it got off its belly and surged up the beach, getting smaller all the time. By the time the Doctor caught up with it, the mammal was five centimetres long and cowering behind a shell. From the forest ahead came the crash and roar of gigantic lizards. The Doctor hunkered down and stared at the rodent. Its small eyes gazed over the half of the beach that remained. The Doctor felt that it should at least look terrified but it didn't. It looked expectant. There was a sudden scream in the stratosphere and the earth bucked under their feet. 'Did that sound like a ship full of Cybermen to you?' asked the Doctor. The sky went black with dust, the temperature dropped, the forest echoed with the meaty thump of collapsing species. 'I was there, you know,' said the Doctor. 'I lost a good friend. Not that you care.' The dust cleared from the sky. The sun came out. The forest was silent. The rodent ran for the treeline. The wind blew in from the sea, bringing the smell of salt; from the horizon dark clouds raced towards the shore. When the Doctor looked back the animal was walking upright, flexing its new hands. As he watched the biped shed her fur. Breasts sprouted, the cranium ballooned backwards, the forehead lifted. Intelligence flared in brown eyes, the co-ordinated digits of her right hand picked up a stick and she looked around for something to hit with it. The storm struck the beach. The Doctor struggled through the rain and stepped in front of the human, blocking her path. 'Don't do it!' he shouted over the wind. But her eyes were full of fire and dangerous ideas. She raised the stick which became a club, a sword, a gun, a hydrogen bomb. Lightning fused the sand around them. 'Please,' said the Doctor. The stick came down on his face. PART ONE 'Are you sure,' asked his companion, 'that this is the nineteen-eighties?' The Doctor looked around. 'Which nineteen-eighties did you have in mind?' Conversations that never happened. 1: Oncoming Trains Olympus Mons West Credit Card took the call from Central but he had to shout to make himself heard. Dogface was arguing over a game of Damage with Old Sam. Only Dogface was crazy enough to pick a fight with an old veteran like Sam, but Dogface always said that even Old Sam got bored with pushing people about. It was good therapy, he said, to stand up to him from time to time. At the time the call came in, both were in full flight, Old Sam on his feet with his two-tone dreadlocks flailing around his head, Biondie edging towards the door while Lambada surreptitiously cleared any breakables from the table. Dogface was leaning comfortably back in his chair, arms across his chest, a big eastwood clamped in his mouth. Old Sam had cranked up to full volume, swearing in something that had been an Indo-European language about two hundred years ago. Credit Card figured that the military must have augmented his lungs along with the rest of his body. Credit Card sighed, stuck his right index finger in the slot and jacked into the system direct. 'What the hell's going on down there?' Credit Card winced. Talking to Ming the Merciless was a pain face to face, going direct was like rubbing his brain on a cheese grater. 'Keep it down,' he sent, 'I'm plugged in.' Ming the Merciless had a problem, mainly a brown-out on the Central Line which was knocking fifteen seconds off transit time station to station. Ming was very democratic: if she had a problem she liked to spread it around. 'We're on a break.' Ming didn't care. She wanted the problem sorted out - now. Credit Card pulled his finger from the socket and watched Ming doing goldfish impressions on the screen, her mouth silently opening and closing. 'What's Ming want?' asked Lambada. 'Brown-out on Central.' 'Again?' said Lambada. 'It's the regulators,' said Old Sam. 'They're bloody antiques.' 'Twenty-bloody-five years old,' said Dogface. Old Sam sat down opposite Dogface and chewed the end off a fresh eastwood. 'Got a light?' he asked Dogface, who tossed the lighter to him. Old Sam snatched it from the air, insect fast, just to show that forty years hadn't slowed him down none. Credit Card plugged his finger back in. 'It's the regulators,' he told Ming. 'I know it's the regulators,' screamed Ming, 'of course it's the bloody reg ...' Credit Card yanked his finger out again. 'She says she knows that it's the regulators.' 'I hate that Ming,' said Lambada. 'Yamatzi series five,' said Dogface. 'It's the coupling on the field controller.' 'Always dropping out of line,' said Old Sam. 'Two, maybe three, angstroms.' 'Five angstroms,' said Dogface. 'Very dodgy workmanship,' said Old Sam. 'Not like the new Nigerian regulators.' 'Japanese got no idea how to make precision gear.' 'It's not in their culture.' 'Not like the Africans.' 'Now they understand interstitial dynamics,' said Dogface. 'All that mystical stuffs second nature to them.' 'You can't swear undying loyalty to your company and then build something that relies on the transient nature of reality as a basic operating principle,' said Old Sam and blew a smoke ring at the ceiling. 'Common sense, innit?' said Dogface. 'So what do I tell Ming?' asked Credit Card. 'Tell her we'll get round to it later,' said Old Sam. 'Much later,' said Dogface. 'Don't you ever worry about getting the sack?' asked Lambada. 'Nah,' said Old Sam. 'Me and Dogface are the only ones who know how the system really works.' 'I could fix them,' said Blondie. 'Shut up, Blondie,' said Dogface. STS Central - Olympus Mons Ming the Merciless decided that banging her head violently against the console was not an effective method of stress management and consoled herself by screaming at the next person she saw. Once the young technician had fled into the corridor she sat down and considered her position. The duty office overlooked the master control room. Colour-coded holograms displayed the system in its entirety. Red for the mterWorld lines like the Loop, Central Line and Outreach, orange for the commuter networks, blue for the feeders and yellow for the branch lines. A three-dimensional tangle of colour, each subsystem descending into a fractal infinity while data streams in white light marked the passage of a hundred thousand trains, fifty-six million passengers at fifty thousand stations. It was an animal, Ming had decided a long time ago, a vast organism with a multitude of orifices that swallowed people and spat them out elsewhere. Grown up from an embryo over two centuries, it encompassed the solar system and stopped the ancient motion of the planets. In subspace all distances are the same distance so distance became meaningless. Orbits became an abstraction, the distance to Mars was a function of how far away the nearest station was. For most people the map of the system was the map of the universe. And now the system was ready to eat up the light years between Sol and Acturus. Amongst the tangle of light, a new thread, picked out in silver, and a new station - Acturus Terminal, a new line, the Stella Tunnel, the Stunnel. The beast had yawned and stretched out to annihilate another frontier. The trouble is, Ming thought, the beast is sick. Lunarversity Kadiatu was watching The Bad News Show on English 37, lying on her back with the TV projected on to the ceiling. It was hot and her bare back kept sticking to the plastic skin of the mattress. The campus administration had promised that the environment would be fixed soon, but what with recent cutbacks students weren't holding their breaths. Bad News was showing a jumpy video of a security raid in Melbourne, intensified images shot over the shoulder of the lead policeman. Yak Harris, the Bad News anchorman, was making a big deal out of the way the camera operators wore full combat armour, 'Better than the real cops'. Yak chortled ruefully as one of the policemen went down with a bullet in the face. 'Just goes to show, you can't be too well protected,' Right on cue they ran a twenty-second advert for personal armour - 'How safe are you?' - and Yak was back with the latest body count over a slowmo action replay of the cop's death.
Recommended publications
  • Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly.
    [Show full text]
  • How to Remember Names and Faces the Easy Way
    Brain Athlete: How to Remember Names and Faces the Easy Way Ron White If you like this book and want to get my full memory course you can get it at www.blackbeltmemory.com Thanks Ron If you like this book and want to get my full memory course you can get it at www.blackbeltmemory.com Thank you Ron All rights reserved worldwide. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the writer or publisher, except where permitted by law. All photos inserted in this ebook have been purchased or researched as being available for public domain. Book Designed by Acepub Table of Contents Chapter 1 ............................................................................................... 1 Chapter 2: The 5 Steps to Remember Any Name ............................ 5 Chapter 3: Putting the 5 Steps together .......................................... 23 Chapter 4: The Name Test ................................................................ 25 Chapter 5: Name Recall Test ............................................................ 41 Chapter 6: Check Your Answers ...................................................... 57 Chapter 7: Pictures for Names from Around the World .............. 61 Ron White Brain Athlete: How to remember names and faces the easy way 1 I never forget a face, I just can’t recall the name! I’m not good at remembering names! Two seconds after the handshake breaks I can’t remember the name! How many times have you said these things? I bet lots. I wouldn’t be surprised if you met someone today and right now if you thought about it you couldn’t recall their name.
    [Show full text]
  • Thesis Draft
    NGUYEN, HAO M., M.F.A. Can’t Go Home. (2011) Directed by Craig Nova. 71 pp. This thesis is a compilation of short stories around the theme of home. The characters struggle with how home shapes their values and desires. They seek to reconcile where they’ve come from with who they presently are and who they wish to become. Most of the characters are looking for a place to belong. CAN’T GO HOME by Hao M. Nguyen A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Greensboro 2011 Approved by _______________ Committee Chair To my husband, Chris Donald. ii APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair_______________________ Craig Nova Committee Members_____________________ Holly Goddard-Jones ____________________ Michael Parker ________________________________ Date of Acceptance by Committee iii TABLE OF CONTENTS Page KEEP THE BALANCE...................................................................................................1 THE BOARDERS.........................................................................................................29 THE CONSULTANTS..................................................................................................44 TAKE MY PICTURE ...................................................................................................58 iv KEEP THE BALANCE Linh, eleven, sat down after school to write a list of all the boys she loved by order of priority. She was ready: she wore her rosary, did a Hail Mary because it had the line “pray for us sinners,” she had a clean sheet of paper and a glittery purple pencil reserved for important words. She wanted God and Jesus and Mary to have no wiggle room; they needed to keep the people on her list in her life.
    [Show full text]
  • Hypersphere Anonymous
    Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene.
    [Show full text]
  • Genesys John Peel 78339 221 2 2 Timewyrm: Exodus Terrance Dicks
    Sheet1 No. Title Author Words Pages 1 1 Timewyrm: Genesys John Peel 78,339 221 2 2 Timewyrm: Exodus Terrance Dicks 65,011 183 3 3 Timewyrm: Apocalypse Nigel Robinson 54,112 152 4 4 Timewyrm: Revelation Paul Cornell 72,183 203 5 5 Cat's Cradle: Time's Crucible Marc Platt 90,219 254 6 6 Cat's Cradle: Warhead Andrew Cartmel 93,593 264 7 7 Cat's Cradle: Witch Mark Andrew Hunt 90,112 254 8 8 Nightshade Mark Gatiss 74,171 209 9 9 Love and War Paul Cornell 79,394 224 10 10 Transit Ben Aaronovitch 87,742 247 11 11 The Highest Science Gareth Roberts 82,963 234 12 12 The Pit Neil Penswick 79,502 224 13 13 Deceit Peter Darvill-Evans 97,873 276 14 14 Lucifer Rising Jim Mortimore and Andy Lane 95,067 268 15 15 White Darkness David A McIntee 76,731 216 16 16 Shadowmind Christopher Bulis 83,986 237 17 17 Birthright Nigel Robinson 59,857 169 18 18 Iceberg David Banks 81,917 231 19 19 Blood Heat Jim Mortimore 95,248 268 20 20 The Dimension Riders Daniel Blythe 72,411 204 21 21 The Left-Handed Hummingbird Kate Orman 78,964 222 22 22 Conundrum Steve Lyons 81,074 228 23 23 No Future Paul Cornell 82,862 233 24 24 Tragedy Day Gareth Roberts 89,322 252 25 25 Legacy Gary Russell 92,770 261 26 26 Theatre of War Justin Richards 95,644 269 27 27 All-Consuming Fire Andy Lane 91,827 259 28 28 Blood Harvest Terrance Dicks 84,660 238 29 29 Strange England Simon Messingham 87,007 245 30 30 First Frontier David A McIntee 89,802 253 31 31 St Anthony's Fire Mark Gatiss 77,709 219 32 32 Falls the Shadow Daniel O'Mahony 109,402 308 33 33 Parasite Jim Mortimore 95,844 270
    [Show full text]
  • American University Library
    EPISODES FROM THE LIFE OF DIEGO JONES OR BETTER EVERY YEAR By Ernest Edward White II Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts In Creative Writing Chair: Keith Leonard Dean ofthe College Date 2005 American University Washington, DC 20016 AMERICAN UNIVERSITY LIBRARY Reproduced with permission ofthe copyright owner. Further reproduction prohibited without permission. UMI Number: 1429834 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1429834 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission ofthe copyright owner. Further reproduction prohibited without permission. © COPYRIGHT by Ernest Edward White II 2005 ALL RIGHTS RESERVED Reproduced with permission ofthe copyright owner. Further reproduction prohibited without permission. EPISODES FROM THE LIFE OF DIEGO JONES OR BETTER EVERY YEAR BY Ernest Edward White II ABSTRACT Episodes from the Life of Diego Jones (working title) begins with two major life- changing events on the protagonist's sixteenth birthday, one of which is his first sexual experience with another male.
    [Show full text]
  • East Africa Trip
    THE OBAMA AMBUSH AND OTHER TALES FROM EAST AFRICA WITH A PINCH OF THE MIDDLE EAST THROWN IN FOR GOOD MEASURE BY LARRY GLICK – INTERNATIONAL FUGITIVE Could it really have been 19 years since my last trip to Africa? Well, 1994 to 2013 does compute to 19. My previous trips were to Southern Africa, but this one would be to the great safari countries of East Africa and include two of everybody’s top Natural Wonders of the World – the Ngorongoro Crater and the Great Serengeti Migration, both in Tanzania. The trip would conclude with what travel magazines are calling the greatest wildlife experience in the world, a trek to visit the last of the mountain gorillas, this in Uganda The trip did not get off to a rousing start, as our State Department decided to close our embassies throughout the Middle East and North Africa effective August 4, 2013. The greatest threat of terrorism from al Qaeda, they implied, would be in the Arabian Peninsula. Of course, my first stop on August 4th was in none other than Dubai, United Arab Emirates, in (you guessed it) the Arabian Peninsula. As in past trip reports I will highlight aspects of the trip using brief comments I jotted down each day as paragraph headings. So, in addition to the aforementioned Obama ambush, you will read about- The trouble with those XL gators; to cross or not to cross; camel racing; Lawrence of Arabia; Shoebill heaven; Masai meets Versailles, chimps in the rain; the extinct black rhino; illegal border crosser; define impenetrable; bowling for gorillas;.
    [Show full text]
  • 1614727366480.Pdf
    More Ultramarines from Black Library • THE CHRONICLES OF URIEL VENTRIS • BOOK 1: NIGHTBRINGER BOOK 2: WARRIORS OF ULTRAMAR BOOK 3: DEAD SKY, BLACK SUN BOOK 4: THE KILLING GROUND BOOK 5: COURAGE AND HONOUR BOOK 6: THE CHAPTER’S DUE Graham McNeill • DAWN OF FIRE • BOOK 1: AVENGING SON Guy Haley BOOK 2: THE GATE OF BONES Andy Clark INDOMITUS Gav Thorpe • DARK IMPERIUM • BOOK 1: DARK IMPERIUM BOOK 2: PLAGUE WAR Guy Haley OF HONOUR AND IRON Ian St. Martin KNIGHTS OF MACRAGGE Nick Kyme DAMNOS Nick Kyme VEIL OF DARKNESS An audio drama Nick Kyme BLOOD OF IAX Robbie MacNiven CONTENTS Cover Backlist Title Page Warhammer 40,000 Book I 1 2 3 4 Book II 5 6 7 8 Book III 9 10 11 12 13 Epilogue About the Author An Extract from ‘Dawn of Fire: Avenging Son’ A Black Library Publication eBook license For more than a hundred centuries the Emperor has sat immobile on the Golden Throne of Earth. He is the Master of Mankind. By the might of His inexhaustible armies a million worlds stand against the dark. Yet, He is a rotting carcass, the Carrion Lord of the Imperium held in life by marvels from the Dark Age of Technology and the thousand souls sacrificed each day so that His may continue to burn. To be a man in such times is to be one amongst untold billions. It is to live in the cruellest and most bloody regime imaginable. It is to suffer an eternity of carnage and slaughter. It is to have cries of anguish and sorrow drowned by the thirsting laughter of dark gods.
    [Show full text]
  • The Impact of Life Behind the Barbed Wire on World War II Prisoners of War
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Fall 2008 Vanishing Voices: The Impact of Life Behind the Barbed Wire on World War II Prisoners of War James Reginald Burgess Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Burgess, James Reginald, "Vanishing Voices: The Impact of Life Behind the Barbed Wire on World War II Prisoners of War" (2008). Electronic Theses and Dissertations. 466. https://digitalcommons.georgiasouthern.edu/etd/466 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. 1 VANISHING VOICES: THE IMPACT OF LIFE BEHIND THE BARBED WIRE ON WORLD WAR II PRISONERS OF WAR by JAMES REGINALD BURGESS (under the direction of John A. Weaver) ABSTRACT This dissertation is an exploration into the lived experiences and interconnectedness of World War II prisoners of war (POWs). It is driven by the personal accounts of four men who experienced life on the wrong side of the barbed wire: my father, the late William Austin Burgess, formerly of Hinesville, Georgia; C. Neill Baylor, of Vidalia, Georgia; Herman Cranman, of Savannah, Georgia; and Robert Waldrop, of Beaufort, South Carolina. The impetus for this exploration began with the stories I received as a child when my father would share his wartime military experiences with me and continues with the learning of pre-war, wartime, and post-war experiences.
    [Show full text]
  • Download CNIB Craft Ideas
    CREATING EDUCATIONAL TOYS AND ACTIVITIES FOR CHILDREN WHO ARE BLIND OR VISUALLY IMPAIRED JENNIFER UROSEVIC ORIENTATION AND MOBILITY INSTRUCTOR EARLY INTERVENTION SPECIALIST CANADIAN NATIONAL INSTITUTE FOR THE BLIND LEE-ANNE CROSS EARLY CHILDHOOD EDUCATOR EARLY INTERVENTION SPECIALIST CANADIAN NATIONAL INSTITUTE FOR THE BLIND Presented by Jennifer Urosevic and Lee-Anne Cross, Texas Focus Conference, June 2003. Use personal judgment and close supervision to ensure child‟s safety when using these activities. Presented by Jennifer Urosevic and Lee-Anne Cross, Texas Focus Conference, June 2003. Use personal judgment and close supervision to ensure child‟s safety when using these activities. INTRODUCTION Concept development and sensory awareness begin in infancy and continue to develop throughout a child‟s life. They are intertwined in every part of one‟s life, whether as a preschooler learning left from right, as a child learning Braille, or as a teenager learning to use cardinal directions. When these skills are continuously reinforced in all aspects of a child‟s life, and throughout daily routines, the child will ultimately gain greater independence. In our fast-paced society, it is tempting to search for the perfect toy which will teach children, while overlooking the many opportunities and tools which exist within our own homes and communities. The benefits of using household items and daily routines are many. We need to provide activities and opportunities which are rich, varied, and which help to develop concepts and life skills. It is easy to begin to search for the ideal toy, flashy and bright, which will teach these skills. And certainly, these types of toys do have a place in a child‟s play.
    [Show full text]
  • How Did I Get Outside in the Blizzard? She Heard Sally Lil Cry Out
    Anna’s Blizzard Anna's Blizzard INTERIOR for TPB.indd 1 6/1/17 2:18 PM Published by PEACHTREE PUBLISHERS 1700 Chattahoochee Avenue Atlanta, Georgia 30318-2112 www.peachtree-online.com Text © 2005 by Alison Hart Illustrations © 2005 by Paul Bachem First trade paperback edition published in 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Cover design by Loraine Joyner Book design by Melanie McMahon Ives Manufactured in China 10 9 8 7 6 5 4 3 (hardcover) 10 9 8 7 6 5 4 3 2 1 (trade paperback) Library of Congress Cataloging-in-Publication Data Hart, Alison. Anna’s blizzard / by Alison Hart.— 1st ed. p. cm. Summary: Having never excelled at schoolwork, twelve-year-old Anna discovers that she may know a few things about survival when the 1888 Children’s Blizzard traps her and her classmates in their Nebraska schoolhouse. Includes bibilographical references ISBN 13: 978-1-56145-349-8 (hardcover) ISBN ??????? (trade paperback) [1. Survival—Fiction. 2. Blizzards—Fiction. 3. Schools—Fiction. 4. Nebraska— History—19th century—Fiction.] I. Title. PZ7.H256272Ar 2005 [Fic]—dc22 2005010825 Anna's Blizzard INTERIOR for TPB.indd 2 6/1/17 2:18 PM Anna’s Blizzard by Alison Hart Anna's Blizzard INTERIOR for TPB.indd 3 6/1/17 2:18 PM To brave girls everywhere —A.
    [Show full text]
  • ARIA Charts, 1992-01-03 to 1992-03-08
    AUSTRALIAN TOP 50 A A TRADE MARK REGD. THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION LTD. SINGLES CHART PROUDLY BROUGHT TO YOU BY YOUR BOTTLER OF 'COCA—COLA' 1991 TITLE/ARTIST Co. Cat. No. STATE CHARTS 1 (EVERYTHING I DO) I DO IT FOR YOU Bryan Adams A2 PDR/POL 390 639-4 New South Wales 2 TINGLES (EP) Ratcat A roo/POL 878 165-4 1 (Everything I Do) I Do It For You 3 GREASE MEGAMIX Olivia Newton-John & John Travolta A PDR/POL 879 410-4 2 Tingles (EP) 4 THE HORSES Daryl Braithwaite A COLUMBIA 656617 4 3 The Horses GEF/BMG GEFCS 19039 4 More Than Words 5 YOU COULD BE MINE Guns n' Roses A 5 Grease Megamix 6 READ MY LIPS Melissa A PHON/POL 868 424-4 6 Read My Lips 7 MORE THAN WORDS Extreme A PDR/POL 390 634-4 7 You Could Be Mine 8 I'VE BEEN THINKING ABOUT YOU Londonbeat A ANX/BMG CSANX 0014 8 I've Been Thinking About You 9 JOYRIDE Roxette A EMI 2547-4 9 Better 101'm Too Sexy 10 THE SHOOP SHOOP SONG (IT'S IN HIS KISS) Cher A EPIC 656666 4 11 DO THE BARTMAN The Simpsons • GEF/BMG 543919665-4 Victoria & Tasmania 12 UNFORGETTABLE Natalie Cole With Nat "King" Cole • WARNER 755964875-4 1 (Everything I Do) I Do It For You 13 I'M TOO SEXY R.S.F. (Right Said Fred) A LIB/FES C 10503 2 Grease Megamix 14 LOVE ... WILL BE DONE Martika A COLUMBIA 656975 4 3 Tingles (EP) VIR/EMI VOZC 094 4 Read My Lips 15 I TOUCH MYSELF Divinyls A 5 I've Been Thinking About You 16 RUSH Big Audio Dynamite II • COLUMBIA 656978 4 6 More Than Words 17 FANTASY Black Box • BMG CS 3895 1 You Could Be Mine 18 RHYTHM OF MY HEART Rod Stewart • WARNER 543919374-4 8 The Horses 19 RUSH RUSH Paula Abdul • VIR/EMI VUSC 38 9 Joyride 10 Fantasy 20 BETTER The Screaming Jets • roo/POL 878 814-4 21 I WANNA SEX YOU UP Color Me Badd • WARNER 543919382-4 Queensland 22 ICE ICE BABY Vanilla Ice A EMI 2504-4 1 (Everything I Do) I Do It For You 23 SADNESS PART 1 Enigma • VIR/EMI DINSC 101 2 The Horses 24 HERE I AM (COME AND TAKE ME) UB40 • VIR/EMI TCDEPC 34 3 The Shoop Shoop Song (It's In His Kiss) LIB/FES C 10380 4 You Could Be Mine 25 3 A.M.
    [Show full text]