The Impact of Life Behind the Barbed Wire on World War II Prisoners of War
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
A Study of After-School and Summer Programs: the Effectiveness of Law-Related Youth Educational Programs for Adolescents in Marginalized Communities" (2015)
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2015 A Study of After-School and Summer Programs: The ffecE tiveness of Law-Related Youth Educational Programs for Adolescents in Marginalized Communities Pamela Anne Labbe Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Sociology Commons Recommended Citation Labbe, Pamela Anne, "A Study of After-School and Summer Programs: The Effectiveness of Law-Related Youth Educational Programs for Adolescents in Marginalized Communities" (2015). LSU Master's Theses. 2193. https://digitalcommons.lsu.edu/gradschool_theses/2193 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A STUDY OF AFTER-SCHOOL AND SUMMER PROGRAMS: THE EFFECTIVENESS OF LAW-RELATED YOUTH EDUCATIONAL PROGRAMS FOR ADOLESCENTS IN MARGINALIZED COMMUNITIES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Department of Sociology College of Humanities and Social Sciences by Pamela Anne Labbe B.A., University of Louisiana, 1991 M.M.C., Louisiana State University, 1995 May 2015 TABLE OF CONTENTS ABSTRACT..................................................................................................................................iii -
Inserting Hans Bellmer's the Doll Into the History of Pornography
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2020 Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography Alexandra M. Varga Follow this and additional works at: https://scholarship.claremont.edu/scripps_theses Recommended Citation Varga, Alexandra M., "Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography" (2020). Scripps Senior Theses. 1566. https://scholarship.claremont.edu/scripps_theses/1566 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 SOFTCORE SURREALISM: INSERTING HANS BELLMER’S THE DOLL INTO THE HISTORY OF PORNOGRAPHY, 2020 By ALEXANDRA M. VARGA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR ARTS FIRST READER: PROFESSOR MACNAUGHTON, SCRIPPS COLLEGE SECOND READER: PROFESSOR NAKAUE, SCRIPPS COLLEGE MAY 4TH 2020 2 Contents Acknowledgments. 3 Introduction: Finding The Doll. 4 Critical Reception: Who Has Explored The Doll?. 10 Chapter 1: Construction of the Doll and Creation of the Book. 22 Chapter 2: Publication in Germany and France. 37 Conclusion: Too Real For Comfort. 51 Bibliography. 53 Figures: Die Puppe Sequence, 1934. 56 Figures: La Poupée Sequence, 1936. 64 Figures: 19th and 20th Century Pornography. 71 3 Acknowledgments This thesis could not have been written without the support of my thesis readers, Professors Mary MacNaughton and Melanie Nakaue. I would like to thank them for their unwavering support. Their guidance gave me the confidence to pursue such an eccentric topic. -
Deconstructing Feminine and Feminist Fantastic Through the Study of Living Dolls
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 22 (2020) Issue 4 Article 7 Deconstructing Feminine and Feminist Fantastic through the Study of Living Dolls Raquel Velázquez University of Barcelona Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, Spanish Literature Commons, and the Women's Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Velázquez, Raquel. "Deconstructing Feminine and Feminist Fantastic through the Study of Living Dolls." CLCWeb: Comparative Literature and Culture 22.4 (2020): <https://doi.org/10.7771/1481-4374.3720> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Scanned Document
Speak Out Education Packet for Speakers and Students ACKNOWLEDGEMENTS The following people have our thanks for their dedication to this project and their contributions: 1990-91 Education Committee Members James Manford, PastCommittee Chairman Zach Roberts, POW ETO & Lecturer Helen Smith, National Ex-POW Historian Col. Donald E. Miller, U.S. Army Retired LloydW: Miller, Historian David Everson, Vietnam POW Anthony Jurek, Korea POW Our thanks to National Commander Francis Agnes and PNC John Edwards for their encouragement. Earl F. Miller, Committee Chairman Renee M. Miller Hazel Ownby American Ex-Prisonersof War APRIT..1991 MISSIONSTATEMENT For the Speaker: This packet of materials was compiled to make presentation of the speaker's war time and POW story simpler. Sheets have been designed for easy reading and use as "hand outs". They can be distributed to students prior to the time of the Ex-POW session with the class. Some topics will tie in with special events, i.e., Veterans Day, Flag Day, Etc .. Information contained here may be used to augment the personal story the Ex-POW has to tell. Suggestions listed are guidelines only. The American Ex-Prisoners of War Organization believes the Ex-POW belongs to a "chapter" in American History that should not be glossed over, lost, or forgotten. Generations to come should be aware of the prison camp experience and be cognizant of the fact that such cruelties and hardships are elements of war. No more than cursory attention is given to World War II, the Korean or the Vietnam War in the present school curriculum. If mention is made of POWs it is usually statistical in nature. -
Reading Activity Title: Yngwie J. Malmsteen Level. Intermediate +
Reading activity Title: Yngwie J. Malmsteen Level. Intermediate + Objective. To practice reading comprehension and identify the past form of the verb and the regular and irregular forms. Instructions: Read the text carefully and answer the questions below. Yngwie J. Malmsteen Yngwie Johann Malmsteen (born Lars Johann Yngve Lannerbäck, June 30, 1963) is a Swedish guitarist, composer and bandleader. Widely recognized as a virtuoso, Malmsteen achieved widespread acclaim in the 1980s due to his technical proficiency and his pioneering neo-classical metal. Guitar One magazine rated him the third fastest guitar shredder in the world after Michael Angelo Batio and Chris Impellitteri. Born into a musical family in Stockholm, Yngwie was the youngest child in the family. At an early age, he showed little interest in music. It wasn't until September 18, 1970 when at age seven he saw a TV special on the death of Jimi Hendrix that Malmsteen became obsessed with the guitar. To quote his official website, "The day Jimi Hendrix died, the guitar-playing Yngwie was born". He claims his first name in Swedish means "young Viking chief". Actually, it is a variation of Yngvi, who founded the House of Yngling, which is the oldest known Swedish dynasty. Malmsteen was in his teens when he first encountered the music of the 19th- José Ramón Montero Del Angel | Universidad Veracruzana century violin virtuoso Niccolò Paganini, whom he cites as his biggest classical influence. It has been rumoured that Yngwie believes himself to be the reincarnation of the temperamental, often criticized,and widely misunderstood violinist from Genoa. Through his emulation of Paganini concerto pieces on guitar, Malmsteen developed a prodigious technical fluency. -
May 2019 Newsletter.Pages
May 2019 May Newsletter Church of the Good Shepherd Important Safety Update Hospitality and Safety are top priorities for us at The Good Shepherd. Unfortunately, we live in a dangerous world where indiscriminate violence is perpetrated against the unsuspecting innocent. While we welcome all people without judgment, we must also be aware that there are people who would take advantage of our openness to do us harm. We are a downtown church with a very open campus. We must remain vigilant and aware of our surroundings at all times, while maintaining God’s gift of hospitality. Please pay close attention to your surroundings, your belongings, and most importantly your children. Our children should never be left unattended while at church and should never go to the restroom alone. Over this past year we have made the following significant security improvements to our campus. 1) We have increased our security presence with a regular off-duty uniformed Corpus Christi Police officer on Sunday mornings, and other times during the week. 2) We have radios located in the chapel, the nursery, and with the Vestry person of the day, for communication with our police officer on Sunday. 3) We have electronic defibrillators and fire extinguishers mounted in Munds Hall and the Narthex of the Church. 4) The Safety Committee has been meeting with Ushers, Greeters, Vestry and Staff, on plans, procedures, and improvements that will help us to be better prepared for a variety of emergencies. Additionally, the Vestry has approved the installation of new hardware on all of our Sanctuary doors for the purpose of emergency exit functionality. -
“…My Soul Delighteth in the Covenants of the Lord.” 2 Nephi 11:5 Wendy Watson
“…My soul delighteth in the covenants of the Lord.” 2 Nephi 11:5 Wendy Watson Nelson ______________________________________________________________________ This address was given Thursday, April 30, 2015 at the BYU Women’s Conference © 2015 by Brigham Young University Women’s Conference. All rights reserved For further information write: BYU Women’s Conference 161 Harman Continuing Education Building Provo, Utah 84602 801-422-7692 E-mail: [email protected] Home page: http://womensconference.byu.edu ______________________________________________________________________ Good morning, sisters! And, what a glorious morning this is. I love you! And I love what it feels like when we gather together as sisters under the direction of the Lord. I love BYU Women’s Conference. The two years I served as conference chair embedded this conference in my heart forever. Now I know it’s spring, but to me it feels just like Christmas. Being here with you today is every bit as wonderful as opening gifts on Christmas morning! When we really think about it, our covenants are a gift—a gift from God designed to get us safely back home to Him. And what a gift that is! My dear sisters, despite any anguishing life situation we may presently be in, it can feel like Christmas every day if we truly receive the gift of our covenants every day. Clearly, Nephi had deep, joy-filled feelings about the gift of our covenants. His words are the theme for this year’s conference: “My soul delighteth in the covenants of the Lord.”1 My sisters, I pray that the Holy Ghost will be the True Teacher as we consider the gift of our covenants with the Lord. -
How to Remember Names and Faces the Easy Way
Brain Athlete: How to Remember Names and Faces the Easy Way Ron White If you like this book and want to get my full memory course you can get it at www.blackbeltmemory.com Thanks Ron If you like this book and want to get my full memory course you can get it at www.blackbeltmemory.com Thank you Ron All rights reserved worldwide. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the writer or publisher, except where permitted by law. All photos inserted in this ebook have been purchased or researched as being available for public domain. Book Designed by Acepub Table of Contents Chapter 1 ............................................................................................... 1 Chapter 2: The 5 Steps to Remember Any Name ............................ 5 Chapter 3: Putting the 5 Steps together .......................................... 23 Chapter 4: The Name Test ................................................................ 25 Chapter 5: Name Recall Test ............................................................ 41 Chapter 6: Check Your Answers ...................................................... 57 Chapter 7: Pictures for Names from Around the World .............. 61 Ron White Brain Athlete: How to remember names and faces the easy way 1 I never forget a face, I just can’t recall the name! I’m not good at remembering names! Two seconds after the handshake breaks I can’t remember the name! How many times have you said these things? I bet lots. I wouldn’t be surprised if you met someone today and right now if you thought about it you couldn’t recall their name. -
Thesis Draft
NGUYEN, HAO M., M.F.A. Can’t Go Home. (2011) Directed by Craig Nova. 71 pp. This thesis is a compilation of short stories around the theme of home. The characters struggle with how home shapes their values and desires. They seek to reconcile where they’ve come from with who they presently are and who they wish to become. Most of the characters are looking for a place to belong. CAN’T GO HOME by Hao M. Nguyen A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Greensboro 2011 Approved by _______________ Committee Chair To my husband, Chris Donald. ii APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair_______________________ Craig Nova Committee Members_____________________ Holly Goddard-Jones ____________________ Michael Parker ________________________________ Date of Acceptance by Committee iii TABLE OF CONTENTS Page KEEP THE BALANCE...................................................................................................1 THE BOARDERS.........................................................................................................29 THE CONSULTANTS..................................................................................................44 TAKE MY PICTURE ...................................................................................................58 iv KEEP THE BALANCE Linh, eleven, sat down after school to write a list of all the boys she loved by order of priority. She was ready: she wore her rosary, did a Hail Mary because it had the line “pray for us sinners,” she had a clean sheet of paper and a glittery purple pencil reserved for important words. She wanted God and Jesus and Mary to have no wiggle room; they needed to keep the people on her list in her life. -
Diary and Memoir of PFC Clarence O. Swope
World War Two Diary and Memoir Clarence O. Swope U.S. Army 103d Infantry Division 409th Regiment, Company B © 2014 Tom Swope First page of orginal diary To any of our men from Company B: This diary of my experiences with Company B was written over a period of time (beginning in 1943). I did no writing during combat, except during breaks in our travels. I expect some errors on names and plenty on spelling. I‟m mostly concerned about names. If you find any mistakes, please write and let me know. I will correct that page or pages. Thanks, PFC Clarence „Mike‟ Swope 7631 Fairview Ave. Mentor, Ohio 44060 1 - March 18, 1943 – Inducted into Army in Cleveland, O. - March 25, 1943 – Left for Camp Perry O. reception center - March 29, 1943 – Left for Ft. Leonard Wood Mo. to become member of Co. C 284th Inf. Reg. of the 75th Inf. Div. Was a machine gunner on a Browning light 30 cal. M.G. Took a very rugged basic training. Went to firing ranges, for one 3 week period Rain every day. Walk 5-7 miles every day, one way. Had 5 or 6 hours sleep every night for 3 weeks, no dry clothes. Wade 2 rivers each way. Food very poor. Ate out of mess kits for first 4 months. Made expert on machine gun, rifle, carbine, grenade & bayonet. Came in second on machine gun in company. Decided to find a better life in the Army. Looked into Air Cadets. Was asked to try for Army Specialized Training Program. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene.