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The Communicator April 2019 the Student Newspaper of Bronx Community College Issue 3, Winter 2019
The Communicator April 2019 The Student Newspaper of Bronx Community College Issue 3, Winter 2019 An Insider’s Guide to Casting By Keith Burrus (Media and Digital Film Production), President, Media and Digital Film Club On Thursday, February 28th The Media and Digital Film Club (MDFC) produced our 10th episode of the OPEN DOORS live web-cast. During the show, film students learned how film & television shows are cast. This episode of Open Doors brought you behind the scenes, long before the cameras are rolling, for an inside look at how professional films and television shows are cast. How has technology changed the way projects are cast? What is SAG-AFTRA? How does a film student find background for a nonunion film or television? Are there non-union casting networks? Why should film students hire professional actors versus friends/family? All these questions and more were answered by professional casting agents. The series, videotaped before a live studio audience in the BCC TV Studio, is produced entirely by student members of the BCC Media and Digital Film Club. The show, which live-streams and is archived on the NYFTSA YouTube channel, was created in 2016 to give film students around the state invaluable film industry access and advice. The show featured three guests from three different casting agencies. Professor Jeffrey Wisotsky, Faculty Advisor for the MDFC Club, served as moderator for the show. Allison Hall worked as a print booking agent in South Florida for (From left to right) Professor Jeffrey Wisotsky; Allison Hall, Casting Director at five years at Boca Talent and Modeling Agency. -
Letter Reso 1..4
*LRB09613384KXB28107r* HR0544 LRB096 13384 KXB 28107 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives and State Representative Monique D. Davis are 4 saddened to learn of the death of Michael Jackson, who passed 5 away on June 25, 2009; and 6 WHEREAS, Michael Joseph Jackson was born on August 29, 1958 7 in Gary, Indiana to Joseph and Katherine Jackson; at the age of 8 4, he began singing with his brothers, Marlon, Jermaine, 9 Jackie, and Tito, as the Jackson 5; and 10 WHEREAS, By 1968, the Jacksons had cut singles for a local 11 Indiana label called Steeltown; at an engagement that year at 12 Harlem's famed Apollo Theater, singer Gladys Knight and pianist 13 Billy Taylor saw their act and recommended them to Motown 14 founder Berry Gordy; and 15 WHEREAS, Motown moved the Jacksons to California, and in 16 August 1968 they gave a breakthrough performance at a Beverly 17 Hills club called The Daisy; their first album, "Diana Ross 18 Presents the Jackson 5," was released in December 1969, and it 19 yielded the No. 1 hit "I Want You Back," with 11-year-old 20 Michael on the lead vocals; "ABC," "I’ll Be There," and other 21 hits followed, and the group soon had their own television 22 series, a Saturday morning cartoon, and an array of licensed -2-HR0544LRB096 13384 KXB 28107 r 1 merchandise aimed at youngsters; and 2 WHEREAS, By 1972, Michael Jackson had his first solo album, 3 "Got to Be There," which included the title hit as well as 4 "Rockin' Robin"; his first solo No. -
International Jazz Day 2013 Special Message
30 APRIL: INTERNATIONAL JAZZ DAY 2013 SPECIAL MESSAGE FROM MR AHMET DAVUTOGLU, MINISTER OF FOREIGN AFFAIRS AND MR OMER CELIK, MINISTER OF CULTURE AND TOURISM Turkey welcomes the opportunity to host UNESCO’s International Jazz Day on 29‐30 April, 2013, in Istanbul. This will be the first celebration to be held outside of the United Nations Headquarters. On this occasion, we shall celebrate jazz music not only as a global language of human soul, but also that of more inclusive societies, mutually enhancing civilisations, and UNESCO ideals. Jazz music fascinated the two sons of Mehmet Münir Ertegün, the second Turkish Ambassador of the Republican era to the United States of America. Ahmet and Nesuhi Ertegün brothers co‐founded the legendary Atlantic Records together with Herb Abramson in 1947. Arif Mardin, another legendary music producer from Turkey, served along with them in the company. These three Turkish‐American jazz connoisseurs and pioneers, all born and bred in Istanbul, left an outstanding musical legacy of true global reach, spanning from the United States to Egypt and the rest of Africa via Turkey. Inspired by the lives and achievements of the Ertegün brothers and Arif Mardin, jazz music has flourished in Istanbul. This has paved the way for the Istanbul Jazz Festival, organized every year since 1994 by the Istanbul Foundation for Culture and Arts. Hence the special place of Istanbul on the global jazz map for the last twenty years. It is our pleasure to host the "International Jazz Day" which will raise awareness in the international community of the virtues of jazz as an educational tool, and a force for peace, unity, dialogue and enhanced cooperation among people. -
Gladys Knight
Contact: Caitlyn Baker [email protected] (805) 944-7780 (c) (805) 350-7913 (o) R&B LEGEND GLADYS KNIGHT TO PERFORM AT CHUMASH CASINO RESORT SANTA YNEZ, CA – August 12, 2019 – Gladys Knight, the “Empress of Soul” who has won seven Grammy Awards throughout the span of her iconic career, is coming to the Chumash Casino Resort’s Samala Showroom at 8 p.m. on Friday, September 6, 2019. Tickets for the show are $79, $89, $99, $109 & $119. Knight has recorded two No. 1 Billboard Hot 100 singles, 11 No. 1 R&B singles and six No. 1 R&B albums. Knight was born in Atlanta, Georgia. In 1952 at the age of 7, she won Ted Mac’s The Original Amateur Hour TV show contest. This event marked her first encounter with fame. Later that year, she formed a musical group named “the Pips” with her brother, sister and cousins. By the end of the decade, the act had begun to tour and eventually her sister and one of her cousins were replaced. By 1961, the group released a single on the tiny Atlanta Huntom label called “Every Beat of My Heart.” In 1966, Gladys Night and the Pips signed on with Motown Records with whom they scored several major hit singles, including “I Heard It Through the Grapevine,” “Take Me in Your Arms and Love Me,” and “If I Were Your Woman.” In 1973, they left Motown for a better deal with Buddah Records. Here they achieved significant success with hits such as the Grammy Award-winning track “Midnight Train to Georgia,” “I’ve Got to Use My Imagination” and “Best Thing That Ever Happened to Me.” The group continued to have hits until the late 1970s when they were forced to record separately due to legal issues, resulting in Knight’s first solo LP recordings – “Miss Gladys Knight” on Buddah Records in 1978 and “Gladys Knight” on Columbia Records in 1979. -
2020 Emmy Nominees for Main Title Design, Music
2020 Emmy Nominees for Main Title Design, Music 07.30.2020 In the so-called Golden Age of television, main titles elevated into an art form all their own, with the opening sequences for shows such as Mad Men, The Sopranos and Game of Thrones all becoming iconic in their own right. Today, it's important for shows to have distinctive main titles as they work to grab notice in a very crowded TV landscape. In 2020, the TV Academy nominated seven opening title sequences for outstanding main title design-with four of them created by agency Elastic-and another six for outstanding main title theme music. The sequences, where available, are below. And the nominees for outstanding main title design are: Outstanding Main Title Design Netflix's Abstract: The Art Of Design A RadicalMedia Production in association with Tremolo Productions & Godfrey Dadich Partners Below is the opening title sequence for the first episode of season two, which aired in 2019. This series, which premiered in 2017, offers a different sequence for each episode and each of these sequences is in the style of the designer featured in the episode. Creative Director: Allie Fisher Animator/Director: Anthony Zazzi Amazon Prime Video's Carnival Row Produced by Legendary Pictures TV and Amazon Studios This fantastical main-title sequence perfectly captures the vibe of this series, about a world in which magical creatures cohabitate with human beings, although not without strife. RELATED: Fantastical Creatures Populate Amazon's 'Carnival Row' Agency: Elastic Creative Director: Lisa Bolan Art Director: Henry DeLeon, Mert Kizilay Designer: Kaya Thomas Animator/Compositor: Yongsub Song Animator: Alex Silver Epix's Godfather Of Harlem Produced by ABC Signature Studios This sequence takes viewers on a mixed-media tour through Harlem scored with uplifting choral music. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Melissa Errico
Melissa Errico is one of Broadway's most cherished leading ladies, as well as a blossoming recording artist who has been called "the voice of enchantment" by the NY TIMES. She released her second studio CD Lullabies and Wildflowers on Mothers Day 2008. This follows her debut CD Blue Like That (Capitol Records, EMI) produced by Arif Mardin, praised as "gorgeous" (NY TIMES), and "earthy and soulful" (USA TODAY). Melissa was nominated for the Best Leading Actress Tony Award for her work in Michel Legrand's Amour, and has been recognized with the Lucille Lortel Award, six Drama Desk nominations, two Helen Hayes Awards, four Outer Critics Award nominations and three Drama League Honors. In December of 2010, she received the "Artist of Distinction" Award from the Great Neck Arts Center, recognizing her as a Long Island native who has made her home town proud. Melissa starred on Broadway as Betty Haynes (the Rosemary Clooney role) in Irving Berlin's White Christmas, and then starred off-Broadway in the Shaw play CANDIDA, for which she was nominated for a Best Actress 2010 Drama Desk Award. When only a teenager, Melissa burst upon the Broadway scene as Cosette in Les Miserables, quickly followed by a star-turn as Kitty in Anna Karenina, and then, at age 22, to raves as Eliza Doolittle in the Broadway revival of My Fair Lady. Since then, she has starred in High Society, Amour and Dracula on Broadway, and acclaimed off-Broadway plays like Major Barbara and The Importance of Being Earnest, as well as in television and film, including CBS's Central Park West and the movies Frequency and Life Or Something Like It, opposite Angelina Jolie. -
50Th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr
50th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr. Jakobi Williams: library resources to accompany programs FROM THE BULLET TO THE BALLOT: THE ILLINOIS CHAPTER OF THE BLACK PANTHER PARTY AND RACIAL COALITION POLITICS IN CHICAGO. IN CHICAGO by Jakobi Williams: print and e-book copies are on order for ISU from review in Choice: Chicago has long been the proving ground for ethnic and racial political coalition building. In the 1910s-20s, the city experienced substantial black immigration but became in the process the most residentially segregated of all major US cities. During the civil rights struggles of the 1960s, long-simmering frustration and anger led many lower-class blacks to the culturally attractive, militant Black Panther Party. Thus, long before Jesse Jackson's Rainbow Coalition, made famous in the 1980s, or Barack Obama's historic presidential campaigns more recently, the Illinois Chapter of the Black Panther Party (ILPBB) laid much of the groundwork for nontraditional grassroots political activism. The principal architect was a charismatic, marginally educated 20-year-old named Fred Hampton, tragically and brutally murdered by the Chicago police in December 1969 as part of an FBI- backed counter-intelligence program against what it considered subversive political groups. Among other things, Williams (Kentucky) "demonstrates how the ILPBB's community organizing methods and revolutionary self-defense ideology significantly influenced Chicago's machine politics, grassroots organizing, racial coalitions, and political behavior." Williams incorporates previously sealed secret Chicago police files and numerous oral histories. Other review excerpts [Amazon]: A fascinating work that everyone interested in the Black Panther party or racism in Chicago should read.-- Journal of American History A vital historical intervention in African American history, urban and local histories, and Black Power studies. -
Cassidy BARS Full Album Zip
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Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No.