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Woolsey Hall WOOLSEY HALL .... NEW HAVEN Wednesday Evening, March 10, at 8.15 ^ % •Vv w BOSTON SYAPHONY ORCHESTRA INC. FORTY-FIFTH SEASON J925-J926 PR5GRZW\E sfe® /&> Under the Auspices of the Yale School of Music II "...It cries nvhen IfeeI like cry- ing, it singsjoyfully <vohen Ifeel like singing. It responds—like a human being—to e<very mood. ** I lo<ve the Baldwin Piano. YM-^^ *n- •ASt^rTT Vladimir de Pachmann loves the Baldwin piano. Through the medium of Baldwin tone, this most lyric of contemporary pianists discovers complete revealment of his musical dreams. For a generation de Pachmann has played the Baldwin; on the concert stage and in his home. That love- liness and purity of tone which appeals to de Pach- mann and to every exacting musician is found in all Baldwins, alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. jjlatftonn CINCINNATI CHICAGO NEW YORK INDIANAPOLIS ST. LOUIS LOUISVILLE DENVER DALLAS SAN FRANCISCO WOOLSEY HALL NEW HAVEN FORTY-FIFTH SEASON, 1925-1926 INC. SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, MARCH 10, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1926, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN FREDERICK E. LOWELL E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 L. V After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. The new Steinway Hall is one of the handsomest buildings in New York on a street noted for finely designed business structures. As a center of music, it will extend the Steinway tradition to the new generations of music lovers. ElMWAY THE INST%UMENT OF THE IMMORTALS Forty-fifth Season, 1925-1926 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Hoffmann, J. Gerardi, A. Hamilton, V. Gundersen, R. Concert-master Kreinin, B. Eisler, D. Sauvlet, H. Kassman, N. Theodorowicz, J. Cherkassky, P. Pinfield, C. Mayer, P. Siegl, F. Risman, J. Fedorovsky, P. Leveen, P. Mariotti, V. Thillois, F. Gorodetzky, L. Kurth, R. Riedlinger, H. Murray, J. Fiedler, B. Bryant, M. Knudsen, C. Stonestreet, L. Tapley, R. Del Sordo, R. Messina, S. Diamond, S. Erkelens, H. Seiniger, S. Zung, M. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Artieres, L. Cauhape, J. Werner, H. Shirley, P. Avierino, N. Gerhardt, S. Bernard, A. Deane, C. Violoncellos. Bedetti, J. Zighera, A. Langendoen, J. Stockbridge, C. Fabrizio, E. Keller, J. Barth, C. Belinski, M. Warnke, J. Marjollet, L. Basses. Kunze, M. Seydel, T. Ludwig, 0. Kelley, A. Girard, H. Vondrak, A. Gerhardt, G. Frankel, 1. Demetrides, L. Oliver, F. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Allegra, E. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Bettoney, F. E-Flat Clarinet. Vannini, A. Piccolo. English Horn. Bass Clarinet. Contra-BASSOON Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Rochut, J. Schindler, G. Gebhardt, W. Perret, G. Adam, E. Neuling, H. Van Den Berg, C. Schmeisser, K. Hansotte, L. Lorbeer, H. Lannoyo, M. Mann, J. Kenfield, L. Kloepfel, L. Tuba. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Caughey, E. Polster, M. Sternburg, S. Zahn, F. Organ. Piano. Celesta. Librarian. Snow, A. Sanroma, J. Fiedler, A. Rogers, L. J. It's so easy to own a Chickering OT everyone knows that the Chickering may be purchased on the month to month plan - - - a little at a time as though it were rent. Chickering prices range up- ward from $875. Ten per cent may be paid down as a cash deposit and the balance spread over a period of years, ' <* and it's just as easy to own an AM PICQ Phone Colony 2072 MANCE BROTHERS, Inc a> tjckztttt hxero0tnn 90 ELM Near Church Street WOOLSEY HALL NEW HAVEN The programme has been changed as follows: Vivaldi Concerto in E minor for String Orchestra (Edited by A. Mistovski) I. Vigoroso. II. Largo. III. Allegro. Beethoven Symphony No. 8, in F major, Op. 93 I. Allegro vivace e con brio. II. Allegretto scherzando. III. Tempo di menuetto. IV. Allegro vivace. Bloch . Three Jewish Poems a. Dance. b. Rite. c. Funeral Procession. Wagner . Prelude and "Liebestod" from "Tristan and Isolde" ' Wagner . Prelude to "The Mastersingers of Nuremberg' There will be an intermission of ten minutes after the symphony WOOLSEY HALL NEW HAVEN Forty-fifth Season, 1925-1926 SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, MARCH 10 AT 8.15 PROGRAMME Galliard Sonata in G major (Freely Transcribed for Small Orchestra, by Maximilian Steinberg) Beethoven .... Symphony No. 8, in F major, Op. 93 I. Allegro vivace e con brio. II. Allegretto scherzando. III. Tempo di menuetto. IV. Allegro vivace. Bloch Three Jewish Poems a. Dance. b. Rite. c. Funeral Procession. Wagner Prelude to "Lohengrin" Wagner . Prelude to "The Mastersingers of Nuremberg" There will be an intermission of ten minutes after the symphony 5 The MEDITERRANEAN Sailing April 3 on the "Carinthia"—the newest Cunarder Take it for a complete holiday— at the most delightful season— 6 weeks from New York to New York. Or, as a pleasant prelude to travel in Europe—it takes only 2 weeks longer to Naples than the fastest mail boats, and visits Madeira, Cadiz, Seville, Algiers, Sardinia, .Tunis, -Malta, Athens, Qreek Islands & Sicily. $625 & upward, with return any time this year. Send for the Book — " Spring Mediterranean" LAND CRUISES IN AMERICA lie greatest advance in American pleasure travel since laymond-Whiteomb ran "solid" vestibule trains with /through dining-cars across the Continent in 1886. New Special Trains that can be routed like a Cruise-Ship* ^ Al!-steel cars built for Raymond-Whiteomb—rooms with private bath — library —• lounges— gymnasium-— &. entertainment room. Land Cruises of 3 to 5 weeks, to Colorado, Canadian Rockies, &. the National Parks. MIDNIGHT SUN CRUISE The sixth annual Raymond-Whitcomb Cruise to Iceland, North Cape, Norwegian Fjords, &. Scandinavian Cities— the established vacation cruise. Sailing June 29th on the "Carinthia'' and arriving in England <&. France July 29. $800 & upward, with return any time this year. EUROPE Tours that travel by the best great liners, stop at the best hotels, and use automobiles with unexampled freeness. For persons who prefer to travel without escort we "will make complete advance <* arrangements, Send for the "Guide to European Travel." RAYMOND & WHITCOMB CO. 225 FIFTH AVENUE and 606 FIFTH AVENUE, NEW YORK CITY H. E. SWEEZEY, 80 Center Street Sonata in G major, freely transcribed for a Little Orchestra by Maximilian Steinberg . John Ernest Galliard (Born at Celle in Hanover in or about 1687; died early in 1749 in London) This recent transcription for flute, oboe, bassoon, and strings was made expressly for Mr. Koussevitzky. The score is in manuscript. The original sonata is one of "Six Sonatas for the bassoon or violon- cello with a thorough bass for the harpsichord," published in London by J. Walsh. The movements are Lento, Allegro non troppo, Andante teneramente and Allegro spiritoso. * * * Galliard, the son of a French wigmaker, took oboe and flute lessons from Marshall at Celle. Going to Hanover about 1702, he studied composition with Farinelli, the uncle of the famous singer and an esteemed concert-director; and thus, as Gerber puts it, probably sought to take the Abbe Steffani as a model. Having entered as chamber musician the service of Prince George of Denmark, he accompanied him to London, where the Prince had married Anne in 1683 (Anne ascended the throne in 1702). When Battista Draghi died (about 1706), Galliard succeeded him as organist and chapel master at Somerset House of the dowager queen Catherine. He learned English and composed church music which was performed at St. Paul's and the Chapel Royal on occasions of thanksgiving for victories—a "Te Deum," ^pfe| Columbia Fine - Art Series I of \ ^gSF j Musical Masterworks ? Reg. U.S. Pat. Off. Presents to Discriminating Lovers of Music the Most j | Extensive Record Repertory in Existence of j i the World's Musical Masterpieces ( Most of these great works are now offered for the first time | j in record form, each recorded authentically and in as com- j i plete a manner as is practicable. * The list to date offers thirty-two major works including ' symphonies, symphonic poems, suites, concertos, sonatas and \ the most desirable of the celebrated chamber-music compo- | sitions. Your favorites are in all probability amongst them. | f Each work is enclosed in a permanent art album. Ask your Columbia dealer for Celebrity ! Columbia Cata- J j logue and Supplements. j * Columbia. Records are Free from Needle Scratch j — a "Jubilate," and the anthems "I will magnify Thee," "0 Lord God of Hosts," and "I am well pleased." In 1713 he played in the orchestra at the opera and had a solo part in the accompaniment of the last air in the first act of Handel's "Teseo." Handel wished him to be in the orchestra. He wrote many pieces for the theatre, operas, music for Rich's pantomimes, which were a mixture of masque and harlequinade; he also wrote cantatas, and he had nearly completed at the time of his death an Italian opera, "Oreste e Pylade, overo la Forza dell' Amicicia." In 1745 he had a benefit concert at which his music for choruses in the Duke of Buckingham's tragedy "Julius Caesar" and a piece for 24 bassoons and four double-basses were performed.
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