SOLO VOICE (BA 5570-90) I Smetana, the Bartered Bride (BA 9534-90) Bärenreiter Catalog

French Opera and Song Your next performance is worth it.

Hector Berlioz

French Opera Benvenuto Cellini (BA 5441-90) I Opera in all its Variety Cléopâtre (BA 5787-90) I Les nuits d’été and Song Beethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I op. 7, High Voice (BA 5784-90) I Les nuits Janácek,ˇ Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I The French opera and song d’été op. 7, Medium Voice (BA 5786-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras repertoire of the 19th century Les Troyens (BA 5442-90) I Songs for High (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern forms an important part of the Voice and Piano, Vol. 1 (BA 5984) I Songs SOLO VOICE (BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90) Bärenreiter catalog. Numerous for High Voice and Piano, Vol. 2 (BA 5985) works have already been OPERA · LIED published in new scholarly-critical editions, many based on our series Les nuits d’été op. 7, Medium Voice L’Opéra français. Bärenreiter’s BA 5786-90 Opera Vocal Scores & catalog of French opera and song Solo Voice Editions is continuously being expanded. Charles Gounod

The opera Faust was instrumental in establishing Charles Gounod’s reputation A Selection FRENCH OPERA as a world famous composer. The Bärenreiter vocal score of this masterwork Georges Bizet, Carmen (AE 129-90) I includes numerous well-known numbers such as Marguerite’s Air des bijoux Bärenreiter Emmanuel Chabrier, L’Étoile and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Opera Kaleidoscope (BA 8708-90) Cavatina Salut ! demeure chaste et pure. I BA 8828 Christoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) I This inexpensive anthology spans the gamut from the early Baroque to Christoph Willibald Gluck, Orphée et the Romantic era and includes well-known and much loved opera arias Euridice, Paris Version 1774 (BA 2282-90) I from the masterworks of the repertoire, such as Handel’s famous Fromental Halévy, La Juive (AE 340-90) I Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!. Jules Massenet, Werther, An appetizer for Bärenreiter’s high-quality Urtext opera vocal scores! in preparation (BA 8706-90) I Jacques Offenbach, The Tales of Hoffmann (AE 333-02/03) I Why buy BÄRENREITER URTEXT? Jacques Offenbach, La Belle Hélène (AE 511-90) I • Reliable musical text based on a thorough examination of all • Comprehensive foreword penned by a respected musicologist Camille Saint-Saëns, Samson et Dalila, available sources on the work’s genesis, the reception history and, in the case of in preparation (BA 8710-90) I a.o. • Piano reductions by experienced conductors and répétiteurs operas, plot of the work • Singable German or English libretto translations for • Appendices offering alternative versions performance and as an aid for comprehension • Well-presented layout satisfying the highest aesthetic • Solo voice editions include the songs’ texts separately printed demands in terms of spacing and transparency with English and, in the case of the Berlioz songs, also German • High-quality paper, print and binding translations

Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I [email protected] I Printed in Germany Errors excepted; delivery terms subject to change without notice Bärenreiter Urtext Your next performance is worth it. Cover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90

Please visit us on Faust facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag BA 8713-90 (in preparation) You will ﬁ nd all of our editions on our website: www.baerenreiter.com

BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52 George Frideric Handel Wolfgang Amadeus Mozart Franz Schubert and Robert Schumann

There is hardly another genre so closely connected with the Mozart Concert Arias musical Romantic as the accompanied solo song. Franz Schubert’s Lieder form the centre of Bärenreiter’s solo voice catalog. Vocal Scores of Vocal Scores of for High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Soprano Lieder by Robert Handel Operas Mozart Operas and Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185) Schumann Compilation by Thomas Seedorf Franz Schubert’s Complete Lieder Handel’s operas are not historic Bärenreiter vocal scores of Mozart’s Notes and suggestions on performance practice Dichterliebe op. 48 (BA 7851) I monuments but alive and thriving. operas are the preferred editions by by Thomas Seedorf and Uwe Kremp Frauenliebe und Leben op. 42 (BA 7854) I Bärenreiter’s performing Urtext editions of Schubert’s Lieder are based on the For more than 35 years the composer singers today. Piano reduction by Christian Beyer Liederkreis von H. Heine op. 24 (BA 7852) I New Schubert Edition and once completed will offer the composer’s Lied œuvre dedicated himself to the genre and Liederkreis von Joseph Freiherrn von in 13 volumes, each for high, medium, and low voice. The close collaboration many of his stage works have found Così fan tutte K. 588 (BA 4606-90) I Eichendorff op. 39 (BA 7853) between the renowned Schubert scholar Walther Dürr and equally renowned their way into the repertoire and are Don Giovanni K. 527 (BA 4550-90) I singer Christoph Prégardien ensures a happy union between musicology and performed today. Idomeneo K. 366 (BA 4562-90) I • Edited by Hansjörg Ewert performance; a sound musical text of the highest musicological standard La clemenza di Tito K. 621 (BA 4554-90) I • All songs in their original keys meets practical demands with regard to the transpositions for the three vocal Alcina HWV 34 (BA 4061-90) I The Abduction from the Seraglio • Bilingual Foreword (Ger/Eng) and registers. Almira, Königin von Kastilien K. 384 (BA 4591-90) I Critical Commentary (Ger) HWV 1 (BA 4050-90) I The Magic Flute K. 620 (BA 4553-90) I • The song texts are also printed separately • Newly engraved with a spacious appearance, format 23cm x 30cm Ariodante HWV 33 (BA 4079- 90) I The Marriage of Figaro K. 492 (BA 4565-90) I and include English translations • Ideal page turns Arminio HWV 36 (BA 4100-90) I a.o. taken from Richard Stokes’ publication • Alternative versions are reproduced in an appendix Giulio Cesare in Egitto The Book of Lieder • An Introduction by Walther Dürr focuses on peculiarities in the genesis HWV 17 (BA 4078-90) I and performance history of each Lied and provides solid information on Orlando HWV 31 (BA 4087-90) I performance practice Ottone HWV 15 (BA 4077-90) I Mozart Lieder • The order is according to the New Schubert Edition: ﬁ rst by opus number, Rinaldo (1711) HWV 7a (BA 4033-90) I then in chronological order Rodelinda, Regina de’ Longobardi Agrippina HWV 6 • Each volume is published in all three vocal registers HWV 19 (BA 4064-90) I BA 4092-90 • Key relations within the song cycles are maintained in all transpositions Serse HWV 40 (BA 4076-90) I • All song texts are also separately printed with an English translation Tamerlano HWV 18 (BA 4052-90) I a.o. by Richard Wigmore

For transpositions see: www.baerenreiter.com/en/focus/ franz-schubert/schubert-lieder/ Arias, Duets, Trios and Ensemble Movements from Handel’s Operas

Female Roles for High Voice (BA 4295) I Male Roles for High Voice (BA 4296) I Soprano Frauenliebe und Leben Mezzo-Soprano and Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I BA 9182 BA 7854 Duets, Trios and Ensemble Movements (BA 4297) These vocal scores of Mozart’s concert and insert arias are based on the New Mozart Edition. An accompanying booklet gives detailed explanations on the Chamber Duets for Soprano, Alto execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there are suggestions for the performance of cadenzas and Basso continuo and lead-ins as well as for the ornamentation of dal segno passages, which are HWV 178, 181, 185, 186, 190, 197 often found in the early Mozart arias. Ed. K. Musketa BA 10257 • Urtext edition based on the Complete Songs • Underlaid text presented in the original language only Halle Handel Edition Ed. E. A. Ballin • All aria texts translated into German and English and printed separately By means of their high degree of consistency and maturity, Handel’s chamber • Clear, idiomatic realization High Voice BA 5330 • Idiomatic piano reduction to the individual arias duets constitute a highlight of this genre. They are musically demanding and of the continuo part Medium Voice BA 5328 • Clear and legible layout of the musical text structured contrapuntally: the earlier works are stricter, more scholarly and more • Includes a separate continuo • Additional notes and suggestions on performance practice elaborate in terms of counterpoint but masterly in their craftsmanship. The later part without realization in the accompanying booklet ones are composed somewhat freer, but more compact. • Performance material available on hire to each aria Lieder, Volume 1 BA 9101

BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52 George Frideric Handel Wolfgang Amadeus Mozart Franz Schubert and Robert Schumann

For transpositions see: www.baerenreiter.com/en/focus/ franz-schubert/schubert-lieder/ Arias, Duets, Trios and Ensemble Movements from Handel’s Operas

BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52 George Frideric Handel Wolfgang Amadeus Mozart Franz Schubert and Robert Schumann

For transpositions see: www.baerenreiter.com/en/focus/ franz-schubert/schubert-lieder/ Arias, Duets, Trios and Ensemble Movements from Handel’s Operas

BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52 French Opera and Song Your next performance is worth it.

Hector Berlioz

The opera Faust was instrumental in establishing Charles Gounod’s reputation A Selection FRENCH OPERA as a world famous composer. The Bärenreiter vocal score of this masterwork Georges Bizet, Carmen (AE 129-90) I includes numerous well-known numbers such as Marguerite’s Air des bijoux Bärenreiter Emmanuel Chabrier, L’Étoile and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Opera Kaleidoscope (BA 8708-90) Cavatina Salut ! demeure chaste et pure. I BA 8828 Christoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) I This inexpensive anthology spans the gamut from the early Baroque to Christoph Willibald Gluck, Orphée et the Romantic era and includes well-known and much loved opera arias Euridice, Paris Version 1774 (BA 2282-90) I from the masterworks of the repertoire, such as Handel’s famous Fromental Halévy, La Juive (AE 340-90) I Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!. Jules Massenet, Werther, An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores! in preparation (BA 8706-90) I Jacques Offenbach, The Tales of Hoffmann (AE 333-02/03) I Why buy BÄRENREITER URTEXT? Jacques Offenbach, La Belle Hélène (AE 511-90) I • Reliable musical text based on a thorough examination of all • Comprehensive foreword penned by a respected musicologist Camille Saint-Saëns, Samson et Dalila, available sources on the work’s genesis, the reception history and, in the case of in preparation (BA 8710-90) I a.o. • Piano reductions by experienced conductors and répétiteurs operas, plot of the work • Singable German or English libretto translations for • Appendices offering alternative versions performance and as an aid for comprehension • Well-presented layout satisfying the highest aesthetic • Solo voice editions include the songs’ texts separately printed demands in terms of spacing and transparency with English and, in the case of the Berlioz songs, also German • High-quality paper, print and binding translations

BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52 French FrenchOpera andOpera Song and Song French Opera and Song Your nextYour performance next performance is worth is it.worthYour next it. performance is worth it.

Hector BerliozHector Berlioz Hector Berlioz

French FrenchOpera Opera French OperaBenvenuto Cellini Benvenuto (BA 5441-90) Cellini I (BA 5441-90) I Benvenuto Cellini (BA 5441-90) I Opera inOpera all its in Variety all its Variety Opera in all its Variety Cléopâtre (BA Cléopâtre5787-90) I Les(BA 5787-90)nuits d’été I Les nuits d’été Cléopâtre (BA 5787-90) I Les nuits d’été and Songand Song and Song Beethoven, FidelioBeethoven, (BA 9011-90) Fidelio I Dvorák, (BA 9011-90) Rusalka I Dvorák, (BA 9510-90) Rusalka I (BA 9510-90)Beethoven, I Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I op. 7, High Voiceop. 7,(BA High 5784-90) Voice I Les(BA 5784-90)nuits I Les nuits op. 7, High Voice (BA 5784-90) I Les nuits Janácek,ˇ OsudJanácek, (BA ˇ9562-90) Osud I Monteverdi, (BA 9562-90) I L’OrfeoMonteverdi, (BA 8793-90) L’Orfeo I (BA 8793-90)Janácek,ˇ I Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I The French operaThe French and song opera and song The French operad’été and op. song 7, Medium d’été op. Voice 7, Medium (BA 5786-90) Voice I (BA 5786-90) I d’été op. 7, Medium Voice (BA 5786-90) I Rossini, The BarberRossini, of The Seville Barber (BA 10506-92)of Seville I (BA Schubert, 10506-92) Fierabras I Schubert, Rossini, Fierabras The Barber of Seville (BA 10506-92) I Schubert, Fierabras repertoire ofrepertoire the 19th century of the 19th century repertoire of theLes 19th Troyens century (BALes 5442-90) Troyens I (BASongs 5442-90) for High I Songs for High Les Troyens (BA 5442-90) I Songs for High (BA 5557-90) I Schubert,(BA 5557-90) Rosamunde, I Schubert, FürstinRosamunde, von Cypern Fürstin von Cypern(BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern forms an importantforms an part important of the part of the forms an importantVoice part and of Piano, theVoice Vol. and 1 (BA Piano, 5984) Vol. I Songs 1 (BA 5984) I Songs Voice and Piano, Vol. 1 (BA 5984) I Songs SOLOSOLO VOICE VOICE SOLO VOICE (BA 5570-90) I Smetana,(BA 5570-90) The I Smetana, Bartered TheBride Bartered (BA 9534-90) Bride (BA 9534-90)(BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90) Bärenreiter catalog. Bärenreiter Numerous catalog. Numerous Bärenreiter catalog.for High Numerous Voicefor and High Piano, Voice Vol. and 2 (BAPiano, 5985) Vol. 2 (BA 5985) for High Voice and Piano, Vol. 2 (BA 5985) works have alreadyworks have been already been works have already been OPERAOPERA · LIED · LIED OPERA · LIED published inpublished new scholarly-critical in new scholarly-critical published in new scholarly-critical editions, manyeditions, based many on our based series on our series editions, many basedLes nuits on d’étéourLes series op. nuits 7, Medium d’été op. Voice 7, Medium Voice Les nuits d’été op. 7, Medium Voice L’Opéra françaisL’Opéra. Bärenreiter’s français. Bärenreiter’s L’Opéra français.BA Bärenreiter’s 5786-90 BA 5786-90 BA 5786-90 Opera VocalOpera Scores Vocal & Scores & Opera Vocal Scores & catalog of Frenchcatalog opera of French and song opera and song catalog of French opera and song Solo VoiceSolo Editions Voice Editions Solo Voice Editions is continuouslyis continuously being expanded. being expanded.Charles CharlesGounodis continuously Gounod being expanded. Charles Gounod

The opera FaustThe was opera instrumental Faust was in instrumental establishing inCharles establishing Gounod’s Charles reputation TheGounod’s opera reputationFaust was instrumental in establishing Charles Gounod’s reputation A SelectionA Selection A Selection FRENCH OPERAFRENCH OPERA FRENCH OPERA as a world famousas a composer.world famous The composer.Bärenreiter The vocal Bärenreiter score of this vocal masterwork score ofas thisa world masterwork famous composer. The Bärenreiter vocal score of this masterwork Georges Bizet,Georges Carmen Bizet, (AE 129-90) Carmen I (AE 129-90) I includes numerousincludes well-known numerous numbers well-known such(AE numbersas 129-90) Marguerite’s such as Air Marguerite’s des bijoux Air des bijoux Georges Bizet, Carmen I includes numerous well-known numbers such as Marguerite’s Air des bijoux Bärenreiter Bärenreiter Bärenreiter Emmanuel Chabrier,Emmanuel L’Étoile Chabrier, L’Étoile and Chanson duand roi Chanson de Thulé, du Méphistophélès’ roi de Thulé, Méphistophélès’ Ronde du veau Ronded’or and du Faust’s veau d’or and Faust’s Emmanuel Chabrier, L’Étoile and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Opera KaleidoscopeOpera Kaleidoscope Opera Kaleidoscope (BA 8708-90) I (BA 8708-90) I Cavatina Salut Cavatina! demeure(BA 8708-90) Salut chaste ! demeure et pure. chaste et pure. Cavatina Salut ! demeure chaste et pure. I BA 8828 BA 8828 BA 8828 Christoph Willibald Christoph Gluck, Willibald Alceste, Gluck, Alceste, Christoph Willibald Gluck, Alceste, Paris Version Paris1776 (BAVersion 5848-90) 1776 I (BA 5848-90) I Paris Version 1776 (BA 5848-90) I This inexpensiveThis anthology inexpensive spans anthology the gamut spans from the the gamut early Baroquefrom the toearly This Baroque inexpensive to anthology spans the gamut from the early Baroque to Christoph Willibald Christoph Gluck, Willibald Orphée Gluck, et Orphée et Christoph Willibald Gluck, Orphée et the Romantic erathe and Romantic includes era well-known and includes and well-known much loved and opera much arias loved the opera Romantic arias era and includes well-known and much loved opera arias Euridice, ParisEuridice, Version Paris1774 (BAVersion 2282-90) 1774 I (BA 2282-90) I Euridice, Paris Version 1774 (BA 2282-90) I from the masterworksfrom the of masterworks the repertoire, of thesuch repertoire, as Handel’s such famous as Handel’s from famous the masterworks of the repertoire, such as Handel’s famous Fromental Halévy,Fromental La Juive Halévy, (AE 340-90) La Juive I (AE 340-90) I Fromental Halévy, La Juive (AE 340-90) I Ombra mai fu andOmbra Mozart’s mai fu Ach and ich Mozart’s fühl’s, es Ach ist ichverschwunden!. fühl’s, es ist verschwunden!.Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!. Jules Massenet, Jules Werther Massenet, , Werther, Jules Massenet, Werther, An appetizer forAn Bärenreiter’s appetizer for high- Bärenreiter’squality Urtext high- operaquality vocal Urtext scores! opera vocalAn appetizer scores! for Bärenreiter’s high- quality Urtext opera vocal scores! in preparationin (BA preparation 8706-90) I (BA 8706-90) I in preparation (BA 8706-90) I Jacques Offenbach, Jacques The Offenbach, Tales of The Tales of Jacques Offenbach, The Tales of Hoffmann (AEHoffmann 333-02/03) I (AE 333-02/03) I Hoffmann (AE 333-02/03) I Why buyWhy BÄRENREITER buy BÄRENREITER URTEXT? URTEXT?Why buy BÄRENREITER URTEXT? Jacques Offenbach, Jacques La Offenbach, Belle Hélène La Belle Hélène Jacques Offenbach, La Belle Hélène (AE 511-90) I (AE 511-90) I (AE 511-90) I • Reliable musical• Reliable text based musical on atext thorough based onexamination a thorough of examination all • Comprehensive •of Reliable all musical• Comprehensive foreword text basedpenned foreword on by a thorougha respected penned examination bymusicologist a respected of all musicologist • Comprehensive foreword penned by a respected musicologist Camille Saint-Saëns,Camille SamsonSaint-Saëns, et Dalila Samson, et Dalila, Camille Saint-Saëns, Samson et Dalila, available sourcesavailable sources on theavailable work’s sourcesgenesis,on the work’s the reception genesis, history the reception and, in thehistory case and, of in the caseon of the work’s genesis, the reception history and, in the case of in preparationin (BA preparation 8710-90) I a.o. (BA 8710-90) I a.o. in preparation (BA 8710-90) I a.o. • Piano reductions• Piano by experienced reductions by conductors experienced and conductors répétiteurs and répétiteursoperas,• Piano plot reductions of theoperas, work by plot experienced of the work conductors and répétiteurs operas, plot of the work • Singable German• Singable or English German libretto or English translations libretto for translations for • Appendices• Singable offering •German Appendices alternative or English offering versionslibretto alternative translations versions for • Appendices offering alternative versions performance andperformance as an aid for and comprehension as an aid for comprehension • Well-presentedperformance• Well-presented layout and as satisfying an aid layout for the comprehension highestsatisfying aesthetic the highest aesthetic • Well-presented layout satisfying the highest aesthetic • Solo voice editions• Solo includevoice editions the songs’ include texts the separately songs’ texts printed separately demands printed• Solo voice in terms demandseditions of spacing include in terms and the oftransparency songs’ spacing texts and separately transparency printed demands in terms of spacing and transparency with English and,with in Englishthe case and, of the in the Berlioz case songs, of the also Berlioz German songs, also• High-quality Germanwith English paper,• High-quality and, print in the and paper,case binding of print the Berliozand binding songs, also German • High-quality paper, print and binding translations translations translations

Bärenreiter-VerlagBärenreiter-Verlag Karl Vötterle GmbH Karl Vötterle & Co. KG GmbH I Heinrich-Schütz-Allee & Co. KG I Heinrich-Schütz-AlleeBärenreiter-Verlag 35-37 I 34131 Kassel 35-37 Karl I 34131Vötterle Kassel GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.comwww.baerenreiter.com I [email protected] I [email protected] I Printed in Germany I Printedwww.baerenreiter.com in Germany I [email protected] I Printed in Germany Your next performanceYour next performance is worth it. is worth it. Errors excepted;Errors delivery excepted; terms deliverysubject toterms change subject without to change notice withoutErrors notice excepted; delivery terms subject to change without notice BärenreiterBärenreiter Urtext UrtextBärenreiter Urtext Your next performance is worth it. Cover Photo: AnicioCover Zorzi: Photo: © AnicioRibaltaLuce Zorzi: Studio© RibaltaLuce I 1/1706/10 Studio I SPA I 1/1706/10 90 Cover I SPA Photo: 90 Anicio Zorzi:Zorzi Giustiniani: © RibaltaLuce © RibaltaLuce Studio I 1/1706/10 Studio I 1/1706/10I SPA 90 I SPA 90

Please visit usPlease on visit us on Please visit us on Faust Faust Faust facebook.com/Baerenreiter facebook.com/Baerenreiter twitter.com/BarenreiterUK twitter.com/BarenreiterUK facebook.com/Baerenreiter youtube.com/BaerenreiterVerlag youtube.com/BaerenreiterVerlag twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag BA 8713-90 BA 8713-90 BA 8713-90 (in preparation)(in preparation) (in preparation) You will fi nd allYou of will our fi editions nd all of on our our editions website: on www.baerenreiter.comour website: www.baerenreiter.comYou will fi nd all of our editions on our website: www.baerenreiter.com

BV_5947_2017_FlyerBV_5947_2017_Flyer Solo Voice-RZ.indd 5-1Solo Voice-RZ.indd 5-1 BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52 29.06.17 10:52 29.06.17 10:52