French Opera and Song Your next performance is worth it. Hector Berlioz French Opera Benvenuto Cellini (BA 5441-90) I Opera in all its Variety Cléopâtre (BA 5787-90) I Les nuits d’été and Song Beethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I op. 7, High Voice (BA 5784-90) I Les nuits Janácek,ˇ Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I The French opera and song d’été op. 7, Medium Voice (BA 5786-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras repertoire of the 19th century Les Troyens (BA 5442-90) I Songs for High (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern forms an important part of the Voice and Piano, Vol. 1 (BA 5984) I Songs SOLO VOICE (BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90) Bärenreiter catalog. Numerous for High Voice and Piano, Vol. 2 (BA 5985) works have already been OPERA · LIED published in new scholarly-critical editions, many based on our series Les nuits d’été op. 7, Medium Voice L’Opéra français. Bärenreiter’s BA 5786-90 Opera Vocal Scores & catalog of French opera and song Solo Voice Editions is continuously being expanded. Charles Gounod The opera Faust was instrumental in establishing Charles Gounod’s reputation A Selection FRENCH OPERA as a world famous composer. The Bärenreiter vocal score of this masterwork Georges Bizet, Carmen (AE 129-90) I includes numerous well-known numbers such as Marguerite’s Air des bijoux Bärenreiter Emmanuel Chabrier, L’Étoile and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Opera Kaleidoscope (BA 8708-90) Cavatina Salut ! demeure chaste et pure. I BA 8828 Christoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) I This inexpensive anthology spans the gamut from the early Baroque to Christoph Willibald Gluck, Orphée et the Romantic era and includes well-known and much loved opera arias Euridice, Paris Version 1774 (BA 2282-90) I from the masterworks of the repertoire, such as Handel’s famous Fromental Halévy, La Juive (AE 340-90) I Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!. Jules Massenet, Werther, An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores! in preparation (BA 8706-90) I Jacques Offenbach, The Tales of Hoffmann (AE 333-02/03) I Why buy BÄRENREITER URTEXT? Jacques Offenbach, La Belle Hélène (AE 511-90) I • Reliable musical text based on a thorough examination of all • Comprehensive foreword penned by a respected musicologist Camille Saint-Saëns, Samson et Dalila, available sources on the work’s genesis, the reception history and, in the case of in preparation (BA 8710-90) I a.o. • Piano reductions by experienced conductors and répétiteurs operas, plot of the work • Singable German or English libretto translations for • Appendices offering alternative versions performance and as an aid for comprehension • Well-presented layout satisfying the highest aesthetic • Solo voice editions include the songs’ texts separately printed demands in terms of spacing and transparency with English and, in the case of the Berlioz songs, also German • High-quality paper, print and binding translations Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I [email protected] I Printed in Germany Errors excepted; delivery terms subject to change without notice Bärenreiter Urtext Your next performance is worth it. Cover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90 Please visit us on Faust facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag BA 8713-90 (in preparation) You will fi nd all of our editions on our website: www.baerenreiter.com BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52 George Frideric Handel Wolfgang Amadeus Mozart Franz Schubert and Robert Schumann There is hardly another genre so closely connected with the Mozart Concert Arias musical Romantic as the accompanied solo song. Franz Schubert’s Lieder form the centre of Bärenreiter’s solo voice catalog. Vocal Scores of Vocal Scores of for High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Soprano Lieder by Robert Handel Operas Mozart Operas and Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185) Schumann Compilation by Thomas Seedorf Franz Schubert’s Complete Lieder Handel’s operas are not historic Bärenreiter vocal scores of Mozart’s Notes and suggestions on performance practice Dichterliebe op. 48 (BA 7851) I monuments but alive and thriving. operas are the preferred editions by by Thomas Seedorf and Uwe Kremp Frauenliebe und Leben op. 42 (BA 7854) I Bärenreiter’s performing Urtext editions of Schubert’s Lieder are based on the For more than 35 years the composer singers today. Piano reduction by Christian Beyer Liederkreis von H. Heine op. 24 (BA 7852) I New Schubert Edition and once completed will offer the composer’s Lied œuvre dedicated himself to the genre and Liederkreis von Joseph Freiherrn von in 13 volumes, each for high, medium, and low voice. The close collaboration many of his stage works have found Così fan tutte K. 588 (BA 4606-90) I Eichendorff op. 39 (BA 7853) between the renowned Schubert scholar Walther Dürr and equally renowned their way into the repertoire and are Don Giovanni K. 527 (BA 4550-90) I singer Christoph Prégardien ensures a happy union between musicology and performed today. Idomeneo K. 366 (BA 4562-90) I • Edited by Hansjörg Ewert performance; a sound musical text of the highest musicological standard La clemenza di Tito K. 621 (BA 4554-90) I • All songs in their original keys meets practical demands with regard to the transpositions for the three vocal Alcina HWV 34 (BA 4061-90) I The Abduction from the Seraglio • Bilingual Foreword (Ger/Eng) and registers. Almira, Königin von Kastilien K. 384 (BA 4591-90) I Critical Commentary (Ger) HWV 1 (BA 4050-90) I The Magic Flute K. 620 (BA 4553-90) I • The song texts are also printed separately • Newly engraved with a spacious appearance, format 23cm x 30cm Ariodante HWV 33 (BA 4079- 90) I The Marriage of Figaro K. 492 (BA 4565-90) I and include English translations • Ideal page turns Arminio HWV 36 (BA 4100-90) I a.o. taken from Richard Stokes’ publication • Alternative versions are reproduced in an appendix Giulio Cesare in Egitto The Book of Lieder • An Introduction by Walther Dürr focuses on peculiarities in the genesis HWV 17 (BA 4078-90) I and performance history of each Lied and provides solid information on Orlando HWV 31 (BA 4087-90) I performance practice Ottone HWV 15 (BA 4077-90) I Mozart Lieder • The order is according to the New Schubert Edition: fi rst by opus number, Rinaldo (1711) HWV 7a (BA 4033-90) I then in chronological order Rodelinda, Regina de’ Longobardi Agrippina HWV 6 • Each volume is published in all three vocal registers HWV 19 (BA 4064-90) I BA 4092-90 • Key relations within the song cycles are maintained in all transpositions Serse HWV 40 (BA 4076-90) I • All song texts are also separately printed with an English translation Tamerlano HWV 18 (BA 4052-90) I a.o. by Richard Wigmore For transpositions see: www.baerenreiter.com/en/focus/ franz-schubert/schubert-lieder/ Arias, Duets, Trios and Ensemble Movements from Handel’s Operas Female Roles for High Voice (BA 4295) I Male Roles for High Voice (BA 4296) I Soprano Frauenliebe und Leben Mezzo-Soprano and Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I BA 9182 BA 7854 Duets, Trios and Ensemble Movements (BA 4297) These vocal scores of Mozart’s concert and insert arias are based on the New Mozart Edition. An accompanying booklet gives detailed explanations on the Chamber Duets for Soprano, Alto execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there are suggestions for the performance of cadenzas and Basso continuo and lead-ins as well as for the ornamentation of dal segno passages, which are HWV 178, 181, 185, 186, 190, 197 often found in the early Mozart arias. Ed. K. Musketa BA 10257 • Urtext edition based on the Complete Songs • Underlaid text presented in the original language only Halle Handel Edition Ed. E. A. Ballin • All aria texts translated into German and English and printed separately By means of their high degree of consistency and maturity, Handel’s chamber • Clear, idiomatic realization High Voice BA 5330 • Idiomatic piano reduction to the individual arias duets constitute a highlight of this genre. They are musically demanding and of the continuo part Medium Voice BA 5328 • Clear and legible layout of the musical text structured contrapuntally: the earlier works are stricter, more scholarly and more • Includes a separate continuo • Additional notes and suggestions on performance practice elaborate in terms of counterpoint but masterly in their craftsmanship. The later part without realization in the accompanying booklet ones are composed somewhat freer, but more compact. • Performance material available on hire to each aria Lieder, Volume 1 BA 9101 BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52 George Frideric Handel Wolfgang Amadeus Mozart Franz Schubert and Robert Schumann There is hardly another genre so closely connected with the Mozart Concert Arias musical Romantic as the accompanied solo song. Franz Schubert’s Lieder form the centre of Bärenreiter’s solo voice catalog. Vocal Scores of Vocal Scores of for High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Soprano Lieder by Robert Handel Operas Mozart Operas and Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185) Schumann Compilation by Thomas Seedorf Franz Schubert’s Complete Lieder Handel’s operas are not historic Bärenreiter vocal scores of Mozart’s Notes and suggestions on performance practice Dichterliebe op.