Interiors and Sources

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Untitled-1 3 11/15/19 8:56 AM contents | 12.19 | volume 35 | issue 12 interiors+sources

24 How I Sourced It Dressing Room Delight The lighting found in ThirdLove’s Concept Store helps deliver a bra shopping experience focused on women’s comfort. By Adrian Thompson

42 Product Inspiration The Art and Science of Innovation Mohawk Group’s Relaxing Floors collection is built on scientific research to positively impact human health. By Robert Nieminen

44 Product 360 Look Down! Creative Edge utilizes waterjet technology for precise flooring design. By Hallie Eickhoff

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MANAGING EDITOR ART DIRECTOR Valerie Dennis Craven Elisa Geneser [email protected] [email protected] Editor’s Letter 8 DIRECTOR OF CONTENT SERVICES SENIOR PRODUCTION MANAGER Mariah Obiedzinski Candy Holub Noteworthy 11 [email protected] [email protected]

ASSOCIATE EDITOR EDITORIAL Adrian Thompson (319) 861-5151 JOIN THE [email protected] 16 CONVERSATION CORPORATE OFFICE SENIOR WRITER 615 Fifth St. SE, Cedar Rapids, IA 52401-2158 i n t e r i o r s Janelle Penny 319.364.6167 [email protected] FOR SUBSCRIPTIONS, VISIT STAFF WRITER http://subscribe.interiorsandsources.com Happenings Sarah Kloepple [email protected] BDNY Looks 16 JOIN THE CONVERSATION EDITOR-AT-LARGE By Valerie Dennis Craven Web interiorsandsources.com Robert Nieminen [email protected] Facebook facebook.com/pages/Interiors-Sources/108083788393 Report Twitter twitter.com/InteriorsSource LinkedIN https://www.linkedin.com/company/interiorssource/ 6 Factors That Affect Open Pinterest pinterest.com/iandseditors Office Success 18 Instagram instagram.com/interiorssource By Janelle Penny CONTRIBUTING ORGANIZATIONS ASID | IIDA | IDEC

Profile ADVERTISING SALES 18 Closing the Gap 28 VICE PRESIDENT | INTERIORS+SOURCES MEDIA GROUP INTEGRATED MEDIA CONSULTANT By Adrian Thompson Steven Sloan Tom Davies [email protected] [email protected] (319) 861-5046 (319) 861-5173

INTEGRATED MEDIA CONSULTANT SALES SUPPORT SPECIALIST Karrie Laughlin Matt Schrafel [email protected] [email protected] s o u r c e s (319) 899-8348 INTEGRATED MEDIA CONSULTANT Jenna Rehberg Sources 31 [email protected] (206) 836-3141

Product Breakdown 37 ADMINISTRATION | AUDIENCE | DIGITAL A Publication of Stamats Communications, Inc. 28 Isenberg CEO | PRESIDENT WEB DEVELOPER Peter Stamats Erin Haerther Product Q+A 40 [email protected] [email protected]

Nienkämper SENIOR VICE PRESIDENT FOR BUSINESS MEDIA FRONT-END DEVELOPER Jack Brannigan Kristi Kidd [email protected] [email protected] (319) 861-5070 SENIOR MANAGER, AUDIENCE & DATABASE SERVICES VICE PRESIDENT, CHIEF AUDIENCE OFFICER Barb Schrafel Kim Leonard [email protected] contributions [email protected] DIGITAL STRATEGY MANAGER EXECUTIVE BRAND ASSISTANT Michael Leonard Jeanette Kendall [email protected] ASID 45 [email protected] DIGITAL CONTENT SPECIALIST WEBINAR EVENTS MANAGER Katie Downing IIDA 46 Jessica Watts [email protected] [email protected] 37 DIGITAL ANALYST LIVE EVENTS DIRECTOR Andrew Rohlf IDEC 47 Karrie Laughlin [email protected] [email protected] (319) 899-8348 MARKETING MANAGER Robin Melichar +On That Note 50 [email protected]

ADVISORY BOARD

Sally Augustin PhD., Principal, Design with Science Todd Bracher Founder, Creative Director, Todd Bracher Studio Royce Epstein LEED AP, Industry IIDA | Director, Design Segment, Mohawk Group Todd Heiser IIDA. Principal Design Director, Gensler Charrisse Johnston ASID, LEED AP, Assoc. AIA | Principal, Steinberg Tom Marquardt IIDA, SBID | Design Principal—Chicago, HDR Jane M. Rohde AIA, FIIDA, ASID, ACHA, CHID, LEED AP BD+C, GGA-CIEB Tim Schelfe ASID, IIDA | CID Principal | Director of Interior Design, JDavis Lindsay Wilson Executive Managing Principal, Corgan 40 FREE INFO FOR SUBSCRIPTIONS, VISIT: http://www.interiorsandsources.com/subscribe Your resource Our corporate facility is for products and LEED certified services featured

VOLUME 35 NUMBER 12 december 2019 in this issue. interiors+sources ON THE COVER: interiors+sources® (ISSN 1542-4219 [print]; 2470-6418 Susana Covarrubias is a studio [online]) USPS 007-289 is published monthly by Stamats YEARS director and creative director at Communications Inc., 615 Fifth Street SE, PO Box Gensler in Seattle. She is also Where the new president of IIDA. For high-quality, customized 1888, Cedar Rapids, IA 52406-1888. Periodical post- are the Stamats Marketing Services reprints, please contact age paid at Cedar Rapids, IA and additional mailing Women? Reviewing Design offices. POSTMASTER: Send address changes to Leadership Image courtesy of Stamats Marketing Services: 1-800-553-8878 | www.interiorsandsources.com/reprints interiors+sources, PO Box 1888, Cedar Rapids IA 52406- Olli Tumelius Copyright 2019 by Stamats Communications Inc, ALL RIGHTS RESERVED. Contents may not be reproduced in any manner without prior written 1888. Publications Mail agreement No. 41666041. permission from Stamats Communications Inc. Subscription RATES: United States and its possessions: $144.00 for 1 year. All foreign countries $160.00 (US fund) (surface mail) for 1 year. Extra and back issue copies (when available) are $12.00 each, shipping and handling included—except on large/ bulk shipments. All orders must be PREPAID to: interiors+sources magazine, 615 Fifth St SE, Cedar Rapids IA 52401 or PO Box 1888, Cedar Rapids IA 52406-1888. Attn: Subscription Department. 1-800-553-8878.

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Looking Backward and Forward

ecember occupies a unique space in time situated between the dusk of one year and the dawn of the next. On the one hand, it’s a season of closure and reflection, and on the other, it’s about imagining the possibilities of what’s ahead. That, Din a nutshell, is what this issue is about: looking backward at the best of what 2019 had to offer and setting our sights on what 2020 has to bring. As we do annually, we opened the polls in October to find out which products we published in the magazine this year were your favorites. And the results are in! We received nearly 10,000 votes, and in some cases, it was a very close finish (there were only three votes separating our first and second place winners in the Details and Decor category). To find which products earned the coveted titled of our 2019 Readers’ Choice Awards, turn to page 31 and see if your horse won the race. Personally, I cast my vote for an innovative new carpet line I discovered at NeoCon, which you can read all about in our Product Inspiration story (page 42). In keeping with the awards theme, ASID also announces in this issue the winners of its 2019 Outcome of Design Awards (OODA) for best project (see page 45). Presented in partnership with Herman Miller and NeoCon, OODA is designed to celebrate the power of design and recognizes projects that successfully illustrate that “Design Impacts Lives” through data-driven results. Because measuring the best in design can be a subjective process, OODA instead looks at the data behind the design intent to impact well-being, productivity and collaboration. This year also marked IIDA’s 25th anniversary, which means there was cause for the Association to celebrate, as noted in this month’s IIDA column (page 46). Aside from another successful year of programming, design leadership and community-building, IIDA saw the inaugural launches of exciting new publications, scholarships and panel discussions, and is excited about what the future holds. To that end, IIDA’s CEO Cheryl Durst shares her hopes for the upcoming year of design, which includes: increased use and respect for materials once considered “humble” or “indigenous” like hemp, terra cotta, jute or sisal; a continued resurgence of biophilic principles and materials; and more people of color and women in design leadership roles across the architecture and design industry. Speaking of diversity, in this issue’s profile article (page 28) we ask the rather glaring question of why there are so few women holding leadership positions in the industry (only 11%), when more than 60% of designers are women? Rather than merely citing statistics, however, we wanted to include women in these discussions. We interviewed several prominent female designers and entrepreneurs to get their perspective on the past and future of diversity in the industry. What are women’s opinions, particularly those who currently hold leadership positions in the architecture and design community, on design leadership heading into a new decade? Find out the answers to these questions and more in this eye-opening article. Finally, let’s not forget about the present. In this issue’s And On That Note (page 50), we wanted to help you get ready for the holidays this winter in sustainable style by introducing you to the Fräsch Christmas tree. Each tree – available in 26 colors and standing five feet tall – is made of PET felt, recycles 100 plastic bottles, and a portion of the proceeds will be donated to 4Ocean and Ocean Conservancy. Slavka Younger, co-founder of Fräsch, says the trees were originally created for an architecture and design partner firm before the project grew into a larger charitable initiative. Because initial interest in the trees has been overwhelming, Younger hopes they will become an annual tradition. And in that hope, Younger reveals a timeless truth: creating something of value today that will one day be part of a legacy is how we can make the world a better place. So, as the year draws to a close, perhaps we can all ask ourselves: what can we do today to shape the design world of tomorrow?

Robert Nieminen | Editor-at-Large [email protected]

MISSION STATEMENT interiors+sources® is dedicated to the advancement of the commercial interior design profession. It connects design professionals with the projects, products, firms, and associations that shape the built environment and promotes the value of design services in the creation of functional, sustainable, and aesthetically pleasing environments. Each issue delivers relevant and timely information that equips design practitioners with the knowledge and tools necessary to reach design excellence in their own practices. Editorial ideas and contributions are welcome from all members of the design industry.

8 interiors+sources december 2019 interiorsandsources.com

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Average Salary for Designers Vary

ollowing the release of its first Interior Design The majority of commercial designer respondents impact on salary. NCIDQ certification, in particular, Salaries & Benefits General Report in June, specialize in workplace (70%), followed by hospitality had a salary impact in commercial. Fthe American Society of Interior Designers (35%) and healthcare (33%), with others reporting Bringing more to the table with added skills: (ASID) has compiled additional results highlighting how work in education, government and financial services, Business skills drive higher median salaries in com- career path, specialty and firm size impact salary in retail, facility management, historic preservation and mercial, management skills in residential, and man- two reports: the ASID 2019 Interior Design Salaries & entertainment. The residential respondents noted a agement and communication skills in commercial and Benefits Specialization Report and Firm Size report. majority focus on kitchen and bath (70%) and luxury residential. The findings shed light on the compensation (69%), with others noting aging-in place, multifamily, West coast salaries lead: Median salaries were differences among design professionals specializing multi-generation, historic preservation, sustainability consistently reported highest in the West. in the commercial or residential space, or both, and and model home projects. How salary and benefits lead to workplace the associated benefits and salary trends in firms of Takeaways include: satisfaction: Design professionals who indicated all sizes. While commercial designers generally take Specialty affects compensation type: higher satisfaction in salary and benefits had higher home higher median salaries, it was found that firm Specializations can impact compensation in both median salaries. However, work satisfaction can also size does not correlate with designers’ pay and that amount and the method by which it is received by the be fueled by other factors. most salaries depend on business profits. professional. The reports also revealed the career timing for Commercial vs. residential salary: Median sala- 2019 f i r m s i z e r e p o rt peak salary and the importance of certifications and ries were generally higher for commercial designers. The ASID 2019 Interior Design Salaries & Benefits Firm licenses. Business profits can impact salaries: More than half of Size Report emphasized many key results from the residential design professionals and those practicing Specialization Report, in particular, the importance of 2019 specialization r e p o rt both commercial and residential design reported sala- certifications and additional business skills. It also The ASID 2019 Interior Design Salaries & Benefits ries dependent on business profits. sheds insight on how firm structure, size and charac- Specialization Report examines the focus of prac- Firm size and salary don’t correlate: While teristics impact the compensation of its employees. tice and the resulting variations in salary. Survey professionals employed in firms with 100 or more Notable research results find: participants were comprised of: employees have the highest median salary regardless Room to grow: Salaries are higher at companies • 39.3% commercial designers of specialization, professionals specializing in hospital- where there is room for upward mobility – median • 37.4% residential designers ity and luxury residential design at firms with two to salaries were significantly higher for design professionals • 23.3% who work in both sectors nine employees had higher median salaries than those employed at large firms compared to sole practitio- at firms with 10 to 99 employees. ners. Larger firms also reported more stable growth in Benefits differ from commercial to residential income. sectors: Commercial design professionals indicated Significant median salary gap between small the receipt of multiple benefits, whereas professionals and large firms: The largest difference in median in residential and those practicing both commercial salary was between sole practitioners with more than and residential design indicated only a few, with a rela- 30 years of experience and professionals at large firms tively high percentage of professionals indicating none with the same experience, at an amount of about of the benefits listed are received. $40,000. The “decade difference:” Median salary credentials , l i c e n s e s increased with years of experience, with the largest a n d certifications jump from 10 years or less to 11 to 20 years. Additionally, this report dives into the factors that con- Salary and satisfaction lack strong corre- tribute to receiving top salaries. lation: Although higher median salaries were ASID collected data to examine the geographic observed mostly among those who are more sat- locations and the career levels in which the highest isfied, sole practitioners and professionals in small salaries can be achieved. As with the original compen- firms may consider satisfaction in the organization to sation report, the importance of credentials, licenses be a source for retention, whereas satisfaction in the and certifications was clear. overall profession may be an important motivating Findings show: factor for professionals in medium and large firms. The importance of official affiliations: The ASID 2019 Salaries & Benefits Specialization Certifications/credentials/licenses were most desired Report and Firm Size report can be found on by commercial design professionals and had an asid.org.

interiorsandsources.com december 2019 interiors+sources 11

IS_1219_Noteworthy.indd 11 11/19/19 9:33 AM noteworthy | By Adrian Thompson

Sandy Hook Article is Honored at Folio: Awards

nteriors+sources has won top honors at the that night, winning all four categories in which Folio: Show. The Stamats Business Media they were finalists. i business-to-business (B2B) publication For more than 25 years, the Folio: Eddie & took home a Folio: Eddie Award for best Single Ozzie Awards have recognized excellence in Article in the B2B Architecture and Design content and design across all sectors of the category for Inside the New Sandy Hook. publishing industry. Judges narrowed more The story looks at the new Sandy Hook than 2,500 entries to a pool of about 1,100 elementary school in Connecticut and how it finalists in 33 categories. integrated nature, community connections and “We are pleased to have been recognized security into its new design. The article was for our article looking at the design of the new posted online in March and featured in our April Sandy Hook elementary school,” says Valerie print issue (bit.ly/2rRK4r7). Dennis Craven, interiors+sources’ managing ABOVE Senior writer Janelle Penny accepted several Janelle Penny, senior writer and author of the editor. “This is a topic we find to be very awards on behalf of Stamats at the 2019 Folio: Eddie & story, accepted the award on behalf of Stamats important, and being recognized for the article Ozzie Awards gala. Penny authored ’ interiors+sources at the 2019 Folio: Eddie and Ozzie Awards among such great work is an honor. Creating winning story on the new Sandy Hook elementary school. Gala on Oct. 30 in New York. Stamats’ other quality, insightful content for our audience is B2B publications, BUILDINGS and Meetings our goal, and getting this award for our work is Today, took home another three Eddie Awards a bonus.” The Formula | Mid-Century Modern + Acrylic The Formula | Mid-Century The Formula | Zoom + Acrylic The Formula | Jacquard + Acrylic Modern + Acrylic The Formula | Mid-Century

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IS_1219_Noteworthy.indd 12 11/19/19 10:44 AM stay i n f o r m e d You can also listen to stories and news through our audio podcast series. Listen on your favorite podcast player or at www.interiorsandsources.com/podcast.

| Images courtesy of Robert Benson | By Janelle Penny interiors | FIELD NOTES

SANDY HOOK SHINES How Newtown’s new school combines nature, community connections and extensive security measures.

These guidelines set out best practices for designing any building. andy Hook Elementary is the furthest thing from a fortress, One of the keys is clear lines of sight that allow people inside the visually. But the newly opened pre-K-4 facility, which building to see if someone is approaching. Clear sightlines also replaced its namesake school after the 2012 massacre- emphasize to potential intruders that they’ll be spotted immediately.

Sandy Hook’s windows are placed at a child-accessible level that there, marries thoughtful security strategies with con Photo by Steve Hall, Hall +Merrick Photography. Designer: Eastlake Studio. S allows views out and daylight in, explains Lynn Brotman, the lead nections to nature and the community to create a school that’s as interior designer on the project. Second-floor nooks allow a clear view inspiring as the tight-knit town around it. of the first-floor library. “There’s one most important goal in every school project, and that’s Perhaps| the FIELD best example NOTES of how Sandy Hook’s design melds an to create a school that is for the children. They come first,” explains interiorsJay embrace of nature with hard-won knowledge of school security best Brotman of Svigals + Partners, the lead architect on the project. “What practices is the rain garden. It’s used as a retention pond for roof that means is that we want to create a place that will grow healthy future runoff, but instead of being relegated to the back of the school like members of our society, and to do that, you need a place that’s inspiring most retention o f basins, t h e cit’s o mshowcased m u n i t y front and center with a beautiful and nurturing with great access to daylight and nature, reflections and most importantly, connected to the community.”The designrock wouldn't bed andhave natural been possible vegetation. without It filtersNewtown. rainwater, The teaches children These crucial tenets of design aren’t at oddscity beganabout as a colonialthe cycles village of water that thrived and the along seasons, the rivers, and createsa a seamless with school safety measures. In fact, they contributetheme echoedtransition in its from newest outside school to moreinside. than It also three creates centuries another physical buffer to keeping the school building safe. Sandy Hook’safter the town’sbetween 1711 the founding. parking lot and the school. Newtown’s residents banded together to support the design holistic approach to school design ensures that “Children don’t see it as a barrier or buffer,” Jay Brotman says of the effort, helping solve design issues as part of a school-based students feel safe, supported and ready to learn. rain garden. “They see cycles of water, cycles of the seasons, plants and building advisory committee that included parents, teachers, animals. They have these unique little bridges, which are reminiscent f e at u r e s first responders and the school’s maintenance professional. d u t y d e s i g n of their community, over the rain garden as they enter the school. They d o u b l e The committee was invaluable in solving design issues and come from a world of parking and cars and streets, and before they step Sandy Hook’s design utilizes the principles of Crimeserving as ambassadors to the wider community. RIGHT Penny’s Prevention Through Environmental Design (CPTED). Even childreninto the joined school in the they design see thiseffort. beautiful, Kids Build natural workshops environment.” in Newtown Thefocused bridges on creating also slope art basedupward on so natural that thethemes. inside grade of the building “The panelssits onhigher the outsidethan the are outside, an interpretation he adds. ofThat designs helps people inside have a The design of the new Sandy Hook school utilizes Crime ABOVE created in onebetter of theview Kids of Buildthe outside programs,” and Lynn also Brotmancreates explains.a protected area ➤below the Prevention Through Environmental Design, which Child-size creates nooksa space on LEFT “The kids windowsillwere divided where up into people three peoplecan hide per during group withan emergency. winning story that's safe but doesn't feel like a fortress. one holding a flashlight, another one a leaf and another one a interiorsandsources.com the second floor offer a wide view of first-floor spaces. crayon, and they would create shadows around the leaf. That is the pattern of the panel on the outside. There’s a sense of 2019 sources april pride that not only are kids learning about light, shadow and 3/25/19 9:48 AM examines how 18 interiors+ texture, but they also see their work reflected in the school itself.” A concrete pathway reminiscent of a cobblestone street leads down the main corridor, while the atrium features “trees” that ABOVE Windows allow nature, community IS_0419_FieldNotes.indd 18 serve as bulletin boards and a mobile that looks like leaves. views out and daylight Sculptures of birds take flight next to a window, perhaps echoing in, and also double as the families of birds that lived at the old school. a security measure

This skillful weaving together of the old and the new, honoring allowing clear lines and security all play the past while building a safer future, creates a vibrant destination. of sight. Comfortable seating in fun colors It not only educates Newtown’s youngest students, but nourishes offers an enticing and heals an entire community still reeling from the loss of 20 place to perch. children and six staff members. BELOW Motifs of birds an important role in “Buildings have an immense impact on each of our lives and in flight create a how we are as people. That can be negative or positive,” says whimsical, youthful look perfect for an Jay Brotman. “There are lots of studies in countries where elementary school. there’s a lot of strife and stress from day-to-day surviving, and the new Sandy Hook LEFT Foot bridges they’ve had to build fortress-like schools in those communities, across the rain garden and children are negatively impacted by it. We’re fortunate our in front of the school society can support these open schools. Let’s make them the encourage a seamless transition from traffic best that we can and provide the best for our children. Our elementary school. to school. society will be better for it.” The Formula | Mid-Century Modern + Acrylic The Formula | Mid-Century The Formula | Zoom + Acrylic The Formula | Jacquard + Acrylic Modern + Acrylic The Formula | Mid-Century

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Untitled-1 1 11/15/19 9:18 AM happenings | By Valerie Dennis Craven BDNY Looks: Pink, Textures and Residential The shades range from mauve to magenta.

t BDNY 2019, held at the Jacob K. Javits Convention Center in New York, new products and solutions for hospitality design were seen throughout the show floor. While we’ve heard for a while that millennial A pink is on the way out, at BDNY shades of pink were still prominent. Also seen were products featuring layers and textures, and residential looks.

p i n k i s p o p u l a r All varieties of pink – from mauve to magenta – were seen at BDNY, and exhibitors say it’s still being specified. Pinks were seen throughout, paired with golds and neutrals in fabrics and flooring. At the Davis Furniture booth, creative director Joseph Namyst talked about the color story they were telling through the use of color, mixing “on trend jewel tones with pastels for a monochromatic look” in shades of pink and red. Davis’ booth featured a dusty pink couch with light pink and darker red accents. At Masland, contract manager Courtney Hendry-Williams discussed seeing the more vibrant shade of magenta coming into a space, balanced by gold, brown or beige as a warm neutral. She explained that clients might bring in pops of color through throw pillows or blankets on a bed against white sheets, or in the carpeting of public spaces. A lot of fabrics included pinks and neutrals, including recently launched Topo by Concertex and nowHAUS by Tarkett.

d e e p t e x t u r e s Another trend that was hard to miss was deep textures, from carpets with various At BDNY 2019, a few of the more prominent trends piles and loops to fabrics with unique materials and designs. spotted include deep textures and materials on Velvet was seen on indoor and outdoor fabric, and other textiles featured fabric, wall and flooring; pinks in all shades; and residential influences in commercial products. designs and fibers that made you want to touch to believe what you are seeing. IMAGES BY VALERIE DENNIS CRAVEN, BELOW IMAGE COURTESY OF Some highlights included lounge seating with a bold teal at Fabricut to the Sweater NANIMARQUINA Weather subtle fabric and feel at Sunbrella Contract or Labyrinth from Mayer. Even carpets that look like fabric or are three-dimensional from the cuts and piles that create visual interest were seen. Our team couldn’t take our eyes – or hands – off the Shaw Contract carpet, including its tailor tuft sculpted, soft flowing design.

residential to c o n t rac t Residential is influencing contract, from contract-only companies incorporating “resi” looks – residential, resimercial and respitality – to more companies finding ways to move from residential into the contract space. Nanimarquina is progressing its Shade rugs from wool residential rugs into outdoor PET rugs that can withstand water and weather in indoor/outdoor contract spaces. In each rug, two gradients converge, one vertically and one horizontally, to achieve the density and regularity of the final product. The company is new to contract.

b d n y t r e n d s i n c o m m e r c i a l s pac e s These three trends seen at BDNY show that warmth, depth and the residential look could steer the design and mindset in the commercial space for the future.

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Untitled-1 1 11/15/19 9:19 AM 2019_GROHE_SmartControl_Mud_Int&Source_Ad_F.indd 1 10/23/19 12:32 PM interiors | REPORT | By Janelle Penny

left Consider putting open- plan and respite spaces along the perimeter to maximize the value of the daylight the space receives. above Ceilings make an important impact on scale and acoustics. The Boston office of the Bridgespan Group has a white drop 6 FACTORS ceiling that makes this workspace feel bright, yet cozy. IMAGES COURTESY OF CBT/ANTON THAT AFFECT GRASSL ARCHITECTURAL PHOTOGRAPHY OPEN OFFICE SUCCESS How to create a space that supports the people in it.

urnishings and space layout play a vital role in the success or failure of 2. e n c o u rag e environmental e x p o s u r e open office design. But an intuitive layout and fun furniture alone won’t Consider putting open and group spaces along the perimeter and saving the ensure a productive open office workspace. private offices for the interior of the space, recommends Angie Lee, vice president F The best open office designs account for all factors that affect proof buildings for Stantec, a global design firm. ductivity, such as comfort, noise and ease in finding a space to work. Create a Ample natural daylight can reduce your need for artificial lighting, and employ- well-rounded design that supports workers’ needs with these six pro tips. ees appreciate the view. Use glass fronts for interior private offices so that they can utilize any daylight that penetrates into the core. 1. ac c o u n t f o r t h e r m a l c o m f o rt “Access to daylight is incredibly important in a space,” Madson says. “The As an interior designer, you probably can’t choose the HVAC system, but you can fewer walls or barriers you’re putting up near the exterior, the better.” group like spaces together to make it easier to zone the HVAC. Dave Madson, principal at CBT, an architecture, interior design and urban design firm, recommends 3. m a k e s m a rt s u r fac e c h o i c e s anticipating how a space will be used and by how many people first. Walls, ceilings and floors all have important roles to play in creating workspaces “It’s about being smart with the zoning and putting similar anticipated tasks where people can thrive. Walls in huddle or brainstorming rooms are a great place and densities of people in one zone,” Madson explains. “Think about a huddle for whiteboard paint. Lighting brightness and luminaire types can help differentiate room with an open office space right outside. The second people go into the spaces for each other. huddle room and close the door, the temperature will start rising. Turn on a wall For example, a place intended for focus or quiet could have more serene display and it will increase the temperature even more. Make sure the engineers lighting from wallwashers or an indirect luminaire on the ceiling, while a collab- understand the intended uses of each of the different spaces.” orative space might have brighter lighting with visually interesting pendants. ➤

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Untitled-1 1 11/15/19 9:21 AM interiors | REPORT

Ceilings go hand in hand with lighting, Madson adds. “Changing the height of the ceilings or going from an open ceiling to something that might bring the scale down helps, too,” he says. “Your mind subconsciously understands that there’s something different about this location vs. that location as you’re walking through the space.” Madson also suggests using flooring and finishes to set spaces apart. Visual and textural differences indicate to users that they’re entering a new space. Hallways might have a certain treatment to suggest that they’re pathways, while a casual, information destination like a huddle room might have an area rug or a plush shag carpet to invite people to stay. “Changing flooring as you’re walking – not only the color, but the materiality – is also a great subconscious cue,” Madson explains. “When you move from carpet onto polished concrete or tile, your footsteps feel and sound different. It’s a signal that this is a different type of space.”

4. i m p l e m e n t st ro n g way f i n d i n g c u e s “We use the floor for a lot of tactile and color differences to help you under- Create interior landmarks, such as art or familiar views, to help people orient them- stand what floor you’re on and the function of the space,” DeGrace explains. “We selves within the office, Lee recommends. Surfaces can also serve as a wayfinding have branded graphics on the core walls and color changes, which is fairly tradi- device in addition to their other roles in the office. tional when it comes to differentiating floor to floor. But because that’s what we do “One of the strategies we use in planning is that there are always viewpoints, for a living, the floor is pretty amped up.” sightlines and key interior landmarks that will orientate people,” Lee says. “It could be wall art. It could be sculpture. It could be a sightline toward a formal collabora- 5. pay at t e n t i o n to ac o u st i c s tive space that looks different from this side of the floor vs. that side of the floor, or Concerns around privacy and noise are not to be taken lightly in open office a sightline toward the outdoors.” design. Poor acoustic design makes it harder to work. Chip DeGrace, chief design officer of global commercial flooring company “If you don’t have any acoustical barriers in the office, you’ve got an acoustical Interface, says the company implements varied floors and ceilings throughout Base problem,” explains Andrew Cisisly, Western regional director of sales for HAT Contract, Camp, their Atlanta headquarters. a contract office furniture company. “The real question is, how are people ➤

left and above Employee wellness was an important consideration for Interface during the planning stage for Base Camp, its Atlanta headquarters. The flooring giant opted for thicker glass to help block distracting traffic noise from outside. Changes in flooring colors or textures help orient people to the type of space they’re in, says Chip DeGrace, Interface’s chief design officer. IMAGES COURTESY OF BRUCE QUIST

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Untitled-1 1 11/15/19 9:22 AM interiors | REPORT

adapting to this? They’re putting on headphones, making calls in other areas and talking lower because there are no barriers in front of them. They’re adapting, but there is a problem.” There are a few things you can do to improve acoustic performance in existing spaces, such as: • Designating smaller enclosed spaces as huddle rooms • Installing phone booths or privacy pods for one-on- one meetings and private phone calls • Sound masking • Acoustic retrofits, such as panels and baffles • Spray-on acoustic material for exposed ceilings • Light fixtures made with acoustic materials such as felt “One of our favorite materials is FilzFelt,” Madson says. “It’s a natural wool material that you can put almost anywhere, whether it’s on the wall, the ceiling or a fixture. K-13 is our go-to spray-on ceiling – you can color it, and the before and after of what it can do acoustically to a space is amazing.” Interface’s acoustic plan for Base Camp starts with smart layout. Private, assigned pods break up runs of workstations so that the office doesn’t have too many workstations grouped next to each other, creating a noise buffer. Circulation paths separate the workstations from lounges, libraries and other collaboration spaces. Base Camp also uses sound masking and movable panels. A holistic approach to acoustics is key to creating

spaces in which clients’ employees can succeed, Madson above Thoughtful respite spaces allow people to recharge and connect with coworkers. At Base Camp, Interface's biophilic explains. He recommends keeping track of the acoustic design makes ample use of neutrals, natural daylight and wood, including log-like end tables. Nearby wall graphics assist with qualities of products in the space. If you use a hard surface wayfinding. below Glass fronts on perimeter spaces allow daylight to penetrate further. such as tile, make sure you add a sound-absorbing ele- IMAGES COURTESY OF BRUCE QUIST ment, such as panels, baffles or an acoustic wall relief.

6. c u lt u r e Organizational culture should drive not just the adoption of the open office concept, but the way you create open office designs for your clients. Understand what your clients need by understanding their culture. You can accomplish this by getting to the heart of what the people who are using the space want and need. Consider conducting organizational surveys with employees and make sure your design charrettes include a representative sample from across your client’s organization, not just a few key decision-makers. “Any organization that’s embarking on a new workplace design, whether it’s a slight modification or an enterprise- level workplace strategy, needs to weave change management into the conversation,” says Lee. “Designing spaces is getting space ready for people, but change management is getting people ready for the space. The two need to go hand in hand.” Successful open office design depends on the execution of the design and the organization’s willingness to embrace the space. The right design is the one that mitigates common open office drawbacks, fits the existing office culture and where everyone in the space can do their best work.

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IS_1219_Report2.indd 22 11/18/19 3:26 PM LEFT HAND PAGE

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Untitled-3 1 7/23/19 9:43 AM interiors | HOW I SOURCED IT | By Adrian Thompson | Images courtesy of Caprice Johnson

The lighting found in ThirdLove’s Concept Store helps deliver a bra shopping A pair of decorative sconces and a pendant experience are layered inside focused on dressing rooms to provide soft, flattering women’s lighting onto shoppers’ faces and bodies while comfort. they view products in Dressing R oom Delight the mirror.

he ThirdLove Concept Store in New York was created to give the retail space’s design, so Focus Lighting used the Philips Hue bulbs women a shopping experience unlike any other. The pop-up to illuminate all dressing rooms. It’s the first time Hue has been used in a shop – open through Dec. 31 – focuses largely on creating commercial setting. T a comfortable shopping experience for women through its The Focus Lighting design team included principal Brett Andersen, dressing rooms and fitting process. designer Anna Krutsenko and project manager Lauren Lanzotti. Together, Launched in 2014, ThirdLove is one of the fastest growing bra and they built a full-scale mockup of one of the store’s dressing rooms in underwear companies in America. It’s 78 bra sizes (including half sizes) Focus Lighting’s Light Lab to test fixture placement and color, considering and FitFinder technology have become widely popular among millions of women of different heights and skin tones. women. This is the company’s first brick-and-mortar store. The women-led teams from Alda-Ly Architects and ThirdLove also ThirdLove partnered with Focus Lighting and Alda-Ly Architects to frequented the lab to weigh in on key design features such as dressing design the 1,300-square-foot interior, with the goal of reinforcing women’s room sizes, paint colors, and the size and shape of the mirrors. sense of beauty, comfort and confidence. Lighting was a main focus in The finished product includes standout features such as decorative

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IS_1219_HISI.indd 24 11/18/19 2:42 PM scones, controllable lighting and breast-shaped call lights that change colors when guests press the button for assistance. ThirdLove’s Concept Store is also being utilized as a research tool where both employee and customer feedback are recorded and considered for the design of ThirdLove’s future flagship location. The Focus Lighting Learn more about the store’s interior design and how it aims to redefine design team specified women’s shopping experiences in the conversation with Brett Andersen. Philips Hue’s color- changing LED fixtures, interiors+sources: What were the design criteria going into this project? and programmed How did Focus Lighting meet the demands? three lighting scenes – Unoccupied, Daylight Brett Andersen: With the introduction of its FitFinder technology, ThirdLove and Twilight – which changed the way women shop for bras, putting customers in control and making shoppers can activate the experience much more enjoyable. Our goal for this project was to help using a control station translate this notion to brick and mortar, creating a space that evokes the at their mirror. comfort of a home and a fitting room experience that empowers the shopper. ➤

At shoppers’ control is the breast-shaped call light located outside of each room. The light changes color when guests press an interior concierge button for assistance, so they don’t have to shout for help. All 10 call lights were custom-built at the Focus Light Lab using Philips Hue LED strips diffused by a frosted acrylic panel.

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Two layers of decorative lighting in the fitting rooms – a hanging pendant ABOVE: Every to use. Also, considering the Hue is a readily available, off-the-shelf and a set of sconces next to each mirror – combine to cast the perfect aspect of the product, it was an ideal solution for the fast-paced construction of amount of soft glowing light onto customers. More decorative lighting, like bra-purchasing this pop-up store where we had to work quickly and in the most process was floor and table lamps, were used in sitting areas to offer a delicate glow affordable way possible, while still creating a space that looks great. reexamined – there as well. Lighting largely focuses on the fitting room where shoppers from choosing can switch between “Daylight” and “Evening” scenes and can trigger a a style to the i+s: Discuss how the lighting plays an important role in the design custom call light when in need of assistance, so they don’t have to shout. functionality of of the space. How does it enhance the overall interior? Our team worked hard to ensure that shoppers’ experience in front of the dressing BA: To make people and product in the space look beautiful, it the fitting room mirror is composed to make them and the product look rooms – to create was important for lighting to perfectly render a wide range of skin a new, customized amazing. Each of these elements combine to create a more comfortable, tones and all of the rich colors of ThirdLove’s high-quality products. paradigm, feel-good bra shopping experience. according to Offering a “Daylight” and “Evening” scene in each fitting room gives cus- project partner tomers the ability to see the product in two distinct environments. We i+s: Describe the Phillips products chosen for this space and Alda-Ly Architect’s worked extensively in our Light Lab to determine the exact quality of why they were selected. website. light needed to accomplish each of these goals. Also, with the Hue BA: We used Phillips Hue Color Ambience Bulbs and Lightstrips to illuminate call lights and controls at each individual fitting room, shoppers can the dressing rooms and create the rooms’ call lights. The Hue was perfect request assistance in a much more private, comfortable way, elevating for this project because it allowed the flexibility needed to offer various light- the entire experience. ing environments and has a built-in control system that’s easy for customers i+s: Why is the interior design of this retail space so critical to the user’s experience? BA: ThirdLove has established a brand reputation that empowers women and inspires confidence, and it was important that the design of their first brick-and- mortar store reflected this in every way. From the color of light on the product displays and gently glowing decorative lamps at the sitting areas, to the appearance of the wallpaper in the fitting room’s “Evening” scene, each element works in concert to Beyond the white make shoppers feel beautiful and as comfortable as they would at home. linen privacy curtains, a circular mirror high- i+s: Any fun facts or additional info you want our readers to know? lights the torso only, BA: The store’s design was almost exclusively created by women. It was truly a while a foldout mirror can be swung open collaboration with the talented team at Alda-Ly Architects, designing and building to reveal how a bra is the space in less than three months. Throughout the process, they were able looking and fitting on to visit our office, using the full-scale fitting room model our team built to test and a guest’s back. fine tune various elements of the design.

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Untitled-1 1 11/15/19 9:26 AM interiors | PROFILE | By Adrian Thompson Closing

the Gap Where are the women in design leadership?

ore women today are in the design workforce, and 61% of a l e a d e r ’s p o s i t i v e perspective designers are women, according to Design Census 2019 Despite the statistical gap, Susana Covarrubias has a positive outlook on the rise by AIGA and Google. The report found that women designers of women in leadership positions. Covarrubias is a female leader who wears outnumber men in every kind of employment type, especially in many hats herself. school as students, which has been a common trend for years. She’s a studio director and creative director at Gensler in Seattle, and MSo, why, according to AIGA, do women in 2019 still hold only 11% of female serves as the firm’s regional design leader for the northwest region. Outside of leadership positions in the design field? Gensler, she co-directs a 30-member studio of young designers and serves on Perhaps it’s pay. After all, the Design Census revealed women earn less than the board of the International Interior Design Association (IIDA), for which she 80 cents on the dollar compared to their male counterparts, and men are more was elected president in June. likely than other genders to make more than $150,000 a year. Being a leader has always felt natural to her. She partly credits this to the Or, maybe it’s a retention issue. The 2018 McKinsey & Company study strong women she grew up with in her family, both in Chile – where she was born Women in the Workplace found that particularly after five to 10 years of working, – and the U.S., along with her educational background. women face a lack of mentorship, celebration of female work, support for mothers “I went to an all-girls private school, so I was exposed to a lot of women in and equal pay. leadership positions,” Covarrubias says. Rather than only reading the research, it’s important to include women in these She also notes that Gensler and IIDA have a history of promoting women discussions. What are women’s opinions, particularly those who currently hold within the workplace. leadership positions in the architecture and design community, on design leader- “Gensler has a history of elevating female leaders,” she says. “For example, ship heading into a new decade? one of our co-CEOs is a woman,” referring to Diane Hoskins, who manages

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competitive advantage,” notes Covarrubias. Covarrubias. notes advantage,” competitive ➤

thing to becoming an essential component of any workforce – it’s a a it’s – workforce any of component essential an becoming to thing

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creative director at Gensler in Seattle, was was Seattle, in Gensler at director creative committed to helping them do so. do them helping to committed

Susana Covarrubias, a studio director and and director studio a Covarrubias, Susana

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are breaking boundaries in their field. field. their in boundaries breaking are

advice and insights, and inspiring stories about female designers who who designers female about stories inspiring and insights, and advice

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women leaders in design. in leaders women

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est professional association for design in the U.S., in 2018 launched launched 2018 in U.S., the in design for association professional est

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careers in design. Companies, however, must double-down on their their on double-down must however, Companies, design. in careers leadership roles. Girls and women are interested in and are pursuing pursuing are and in interested are women and Girls roles. leadership

IMAGE COURTESY OFSORELLAPHOTOS the gap between women in the design field versus those in design design in those versus field design the in women between gap the

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with senior leaders, both inside and outside of work. The study states that that states study The work. of outside and inside both leaders, senior with in featured were women Both

The 2018 McKinsey report found that men have more interactions interactions more have men that found report McKinsey 2018 The Bullock. Gabrielle president

the future number of female design leaders. design female of number future the vice and Durst Cheryl CEO

roundings. Covarrubias thinks this will need to be a key change in increasing increasing in change key a be to need will this thinks Covarrubias roundings. and president vice executive

enough women leaders, mentors and role models in their immediate sur immediate their in models role and mentors leaders, women enough including directors, of board -

ing the way, it’s still a statistical fact that most women designers don’t have have don’t designers women most that fact statistical a still it’s way, the ing international female-majority

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few who have become industry icons. icons. industry become have who few Cohen. Andy colleague with

the field.” Women such as Patricia Keller, Beverly Willis and Zaha Hadid are a a are Hadid Zaha and Willis Beverly Keller, Patricia as such Women field.” the employees 6,100-plus Gensler’s IMAGE COURTESY OFDAICHI YAMAGUCHI of women designers hold leadership roles leadership hold designers women of 11% women are designers of 61% interiors | PROFILE

There's no better time to level the playing field than now, as we get ready for large collection of resources dedicated to women leading, including events, a new year and decade. videos, articles and more at www.aiga.org/women-lead-resources. Companies looking to get involved on increasing the number of women leaders When it comes down to it, however, Covarrubias states that simply being authentic in design can join the Double or Nothing campaign, as well as contact gender and confident in one’s self will go a long way, too. [email protected]. “The world is ready,” she says. “Now is the time for women to take advantage Women looking to take their career a step further can also check out AIGA’s of the platform that is forming. It’s a great time to go – and don’t hold back.” IMAGE COURTESY OF BLAISE HAYWARD IMAGE COURTESY IMAGE COURTESY OF FEDERICA CARLET IMAGE COURTESY IMAGE COURTESY OF PARTNERS BY DESIGN OF PARTNERS IMAGE COURTESY

Susan Lyons Ann-Marie Snook Erika Carey

ann-marie snook | president and ceo, nienkämper Women in Design Leadership See When Ann-Marie Snook was promoted this year to president and CEO of furniture manufacturer Nienkämper, she was pleasantly surprised by the encouragement she Positive Direction for the Industry received at the time. “I was personally flattered with the number of women from all over the A&D Women currently hold a variety of leadership positions within the commercial community who reached out and congratulated me on my promotion,” she recalls. interior design industry. When we asked several of them about their opinion “It solidified my recognition in the design industry by other women.” on the current state of affairs for women, all shared a positive outlook on where Snook says she was given an opportunity at a young age to prove herself and things are headed. was recognized for her hard work and commitment to the company. “The culture at Nienkämper – then and now – led by Klaus Nienkämper, is rewarded with promotions based on performance, not based on gender.” By removing unconscious bias of what a leader “should” look like, Nienkämper s u sa n lyo n s | president, designtex is opening its doors to a wider talent pool. Susan Lyons has been president of Designtex, a textile and wallcovering company, “We focus on the individual and the skills they provide, regardless of their race or since 2012. Rather than focusing on only women, she says the design industry gender,” says Snook, noting the 34 different nationalities the company currently employs. should take a look at diversity as a whole. “It all needs to start with supporting diversity in education,” she states. “I landed in this industry by accident. I went to a liberal arts college and didn’t really know that e r i k a ca r e y | p r i n c i pa l , pa rt n e r s by d e s i g n a job designing materials was even an option. As an industry, we want to attract Erika Carey is one of seven principals, three of which are women, at her firm, students to the field.” Partners by Design. Of the 9,400-plus designers surveyed in the Design Census, 71% identified as She believes more women are entering leadership roles because of incredible white, while only 8% identified as Latinx or Hispanic and 3% as black or African trailblazers and generational cultural changes. American. “It’s funny, although I rarely credit the internet – there is no denying its capacity to “It is important to have all groups represented so there is a diversity of experi- enlighten,” Carey notes. “If a young woman or girl is interested in design, architec- ence and thought,” notes Lyons. Like Covarrubias, she agrees with the advantages ture, construction or commercial real estate – they have the power at their fingertips that having a mentor holds. to gain information to help them make informed decisions. If one googles women in “Seek out mentors,” she advices for women looking to pursue a leadership role. ‘fill in the blank,’ there are countless articles, blogs and organizations to be found. “Most people will be generous with their time and experience. Don’t be afraid to When I started out, I had the Yellow Pages and the library as resource tools. To find speak your mind.” any publication solely featuring a woman in leadership was scarce.”

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1219_Profile.indd 30 11/19/19 9:18 AM Each month throughout 2019, interiors+sources has rounded

up the latest interior products, from modern office furniture and new wallcoverings,

to fresh textiles, flooring and all the details in between that go into making

a space. Every product, hand-chosen by our editors and displayed in the Readers’ magazine’s Sources section, aims to provide designers with the most current Choice offerings on the commercial market to help them create the best interior possible. In October, we asked you to vote on your favorite products, and the

Best results are in. Learn more about the winners, organized by category, in the

Products 2019 following pages.

Architectural Runners Up 3. TXZ-3 from Banker Wire Carpet 2. Acoustic Edge from Unika Vaev The TXZ-3 wire mesh pattern showcases Winner Edge is an architectural acoustic wall tile a new zigzag arrangement from Banker Winner 1. Urban Suite from Ashley Norton that becomes a building block for near Wire that reflects light at all angles for both 4. Gather from Shaw Contract The Urban Suite collection of architectural infinite brickwork patterns. The form is flat and round crimped wires. Because of Accommodating the growing desire in hardware by Ashley Norton combines mini- defined by a pronounced edge that catches its pattern-within-a-pattern weave, TXZ-3 the contract market for high-performance malist design and ergonomic function. From light and casts shadows, changing the changes in appearance depending on the environments with a luxurious, residen- interior and exterior handle sets to cabinet nature of the installation depending on the perspective of the viewer, whether they’re tial aesthetic, Gather creates inviting, knobs and pulls, the new collection lets time of the day. Wall mount clips allow for moving from side to side or experiencing it sophisticated spaces with an interpretation designers make a consistent design state- quick and efficient installation for a visual up close vs. from afar. The combination of of traditional pattern motifs. The collection ment throughout a space. Each piece is and aural upgrade to offices, restaurants or the large, zigzag surface of the wire and the styles are grounded in the familiar but use available in five slightly distressed patinas: similar interiors. stainless steel or plain steel surface creates color, pattern and texture to enhance the dark bronze, white bronze, light bronze, unikavaev.com a visual weave. Banker Wire used a four- promise of the new, combining aesthetics white medium bronze and matte black. heddle loom to create this arrangement. and practicality. Initially designed to meet ashleynorton.com bankerwire.com the need for large-scale patterns in senior living public spaces, the collection provides solutions at an affordable price point. ➤ shawcontract.com

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IS_1219_Sources.indd 31 11/18/19 4:03 PM be mixed and matched at will. Combine with sustainable construction in Patcraft’s 15. Bene Box from Teknion Readers’ Choice various formations — Maple, Oak, Small first bio-based polyurethane resilient collec- Teknion has partnered with European Best Willow, Cypress, Spruce and Willow (shown tion, EcoSystem. Featuring industry-leading office furnishings company Bene to cre- Products 2019 from left to right) — and colors to create a sustainable construction, this collection is ate a collection of building blocks that unique, magical grove for commercial comprised of Meaning, an abstract tile, and help support a flexible work environ- settings such as an office or lobby. Enrich, a coordinating wood visual available ment. The multi-functional collection Carpet continued tracygloverstudio.com in both sheet and plank formats. includes stools, benches, desks, high patcraft.com tables, cabinets, lecterns, platforms, Runners Up Runners Up storage towers and shelving units. The 5. Materialize from Brintons 8. Round Furniture Power Center from 12. Joy Squared from Shaw Contract Bene Boxes are constructed with mini- Luxury woven carpets creator Brintons Legrand Joy Squared is a new LVT collection of malist pine plywood and offered with or teams up with New York design studio The new Legrand Round Furniture Power 24-inch-by-24-inch tiles inspired by the without storage slots — they can also Stacy Garcia to create their latest Axminster Center offers power in a small, circular unit spontaneous and joyous moments of be topped with a seating pad. Bene collaboration, Materialize. The design that’s installed flush with any furniture piece youth. The collection brings an exponential boxes can be stacked or connected, al- elements range from large-scale floral to blend into any existing design scheme. amount of possibilities to create stimulating lowing for further customization. bursts to muted marbled paper and can Meant for tables, workstations and uphol- environments with energetic colorways and teknion.com be recolored, rescaled and reimagined to stered furniture in any commercial setting, a simple shape to use as a building block fit any interior project or budget. these easy-to-install units bring users the throughout. With a wide range of colors in- brintons.net convenience of outlets and USB charging cluding neutrals, soft hues and brights, and ports in a subtle, stylish way. It's available in a subtle small-scale pattern, Joy Squared Healthcare two options: one with a power outlet and USB-A creates a strong foundation for healing and USB-C ports, and one with only USB-A and environments, educational and other com- Winner 5 USB-C ports. mercial spaces. 16. Healthcare Collection from legrand.us shawcontract.com Panolam Surface Systems Panolam’s new Healthcare Collec- 9. Luna Caddy from Paradigm Trends tion is a mix of traditional, transitional The Luna Caddy serves as a compact yet and contemporary designs. Available versatile solution for keeping things tidy and Furniture in both Pionite and Nevamar lines, organized. Bathroom toiletries can be neat- it features calming solids, abstracts, ly arranged, with the caddy’s small shelf, Winner woodgrains and digital styles. The hand towel storage and a soap dish well 13. Two-Thirds from Allsteel collection creates a harmonious palette all seamlessly integrated into one piece. Two-Thirds, a collection of seating and of surfacing options to allow design Its vertical orientation allows for efficient surfaces designed by Joey Ruiter, boasts flexibility for healthcare and wellness space consolidation, which is particularly simple shapes that can be combined to environments. 6. Urban Relief from Patcraft essential in smaller bathroom spaces. The create adaptive, dynamic spaces. Without panolam.com Urban Relief is designed to enhance Luna Caddy is composed of either mango a predetermined front, back or side, the commercial interiors through a thought- wood in a number of wood finishes or resin design encourages users to sit where they Runner Up ful mix of texture and scale. Available in in various colors. want. The interesting upholstery detail 17. 480 Line from Healthe 24-inch-by-24-inch carpet tiles, the three paradigmtrends.com exhibits a two-thirds design that adds color The 480 line leverages Healthe’s styles within the collection (Eastern Facade, contrast carried across poufs and benches. patented technology to deliver the Suburban Abstract and Edgeland) feature The poufs, benches and tables can be used right light spectrum at the right time, subtle patterns balancing both the organic alone or combined. enhancing wellbeing and productivity in and synthetic elements of city life. Inspired Flooring allsteeloffice.com commercial, managed care, hospitality by the history, character and contrast of and many other applications. Available city landscape, the collection is offered in Winner Runners Up in a variety of linear profiles, mounting 10 soothing colorways to create warmth 10. iD Mixonomi from Tarkett 14. Circa Lounge System from Coalesse options and lengths, it can be specified and tactility within the built environment. Inspired by the iconic hexagon, iD Mixonomi, Simple sophistication — the Circa Lounge in nearly any type of configuration. The patcraft.com a modular vinyl tile flooring collection, in- System from Coalesse offers a classic 480 line gets its name from the wave- cludes seven graphic shapes and three mini- seating solution with an inviting dose of length of light that corresponds to the forms that combine to create classic patterns comfort. Lounges and benches in smooth body’s peak circadian sensitivity. With and bold layouts. The collection’s diverse curves or straight lines pair with ganging its engineered spectrum, the 480 series Details+Decor palette is inspired by global travel, offering and freestanding tables to create a wide luminaires optimize circadian impact. ➤ a cultural array including tender pastels, deep variety of applications that are easy to scale healthelighting.com Winner jewel tones, bold primaries and cozy neutrals. and reconfigure. Contemporary materials 7. Enchanted Forest Objects from Tracy tarkett.com and modern leg designs suit a range of Glover Studio aesthetics, while soft forms welcome users Enchanted Forest Objects is a new Runners Up and encourage the organic conversation collection of conceptual, hand-blown 11. Ecosystem from Patcraft crucial for social connection. glass tree formations that are meant to Unveil natural elements of design paired coalesse.com

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IS_1219_Sources.indd 33 11/18/19 4:04 PM 20. WashBar Duo from Bradley able design is key as the workplace shifts Readers’ Choice The WashBar Duo pairs touchless soap and Materials toward multi-functional units where the Best water components in a single fixture. While need to store paper dwindles and workers Products 2019 the original all-in-one WashBar integrates Winner look to keep personal items in proximity. unique smart sensor technology with soap, 24. Sovereign Collection from Brentano allsteeloffice.com water and dryer, the Duo model expands Featuring updated interpretations of classic designers’ options when only soap and designs and motifs, the Sovereign Collec- Runners Up Kitchen+Bath water are needed. The WashBar Duo is tion draws on the rich and intricate ele- 28. Paravan from Arper comprised of a single piece of chrome- ments of classic architecture and heraldic Paravan from Arper is a modular partition Winner plated metal that combines soap and water design while offering bold and novel fabrics system comprised of three panel shapes — 18. Ombré Faucet Finish from Kohler elements. Its streamlined design eliminates for all kinds of interiors. Each of the collec- rectangle, rectangle with curve and curved Taking design inspiration from the world the cluttered look of separate soap dis- tion’s 17 patterns highlights key details and — make up a variety of configurations that of fashion, the Ombré faucet finish from penser and faucet components, promoting emboldens them in a subtle, contemporary can either encourage collaboration or per- Kohler integrates graduated metallic hues efficient and flexible washroom design. manner. mit privacy. A cabinet with shelves or coat to create an unusual enhancement. It uses bradleycorp.com brentanofabrics.com hangers can be integrated as add-ons. The Kohler’s proprietary physical vapor deposi- system’s color palette was deliberately cho- tion process that bonds the finish and Runners Up sen to showcase a contemporary aesthetic, faucet together to create a scratch- and Lighting 25. Celestial Collection from DuPont making it a chic addition to today’s contract tarnish-resistant surface. Suitable for both DuPont Tedlar Wallcovering’s new Celestial environments. kitchen and bath applications, it’s available Winner Collection gives customers colorful, modern arper.com in two fabrications: vibrant rose gold to 21. Abstract Sconce from Sonneman choices for a variety of spaces. Two new vibrant polished nickel, and vibrant titanium The Abstract Sconce is equal parts lighting patterns, Saturn and Volans, evoke a 29. Monitor Arms from Humanscale to vibrant rose gold. and art. Indirect LED illumination is reflected contemporary spin on familiar patterns and An essential tool for offices, monitor arms us.kohler.com/us on a wall or ceiling from a prism-shaped textures. The Saturn collection is a subtle, promote healthier postures for computer reflector that hovers over the surface on textured, striped wallcovering that echoes users, helping to reduce neck and eye thin rods extended in tension from each of the iconic feature of the ringed planet. The strain, while increasing usable desk surface the three triangular corners. Reflectors are Volans offering emulates the flying fish and eliminating clutter. All Humanscale 18 available in three sizes and are designed to found in its namesake constellation with a monitor arms offer a full cable management stand alone or be arranged into a unique, light, embossed pattern. solution, which removes unsightly wires abstract surface sculpture of illumination. dupont.com from the desktop area, neatly organizing sonnemanawayoflight.com and incorporating them into the length of 26. Caddy Corner from HBF Textiles the arm. Runners Up In HBF’s Spring 2019 collection, unique humanscale.com 22. PH Artichoke from Louis Poulsen weave constructions are used with matel- In honor of Poul Henningsen’s birthday, assé, knotted cord floats, waffle weaves Louis Poulsen launched the PH Artichoke and a well-worn saddle leather, making it a in its original copper construction paired multi-dimensional line that closes the gap Surfacing with a rose finish. Known for its softness between new and old. Caddy Corner is one and warmth in both appearance and light of six new patterns to join the Spring 2019 Winner output, the PH Artichoke’s complex design collection. It takes its cue from small-scale 30. DecoMetal Laminate from Formica and structure ensure that light breaks and 45-degree angles for a geometric pattern. DecoMetal Laminate from Formica com- filters evenly into the room. The copper/rose hbftextiles.com bines real metal surfaces with the flexibility Runners Up version will be offered in all PH Artichoke and practicality of laminate, addressing the 19. Acquafit from Fantini sizes, and all special editions will feature an latest interior trends with textured, sculpted Fantini’s newest multifunctional and engraving alongside Henningsen’s signature and brushed effects in contemporary color multisensory shower, Acquafit, is the first to commemorate his 125th birthday. Office stylings. The range offers a fresh and exciting shower to offer a double rain jet. There are louispoulsen.com collection of exclusive designs, perfect 170 anti-limescale nozzles, 25 of which Winner for adding flair to light duty horizontal or are grouped closely together in the center 23. Viceversa from Kundalini 27. Radii from Allsteel vertical applications: walls, furniture, retail to boost functionality. The showerhead — Viceversa is a system where light and nature Radii is a new storage collection from fixtures, signage, exhibits and displays. ➤ either square or rectangular — is available coexist. Each module can be combined with Allsteel Inc. and IDA Design that addresses formica.com in two formats: wall-mounted or ceiling- others to create different compositions bring- the need to stow rather than store with a mounted. Acquafit Dream (pictured) offers ing light into the heart of a vertical garden. compact, space-efficient design that allows enhanced features to increase multisensory The light, kept inside the structure, illumi- workers’ personal storage to travel with and environmental comfort, including white nates the environment with warm tones that them in today’s agile work environments. light, chromotherapy in four colors and the filter through the colored glass. Viceversa is This versatile system of metal storage ped- “Feel” program (Dawn, Leaves, Sunset, available in three versions: floor, suspension estals, undermounts and work tools can be Night). and floor-ceiling. used with any desk to increase organization fantiniusa.com kundalini.it/en without sacrificing workspace. Its customiz-

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IS_1219_Sources.indd 35 11/18/19 4:05 PM Readers’ Choice 35. Vinyl Fabric Collection from Best The Mitchell Group Products 2019 The Mitchell Group introduces a new collection of nine high-performance vinyl fabrics designed for environments that require a Surfacing continued fabric to withstand demanding applications. The vinyl collection contains no phthalates Runners Up or flame-retardant chemicals and is ink- and 31. ONE Quartz Surfaces Nature from Daltile stain-resistant. The new patterns include The ONE Quartz Surfaces Nature series Coronado, Crete, Jasper, Oracle, Pacific, 31 32 offers nature-inspired stone designs for Sedona, Solana, Sparta and Valencia. countertops and walls. The low-maintenance mitchellfauxleathers.com and durable line includes four fresh patterns — Jasmine White, Kodiak, Alpine Winter and Aspen Grey. Each features design, move- Wall Coverings ment, color, veining and nuanced shading for highly realistic marble looks. Winner daltile.com 36. HardStop Decorative Protection Panels from Formica 32. Slice of Ice from Wilsonart HardStop Decorative Protection Panels by Slice of Ice, designed by Danny Seo, draws Formica Group offer a worry-free solution for inspiration from the arctic ice flows and glacial high-performance wall panels by blending striations that have developed over thousands of ease of installation and impact resistance years. The collection brings a modern, abstracted with a full range of design selections that look to laminates with its cracked ice pattern coordinate perfectly with other Formica and variety of cool tones, such as Blue Iceberg Laminate products. Unlike traditional laminate and Diamond Ice. It’s comprised of six fine velvet that contains a paper core, HardStop Panels 33 34 texture designs and three soft silk finish designs. feature a treated fiberglass core for added wilsonart.com durability, strength and fire resistance. HardStop Panels are Class A fire-rated, can be applied directly to drywall and many Textiles other substrates, and are perfect for vertical applications in settings such as hospitals, Winner restaurants, schools/universities, airports 33. High Line from CF Stinson and elevators. High Line is a coordinated group of performance formica.com fabrics that combine balanced geometry, a crisp modern aesthetic and pure vibrant color. It Runners Up showcases technical savvy and unique construc- 37. Hojas Cubanas from Tempaper tions that work together to create a bold and Hojas Cubanas by Genevieve Gorder is a sophisticated collection. High Line consists of removable wallpaper featuring a banana leaf eight textiles and 53 colors, which can be used print that adds movement to walls. The top- to create durable spaces, from seating for a coated vinyl product is available in 20.5-inch modern office setting to lounge furniture in an widths and 11 yards long. To install, peel the 35 36 educational project. back liner and stick to the wall. cfstinson.com tempaper.com

Runners Up 38. Splice from Innovations 34. Clearwater Collection from Brentano Deconstruction brings beauty to the surface The root inspiration of the Clearwater with Splice. The wallcovering started as an Collection is environmental beauty and original painting that the design studio cut protection. Founder and design director into strips to give new life as a collage. After Iris Wang’s passion for nature and water deconstructing the original painting, the conservation enabled her to transform her Design Studio digitally rearranged remnants original artworks into textiles that are both of the artwork to construct an entirely new visually appealing and demonstrate piece of floor-to-ceiling art. Splice layers white Brentano’s signature performance qualities. ink on brushed metallic foil, and the result is a Brentanofabrics.com seamless vinyl ideal for high-traffic areas. 37 38

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IS_1219_Sources.indd 36 11/19/19 11:15 AM sources | PRODUCT BREAKDOWN | By Adrian Thompson | Images courtesy of Isenberg A FRESH FAUCET LOOK Isenberg’s new Infinity faucet pairs sleek design with smooth water delivery.

dd a modern touch to your next bathroom project with the sleek design found in Isenberg’s new Infinity Wall Mount Faucet. The latest innovation from the Texas-based kitchen and bath fixture manufacturer A frames the side of the bathroom mirror before angling away from the wall to create a smooth waterfall effect. “We wanted to provide a different water delivery method and also have an art piece on the vanity,” says Abbas Poonawala, director of sales and marketing for Isenberg. “This inspired us to design the Infinity.” The faucet’s eye-catching design elevates bathroom aesthetics both with its geometric lines and through its array of colorful finishes. Designers can choose from thin film ceramic finishes like classic glossy white and black or bolder options such as crimson, blue platinum or the signature Isenberg green. The Infinity faucet also features a hidden aerator, which allows for a sleeker design and easier cleaning. These eco-friendly ceramic finishes are oven-cured, which creates a durable product that’s corrosion-proof and resistant to scratches, chips and abrasive sol- vents. Isenberg considers water conservation in all its faucet designs, which is why Infinity uses a water-saving 1.2 gallons per minute with a standard ½-inch plumbing connection. The Infinity faucet can be installed on the left or right side of a mirror, making it a solution for symmetrical dual vanities in high-end hospitality and residential environments. The Infinity faucet is available in 20 With its sculptural vibe, waterfall effect and vast selection of available colors, this faucet thin film ceramic finishes, including is out to make a big impact in bathroom design. this signature Isenberg Green. Read how it breaks down below.

34 Infinity’s height in inches 1.2 Water-saving gallons per minute flow rate 20 Ceramic-based finishes 9 Inches the spout projects from wall 2019 Introduced to the market in June 12 Months to develop from concept to prototype Ways to install, including left of mirror, right of 3 mirror or both 2 Styles of handles: deck or wall mount Number of times test machinery at Isenberg turns faucet 200,000 handles on and off to ensure product performance

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IS_1219_ProdBreakdown.indd 37 11/18/19 3:32 PM ISA_2pg spread_InteriorSources_ad_2019_Zen_Lounge.pdf 1 07/17/2019 10:57:07 PM

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Untitled-1 2 11/15/19 9:31 AM ISA_2pg spread_InteriorSources_ad_2019_Zen_Lounge.pdf 1 07/17/2019 10:57:07 PM

ZEN SERIES SOFIA SERIES

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431 9 7 6 - 2 0 19

JAZMIN SERIES

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Untitled-1 3 11/15/19 9:32 AM sources | PRODUCT Q+A | By Adrian Thompson | Images courtesy of Nienkämper

Reconfigurable and scalable, Heartbeat is composed of three distinct seating elements: Straight, Concave and Convex. Heartbeat was designed to facilitate conversation, suggesting users share a “heart to heart” with people.

A HEARTENING DESIGN Nienkämper’s Heartbeat pushes the boundaries of commercial furniture while encouraging interaction among users.

nter the Nienkämper showroom in Chicago’s theMART, and you’ll imme- when it came time for upholstery. We decided to cut parts in half to make it easier diately notice the Toronto-based company’s newest take on furniture to upholster and handle. design: Heartbeat. The complex piece, designed by Karim Rashid, Egives meaning to its name through its uncommon form. Heartbeat was WHAT TYPES OF ENVIRONMENTS DO YOU SEE THIS PIECE WORKING IN? designed to facilitate conversation and to encourage the sharing of heart-to-heart AMS: Heartbeat was imagined for any space where human interaction should moments among fellow users. be encouraged but is inhibited due to various design factors or other cultural It took 22 people and multiple iterations to finalize Heartbeat’s extra-long frame. aspects specific to each environment. We envision Heartbeat fitting seamlessly into Once perfected, Heartbeat made its grand debut at NeoCon this summer and wowed workplace, healthcare, education, hospitality and other commercial settings. attendees with not only its shape, but bold aqua color and comfortably fitting fabric that molds to its frame. DOES IT COME IN DIFFERENT COLORS OR SIZE OPTIONS? “Heartbeat utilizes a unique fabric by Unika Vaev called ZOOM that offers a four-way AMS: There are over 25 fabric options and colors available, including this Unika Vaev stretch — a crucial factor in being able to cover Heartbeat’s many twists and turns,” ZOOM 728/35 Aqua. This reconfigurable and scalable system is composed of three says Ann-Marie Snook, president of Nienkämper. distinct seating elements — Straight, Concave and Convex — which allow for it to The company has been creating fine office furniture for over 50 years, but grow and change depending upon the needs of its environment. From the three Heartbeat proved to be an especially challenging feat with its multiple grooves elements, the user can create a multitude of configurations from circular, straight, and curves. Learn how it was created. serpentine and zigzag.

HOW DID THE NAME FOR THE PRODUCT COME ABOUT? WHAT KIND OF FABRIC DID YOU USE ON HEARTBEAT TO WORK WITH ITS Ann-Marie Snook: Heartbeat’s name was conceptualized by Karim. The lounge UNCOMMON SHAPE? resembles a wave or a pulse, keeping people from being seated back-to-back, which AMS: Heartbeat utilizes a unique fabric by Unika Vaev called ZOOM that offers a allows for more effortless interaction. Heartbeat was designed to facilitate conversation four-way stretch — a crucial factor in being able to cover Heartbeat’s many twists and suggests sharing a “heart to heart” with fellow human beings. and turns. However, both vinyl and leather can also be specified but require additional seams to accommodate Heartbeat’s form. WHAT WAS THE INSPIRATION BEHIND HEARTBEAT? Karim Rashid: I created Heartbeat out of my own needs. I travel constantly and am ARE THERE ANY CHANGES TO THE PRODUCT ON THE HORIZON? always having meetings in public spaces, hotel lobbies, cafes or clients’ showrooms. It AMS: We are currently working on several new iterations for this piece. We hope is astounding to experience the lack of thought put into so much public and contract to introduce an outdoor version of Heartbeat that is applicable for any outdoor work. I designed Heartbeat as a pulsating, alive respite to stagnation. Secondly, it is a office, hospitality or commercial setting. Additionally, we’re working on innovative continuation of my modular scape designs. Repositioning these three elements allows magnetic connectors that will provide additional flexibility, reconfigurability and ease for the creation of a myriad of unique, morphing, undulating, physical landscapes. of assembly.

WHAT WAS THE BIGGEST HURDLE IN BRINGING HEARTBEAT TO LIFE? WHAT’S SOMETHING PEOPLE MIGHT NOT KNOW ABOUT THE PRODUCT? AMS: Heartbeat went through five different iterations before going into production. AMS: Heartbeat possesses a few noteworthy elements that some people may not Many of the challenges that arose were primarily due to its large scale. We’re working know simply because they are not visible when looking at the final product. For with a big piece to mold and a big piece to handle. example, it features an indestructible rigid foam construction with a highly resistant A team of 22 people spent a lot of time fine-tuning the shape to ensure we flexible foam cover. In addition, the sofa sections are dowelled together with wood had the best mix of comfort, spacing and scale. We also faced some hurdles and steel to ensure solid construction.

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IS_1219_ProdQA.indd 70 11/18/19 1:44 PM DYNAMIC WALL SOLUTIONS MADE EASY.

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Introducing MDC’s Digital Curated, our new innovative wallcovering concept featuring a multitude of organic designs with a high-tech influence. Digital Curated was created to mirror the many upsides of a custom-like experience without the high costs or long lead times. Plus, with the extensive amount of patterns and colors available, there is a fitting style for every commercial space.

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Untitled-1 1 11/15/19 9:27 AM sources | PRODUCT INSPIRATION | By Robert Nieminen LEFT Mohawk Group’s Relaxing Floors collection employs evidence- based design to reduce stress levels of building occupants. IMAGE COURTESY OF MOHAWK GROUP

t h e m a r r i ag e o f a rt a n d The ART and s c i e n c e The 13&9 team wanted to develop a floor product with greater relevance. “When you’re thinking about society in general and what we are facing in SCIENCE workplace design, we wanted to address some of the biggest challenges and issues of our time that come with digitalization and globalization,” of INNOVATION Martin Lesjak explains. Specifically, 13&9 was interested in exploring the relationship between urbanization and human health and wellbeing, noting that people who live in cities often lose their connection to nature. This disconnect is compounded by continuous exposure to digitization that has been shown to increase people’s stress levels. As a result, 13&9 focused their research on bio- philia – not merely at a surface level for marketing purposes (akin to “greenwashing”) – but to truly understand the link between people and nature and the implications for the built environment. Mohawk nvention and innovation are often confused, but there’s a “We were really interested in the true connection between space and people that stark difference between the two: invention is common, but use the space and looking at human-centered design, where we research, discover Group’s innovation is genius. Likewise, myriad products are intro- and analyze the relationship between people, things and design,” Ana Lesjak says. Relaxing Floors Iduced to market every year, but few are truly pioneering and The team wanted to know not only why people find a product aesthetically pleasing, hold the promise of market transformation. but also, why a particular pattern might induce a sense of relaxation. “This is how collection is Relaxing Floors by Mohawk Group is one of those rare prod- everything started,” Ana recalls. “This is how the story board actually happened.” ucts that falls into the latter category and became an instant Serendipitously, 13&9 discovered the work of Richard Taylor, professor of built on standout when it was introduced at NeoCon earlier this year. To physics, psychology and art at the University of Oregon, and founder of Fractals scientific develop this groundbreaking new product line, Mohawk Group Research, who conducted studies for NASA to help reduce stress levels in astro- reached out to husband-and-wife team Martin and Anastasija nauts while in space. In his research, Taylor uncovered fractal patterns occurring in research Lesjak of 13&9 to collaborate on another launch after success- nature that result in positive physiological responses when people observe them. to positively fully working together on other collections. “I’ve been studying natural patterns for years, and I’ve always been amazed at “We had worked with Martin and Ana on previous collections how profound the effect is on somebody,” Taylor says. “It’s been known for a very impact human including Moving Floors and several other ones that have been long time that there are very positive consequences of looking at natural patterns, health. really successful in driving design and information into the mar- but I’ve also been surprised how people haven’t really nailed down precisely what ketplace,” says Jackie Dettmar, vice president of commercial it is when you look at nature what’s triggering those effects. And that’s where my product development and design for Mohawk Group. “We had research came in, that I’d identified these fractal patterns in nature that are triggering approached them back in 2017 about doing another round of products, and at all of these amazing responses that reduce your stress levels by up to 60%.” the time I challenged them with [the idea that] we want to do something geared His conclusions help explain why people recover more quickly from surgery in towards the multi-segment workplace, specifically, and at the time we were hospitals when they have views to nature, for example. They also helped create the looking at the hard surface category. Basically, that’s where it started.” framework around which Relaxing Floors was built upon. The story behind the carpet collection took a dramatic turn early on and led the But having the right partnerships in place for this unique collaboration between design team on a journey in which art, science and human-centered design converged. science, art and product design is what ultimately made the collection successful,

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IS_1218__ProdInspiration.indd 42 11/18/19 3:56 PM Taylor says. “I knew that it would have to be the right set of people because it was going to be this sort of art-science project, so it had to be people who were very creative and flexible and very collaborative,” he explains. With Taylor, 13&9 and Mohawk Group on board, they had found the perfect match to bring Relaxing Floors to market.

above From left: Professor Richard Taylor, Jackie b e au t y i s i n t h e Dettmar, Anastasija Lesjak and Martin Lesjak. d e ta i l s IMAGE COURTESY OF MOHAWK GROUP The design team developed proprietary software using algorithms to map the fractal patterns uncovered in Taylor’s research (see illustrations at left), which was then translated into a visual lan- guage that forms the basis for the Relaxing Floors collection. The patterns in the collection give people’s eyes a break from the digital world and deliver the essence of nature to the contract- built environment, resulting in proven stress-reductive qualities. Two styles within the 12-by-36-inch ABOVE Fractal pattern for restD. carpet plank collection mimic the eye The chillD fractal IMAGE COURTESY OF 13&9 DESIGN AND FRACTALS RESEARCH movements that take place as people pattern employs view natural scenery. Using specific a triangular scientific parameters, the team “grew” segment-shaped mid-complexity fractals using the soft- seed for design. IMAGE COURTESY ware that correlate with stress reduction. OF MOHAWK GROUP Fractals with midrange complexity, as measured on a parameter scale labeled D, are the most common in natural scenery. Style mellowD utilizes a line- are manufactured to achieve stringent Living Product Challenge Petal Certification shaped seed which repeats at different and have a net positive impact for people and the environment through innovations magnifications, while chillD employs a in materials, manufacturing and community involvement initiatives. triangular segment-shaped seed. The restD plank style, together with s e e i n g t h e b i g p i c t u r e coordinating Connecting Neurons The implications for this type of evidence-based product development is far reaching.

ABOVE Fractal pattern for chillD. Definity broadloom, builds on the In healthcare facilities, for example, specifying products that can measurably reduce IMAGE COURTESY OF 13&9 DESIGN AND FRACTALS RESEARCH University of Oregon’s studies of fractal- stress in patients may result in better medical outcomes. Stress reduction can also based electronics. These electronics be invaluable in educational settings and the workplace, where productivity and have the capability to connect to the disengagement continue to be a challenge. eye’s neurons, which under a micro- Dettmar notes that designers are already asking Mohawk Group if they can write scope look like miniature trees with the fractal dimension into their specifications to help meet health, safety and welfare fractal branches and glow red due to a criteria for stress reduction. fluorescent dye. “I think [the collection] has huge implications for the whole specification market,” The neuron formations are then she says. “People are hungry for the knowledge and the validity of the science transformed into outline patterns behind it. It’s going to lead us in creating better products and better environments.” using the research on stress-reductive Martin says this is “just the beginning” of products that will adopt fractal qualities fractals to provide a literal translation. to the benefit of occupants. Further, he suggests the multidisciplinary approach and Completing the Relaxing Floors collec- science behind Relaxing Floors can extend well beyond product design. tion is Fractal Ground, which offers a “I think it’s just a good example of how we can find a really rare and innovative coordinating organic groundcover visual solution that helps our work and our society when we join forces with other disci-

ABOVE Fractal pattern for mellowD. in a 12-by-36-inch plank format. plines where science, architecture and design and an ambitious manufacturer create IMAGE COURTESY OF 13&9 DESIGN AND FRACTALS RESEARCH The collection’s carpet plank styles something that makes the world a better place – and it’s not just a saying.”

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IS_1218__ProdInspiration.indd 43 11/19/19 10:46 AM sources | PRODUCT 360 | By Hallie Eickhoff | Images courtesy of Creative Edge LOOK rom brand logos to intricate and detailed images, Creative Edge designers use waterjet technology to make precise cuts in materials that are then Fused to create impressive flooring designs. Celebrating its 30th year, Creative Edge has fabricated more than 10,000 projects from surfaces including stone, marble, granite, tile, luxury vinyl tile, sheet vinyl, metal and terrazzo. “Whatever the customer can envision, we can create,” says Jim Thompson, executive vice president and chief commercial officer of Creative Edge. The precise nature of KALAHARI RESORT Creative Edge’s projects enables architects and designers to Terrazzo designs at fulfil their exact creative vision. the Kalahari Resort in Wisconsin Dells, WI, can stand up to heavy traffic.

kalahari resort ! DOWN The Kalahari Resort in Wisconsin Dells, WI, reached out to Creative Edge with a vision of transporting visitors to a safari. The companies collaborated on design and what material would best fit the space. “The Kalahari project featured the artistry of terrazzo, which will last for decades even with traffic of 120,000-plus people per year,” Thompson says. The project was a Winner of National Terrazzo and Mosaic Association’s Honors Awards Job of the Year.

orange county children’s hospital The setting of a project dictates what kind of material needs to be used. In a hospital, like this children’s hospital in California, it’s important that the surfaces are CHILDREN'S functional in a healthcare setting while also fulfilling the HOSPITAL The Orange design goal. County Children’s “We do quite a few [children’s hospitals] because they Hospital in California

like to have intricate, vibrant designs in either tile or for precise flooring design. technology Edge utilizes waterjet Creative features a vibrant vinyl,” Thompson says. design for the young visitors that accommodates hygiene Creative Edge helped to select materials that are and traffic needs. functional for high traffic spaces and hygienic healthcare requirements. These colorful designs are meant to make kids and their families feel more comfortable during hospital visits and stays.

bella terra shopping center This open-air retail plaza in Huntington Beach, CA, features hundreds of mosaic-style ceramic and stone tiles with intricate metal designs. “The designs enlivened the shopper’s experience, uniquely positioning the development’s brand while delivering practical wayfinding elements,” Thompson says. While exterior installations have different techniques, it doesn’t limit Creative Edge’s designs. The company can cut intricate designs the same with exterior materials as they do BELLA TERRA with its interior materials. The Bella Terra Shopping Center in Huntington Beach, Hallie Eickhoff is a digital marketing intern for CA, provides wayfinding interiors+sources. for visitors.

44 interiors+sources december 2019 interiorsandsources.com

IS_0120_Product_360.indd 80 11/19/19 10:42 AM ASID | By ASID | Images courtesy of ASID

Unity Healthcare Brentwood in Washington, D.C., was recognized with a 2019 ASID Outcome of Design Award. Unity uses design as a tool to better serve patients and the community. DESIGN IMPACTS LIVES The Outcome of Design Awards show what can be achieved with data.

ith 2020 submissions closing in December, ASID reviews the encourages patients to become active participants in their own healthcare. year’s best design projects from the Society’s 2019 Outcome of Unity’s goal was to use design as a tool to help better serve patients and visitors, Design Awards (OODA), presented in partnership with Herman enhance the staff experience, strengthen bonds with the Brentwood community WMiller and NeoCon. Designed to celebrate the power of design, and ultimately improve community health. Partnering with global design firm OODA recognizes projects that successfully illustrate that “Design Impacts Gensler and fabrics company Sunbrella Contract, the three organizations initiated Lives” through data-driven results. research on the registration and waiting experience. Measuring the best in design can be a subjective process – looking at the aesthetics of a space or the focal points of a room. To truly measure the year’s studioIDS best projects, the data behind the design intent to impact well-being, produc- Team: Perkins and Will (Design and Research), Dunham Associates (MEP Engineer), tivity and collaboration have to be considered, deeply valued and prioritized. Gardner Builders (General Contractor) OODA connects design excellence with design thinking, providing measurable StudioIDS is the new self-designed home of the Minneapolis office of evidence of the impact of design in the built environment. international architecture and design firm Perkins and Will. Starting as a Launched fall 2018, OODA puts a spotlight on the data in design, and workplace pilot project in 2014, the studio needed to be 100% mobile, flexible the proof of its power. The submission period for the 2020 Awards opened in and technologically supported so project teams could easily move around October and will close Dec. 18. the studio to collaborate. The new studio design also needed to support The Outcome of Design Awards use three primary criteria to determine the Perkins and Will’s local purpose of design excellence, sustainable steward- finalists and winning projects: ship and social responsibility. Challenging conventional workplace models, • Design solutions and details: Information on project goals, size, certifica- Perkins and Will set out to do less – in walls or fixed furniture, simpler mate- tions, design features, and an exploration of how the team accomplished rials, less energy use, no assigned seating – offering more opportunity for client goals and overcame design challenges. choice, creativity and collaboration. • Occupant experience: How the occupants’ emotional, physical, mental well-being, performance, experience or any other specific goal have University of Utah, Lassonde Studios changed since occupying the built space. Team: CannonDesign (Architecture), EDA Architects (Architecture and Design), • Research-based results: Measurable data and research-based results that University of Utah (Research) highlight the project’s accomplishments and innovations, and the tangible The Lassonde Entrepreneur Institute is a nationally ranked hub for student positive impact of design. entrepreneurship and innovation at the University of Utah, and an interdisciplinary division of the David Eccles School of Business. Seeking to accelerate and expand 2019 o u t c o m e o f d e s i g n awa r d s w i n n e r s its impact, the university recognized the need to create a new type of learning Unity Healthcare Brentwood facility for a new paradigm of entrepreneurial learning. The team engaged in Team: Gensler (Design and Research), Unity Health Care Brentwood, extensive design experimentation and exploration as they sought to create a truly Louise Russell (Researcher and Designer), Sunbrella Contract, Wray Ward unique and unrivaled learning space. Communications, Artisan, Rand Construction One out of six Washington, D.C., residents receive medical, behavioral, dental s u b m i t yo u r p ro j e c t or social services from Unity Health Care, a local network of federally qualified For more information on the ASID Outcome of Design Awards or to enter a project, health centers that promote healthier communities, regardless of ability to pay. visit asid.org/outcome-of-design-awards. Submissions for the 2020 Outcome of As a patient-centered medical home, Unity offers a team-based approach that Design Awards close Dec. 18.

interiorsandsources.com december 2019 interiors+sources 45

IS_1219_ASID.indd 45 11/19/19 10:59 AM IIDA | By Irena Frumkin

data from firms varying in size across the U.S., the Index is critical in analyzing various business opportunities, such as participation in niche markets and recognizing underserved sectors. Firms interested in participating in the next issue of the Index HAPPY can reach out to [email protected]. Irena Frumkin is a copywriter and editor for IIDA. She holds degrees in art history MOMENTS from the School of the Art Institute of Chicago and Temple University. IIDA shares its favorite design memories of 2019 and what the association is looking forward to in 2020.

IDA marked its 25th anniversary in 2019, which means there was a lot to celebrate. Aside from another successful year of programming, design leadership and community-building, we saw the inaugural launches of Iexciting new publications, scholarships and panel discussions. And we can’t wait to see what happens next. Here are IIDA’s top five design moments of 2019 and five things our executive vice president and CEO Cheryl S. Durst, Hon. FIIDA, is looking forward to in 2020.

i i da at n e o c o n IIDA’s NeoCon theme this year expanded on the idea of being “Powered by Design” through a series of programming and guerilla marketing moments at NeoCon 2019. Throughout theMART this past June, IIDA-branded buttons and planters could be found for the taking, while the IIDA trolley shuttled participants to designated locations on the inaugural Inside Design tour series.

25 y e a r s o f b e i n g p ow e r e d by d e s i g n To celebrate IIDA’s “silver” anniversary, the association established the Silver Founders Award, given to Interior Design’s Cindy Allen, Hon. IIDA, and the Silver Legacy Award bestowed on the late, great Florence Knoll at the IIDA Annual Meeting in June. Our anniversary activities culminated at Silver, the IIDA black-tie event, which saw record attendance and celebrated the winners of the prestigious Will Ching and Interior Design competitions.

i n v e st i n g i n d i v e r s i t y TOP The IIDA-branded trolley takes participants on the IIDA and NeoCon Inside Design tours. This year, IIDA honored the winners of two inaugural diversity scholarships: the IA PHOTOGRAPHY COURTESY OF CHRISTOPHER DILTS MIDDLE Attendees at Silver, IIDA’s black-tie event in celebration Interior Architects Diversity in Design Scholarship, established with an initial $50,000 of the 25th anniversary. PHOTOGRAPHY COURTESY OF TAYLOR GLASCOCK BOTTOM (Left to right) Jason Hall; Ami Kahalekulu; Deon Lucas, AIA, NOMA; Sarah Kuchar, IIDA; and Peter Exley, FAIA, at a 2019 Designers and donation from IA Interior Architects, and the John J. Nelson Sr. Scholarship, made Architects Talk event. PHOTOGRAPHY COURTESY OF JORDAN FULLER possible through a personal donation by John Nelson Sr. of $50,000. Scholarship recipients were recognized at the IIDA Annual Meeting in June.

d e s i g n e r s a n d a r c h i t e c t s ta l k CHERYL’S TOP 5 THOUGHTS FOR 2020 IIDA saw a surge in successful design talks and panels in 2019. In a first collabora- Here’s everything IIDA's vice president and CEO Cheryl S. Durst, Hon. FIIDA, is tion with AIA Chicago, IIDA hosted the sold-out “Designers and Architects Talk,” a looking for in the upcoming year of design: series of three panel discussions at IIDA headquarters that addressed commercial interior design and architecture. Panelists engaged in provocative discussions 1. More people of color and women in design leadership roles across the about projects, firm leadership and design strategy. The 2020 event series will architecture and design industry. begin in February. 2. Increased use and respect for materials once considered “humble” or “indigenous” like hemp, terra cotta, jute or sisal. o n e - o f - a - k i n d d e s i g n r e s e a r c h 3. A continued resurgence of biophilic principles and materials. What works 2019 was an important time for design research from IIDA. The first IIDA Index best for nature works best for humans. launched in November 2018, with the second iteration in August. The first-of-its- 4. Increased emphasis on the built environment appealing to all sensory stimulation. kind research tool and accompanying member-only web interface measures the 5. Continued respect for the connection between well-being and spaces that health and metrics of the interior design industry exclusively. By collecting project are comfortable, accessible and well-designed.

46 interiors+sources december 2019 interiorsandsources.com

IS_1219_IIDA.indd 46 11/19/19 10:48 AM IDEC | By Patrick Lee Lucas | Image courtesy of Patrick Lee Lucas

CREATE COMMUNITY IN INTERIOR DESIGN EDUCATION Build a program of communication to engage students, faculty and stakeholders.

uilding community in the academy represents some of the most director, and personnel from our college advising office, visited each studio in challenging work I have undertaken in the field over a 30-year advance of registration to prepare students for meaningful advising meetings. period. Many factors contribute to challenges educators experi- Collectively, we intended all these efforts to remind students of the community Bence in departments, notwithstanding external factors in institu- within the school that provided a platform for announcements and celebration. tions, that counter teamwork and collaboration. During this period, the faculty and I also established and committed to travel We all know these issues well. We have been taught to primarily be researchers each semester and throughout every year of the program. and practitioners working in solitude, with a paucity of time to truly and fundamen- Now a tenet of our instructional approach, we underscored the importance tally engage with one another. Moreover, we often lack true incentives for collabo- of travel to enhance curricular instruction by experiencing relevant design first- ration, other than a vague sense that we should do it. hand. We embedded travel costs into tuition through a student fee, enabling all Poor meeting/event parameters and modes of execution further dilute com- students to have some support to learn in this way. Some of the best community time together. And administrative leaders above us can misunderstand munity-making came from these travel experiences and visits to the field in or misrepresent collegiality for lack of rigor or critical analysis in our work. cities and sites large and small in the Ohio Valley and beyond. Community events focused on faculty, too, through the implementation of shar- ways to e n gag e st u d e n t s ing sessions where we delved into wide-ranging topics relevant to higher edu- Community efforts in the University of Kentucky School of Interiors began under cation, design and our classrooms. We shared and received great examples of my leadership with simple events while building on activities one might find in collective work and practice in the process by inviting people from the campus place for a program of any size: project reviews, product representative visits, and beyond to help us with important curricular and co-curricular understanding faculty meetings and student organization gatherings. that, in turn, benefitted students and faculty alike. From these early efforts, the faculty and I learned that students eagerly wanted to engage both formal and informal mentors. Upper-level students s h a r e w i t h a n d e x pa n d yo u r c o m m u n i t y enjoyed opportunities to share the successes and pitfalls of their own design As these various forms of community-making unfolded, we shared our cama- journeys, while younger students began to feel more at ease with the life of raderie with others inside and outside our community. Through both student-led design we fostered as a School. social media efforts and electronic communication from me as director, the We also quickly recognized that students themselves could capably lead spirit of the school reached alumni, university officials, community partners these efforts so that, by the next year, students in each studio brainstormed and and other stakeholders underscoring a reputation for a culture of community- offered programming run by students for students, including the popular “studio engaged work. recess” during which students played games to de-stress. As director, I often stated “teamwork makes the dream work,” and I know To these, the faculty mapped additional programming including a first day the value of that team attitude on matters across many scales. The presence photograph which included the whole school, and a first- and last-day-of-term of the steady hands and minds of faculty with a rich diversity of life, academic school meeting (complete with awards, a farewell song and senior superlatives) and practice experience represents perhaps the single most important factor to We also introduced the formalization of a group advising system where I, as fostering positive community both within and by design. As a legacy program with leaders from the past who both understood and put into action com-

The University munity work and civility, it was easy to maintain of Kentucky that rich tradition of the school for the years that I School of found myself fortunate to lead. Interiors has As an interior design educator, I encourage focused on you to build community opportunities for faculty, community- building students, alumni, and other industry leaders and efforts for the partners at multiple scales. As part of a quality edu- students and cation, the community activities we will inspire and faculty to bring shape young design talent to greater dividends far new opportuni- beyond their short time in the academy. ties and experiences to the group and their Patrick Lee Lucas is an associate professor at the education. University of Kentucky School of Interiors.

interiorsandsources.com december 2019 interiors+sources 47

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IS_1219_DesLib_AdIndx.indd 48 11/18/19 2:09 PM special advertising section | design library

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IS_1219_DesLib_AdIndx.indd 49 11/18/19 2:16 PM +OnThatNote | By Adrian Thompson | Images courtesy of Gervy Ramirez

Fräsch’s Christmas tree can be assembled in under a minute – it comes in four pieces that easily slide into each other. SUSTAINABLE HOLIDAY DÉCOR GIVES BACK

et ready for the holidays this winter in sustainable style with the Fräsch Christmas tree – a seasonal offering first from the office furniture and acoustical solutions company. Each tree – available in 26 col- Gors and five feet tall – is made of PET felt, recycles 100 plastic bottles, and a portion of the proceeds will be donated to 4Ocean and Ocean Conservancy. Slavka Younger, co-founder of Fräsch, says the trees were originally created for an architecture and design partner firm before the project grew into a larger charitable initiative. “We were approached by one of our A&D partner firms to create modern Christmas trees from our recycled felt for them,” says Younger. “Which got us thinking – why stop with a few trees for one firm? Let’s figure out how we can make these Christmas trees available to anybody who wants one. So, we went into overdrive to design it … and put it out there in enough time for the holidays.” Each tree is available in colors such as Artic Ice, Eggplant, Moss and Berry Red to suit any interior color palette. A pack of 24 multi-colored ornaments and a star tree topper made from sustainable PET felt are also available while supplies last. Choose from 26 colors to find the ideal tree to Younger says the company chose to match any interior. work with ocean conservation groups as they take the brunt of the earth’s plastic trash epidemic. Many of Fräsch’s products are made from recycled plastic bottles from oceans and landfills, and are recyclable, too. Because initial interest in the trees have been overwhelming, Younger hopes they will become an annual tradition. “We didn’t design these trees as a money maker,” she notes. “We designed them to spread some cheer around the holidays and hopefully be able to contribute to the organizations out there doing the hard and important work.”

50 interiors+sources december 2019 interiorsandsources.com

IS_1219_Andonthatnote.indd 50 11/14/19 12:07 PM MOHAWKGROUP.COM

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