N. T. Gridgeman UNCLE SAM BONAPARTES
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Nationalism in the French Revolution of 1789
The University of Maine DigitalCommons@UMaine Honors College 5-2014 Nationalism in the French Revolution of 1789 Kiley Bickford University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Cultural History Commons Recommended Citation Bickford, Kiley, "Nationalism in the French Revolution of 1789" (2014). Honors College. 147. https://digitalcommons.library.umaine.edu/honors/147 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. NATIONALISM IN THE FRENCH REVOLUTION OF 1789 by Kiley Bickford A Thesis Submitted in Partial Fulfillment of the Requirement for a Degree with Honors (History) The Honors College University of Maine May 2014 Advisory Committee: Richard Blanke, Professor of History Alexander Grab, Adelaide & Alan Bird Professor of History Angela Haas, Visiting Assistant Professor of History Raymond Pelletier, Associate Professor of French, Emeritus Chris Mares, Director of the Intensive English Institute, Honors College Copyright 2014 by Kiley Bickford All rights reserved. Abstract The French Revolution of 1789 was instrumental in the emergence and growth of modern nationalism, the idea that a state should represent, and serve the interests of, a people, or "nation," that shares a common culture and history and feels as one. But national ideas, often with their source in the otherwise cosmopolitan world of the Enlightenment, were also an important cause of the Revolution itself. The rhetoric and documents of the Revolution demonstrate the importance of national ideas. -
The Treaty of Lunéville J. David Markham When Napoleon Became
The Treaty of Lunéville J. David Markham When Napoleon became First Consul in 1799, his first order of business was to defend France against the so-called Second Coalition. This coalition was made up of a number of smaller countries led by Austria, Russia and Britain. The Austrians had armies in Germany and in Piedmont, Italy. Napoleon sent General Jean Moreau to Germany while he, Napoleon, marched through Switzerland to Milan and then further south, toward Alessandria. As Napoleon, as First Consul, was not technically able to lead an army, the French were technically under the command of General Louis Alexandre Berthier. There, on 14 June 1800, the French defeated the Austrian army led by General Michael von Melas. This victory, coupled with Moreau’s success in Germany, lead to a general peace negotiation resulting in the Treaty of Lunéville (named after the town in France where the treaty was signed by Count Ludwig von Cobenzl for Austria and Joseph Bonaparte for Austria. The treaty secured France’s borders on the left bank of the Rhine River and the Grand Duchy of Tuscany. France ceded territory and fortresses on the right bank, and various republics were guaranteed their independence. This translation is taken from the website of the Fondation Napoléon and can be found at the following URL: https://www.napoleon.org/en/history-of-the- two-empires/articles/treaty-of-luneville/. I am deeply grateful for the permission granted to use it by Dr. Peter Hicks of the Fondation. That French organization does an outstanding job of promoting Napoleonic history throughout the world. -
Napoléon Romancier
NAPOLÉON ROMANCIER Méditant à Sainte-Hélène sur sa prodigieuse destinée) Napoléon s'écriait : « Quel roman que ma vie ! » Ce roman, le plus étonnant qu'un homme ait vécu, il Pavait forgé de ses fortes mains sur la terre, avec la chair et le sang des peuples, dans une tension douloureuse et continué dé tout son être. Vivant un tel roman* a-t-il pu sortir de lui pour en imaginer un autre (1) ? Jacques Bainville, observant l'Empereur de son regard pénétrant, crut découvrir en lui un homme de lettres-. Il est certain que tous les Bonaparte ont eu le goût des lettres et des arts. C'est chez eux un trait de famille, qu'ils semblent tenir de leurs origines florentines et, plus directement, de leur père Charles Bonaparte, poète et lettré. Quand ils furent sur les trônes, tous ont protégé les lettres et les arts. Joseph, Louis et Lucien étaient possédés du démon littéraire et de la vanité d'auteur. Mais seul Napoléon portait en lui les dons du grand écrivain. Sa pensée prenait fprme aussitôt conçue. Elle jaillissait comme l'éclair et se répandait, limpide et tumultueuse à la fois, en images saisissantes, en formules d'airain, sur un rythme entraînant. Non seulement il a dicté d'innombrables lettres, dont certaines sont des chefs-d'œuvre de précision, de force et d'éclat, mais il a certainement publié de nombreux articles, insérés dans le Moniteur ou cachés dans d'autres gazettes françaises et même étrangères. Il y eut un Napoléon journa liste, qui mériterait une étude spéciale. -
The Iron Marshal: a Biography of Louis N
The Napoleon Series Reviews Gallagher, John G. The Iron Marshal: A Biography of Louis N. Davout. Havertown (UK): Frontline, 2018. 432 pages. ISBN# 9781526738325. Hardcover $39.95/£19.99 This is a new edition of the classic work first published in 1976. In a new preface written in 2000 the author explains that he has not rewritten it since nothing published in the interval has made this necessary, this may well be the case, but (to get minor criticism out of the way at the beginning) it is a pity the new work was not subjected to more rigorous proof reading: apart from minor typos there are peculiarities such as referring to General Bourriene, three different spellings of Beurnonville in one chapter and the mystifying condition affecting Napoleon at Borodino, 'uroedemo'. Whether these were present in the first edition I do not know: if they were, they should have been pointed out and corrected sometime in the intervening 25 years. This is a full-scale biography beginning with Louis Nicolas Davout's aristocratic ancestry and ending with his funeral; each episode of his life is covered in detail and supported by references. A considerable amount of political and general historical narrative is supplied to provide the background to Davout's career, which is considerate to any reader previously unfamiliar with Napoleonic history. Inevitably the central portion of his life is an account of Napoleon's campaigns since he played such a significant part in them but they are viewed from a slightly different angle to the standard Napoleon-centred narratives, which adds an extra dimension: not surprisingly, this is most noticeable in the Jena-Auerstädt chapter. -
Pierre Riel, the Marquis De Beurnonville at the Spanish Court and Napoleon Bonaparte's Spanish Policy, 1802-05 Michael W
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Fear and Domination: Pierre Riel, the Marquis de Beurnonville at the Spanish Court and Napoleon Bonaparte's Spanish Policy, 1802-05 Michael W. Jones Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES Fear and Domination: Pierre Riel, the Marquis de Beurnonville at the Spanish Court and Napoleon Bonaparte’s Spanish Policy, 1802-05 By Michael W. Jones A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2005 Copyright 2004 Michael W. Jones All Rights Reserved The members of the Committee approved the dissertation of Michael W. Jones defended on 28 April 2004. ________________________________ Donald D. Horward Professor Directing Dissertation ________________________________ Outside Committee Member Patrick O’Sullivan ________________________________ Jonathan Grant Committee Member ________________________________ James Jones Committee Member ________________________________ Paul Halpern Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to the memory of my father Leonard William Jones and my mother Vianne Ruffino Jones. iii ACKNOWLEDGEMENTS Earning a Ph.D. has been the most difficult task of my life. It is an endeavor, which involved numerous professors, students, colleagues, friends and family. When I started at Florida State University in August 1994, I had no comprehension of how difficult it would be for everyone involved. Because of the help and kindness of these dear friends and family, I have finally accomplished my dream. -
FECIT VI Spanish Old Master Drawings FECIT VI FECIT VI Spanish Old Master Drawings
FECIT VI Spanish Old Master Drawings FECIT VI FECIT VI Spanish Old Master Drawings Acknowledgements: Ángel Aterido, Cipriano García-Hidalgo Villena, Manuel García Luque, Macarena Moralejo, Beatriz Moreno de Barreda, Camino Paredes, Laura Suffield, Zahira Véliz & Gerard Llobet Codina for his support during the last intense days of this CATALOGUE publication © of this catalogue: DE LA MANO Documentation and research: Gloria Martínez Leiva Design: Daniel de Labra Editing and coordination: Alberto Manrique de Pablo Photography: Andrés Valentín Gamazo Joaquín Cortés (cat. 30) Printers: ADVANTIA Gráfica & Comunicación DE LA MANO c/ Zorrilla, 21 28014 Madrid (Spain) Tel. (+ 34) 91 435 01 74 www.delamano.eu [1] ROMULO CINCINATO (Florence, c. 1540 – Madrid, c. 1597) Christ washing the Disciples’ Feet c. 1587-1590 Pencil, pen, ink and grey-brown wash on paper 555 X 145 mm INSCRIBED “60 Rs”, lower left corner PROVENANCE Madrid, private collection hilip II manifested a notable interest Salviati 3 but in recent years it has been thought in both the construction and the that he may have learned his profession in the pictorial decoration of El Escorial. studio of Taddeo Zuccaro due to the similarities The building was not yet completed evident between some of his works and models Pwhen the King began to have paintings sent to used by Zuccaro. 4 Nonetheless, Cincinato’s the monastery, the arrival of which are recorded work reveals a rigidity, an obsession with form in the Libros de entregas [delivery books]. 1 He and a degree of academicism much greater than was also personally involved in seeking out and that of his master. -
View the Enlightenment As a Catalyst for Beneficial Change in the Region
UNA REVOLUCION, NI MAS NI MENOS: THE ROLE OF THE ENLIGHTENMENT IN THE SUPREME JUNTAS IN QUITO, 1765-1822 Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Beau James Brammer, B.A. Graduate Program in History The Ohio State University 2010 Master’s Examination Committee: Kenneth Andrien, Adviser Stephanie Smith Alan Gallay Copyright by Beau James Brammer 2010 Abstract This thesis examines the role the European Enlightenment played in the political sphere during the late colonial era in the Audiencia of Quito. Until the eighteenth century, Creole elites controlled the local economic and governmental sectors. With the ascension of the Bourbon dynasty in 1700, however, these elites of Iberian descent began to lose their power as new European ideas, emerging from the Enlightenment, led to a process of consolidating and centralizing power into the hands of Peninsular Spanish officials. Known as the Bourbon Reforms, these measures led to Creole disillusionment, as they began losing power at the local level. Beginning in the 1770s and 1780s, however, Enlightenment ideas of “nationalism” and “rationality” arrived in the Andean capital, making their way to the disgruntled Creoles. As the situation deteriorated, elites began to incorporate these new concepts into their rhetoric, presenting a possible response to the Reforms. When Napoleon invaded Spain in 1808, the Creoles expelled the Spanish government in Quito, creating an autonomous movement, the Junta of 1809, using these Enlightenment principles as their justification. I argue, however, that while these ‘modern’ principles gave the Creoles an outlet for their grievances, it is their inability to find a common ground on how their government should interpret these new ideas which ultimately lead to the Junta’s failure. -
Caroline Murat: Powerful Patron of Napoleonic France and Italy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-07-10 Caroline Murat: Powerful Patron of Napoleonic France and Italy Brittany Dahlin Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Dahlin, Brittany, "Caroline Murat: Powerful Patron of Napoleonic France and Italy" (2014). Theses and Dissertations. 4224. https://scholarsarchive.byu.edu/etd/4224 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Caroline Murat: Powerful Patron of Napoleonic France and Italy Brittany Dahlin A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Heather Belnap Jensen, Chair James Swensen Mark Magleby Department of Visual Arts Brigham Young University June 2014 Copyright © 2014 Brittany Dahlin All Rights Reserved ABSTRACT Caroline Murat: Powerful Patron of Napoleonic France and Italy Brittany Dahlin Department of Visual Arts, BYU Master of Arts Caroline Bonaparte Murat created an identity for herself through the art that she collected during the time of her reign as queen of Naples as directed by her brother, Napoleon, from 1808- 1814. Through the art that she both commissioned and purchased, she developed an identity as powerful politically, nurturing, educated, fashionable, and Italianate. Through this patronage, Caroline became influential on stylish, female patronage in both Italy and France. Caroline purchased and commissioned works from artists such as Jean-August-Domonique Ingres, François Gérard, Elizabeth Vigée LeBrun, Antonio Canova and other lesser-known artists of the nineteenth century. -
What We Learn from the Stephen Girard Collection – by Elizabeth Laurent – Former Director of Historic Resources, Girard College
Click Here to Return to Home Page and Main Menu Real and Rare: What We Learn from the Stephen Girard Collection – By Elizabeth Laurent – Former Director of Historic Resources, Girard College A joy of my job is The Archives holds Stephen Girard’s Papers, a collection sharing the Stephen available on microfilm to researchers at the Philadelphia’s Girard Collection with American Philosophical Society. The Girard Papers current Girard College include over 800 boxes of “loose” papers of incoming students. Sometimes, correspondence; receipts; lists; construction, garden and the students, seeing ship records; and architectural I’m so much older than drawings. We have three they, figure I must have thousand of Girard’s bound been alive in the 1800’s volumes, including year-by- and ask, “Mrs. Laurent, year receipt books, copies of his did you know Stephen outgoing correspondence, ship Portrait of Stephen Girard Girard?” By Bass Otis, 1832 log books, maps, bank records This is a funny but reasonable question. They rightly and his personal library. wonder how I know anything about Stephen Girard. At our museum in The glory of the Stephen Founder’s Hall on the Girard Collection is how Girard College campus, its authentic and varied we preserve thousands objects give us a sense of of objects from Girard’s the man. The artifacts Philadelphia townhouse: reflect their owner, being a Founder’s Hall on the Girard College his furniture, silver, Girard’s bound volumes personal collection of items sculpture, paintings, prints both plain and fancy. and porcelain. The collection also includes everyday items, It is rare for a man’s artifacts and archives to remain together like his clothing, darned socks and toupee; and household long after his death. -
Napoleon, Talleyrand, and the Future of France
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2017 Visionaries in opposition: Napoleon, Talleyrand, and the future of France Seth J. Browner Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Diplomatic History Commons, European History Commons, and the Political History Commons Recommended Citation Browner, Seth J., "Visionaries in opposition: Napoleon, Talleyrand, and the future of France". Senior Theses, Trinity College, Hartford, CT 2017. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/621 Visionaries in opposition: Napoleon, Talleyrand, and the Future of France Seth Browner History Senior Thesis Professor Kathleen Kete Spring, 2017 2 Introduction: Two men and France in the balance It was January 28, 1809. Napoleon Bonaparte, crowned Emperor of the French in 1804, returned to Paris. Napoleon spent most of his time as emperor away, fighting various wars. But, frightful words had reached his ears that impelled him to return to France. He was told that Joseph Fouché, the Minister of Police, and Charles Maurice de Talleyrand-Périgord, the former Minister of Foreign Affairs, had held a meeting behind his back. The fact alone that Fouché and Talleyrand were meeting was curious. They loathed each other. Fouché and Talleyrand had launched public attacks against each other for years. When Napoleon heard these two were trying to reach a reconciliation, he greeted it with suspicion immediately. He called Fouché and Talleyrand to his office along with three other high-ranking members of the government. Napoleon reminded Fouché and Talleyrand that they swore an oath of allegiance when the coup of 18 Brumaire was staged in 1799. -
Napoleon Bonaparte's Family Tree
Napoleon Bonaparte’s Family Tree Does not include illegitimate children or children who died in infancy Bolded names are characters in Napoleon in America shannonselin.com Carlo Maria Buonaparte m. June 2, 1764 Maria Letizia Ramolino (Mar. 29, 1746-Feb. 24, 1785) (Aug. 24, 1750-Feb. 2, 1836) Giuseppe (Joseph) Nabulione (Napoleon) Luciano (Lucien) Maria Anna (Elisa) Luigi (Louis) Maria Paola (Pauline) Maria Annunziata (Caroline) Girolamo (Jérôme) (Jan. 7, 1768- (Aug. 15, 1769- (May 21, 1775- (Jan. 3, 1777- (Sept. 2, 1778- (Oct. 20, 1780- (Mar. 25, 1782- (Nov. 15, 1784- July 28, 1844) May 5, 1821) June 29, 1840) Aug. 7, 1820) July 25, 1846) June 9, 1825) May 18, 1839) June 24, 1860) m. m. div. m. m. m. m. m. m. div. Aug. 1, Mar. 9, Jan. 10, May 4, May 1, Jan. 4, June 14, Jan. 20, Dec. 24, 1815 1794 1796 1810 1794 1797 1802 1797 1800 1803 Julie Clary Josephine de Beauharnais Christine Boyer Felice Baciocchi Hortense de Beauharnais Victor Leclerc Joachim Murat Elizabeth Patterson (Dec. 26, 1771- (June 23, 1763- (July 3, 1771- (May 18, 1762- (Apr. 10, 1783- (March 17, 1772- (Mar. 25, 1767- (Feb. 6, 1785- Apr. 7, 1845) May 29, 1814) May 14, 1800) April 27, 1841) Oct. 5, 1837) Nov. 2, 1802) Oct. 13, 1815) Apr. 4, 1879) m. Mar. 11, Zénaïde 1810 Charlotte Elisa Napoleon Charles Dermide Achille Jerome (Bo) (Jul. 8, 1801- (Feb. 22, 1795- (June 3, 1806- (Oct. 10, 1802- (Apr. 20, 1798- (Jan. 21, 1801- (July 7, 1805- Aug. 8, 1854) Marie Louise of Austria May 6, 1865) Feb. -
The Patronage and Collections of Louis-Philippe and Napoléon III During the Era of Queen Victoria and Prince Albert
Victoria Albert &Art & Love Victoria Albert &Art & Love The patronage and collections of Louis-Philippe and Napoléon III during the era of Queen Victoria and Prince Albert Emmanuel Starcky Essays from a study day held at the National Gallery, London on 5 and 6 June 2010 Edited by Susanna Avery-Quash Design by Tom Keates at Mick Keates Design Published by Royal Collection Trust / © HM Queen Elizabeth II 2012. Royal Collection Enterprises Limited St James’s Palace, London SW1A 1JR www.royalcollection.org ISBN 978 1905686 75 9 First published online 23/04/2012 This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for non-commercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses please contact Royal Collection Enterprises Limited. www.royalcollection.org.uk Victoria Albert &Art & Love The patronage and collections of Louis-Philippe and Napoléon III during the era of Queen Victoria and Prince Albert Emmanuel Starcky Fig. 1 Workshop of Franz Winterhalter, Portrait of Louis-Philippe (1773–1850), 1840 Oil on canvas, 233 x 167cm Compiègne, Musée national du palais Fig. 2 After Franz Winterhalter, Portrait of Napoleon III (1808–1873), 1860 Tapestry from the Gobelin manufactory, 241 x 159cm Compiègne, Musée national du palais The reputation of certain monarchs is so distorted by caricaturists as to undermine their real achievements. Such was the case with Louis-Philippe (1773–1850; fig. 1), son of Philippe Egalité, who had voted for the execution of his cousin Louis XVI, and with his successor, Napoléon III (1808–73; fig.