Catholicism and Bonapartism: Catholics and the Coup D' Etat Of
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Nationalism in the French Revolution of 1789
The University of Maine DigitalCommons@UMaine Honors College 5-2014 Nationalism in the French Revolution of 1789 Kiley Bickford University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Cultural History Commons Recommended Citation Bickford, Kiley, "Nationalism in the French Revolution of 1789" (2014). Honors College. 147. https://digitalcommons.library.umaine.edu/honors/147 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. NATIONALISM IN THE FRENCH REVOLUTION OF 1789 by Kiley Bickford A Thesis Submitted in Partial Fulfillment of the Requirement for a Degree with Honors (History) The Honors College University of Maine May 2014 Advisory Committee: Richard Blanke, Professor of History Alexander Grab, Adelaide & Alan Bird Professor of History Angela Haas, Visiting Assistant Professor of History Raymond Pelletier, Associate Professor of French, Emeritus Chris Mares, Director of the Intensive English Institute, Honors College Copyright 2014 by Kiley Bickford All rights reserved. Abstract The French Revolution of 1789 was instrumental in the emergence and growth of modern nationalism, the idea that a state should represent, and serve the interests of, a people, or "nation," that shares a common culture and history and feels as one. But national ideas, often with their source in the otherwise cosmopolitan world of the Enlightenment, were also an important cause of the Revolution itself. The rhetoric and documents of the Revolution demonstrate the importance of national ideas. -
The Iron Marshal: a Biography of Louis N
The Napoleon Series Reviews Gallagher, John G. The Iron Marshal: A Biography of Louis N. Davout. Havertown (UK): Frontline, 2018. 432 pages. ISBN# 9781526738325. Hardcover $39.95/£19.99 This is a new edition of the classic work first published in 1976. In a new preface written in 2000 the author explains that he has not rewritten it since nothing published in the interval has made this necessary, this may well be the case, but (to get minor criticism out of the way at the beginning) it is a pity the new work was not subjected to more rigorous proof reading: apart from minor typos there are peculiarities such as referring to General Bourriene, three different spellings of Beurnonville in one chapter and the mystifying condition affecting Napoleon at Borodino, 'uroedemo'. Whether these were present in the first edition I do not know: if they were, they should have been pointed out and corrected sometime in the intervening 25 years. This is a full-scale biography beginning with Louis Nicolas Davout's aristocratic ancestry and ending with his funeral; each episode of his life is covered in detail and supported by references. A considerable amount of political and general historical narrative is supplied to provide the background to Davout's career, which is considerate to any reader previously unfamiliar with Napoleonic history. Inevitably the central portion of his life is an account of Napoleon's campaigns since he played such a significant part in them but they are viewed from a slightly different angle to the standard Napoleon-centred narratives, which adds an extra dimension: not surprisingly, this is most noticeable in the Jena-Auerstädt chapter. -
Caroline Murat: Powerful Patron of Napoleonic France and Italy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-07-10 Caroline Murat: Powerful Patron of Napoleonic France and Italy Brittany Dahlin Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Dahlin, Brittany, "Caroline Murat: Powerful Patron of Napoleonic France and Italy" (2014). Theses and Dissertations. 4224. https://scholarsarchive.byu.edu/etd/4224 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Caroline Murat: Powerful Patron of Napoleonic France and Italy Brittany Dahlin A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Heather Belnap Jensen, Chair James Swensen Mark Magleby Department of Visual Arts Brigham Young University June 2014 Copyright © 2014 Brittany Dahlin All Rights Reserved ABSTRACT Caroline Murat: Powerful Patron of Napoleonic France and Italy Brittany Dahlin Department of Visual Arts, BYU Master of Arts Caroline Bonaparte Murat created an identity for herself through the art that she collected during the time of her reign as queen of Naples as directed by her brother, Napoleon, from 1808- 1814. Through the art that she both commissioned and purchased, she developed an identity as powerful politically, nurturing, educated, fashionable, and Italianate. Through this patronage, Caroline became influential on stylish, female patronage in both Italy and France. Caroline purchased and commissioned works from artists such as Jean-August-Domonique Ingres, François Gérard, Elizabeth Vigée LeBrun, Antonio Canova and other lesser-known artists of the nineteenth century. -
Waterloo in Myth and Memory: the Battles of Waterloo 1815-1915 Timothy Fitzpatrick
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Waterloo in Myth and Memory: The Battles of Waterloo 1815-1915 Timothy Fitzpatrick Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES WATERLOO IN MYTH AND MEMORY: THE BATTLES OF WATERLOO 1815-1915 By TIMOTHY FITZPATRICK A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2013 Timothy Fitzpatrick defended this dissertation on November 6, 2013. The members of the supervisory committee were: Rafe Blaufarb Professor Directing Dissertation Amiée Boutin University Representative James P. Jones Committee Member Michael Creswell Committee Member Jonathan Grant Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For my Family iii ACKNOWLEDGMENTS I would like to thank Drs. Rafe Blaufarb, Aimée Boutin, Michael Creswell, Jonathan Grant and James P. Jones for being on my committee. They have been wonderful mentors during my time at Florida State University. I would also like to thank Dr. Donald Howard for bringing me to FSU. Without Dr. Blaufarb’s and Dr. Horward’s help this project would not have been possible. Dr. Ben Wieder supported my research through various scholarships and grants. I would like to thank The Institute on Napoleon and French Revolution professors, students and alumni for our discussions, interaction and support of this project. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
“Bonapartism” As Hazard and Promise." Caesarism in the Post-Revolutionary Age
Prutsch, Markus J. "“Bonapartism” as Hazard and Promise." Caesarism in the Post-Revolutionary Age. London: Bloomsbury Academic, 2020. 47–66. Bloomsbury Collections. Web. 26 Sep. 2021. <http://dx.doi.org/10.5040/9781474267571.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 09:26 UTC. Copyright © Markus J. Prutsch 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 3 “ B o n a p a r t i s m ” a s H a z a r d a n d P r o m i s e 3.1 Political Legitimacy in Post-Napoleonic Europe At fi rst glance, the general political situation in Europe seemed to be quite clear in 1814/1815: with Napoleon’s military defeat, the Revolution had fi nally been overpowered, its ideological foundations shattered, and the victorious anti-Napoleonic forces could feel free to turn the clocks back. Practically all over Europe the practice and language of “Revolution” was compromised, and among conservatives and liberals alike the concept of “popular sovereignty” served to denote—and indeed demonize—all the burdens, crises and sacrifi ces Europe had suff ered in the previous quarter of a century. It was hard to fi nd active advocates of radical political, social or economic change; instead, the main discourse of the time was about durable peace, reconstruction, or at most reform. Despite the fact that the partisans of the Revolution were on the defensive, however, hardly anywhere on the continent did restoration policies have the character of pure reaction or a return to pre-revolutionary conditions. -
Exhibition Napoleon and Versailles List of Exhibits Edo-Tokyo Museum
Exhibition Napoleon and Versailles List of Exhibits Edo-Tokyo Museum Artiste/作家名 title Titre/作品名 Date 1 Louis ROCHET (1813-1878) Bonaparte as a military school boy at Brienne Bonaparte a l’ecole de Brienne 1859 ルイ・ロシェ ブリエンヌの士官学校のボナパルト 2 Ecole francaise, XVIIIeme siecle Portrait of Maximilien de Robespierre Maximilien de Robespierre (1758-1794) ca 1793/1794 18世紀フランスの画家 マクシミリアン・ド・ロベスピエール (1758-1794) 3 Charles BENAZECH Louis XVI bidding farewell to his family (20 January 1793) Adieux de Louis XVI a sa famille (20 janvier 1793) 1793 シャルル・ベナゼック ルイ16世と家族の別れ ( 1793年1月20 日) 4 Charles BENAZECH Louis XVI advancing toward the guillotine Louis XVI au pied de l’echafaud (21 janvier 1793) 1793 シャルル・ベナゼック 絞首台に向かうルイ16世(1793年1月21日) 5 Alexandre KUCHARSKI Portrait of Marie-Antoinette in 1793 Marie-Antoinette en 1793 1793 アレクサンドル・クシャルスキ 1793年のマリー=アントワネット 6 Jacques-Louis DAVID Assasination of Marat Marat assassine (13 juillet 1793) 1793 ジャック=ルイ・ダヴィッド マラの死(1793年7月13日) 7 Antoine-Jean GROS The Republic La Republique 1794 アントワーヌ=ジャン・グロ 共和国 8 JACOB-DESMALTER Napoléon's desk at Grand Trianon Bureau de Napoleon au Grand Trianon 1810 ジャコブ=デマルテル グラン・トリアノンのナポレオンの執務机 9 artist's name unknown Armchair Fauteuil de bureau 1818 ナポレオンの執務椅子 10 artist unknown Lamp "bouillotte" Lampe bouillotte 1810 ブイヨット(机上用ランプ) 11 Louis-Francois-Castelnaux Pair of folding chair at the Emperor's study at the Grand Deux pliants du Grand Cabinet de l’Empereur au 1810 DARRAC Trianon Grand Trianon ルイ=フランソワ=カステルノー・ダ グラン・トリアノンの皇帝の大書斎の折りたたみ椅子一対 12 Compilation of the renovation plans for château de -
The Patronage and Collections of Louis-Philippe and Napoléon III During the Era of Queen Victoria and Prince Albert
Victoria Albert &Art & Love Victoria Albert &Art & Love The patronage and collections of Louis-Philippe and Napoléon III during the era of Queen Victoria and Prince Albert Emmanuel Starcky Essays from a study day held at the National Gallery, London on 5 and 6 June 2010 Edited by Susanna Avery-Quash Design by Tom Keates at Mick Keates Design Published by Royal Collection Trust / © HM Queen Elizabeth II 2012. Royal Collection Enterprises Limited St James’s Palace, London SW1A 1JR www.royalcollection.org ISBN 978 1905686 75 9 First published online 23/04/2012 This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for non-commercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses please contact Royal Collection Enterprises Limited. www.royalcollection.org.uk Victoria Albert &Art & Love The patronage and collections of Louis-Philippe and Napoléon III during the era of Queen Victoria and Prince Albert Emmanuel Starcky Fig. 1 Workshop of Franz Winterhalter, Portrait of Louis-Philippe (1773–1850), 1840 Oil on canvas, 233 x 167cm Compiègne, Musée national du palais Fig. 2 After Franz Winterhalter, Portrait of Napoleon III (1808–1873), 1860 Tapestry from the Gobelin manufactory, 241 x 159cm Compiègne, Musée national du palais The reputation of certain monarchs is so distorted by caricaturists as to undermine their real achievements. Such was the case with Louis-Philippe (1773–1850; fig. 1), son of Philippe Egalité, who had voted for the execution of his cousin Louis XVI, and with his successor, Napoléon III (1808–73; fig. -
The Low Countries Journal of Social and Economic History Jaargang 17 2020 Nummer 2
The Low Countries Journal jaargang 17 of Social and Economic 2020 History nummer 2 The Low Countries Journal of Social and Economic History jaargang 17 2020 nummer 2 • Britse krakers in Leiden [Hendriks, Nimanaj & Van der Steen] • Risk Management in 16th Century Antwerp [Dreijer] • Napoleon and the Dutch War Subsidy [Hay] • Mapping Foreign Migration to Belgium [Heynssens] ISSN15721701.pcovr.TSEG20202.indd Alle pagina's 20-08-20 12:53 Making War Pay for War Napoleon and the Dutch War Subsidy, 1795-1806 Mark Edward Hay tseg 17 (2): 55-82 doi: 10.18352/tseg.1102 Les avantages de cette brillante conquête pour la République sont immen- ses: elle lui donne des trésors, des magasins, des chantiers, des vaisseaux et surtout dans les affaires politiques et commercielles de l’Europe une prépondérance, dont il est impossible de calculer les effets et les suites. The representatives-on-mission with the Army of the North, reporting back to Paris after the conquest of the Dutch Republic in January 1795.1 Abstract Just over one decade ago, Pierre Branda published a study of Napoleonic public finance. The study marks a turning point in the historiography of Napoleonic war financing because, through relying on well-researched quantitative data, Branda lays to rest the long-held myth that Napoleon ‘made war pay for war’. However, the Franco-centric conceptualization of Napoleonic resource extraction and the tempo- ral delineation have resulted in a prism that omits certain sources of revenue. This omission has a bearing on Branda’s overall assessment of Napoleonic war financing. Through exploring French resource extraction in the Netherlands through forcing the Dutch to pay for the maintenance of a French contingent, this article builds on Branda’s work to shed a new light on the success of Napoleonic resource extraction and war financing. -
Jim Mcmillan Collection (European History) 2015
Jim McMillan Collection (European History) 2015 The Jim McMillan collection is held on the upper level of the Student Research Room (2M.25) and is organised in alphabetical order. Use computer keys CTRL + F to search for a title/author. Abelove, H. E. (1983). Visions of History : interviews with E.P. Thompson...[et al]. Manchester, Manchester University Press. Absalom, R. N. L. (1995). Italy since 1800 : a nation in the balance? London, Longman. Accampo, E. (1989). Industrialization, family life, and class relations : Saint Chamond, 1815-1914. Berkeley ; London, University of California Press. Ackerman, E. B. (1990). Health care in the Parisian countryside, 1800-1914. New Brunswick, Rutgers University Press. Adam, G. (1929). Treason and tragedy : an account of French war trials. [S.l.], Cape. Adam, I. (1978). Witch hunt : the great Scottish witchcraft trials of 1697. London, Macmillan. Adam Smith, J. (1979). John Buchan and his world. London, Thames and Hudson. Adams, D. G., et al. (1993). The Port of Montrose : a history of its harbour, trade and shipping. Wainscott, N.Y. Tayport, Georgica Press Hutton Press. Adamthwaite, A. (1980). The Lost peace : international relations in Europe, 1918-1939. London, Edward Arnold. Adamthwaite, A. (1995). Grandeur and misery : France's bid for power in Europe 1914-1940. London, Arnold. 1 Adcock, M., et al. (1996). Revolution, society and the politics of memory the proceedings of the tenth George Rudé seminar on French history and civilization, Melbourne, 1996. Melbourne, [University of Melbourne press]. Addison, P. and A. Calder (1997). Time to kill : the soldier's experience of war in the West, 1939- 1945. -
Joseph Bonaparte and the Crown Jewels
Joseph Bonaparte and the Crown Jewels José Flaugier created a portrait of Joseph Bonaparte, circa 1809. It is depicted in this image. As Napoleon Bonaparte's older brother, Joseph (1768-1844) was the King of Spain between 1808-1813. He was also the King of Naples between 1806-1808. Born in Corsica, like his famous brother, he died in Florence when he was 76 years old. In the meantime ... after Napoleon's second exile ... Joseph sailed to America. With him, allegedly, were some of Spain's crown jewels which he sold to raise funds for his new life. Joseph left the rest of his fortune safely buried in Switzerland, at least for a time, until he sent his trusted secretary to retrieve it all. The former king lived a life of luxury in New Jersey. He called his estate "Point Breeze." His two surviving daughters - Zenaïde and Charlotte - spent time with him there. Accumulating one of America's finest art collections, Joseph remained in the States until 1832. Moving to London, he returned to America once more for a brief visit. Never allowed to return to France, Joseph was given permission to visit his family in Italy. He traveled there, circa 1840. He had not seen his wife -Marie-Julie Bonaparte - for twenty-five years. He remained with his wife for the rest of his life and died, in her arms, on the 28th of July, 1844. Julie died eight months later. Click on the image for a better view. Credits: Image online, courtesy Wikimedia Commons. PD See Alignments to State and Common Core standards for this story online at: http://www.awesomestories.com/asset/AcademicAlignment/Joseph-Bonaparte-and-the-Crown-Jewels See Learning Tasks for this story online at: http://www.awesomestories.com/asset/AcademicActivities/Joseph-Bonaparte-and-the-Crown-Jewels Media Stream Joseph Bonaparte and the Crown Jewels View this asset at: http://www.awesomestories.com/asset/view/. -
Napoleon Bonaparte (1769 - 1821)
Napoleon Bonaparte (1769 - 1821) "On Judgement Day, before God's throne, There stood at last Napoleon, The Devil had his list-begun Of crime the Bonaparte had done. When God the Father, or God the Son Cut Satan short, before Gods throne! "Don't bore us all to death with reading A German professorial pleading! If you are bold enough to face him In your Kingdom you may place him" -----(Goethe) Napoleon Crossing the Alps, Jacques-Louis David (1800, Oil on Canvas) Personal Life ● Born in Corsica on 15th August 1769 ● Son of Carlo Buonaparte and Maria Letizia Ramolino ● Siblings – Joseph, Lucien, Louis, Elisa, Pauline, Caroline and Jerome ● Attended the military academy at Brienne-le-Chateau ● Married to Josephine de Beauharnais ● Later divorced due to a lack of children and married to Marie-Louise, Duchess of Parma (of the Austrian noble family) Rise to Power ● As an artillery captain, rose to fame during the French revolution and was promoted to Brigadier General ● Successful stints in Nice, Italy and Egypt established his credentials as a strategist and leader of men ● On returning to France, there was a power vacuum caused by the collapse of the revolution and internal unrest ● Coup to take power and declared First Consul for Life ● Later, became Napoleon I, Emperor of France Napoleonic Wars (1800 - 1815) ● Series of wars fought between France and her kingdoms against various coalitions of European states ● Coalition at different times included Austria, Prussia, Russia, Sweden and Great Britain ● Napoleon was responsible for establishing France as the most powerful nation in Europe ● Also responsible for having Europe up in flames for the better part of a decade ● Finally concluded with his defeat at Waterloo in 1815 The Third Coalition ● Spanned from 1803 to 1806 ● France vs.