Aspects of the Anti-Semitic Views of Nichifor Crainic Reflected in “Gândirea” Journal
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Between Worlds Contents
BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N. -
Trials of the War Criminals
TRIALS OF THE WAR CRIMINALS General Considerations The Fascist regime that ruled Romania between September 14, 1940, and August 23, 1944, was brought to justice in Bucharest in May 1946, and after a short trial, its principal leaders—Ion and Mihai Antonescu and two of their closest assistants—were executed, while others were sentenced to life imprisonment or long terms of detention. At that time, the trial’s verdicts seemed inevitable, as they indeed do today, derived inexorably from the defendants’ decisions and actions. The People’s Tribunals functioned for a short time only. They were disbanded on June 28, 1946,1 although some of the sentences were not pronounced until sometime later. Some 2,700 cases of suspected war criminals were examined by a commission formed of “public prosecutors,”2 but only in about half of the examined cases did the commission find sufficient evidence to prosecute, and only 668 were sentenced, many in absentia.3 There were two tribunals, one in Bucharest and one in Cluj. It is worth mentioning that the Bucharest tribunal sentenced only 187 people.4 The rest were sentenced by the tribunal in Cluj. One must also note that, in general, harsher sentences were pronounced by the Cluj tribunal (set up on June 22, 1 Marcel-Dumitru Ciucă, “Introducere” in Procesul maresalului Antonescu (Bucharest: Saeculum and Europa Nova, 1995-98), vol. 1: p. 33. 2 The public prosecutors were named by communist Minister of Justice Lucret iu Pătrăşcanu and most, if not all of them were loyal party members, some of whom were also Jews. -
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De Styl 2x2 <rH IRH & Weimar Biflxelles OER STURM L'ESPRIT Berlin £ Wlan NOUVEAU 3 o CO a LA o .6 VIE o s £ D E Paris PQ S IU LETTRES DIE AKTION ET DES ARTS Paris ZEMIT Berlin Berlin InternaclonAIlt akllvlsta mQv^ssetl foly61rat • Sserkeutl: KattAk Uijof m Fe- leldssievkesxtO: Josef Kalmer • Sxerkesxtds^g £• klad6hlvafal: Wlen, XIIL Bei* Amallenstrasse 26. L 11 • Megjelen^s dAtuma 1922 oktdber 19 m EUfflrctM Ar: EOT £VRE: 3S.OOO osztr&k kor^ 70 ssokol, lOO dlnAr, 200 lei, SOO mArka m EQTE8 SZXM XltA: 3000 ositrAk korona, 7 siokol, lO dlnAr, 20 lei, SO mArka MA •b VIE 6vfolyam, 1. tx6m • A lapban megJelenO clkkek6rt a weriO felel. Drackerei .Elbemflfcl", Wien, IX., Berggtue 31. a sourcebook of central european avant-gardes, 1910-1930 CONTENTS 14 Acknowledgments 16 | Introduction Timothy 0. Benson and Eva Forgacs 49 Germany 50 Carl Vinnen, "Quousque Tandem," from A Protest of German Artists (1911) 52 Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) 55 Czech-Speaking Lands 56 Milos Jiranek, "The Czechness of our Art," Radikalni tisty (1900) 57 Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled [1911) 59 Poland 60 ; Juliusz Kaden-Bandrowski, "Wyspianski as a Painter-Poet (Personal Impressions)," Przeglad Poranny (1907) 61 Stanistaw Witkiewicz, Excerpts from Jan Matejko (1908) 64 Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" (1912) 66 Wiodzimierz Zutawski, "Wyspianski's Stained Glass Windows at the Wawel Cathedral," Maski (1918) 70 Hungary 71 ! Lajos Fulep, -
Critical Appreciations Concerning the Dramaturgy and Sketches of I
Annals of the „Constantin Brâncuși” University of Târgu Jiu, Letter and Social Science Series, 4/2015 CRITICAL APPRECIATIONS CONCERNING THE DRAMATURGY AND SKETCHES OF I. L. CARAGIALE Associate Professor Ph D, Mirabela Rely Odette CURELAR “Constantin Brâncuşi” University of Târgu-Jiu ABSTRACT: LITERARY CRITICISM AS FROM POMPILIU CONSTANTINESCU, G. CALINESCU VIANU TUDOR SERBAN CIOCULESCU, ALEXANDRU PIRU AND CONTINUING SILVIAN IOSIFESCU ION CONSTANTINESCU, V. FANACHE AND OTHERS AT LEAST AS VALUABLE FIXES CARAGIALE'S WORK AND CHARACTER BALKAN PERSPECTIVE CARAGIALE AUTHOR APPRECIATED AS A MASTER OF HUMOR BY USING PHILOSOPHICAL GESTURES. THE WRITER COMES BACK WITH "POLITICS", STATED TALKING BANTER HIS GENIUS CONSISTING OF MUCALIT, WHICH AWAKENS THE ADMIRATION. IN LITERARY CRITICISM IN THE LAST QUARTER CENTURY, CARAGIALE'S CHARACTER EMERGES AS A "LEGENDARY" CHARACTER, A KIND OF URBAN PĂCALĂ. KEY WORDS: CRITICISM, THE MORALIST, TYPOLOGICAL CHARACTER, ENIGMATICAL COMIC, COMIC ATMOSPHERE. Caragiale's work projects a real world, described in terms of often unreal or concealed by its weaknesses in order to contemplation of reality with a self-ironic elegance. Caragiale may be defined as a moralist, that a writer concerned about the man's character and morals in his social relations "political animal," as Aristotel understood him the human in the city (polis). From this derives political leader of his trilogy thread comic: A Stormy Night, Cone Leonida face to Reactionaries and The Lost Letter. Caragiale views man in society no longer sees in nature, man sees in the interdependence of its social, but not interdependent cosmic human of the mountains, the hills, the plains of the Danube, by the sea, and so on It is sensitive to social categories, clearly distinguishes categorical language, captures the conflicting interests, connections and conflicts of ideas in the social life. -
Selected Records Related to A.C. Cuza and the National Christian Party RG-25.059M
Selected records related to A.C. Cuza and the National Christian Party RG-25.059M United States Holocaust Memorial Museum Archives 100 Raoul Wallenberg Place SW Washington, DC 20024-2126 Tel. (202) 479-9717 e-mail: [email protected] Descriptive summary Title: Selected records related to A.C. Cuza and the National Christian Party Dates: 1834-1948 (inclusive) 1934-1943 (bulk) Accession number: 2009.267 Creator: Partidul Naţional Creştin. Liga Apărării Naţional Creştine Extent: 7,535 digital images 7 microfilm reels (digitized) Repository: United States Holocaust Memorial Museum Archives, 100 Raoul Wallenberg Place SW, Washington, DC 20024-2126 Languages: Romanian Scope and content of collection Contains records relating to A. C. Cuza, a leading anti-Semite in Romania and the leader of the National Christian Party (PNC) which was in power December 1937 to February 1938. Also contains records relating to Istrate Micescu, the Justice Minister of the PNC administration. Administrative Information Restrictions on access: No restrictions on access. Restrictions on reproduction and use: Restrictions on use. Fair use only. Use only for scientific purposes (not for commercial use) Preferred citation: Preferred citation for USHMM archival collections; consult the USHMM website for guidance. Acquisition information: Source of acquisition is the Arhivele Naţionale ale României (Romanian National Archives), Fond personal A.C. Cuza (inv. 1139) and Fond personal Istrate Miscescu. The United States Holocaust Memorial Museum Archives received the collection via the United States Holocaust Memorial Museum International Archives Program in November, 2009. Existence and location of originals: Arhivele Naţionale ale României Historical note The National-Christian Defense League (Romanian: Liga Apararii National Crestine or LANC) was a virulently anti-Semitic political party of Romania formed by A. -
PDF the Migration of Literary Ideas: the Problem of Romanian Symbolism
The Migration of Literary Ideas: The Problem of Romanian Symbolism Cosmina Andreea Roșu ABSTRACT: The migration of symbolists’ ideas in Romanian literary field during the 1900’s occurs mostly due to poets. One of the symbolist poets influenced by the French literature (the core of the Symbolism) and its representatives is Dimitrie Anghel. He manages symbols throughout his entire writings, both in poetry and in prose, as a masterpiece. His vivid imagination and fantasy reinterpret symbols from a specific Romanian point of view. His approach of symbolist ideas emerges from his translations from the French authors but also from his original writings, since he creates a new attempt to penetrate another sequence of the consciousness. Dimitrie Anghel learns the new poetics during his years long staying in France. KEY WORDS: writing, ideas, prose poem, symbol, fantasy. A t the beginning of the twentieth century the Romanian literature was dominated by Eminescu and his epigones, and there were visible effects of Al. Macedonski’s efforts to impose a new poetry when Dimitrie Anghel left to Paris. Nicolae Iorga was trying to initiate a new nationalist movement, and D. Anghel was blamed for leaving and detaching himself from what was happening“ in the” country. But “he fought this idea in his texts making ironical remarks about those“The Landwho were” eagerly going away from native land ( Youth – „Tinereță“, Looking at a Terrestrial Sphere” – „Privind o sferă terestră“, a literary – „Pământul“). Babel tower He settled down for several years in Paris, which he called 140 . His work offers important facts about this The Migration of Literary Ideas: The Problem of Romanian Symbolism 141 Roșu: period. -
The Poetry, a Christian Resistance Support in Romanian Prisons
The poetry, a christian resistance support in Romanian prisons Ana NECHITA Abstract: Documents of special importance for their content, giving the voice of a tumultuous and broken destiny, which marked the young generation of the 1960’s, the poems of communist prisons are a significant sound of experiences had in suffering by those who wrote them. Pages written with blood, these poems by their testimonial value, require from us not to ignore their long sacrificial experience, using the freedom, stolen to these authors, for the rebuilding of the nation and the reconstruction of historical truth. The prison poetry, being between the fighting weapons of spiritual resistance, is located near the divine, tending to transfiguration, thing which is happening not few times. Thus, poetry of the prisons becomes a direct way of communicating of the one behind the bars with God. Endowed with the talent of rhyme and having the conscience of fight for truth, for a Romanian creed, these „angels of pain”, as they were called poets of communist prisons in Romania, assured their spiritual survival by sacrificing the best of them on the country altar, replacing the moments of indignation with life in spirit, and here pain is receiving a salvation sense. The lyrics of the imprisoned poets, springing out from pain and completed through pain, formed bright candles from the overflowing of their hearts for all those which was facing the same situation. In the shadow of the cell, under the lightless Professor of Romanian language and literature at “Ion Holban” Technical College, Iaşi. Romania Ana NECHITA vault of the lead mines, along with prayer, the poetry was a saving word, a flasher that lightened and assuaged in the darkness. -
Gidni 2 Literature 71 Aesthetic Approach of Romanian
GIDNI 2 LITERATURE AESTHETIC APPROACH OF ROMANIAN PAMPHLETS Odette Arhip, Prof., PhD, Echological University of Bucharest Abstract: Having its origin in Antiquity (Aristophanes, ancient orators), the pamphlet is a border- genre. It pictures the meddling of literature, social context and individual thinking. The present contribution focuses on journalistic pamphlets with literary bonds (Tudor Arghezi, N. D. Cocea). Their authors act for the new literary and political Romanian consciousness at the end of the 19th century and the beginning of the 20th century. One of the main intents is to discuss upon text and pre- text (several empiric events re-designed in the discourse). The event is presented as an effect of the discursive force induced by a turbid political environment. The text evaluates the events due to moral constraints of the authors and true specific social inferences. The contribution also focuses on the vigorous stylistic consequences of the writers. Both are rooted in subjectivity. The authorsř personality and vision are also mirrored in vocabulary. They seemed to be opponents of art for art aesthetic formula, but their self-approach helped to the development of national aesthetic conscience and highlighted precious artistic value. Due to these writers, the pamphlet is devoted to a literary genre, winning the right of being a constant presence in Romanian literature. Keywords: pamphlet, artistic value, literature, style, journalism Introducere. Genurile clasice s-au impus fără probleme majore, în vreme ce toate speciile ori genurile hibride au întâmpinate probleme taxonomice, axiologice şi paradigmatice. Părerile cu privire la acestea sunt împărţite şi, nu de puţine ori, au produc polemici chiar. -
Self-Censoring Memorial Writing: Crainic's Case1
Self-Censoring Memorial Writing: Crainic’s Case1 Prof. univ. dr. Laura BĂDESCU Institutul de Istorie și Teorie Literară „G. Călinescu” din București Abstract: In her article "Self-Censoring Memorial Writing: Crainic’s Case" Laura Bădescu discusses the memoirs of Nichifor Crainic (1889–1972). Conceived during the Transylvanian War, between 1945–1946, these memoirs were rewritten by the mentor of “Gândirea” in the years 1963–1964, with the aim of his rehabilitation and reintegration into public life. However, this second variant did not pass by the censorship, remaining in the manuscript until after the 1989 revolution. After the revolution, only the first version (V1) was published. The one restored under ideological pressure has remained, to date, in typed form at the Library of the Romanian Academy under A3515 (V2). The article proposes a comparative reading of the two versions, observing the ideological, social and aesthetic tensions that determined in V2 the modification of the memorial writer's reception angle. Keywords: Nichifor Crainic, memorial writing, comparative reading. Nichifor Crainic’s destiny can be described by means of terms such as grandeur, suffering, humiliation, betrayal, struggle and humiliation again. The climb, the fall, the rehabilitation attempt after the jailbreak are the sequences of a man's life that in the interwar period oriented the Romanian letters towards one of the original trends of our culture: gândirismul (thinkingism). An authentic poet, with roots in the line of traditionalists, a memorable theologian and, above all, a professor with university audience at the courses of dogmatic and universal literature, etc., Nichifor Crainic remains in the memory of our culture through the directorate and ideological (and financial) support of the magazine "Gândirea". -
Domesticating Viragos. the Politics of Womanhood in the Romanian Legionary Movement
fascism 5 (2016) 149-176 brill.com/fasc Domesticating Viragos. The Politics of Womanhood in the Romanian Legionary Movement Mihai Stelian Rusu Lucian Blaga University of Sibiu, Romania [email protected] Abstract Building on the basic premise that the attempt to create a New Man was one of fas- cism’s master-ideas, this article focuses on the feminine underside of this program of political anthropogenesis. The article centers on the image of the New Woman and the politics of womanhood within the Romanian Legionary movement. It argues that the Legion’s trademark rhetoric of martial heroism and martyrdom led to an essential tension between a virile model of womanhood (patterned upon the masculine ideal type of the martyr-hero) and a more conservative domestic model. A third, reconcilia- tory hybrid model, which mixed features borrowed from the two antagonistic types of Legionary womanhood was eventually developed to defuse this tension. Keywords gender politics – fascist femininity – New Man – New Woman – Romania – Iron Guard – women The Gender Politics of Fascist Movements Prompted by an upsurge of scholarly interest in the relationship between women and fascism, in recent decades a valuable corpus of scholarship has emerged from the intersection of gender and fascist studies.1 The scholarship 1 Jill Stephenson, Women in Nazi Society (New York: Barnes & Noble, 1975); Leila J. Rupp, ‘ Mother of the “Volk”: The Image of Women in Nazi Ideology,’ Signs 3 (1977): 362–379; Ale xander de Grand, ‘Women under Italian Fascism,’ The Historical Journal 19 (1976): 947–968. © Rusu, 2016 | doi 10.1163/22116257-00502004 This is an open access article distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported (CC-BY-NC 4.0) License. -
SORIN ARHIRE, the Goga-Cuza Government and the “Jewish
SORIN ARHIRE , The GogaGoga----CuzaCuza government and the “Jewish Problem”. British perceptions AbsAbstract:tract: The government presided by Octavian Goga was officially appointed on 28 December 1937. The implementation of the promised anti-Jewish policy started already on the second day of this government. The democratic newspapers Adevărul, Dimineaţa, and Lupta, being considered Jewish, as well as all newspapers published in Yiddish and Hebrew were suspended. On 1 January 1938, although it was a national holiday, Casa Naţională de Asigurări (National Insurance House) fired all its Jewish employees, followed by the immediate publication of the list of Romanians who replaced them. These actions were in accordance with the statements of the Labor Minister, Gheorghe Cuza, son of A. C. Cuza, the one who declared that the Romanian was enjoying the right to work, and “from this point of view only those Romanians can be considered as Romanians if they had ethnic Romanian origin, Romanian soul, Romanian blood, and not the Romanian citizens”. The government Goga-Cuza exerted its rule by issuing decrees and in one of these forbade the Jews to employ Christian servants under the age of 40, considering that “the Jews using in their homes Romanian women do it in order to draw them into prostitution”. A greater influence had the 22 January decree, which stipulated that the citizenship of the Jews in Great Romania was to be revised, regardless of the length of their families’ residence in the country. From a total of 203.423 Jewish families which submitted applications for revision of citizenship, 73.253 lost it, representing 36% of the Jewish population of Romania. -
Religiosity and Devotion in Educational Actions
RELIGIOSITY AND DEVOTION IN EDUCATIONAL ACTIONS Nicolae Bolea Abstract: The material has been structured following these aspects: Preliminaries – a general presentation of religious education in Romania and an emphasis on didactic imperatives nowadays. I. Secular educators involved in religious education; emphasis on their support and involvement. II. Religion in the postmodern world; an attempt to approach some of the avalanches of challenges addressed to the Christian Church and to religious education. III. The Church and education also represent an attempt to analyse society and the effort of the Church facing a society growingly influenced by the phenomenon of secularism. IV. This is what God established for us –a plea for the Romanian people, born Christian and the struggle to survive under the protection of the Church through the effort of religious education. Keywords: education, religion, school, christian, Church. Preliminarii În centrul învăţământului religios este nevoie de creare a unui climat bazat pe valori, astfel încât actul educativ să devină o mărturie vie a apostolatului în folosul semenilor. În ciuda pluralismului cultural, demnitatea şi unicitatea fiecărei persoane trebuie să se regăsească în miezul proiectului educaţional inspirat de valorile Evangheliei. Se prezintă aşadar provocarea de a deveni ora de religie primitoare şi fraternă, unde fiecare să se simtă binevenit, acceptat şi respectat, unde nimeni să nu ajungă marginalizat sau exclus, iar ora de religie să-i contamineze pe toţi, în sensul nobil al cuvântului – în PhD, Teacher at the „St. Simion Ştefan” Orthodox Theological Seminary, Alba Iulia, Romania; School Inspector for Religion at the Alba County School Inspectorate. 371 Young People in Church and Society egală măsură pe cei dinăuntru şi pe cei dinafară – de această bunătate şi fraternitate, generând astfel pace, dreptate, milă şi caritate.