What Is the Reformation ?
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Hot Off the Press!
New Logo Many of you noticed last week in the bulletin that there SEPT 2017 is a new logo for CHPC. This is the first fruit of the HotHot OffOff thethe Press!Press! 9/17/1712/1/13 Identity Team which is itself part of the larger Regen- eration campaign. The team formed at the beginning of 2017 and worked with Brownstone Design to come up with a new logo for our church. 2017 — the 500th Anniversary of the of Scotland. England again stood with the reformers. France sided with Catholic leaders including the regent Queen, Mary PROTESTANT REFORMATION. 9TH IN A SERIES. of Guise (Mary Queen of Scots). In the center of the block-long ‘Reformation Wall’ in Geneva Finally in 1560-1561, the Scottish Parliament met to settle the Switzerland stand four 16 foot tall statues: William Farel (1489-1565); 1 John Calvin (1509–1564); John Knox (1513–1572) and Theodore dispute. They approved the Scots Confession. It abolished Beza (1519–1605). Knox’s amazing life was covered in two articles. the rule of the Pope, condemned all practice and doctrine con- trary to the Reformed Faith, and outlawed the celebration of the mass. One result was that for nearly 400 years educators THE MAN WHO CHANGED SCOTLAND in Scotland were required to affi rm the Scots Confession and ...AND THE WORLD PART 2 later the Westminister Confession. God’s Word became the BY ELDER RICK SCHATZ, EVANGELICAL COMMUNITY CHURCH standard for schools...and it changed Scotland and the world. In the previous article on Knox, Rev Tom Sweets noted: “Some- The controversy between the Reformed Faith and Roman thing dramatic happened in Scotland.. -
The Ecumenical Movement and the Origins of the League Of
IN SEARCH OF A GLOBAL, GODLY ORDER: THE ECUMENICAL MOVEMENT AND THE ORIGINS OF THE LEAGUE OF NATIONS, 1908-1918 A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by James M. Donahue __________________________ Mark A. Noll, Director Graduate Program in History Notre Dame, Indiana April 2015 © Copyright 2015 James M. Donahue IN SEARCH OF A GLOBAL, GODLY ORDER: THE ECUMENICAL MOVEMENT AND THE ORIGINS OF THE LEAGUE OF NATIONS, 1908-1918 Abstract by James M. Donahue This dissertation traces the origins of the League of Nations movement during the First World War to a coalescent international network of ecumenical figures and Protestant politicians. Its primary focus rests on the World Alliance for International Friendship Through the Churches, an organization that drew Protestant social activists and ecumenical leaders from Europe and North America. The World Alliance officially began on August 1, 1914 in southern Germany to the sounds of the first shots of the war. Within the next three months, World Alliance members began League of Nations societies in Holland, Switzerland, Germany, Great Britain and the United States. The World Alliance then enlisted other Christian institutions in its campaign, such as the International Missionary Council, the Y.M.C.A., the Y.W.C.A., the Blue Cross and the Student Volunteer Movement. Key figures include John Mott, Charles Macfarland, Adolf Deissmann, W. H. Dickinson, James Allen Baker, Nathan Söderblom, Andrew James M. Donahue Carnegie, Wilfred Monod, Prince Max von Baden and Lord Robert Cecil. -
“Here I Stand” — the Reformation in Germany And
Here I Stand The Reformation in Germany and Switzerland Donald E. Knebel January 22, 2017 Slide 1 1. Later this year will be the 500th anniversary of the activities of Martin Luther that gave rise to what became the Protestant Reformation. 2. Today, we will look at those activities and what followed in Germany and Switzerland until about 1555. 3. We will pay particular attention to Luther, but will also talk about other leaders of the Reformation, including Zwingli and Calvin. Slide 2 1. By 1500, the Renaissance was well underway in Italy and the Church was taking advantage of the extraordinary artistic talent coming out of Florence. 2. In 1499, a 24-year old Michelangelo had completed his famous Pietà, commissioned by a French cardinal for his burial chapel. Slide 3 1. In 1506, the Church began rebuilding St. Peter’s Basilica into the magnificent structure it is today. 2. To help pay for such masterpieces, the Church had become a huge commercial enterprise, needing a lot of money. 3. In 1476, Pope Sixtus IV had created a new market for indulgences by “permit[ing] the living to buy and apply indulgences to deceased loved ones assumed to be suffering in purgatory for unrepented sins.” Ozment, The Age of Reform: 1250-1550 at 217. 4. By the time Leo X became Pope in 1513, “it is estimated that there were some two thousand marketable Church jobs, which were literally sold over the counter at the Vatican; even a cardinal’s hat might go to the highest bidder.” Bokenkotter, A Concise History of the Catholic Church at 198. -
Rhine River Reformation Cruise
Rhine River Reformation Cruise JULY 9 – 23, 2018 Puritan Reformed Theological Seminary, with president Dr. Joel R. Beeke, invites you to travel through Europe by deluxe motorcoach and luxurious river cruise ship. We’ll be stopping for day visits at various old cities, many of which house famous sites of pre- Reformation, Reformation, and post-Reformation history. Our tour also features Dordrecht, to commemorate the 400th anniversary of the famous Synod of Dordrecht (Dort). Dr. Beeke, together with Reformation lecturers Dr. Ian Hamilton and David Woollin, will provide fascinating historical and theological addresses and insights along the way, together with highly qualified local guides. Don’t miss this very special occasion! Dr. Joel R. Beeke is president and professor of systematic theology and homiletics at Puritan Reformed Theological Seminary, a pastor of the Heritage Reformed Congregation in Grand Rapids, Michigan, editor of Banner of Sovereign Grace Amsterdam Truth, and editorial director of Reformation Amersfoort Heritage Books. He has written and co- Kralingseveer Woudenberg authored ninety books, edited one hundred books, and contributed 2,500 articles to Dordrecht Reformed books, journals, periodicals, and encyclopedias. His PhD is in Reformation and Post-Reformation theology from Westminster Theological Seminary (Philadelphia). Cologne He is frequently called upon to lecture at seminaries and to speak Rhine at Reformed conferences around the world. He and his wife Mary Marburg have been blessed with three children and two grandchildren. Herborn Dr. Joel R. Beeke | 616-432-3403 | [email protected] Koblenz Cochem Rüdesheim Dr. Ian Hamilton was the minister of Cambridge Presbyterian Church, England, until July 2016. -
Protector's Pen July 2015
THE NEWSLETTER OF THE CROMWELL ASSOCIATION The Protector’s Pen Cromwell Day 2015 National Civil War Centre Reformation Wall, Geneva Exhibitions, Book & Play Reviews Vol 17 Issue 2 July 2015 The CROMWELL ASSOCIATION …..promoting our understanding of the 17th century CONTENTS Inside this issue 4 Chairman’s Little Note 3 Cromwell Day 4 Cromwell Association AGM, 2015 5 Samuel Pepys Exhibition 6 National Civil War Centre 7 Magna Carta Exhibition 9 CROMWELL DAY NATIONAL CIVIL WAR CENTRE Reformation Wall, Geneva 11 Play Review 12 Book Review 13 Publications, Exhibitions, Events 12 In the Press 15 Merchandise 16 SAMUEL PEPYS EXHIBITION MAGNA CARTA EXHIBITION GENEVA If you have not received an email from the Association in the last few months, please send your current email address to [email protected] headed ‘Cromwell Association email’, and provide your name and mailing address in the body of the email. The best email addresses for communication with the Association are that of the Chairman [email protected] and for membership and financial enquiries [email protected]. The email address on the website is not an efficient means for members to contact us. Front Cover : Statue of Cromwell outside Houses of President : Peter Gaunt Parliament Chairman : Patrick Little Treasurer : Geoffrey Bush (Courtesy of Membership Officer : Paul Robbins Maxine Forshaw) www.olivercromwell.org Vol 17 Issue 2 July 2015 2 The Cromwell Association is a registered charity. Reg No. : 1132954 The Protector’s Pen Chairman’s Little Note Members of the Cromwell Association at Basing House for the AGM, April 2015 Welcome to the summer issue of The Protector’s Pen. -
Encyklopédia Kresťanského Umenia Heslo PARÍŽ – PAS Strana 1 Z 62
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Paríž - Geo v súvislosti s heslom Kelti: viac ako 500 rokov spoluvytvárali dejiny Európy; ich vlasť sa rozprestierala severne od Álp; neskôr roku 387 pr.Kr. dobyli Rím; okolo 400 pr.Kr. založili mesto s menom Miláno a v rovnakom období Paríž, mesto pomenované podľa keltských kmeňov Parisi pozri Bartolomejská noc; Eligius; boutique Simultananée; gobelín; iluminátori; parížska škola/École de Paris (Baleka), parížski umelci; bulvár, internacionálna gotika, impresionizmus, abstraktné umenie; jednorožec (Wensleydalová); jezuiti; kabaret; kaplnka, capella; kašmírový vzor, kabelka, kníhtlač; manifest A C-Numéro d'Introduction du Groupe et de la Revue Art; J. B. Jongind; las Tullerías, Montmartre, bazilika Sacre Coeur, Le Pont-au-Change, Louvre, Tuileries, Francúzsko http://it.wikipedia.org/wiki/Parigi http://www.webumenia.sk/web/guest/graphic/- /staticresults?orderBy=DATING_ASC&items=14&query=&layout=gridLayout&images=true&se archFor=data&page=19 http://viticodevagamundo.blogspot.sk/2011_02_01_archive.html Heslo PARÍŽ – PAS Strana 1 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Attribution: Majster Getty Froissart: Kráľovná Isabella prichádza do Paríža (Historia Alexandri Magni, 1468-1475) Heslo PARÍŽ – PAS Strana 2 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia M. Merian st.: Mapa Paríža (topografická ilustrácia, rytina, 1615) M. Merian st.: Mapa Paríža (topografická ilustrácia, kolorovaná rytina, 1615) Heslo PARÍŽ – PAS Strana 3 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia C. Chastillon: Pohľad na Paríž (rytina, okolo 16.st.) Heslo PARÍŽ – PAS Strana 4 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia C. Chastillon: Slávnosti zahájenia činnosti na „Place Royale“ (pri príležitosti svadby príležitosti dvojitej svadby kráľa Ľudovíta XIII. -
Calvinism and the Arts Susan Hardman Moore
T Calvinism and the Arts Susan Hardman Moore In 1540 Calvin wrote to a young student to praise his devotion to study, but also to deliver a warning: ‘Those who seek in scholarship nothing more than an honoured occupation with which to beguile the tedium of idleness I would compare to those who pass their lives looking at paintings.’ This spur-of-the-moment remark, committed to paper as Calvin settled down to answer letters (as he did everyday), is revealing. Calvin backed up his opinion that study for its own sake is pointless with an unfavourable reference to those ‘who pass their lives looking at paintings’.1 Calvin: austere, hostile to the arts? Calvinism: corrosive to human creativity and delight in beauty? Calvin’s reputation for austerity, some suggest, stems in part from his context in Geneva, where the strife- torn citizens were too hard pressed and poor to support patronage of the arts in the style of wealthy Basle, or of the kind Luther enjoyed in Wittenberg.2 To counter Calvin’s dour reputation, scholars highlight his affirmation of the arts: ‘I am not gripped by the superstition of thinking absolutely no images permissible […] sculpture and painting are gifts of God’;3 ‘among other things fit to recreate man and give him pleasure, music is either first or one of the principal […] we must value it as a gift of God’.4 Calvin’s writings also show appreciation of the splendours of Creation. In the natural world, God ‘shows his glory to us, whenever and wherever we cast our gaze’.5 For Calvin, God’s glorious gift of beauty shows – like his gifts of food and wine – how God gives not simply what is needed, but what will stir up ‘delight and good cheer’, ‘gladden the heart’.6 Calvin was in fact quite a bon vivant who enjoyed meals with friends and colleagues; he particularly liked fish, fresh from Lake Geneva. -
Visual Art, the Artist and Worship in the Reformed Tradition: a Theological Study
Visual Art, the Artist and Worship in the Reformed Tradition: A Theological Study submitted by Geraldine Jean Wheeler B.A. (University of Queensland, 1965), B.D. Hons. (Melbourne College of Divinity, 1970), M. Th. (University of Queensland, 1975), M. Ed. (University of Birmingham, UK, 1976) A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy School of Arts and Science Faculty of Arts and Science Australian Catholic University Office of Research, Locked Bag 4115, Fitzroy, Victoria, 3065, Australia 30th May 2003 Statement of Sources This thesis contains no material published elsewhere or extracted in whole or in part from a thesis by which I have qualified for or been awarded another degree or diploma. No other person’s work has been used without due acknowledgment in the main text of the thesis. This thesis has not been submitted for the award of any degree or diploma in any other tertiary institution. All research procedures reported in the thesis received the approval of the relevant Ethics Committee. Signature……………………………………………..Date……………………. ii Acknowledgments I wish to acknowledge with thanks the contribution made by the following people and institutions towards the writing of this thesis. I am very grateful to the Australian Catholic University for accepting the enrolment, which has allowed me to remain in my home in Queensland. I am also very grateful to staff members, Dr. Lindsay Farrell and Dr. Wendy Mayer, and to Rev. Dr. Ormond Rush of St. Paul’s Theological Seminary, for providing generous supervisory guidance from the perspectives of their different disciplines. -
William Farel – the Uncompromising Swiss Reformer of Geneva (1489 – 1565)
MARANATHA MESSENGER Weekly Newsletter of Private Circulation Only MARANATHA BIBLE-PRESBYTERIAN CHURCH 2 February 2014 “Present every man perfect in Christ Jesus” (Colossians 1:28) Address: 63 Cranwell Road, Singapore 509851 Tel: (65) 6545 8627 Fax: (65) 6546 7422 E-mail: [email protected] Website: www.maranatha-bpc.com Sunday School: 9.45 am Sunday English / Chinese Worship Service: 10.45 am Sunday Chinese Worship Service: 7 pm Wednesday Prayer Meeting: 8.00 pm Pastor: Rev. Dr. Jack Sin (HP: 9116 0948) William Farel – The Uncompromising Swiss Reformer of Geneva (1489 – 1565) Introduction Hebrews11:32-34, ‘And what shall I more say? for the time would fail me to tell of Gedeon, and of Barak, and of Samson, and of Jephthae; of David also, and Samuel, and of the prophets:Who through faith subdued kingdoms, wrought righteousness, obtained promises, stopped the mouths of lions. Quenched the violence of fire, escaped the edge of the sword, out of weakness were made strong, waxed valiant in fight, turned to flight the armies of the aliens.’ There are men who have, by the will of God blazed a trail and changed the course of history for cites or even nations. Our recent trip to Geneva, Switzerland has given me a renewed interest in one man who made a lasting spiritual impact for Christ in this second largest city of Switzerland in the 16th century. His Background Guillaume Farel (1489 – 1565) was a spiritual game changer as we will say today who impacted his people by the powerful teaching of the Word and the expository preaching of the Gospel of Christ during the 16th century when many were still hostile to sound true religion being blinded by the deception of the medieval church. -
Art As Propaganda in Vichy France, 1940-1944 Markj. Thériault
Art as Propaganda in Vichy France, 1940-1944 MarkJ. Thériault Department of History McGill University, Montreal 1 October 2007 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Master of Arts ©Mark J. Thériault, 2007 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Bran ch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-51409-2 Our file Notre référence ISBN: 978-0-494-51409-2 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell theses le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Laurent Brouilly Escultor Jean
Laurent brouilly escultor jean Continue In the 1850s, Dr. Eduard Landowski left Poland and moved to France. He had six children, of whom Paul was the youngest. In 1882, two of Paul's parents died, and he and his brothers became under the care of their uncle Paul Landowski in a small apartment in Paris. When his uncle died, his older brother, Ladislas, took over his brothers while studying medicine. When Paul was only five years old, he suffered a temporary bout of blindness, during which he became fascinated with the shape of bread, so by the time he left school, he had two passions: sculpture and literature. His first sculpture of Saint Blandina was made in the bread oven of Chesi-sur-Marne, where he worked during the school holidays. He also wrote plays, poems and kept notebooks about the great literary works he read. In 1893, Paul attended the Academy of the Julian School of Fine Arts in addition to spending some time at the Faculty of Medicine, where he was tasked with sketching dismembered bodies. By the end of the century Paul's work began to become famous, and he received prestigious awards. He won the Rome Prize in 1900 with his statue of David. He spent a season in Italy, especially at Villa m'dicis, the Academy of Francoise in Rome. In 1906 he returned to France and moved to a workshop in Boulogne-sur-Seine. In 1907 he married Jeniviv Neno and had two children, Nadine and Jean-Max. Both died in 1943 fighting for their country. -
Document Sur La Redirection Dˇimprimante Dans Le Bureau À
CRAIT - MULLER Commissaires Priseurs associés 18 Rue de Provence - 75009 PARIS 01 45 81 52 36 - [email protected] OVV n°078 - 2016 au capital de 2000 € - N°CEE : FR01820724821 SIRET 820 724 821 00021 Liste pour la vente du vendredi 27 novembre 2020 - 12 DROUOT à 02:30 N° de vente : 102 Ordre Désignation Estimation 1 École FRANÇAISE du XIXe siècle d’après Michel-Ange (1475-1564) 800/1200 Moïse Bronze à patine brune. Porte la marque du fondeur F. BARBEDIENNE. Fondeur, le cachet de réduction mécanique A. Collas et le numéro 91. Repose sur un socle en marbre rouge veiné. Accidents au socle. H. totale 50 cm, H. bronze 37 cm ŒUVRE EN RAPPORT : Michel-Ange, Moïse, 1513-1515, marbre, H. 235 cm, Rome, San Pietro in Vincoli, tombe de Jules II. LITTERATURE EN RAPPORT : Florence Rionnet, Les Bronzes Barbedienne. Une dynastie de fondeurs (1834-1954), Arthena, 2016, modèle répertorié sous le n° Cat. 158, p. 228 et reproduit p. 122. Le modèle de ce bronze est le célèbre marbre représentant Moïse du maître italien Michel-Ange réalisé entre 1513 et 1515 pour le tombeau de Jules II situé dans la basilique San Pietro in Vincoli à Rome. Les fondeurs Barbedienne commencent à éditer ce modèle à partir de 1855. 2 RISLÉ, actif à la fin du XVIIe siècle 3000/5000 Allégorie de l’Hiver Buste en terre cuite originale, patinée. Signé et daté Rislé Fecit 1694. Restaurations. H. 45 cm LITTERATURE EN RAPPORT : Galerie Patrice Bellanger, La femme symbole dans la sculpture, octobre 1988, catalogue de l’exposition.