Pramoedya Ananta Toer and China: the Transformation of a Cultural Intellectual
PRAMOEDYA ANANTA TOER AND CHINA: THE TRANSFORMATION OF A CULTURAL INTELLECTUAL Hong Liu As one of the most prominent writers in Indonesia, Pramoedya Ananta Toer has been at the center of a number of valuable studies which carefully document his intellectual journey and his place in modern Indonesian cultural history.* 1 It has been generally agreed that the years between 1956 and 1959 were crucial in the evolution of Pramoedya's cultural and political thinking. In an effort to trace the causes of this change, the existing literature focuses almost exclusively on Indonesia's turbulent domestic political transformation and its impact on Pramoedya; very little attention * This is an expanded version of a chapter from my doctoral dissertation, "'The China Metaphor': Indonesian Intellectuals and the PRC, 1949-1965" (Ohio University, 1995). I am indebted to William H. Frederick for his constructive and thorough comments. Charles Alexander, Donald Jordan, Benedict Anderson, Chen Xiaru, Go Gien Tjwan, Kent Mulliner, Kohar Rony, Yong Mun-Cheong, and Tsing Yuan have been helpful in shaping my understanding of the complex questions relating to China in Indonesia, for which I am grateful. Financial support for my overseas research was provided by a fellowship from the Center for International Studies at Ohio University and a grant from the Southeast Asian Council of the Association for Asian Studies, both funded by the Henry Luce Foundation. I alone, of course, am responsible for the views expressed here and any remaining errors. 1 See for example, Bahrum Rangkuti, Pramoedya Ananta Toer dan Karja Seninja (Jakarta: Gunung Agung, 1963); Savitri Scherer, "From Culture to Politics: The Writings of Pramoedya Ananta Toer" (PhD diss., Australian National University, 1981); Mohamad Zamri bin Shaari, "Sebuah Analisa Kebahasaan terhadap Bumi Manusia Karya Pramoedya Ananta Toer" (PhD diss., Universitas Nasional Indonesia, 1985); and A.
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