Shurpanakha Induces Ravana to Kidnap Sita Summary
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Original Research Paper
PARIPEX - INDIAN JOURNAL OF RESEARCH | Volume-9 | Issue-4 | April - 2020 | PRINT ISSN No. 2250 - 1991 | DOI : 10.36106/paripex ORIGINAL RESEARCH PAPER Arts KEY WORDS: Tholu Bommalatha, SUPPLEMENTARY ELEMENTS OF Kambaramayanam, Thiruvachakam,, Natya Sastra, Yakshaganam, Adalpattu, Are, ENTERTAINMENT IN LEATHER SHADOW Ranganatha Ramayanam, Ayappudava, Sadya Vazhthal,Gona Budha reddy, PUPPETEERING OF ANDHRA PRADESH Puppeteering, Yakshaganam, Wuti. Mada Pulavar. Kunthirikulathu Madom, MMRA 55A, Madan Kovil Road, Paruthippara, Babu K Muttada-P O, Trivandrum- 695 025, INDIA. With stupendous international kindred, leather shadow puppetry is a marvelous folk art form widespread in India. This art form has a role in conception of amusement in all south Indian states, (Kerala, Tamil Nadu, Karnataka and Andhra CT Pradesh). Apart from its special role on Hindu devotional practices it a well established engagement of entertainment. There are certain families absolutely devoted in puppet making, playing and surviving only with income produced through performances. It is very intricate for provide a normal survival to them because of the strong hostility with other various modern forms of entertainments existing in each corner. However it is the duty of the beholders and ABSTRA beneficiaries to keep the system alive for their continued existence. The certain changes and differences found in puppets and its manipulation in Andhra Pradesh are documented and evaluated its relevance here. INTRODUCTION: Kanyakumari, Bengaluru and Visakhapatinam straightly cut From child hood I have been well acquainted with several leather with a sharp knife and stitch them to make a huge types of performances conducted in temples offered as Ravana horrifying Puppet or smooth colorful pieces joined for worship to deities. -
Shrî Râma Chandra
f Californi. Regional Facility T-t; .^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^-^-<~-cJu^ J^^^-^^^-o^--^ — rntLA^dl^ i c -^ I Qo i2_^ bif soi.K i,i-:ssi-:i-:s Qi i:i:x's iiAi.i., .Mi;sNi«s. ciiAi'i'i-;!.!. & <ri. i.AN<;iiA.M I'l. v< i;. i.o.Mio.N. ^v . i. H'XDAv i:vi:Nix(is vi 7 June 13, 20, 27, July 4. Dr. Annie Besant "THE COMINcG OF THE WORLD TEACHERS' as §eee Ib^y Aeciieet aed Mo-dlea'e Centrat. Hindu College LECTunKS. TI . SHRl RAMA CHANDRA THE IDE^L KING. SOME LESSONS FROM THE RAmIYANA FOR THE USE OF HINDU STUDENTS IN THE SCHOOLS OF INDIA • BY ANNIE BESANT, F. T. S. From Notes of Lectures Originally Delivered AT THE Central Hindu College, Benares. Benares and London. Theosophical Publishing Society. I80i. Printed by Freeman & Co., Lti>., AT THE Taea Printing Works, Belnares. 3653 CONTENTS. Chapter I. Introduction. Chapter II. Youth and Marriage, Chapter III. Forest for Throne. Chapter IV. Brotherly Love. Chapter V. The Carrying off of SItA. Chapter VI. SIta's Faith. Chapter VII. Struggle. Chapter VIII. Triumph. 829275 SHRt RAMA CHANDRA, The Ideal King. CHAPTER I. Introduction. " Two years ago we were studying together one of the greatest books in the world," the Mahd' bhdrata. Now we are going to study the second great epic poem of India, the Rdmdyana. These two books stand out from the rest of Indian literature in a very marked way. The Vedas, the Institutes of Manu, are the great authorities for the learned, and only through the learned for the mass of the people. -
Untouched Questions
|| Om Namah Sadgurudevay || Untouched Questions Compiled and Interpreted by: Blessed Disciple of Most Revered Sri Paramhans Ji Maharaj Swami Adgadanand Ji Shri Paramhans Ashram Shakteshgarh, Chunar-Mirzapur, U.P. Publisher: Shri Paramhans Swami Adgadanand Ji Ashram Trust 5, New Apollo Estate, Mogra Lane, Opp. Nagardas Road Andheri (East), Mumbai – 400069 India Most Respectfully Dedicated At The Holy Feet Of Most Revered Swami Sri Paramanand Ji Yogiraj Matchless Grandsire Of The Era GURU VANDANA (SALUTATIONS TO THE GURU) || Om Shree Sadguru Dev Bhagwan Ki Jai || Jai Sadgurudevam, Paramaanandam, amar shariraam avikari I Nirguna nirmulam, dhaari sthulam, kattan shulam bhavbhaari II Surat nij soham, kalimal khoham, janman mohan chhavibhaari I Amraapur vaasi, sab sukh raashi, sadaa ekraas nirvikaari II Anubhav gambira, mati ke dhira, alakh fakira avtaari I Yogi advaishta, trikaal drashta, keval pad anandkaari II Chitrakuthi aayo, advait lakhaayo, anusuia asan maari I Shree Paramhans Swami, antaryaami, hain badnaami sansaari II Hansan hitkaari, jag pagudhaari, garva prahaari, upkaari I Sat- panth chalaayo, bharam mitaayo, rup lakhaayo kartaari II Yeh shishya hai tero, karat nihoro, mo par hero prandhaari I Jai Sadguru.....bhari II Index S.No. Subject Page No. 1. The History of Lord Shri Ram 1 2. Desertion of Sita 6 3. Varna (Caste) 17 4. Shambook 36 5. Worship of Goddess Saraswati 49 6. Why God Has No Beards? 58 7. Vishwakarma Pooja 62 8. Idol Worship - Valid or Invalid 79 9. Dhyan 92 10. Hath, Chakra-Bhedan and Yog 114 11. Analysis of Dravid & Arya in the Light of Ram-Katha 142 12. The Historical Value of Mahabharata 161 13. -
ITIHASAS ‘IT HAPPENED THUS’ the Two Great Epics of India
ITIHASAS ‘IT HAPPENED THUS’ The two great epics of India RAMAYANA THE ADI KAVYA The significance of the Ramayana The Ramayana is the first of the two great Itihasas of India. It was written by sage Valmiki. It consisted of 24,000 verses. It is considered by some as mythology. But to millions of Indians, it is history and offers a guide to right living. The Ramayana is considered by all Hindus as an embodiment of the Vedas, and that Lord Vishnu himself came upon earth to show people how life is to be lived. The greatness of Dharma shines in the life of Rama. The story of Rama On the banks of the Sarayu river, stood the beautiful city of Ayodhya, the capital of the kingdom of Kosala. The people of Ayodhya were peace loving and happy. No one was ignorant or poor. Everyone had faith in God and read the scriptures daily. But Dasaratha, the king, was unhappy. He was getting old and he didn’t have a son to inherit his throne. One day the king called upon his Chief advisor, Vasishtha. He said. "I am growing old. I long for a son, a son who will take my place on the throne."The priest knew all too well that his king needed to have a son. He replied, "Dasaratha, you will have sons. I shall perform a sacred rite to please the gods." At the same moment, the gods were growing more and angrier with Ravana, the ruler of the rakshasas, or demons. Ravana was no ordinary demon. -
Component-I (A) – Personal Details
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. V. Venkata Ramana Reddy Director, O.R.I., S. V.University, Tirupati. Prof. V. Venkata Ramana Reddy Director, O.R.I., S. V.University, Tirupati. Prof. V. Kannan University of Hyderabad, Hyderabad. 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Vedic, Epic and Puranic culture of India Module Name/Title Important Characters in Ramayana Module Id I C / VEPC / 19 Pre requisites Knowledge in later Vedic literature and importance of Ramayana To know about Significance of Ramayana Objectives Characters, major characters of Ramayana, Unique bonding between some characters, Ramayana characters in Mahabharata Keywords Ramayana / epic E-text (Quadrant-I): 1. INTRODUCTION: CHARACTERS IN RAMAYANA The Ramayana is one of the greatest epics of Hindu Mythology. Written by the sage Valmiki. The Ramayana is not just a story, but also an perfect medium for educating ones life. This has been an educational medium utilized by the ancient sages to impart the values of doing ones dharma (duty) and maintain relationships. The Ramayana has many varieties of characters who set as example how to lead life and how one should not. These characters are templates of roles a human play in life as an ideal father, ideal son, ideal brother, ideal leader, ideal wife, etc. The Ramayana is just not a fictional story, but depicts the importance of values such as how to lead a family life, up keeping the promises, protecting the weak etc. The great epic Ramayana preach a lot of values that we would want our next generation to inculcate. -
S.No File No Organisation Address Unique ID Project 1 KA(G)(D)
Karnataka Production Grant for the Group Dance S.no file no organisation Address unique ID project Deficiency Sri. Channeshwara Behind Ganesh Temple, Ka/2013/0077243 The power of baruwahana 1 KA(G)(D)1 Havyasi kalavidara Shekharappa Badavane, Sangha Davangere Nilaya Nritya Kendra 125,athreya nalanda convent Ka/2012/004773 Vachna vaibhvam nritya 2 KA(G)(D)2 road raghavendra nagar tumkur roopka Vishweshwaraiah Rural Upparapalli Village and Post Ka/2014/0074597 Janapada mela 3 KA(G)(D)3 Urban Development Trust Ronuru (H), Srinivasapur (TQ) Kolar (Dist) karnataka 4 KA(G)(D)4 Nataraja natya kala Panchalingeshwara,shagale Ka/2008/0047243 Babruwahana Valour Taranginimandali Arts Foundation 42, Sirur Park Road, 4th Cross, ka/2011/0042467 veena vaibhvam 5 KA(G)(D)5 Malleshwaram, Bangalore 6 KA(G)(D)6 Rajarajesh kala niketan 85/11,1st cross,1st main,G.d Ka/2011/0044379 Ganga gowri vilasam park extn vyali kaval 7 KA(G)(D)7 Sri Vidya Foundation for No. 482, Burugalmutt Road, VV na Manu Indian Performing Arts, Puram, Bangalore-4, India Natyanjali Nrutya kala Mahaganpati Krupa, 6th Cross, ka/2010/0031614 Sampurna mahabharta 8 KA(G)(D)8 Kendra Pragati Nagar, Sirsi (N.K), karnataka 9 KA(G)(D)9 Jagadambha D.No. 208/03, Shekharappa Ka/2010/0022362 Drowpadi's ashwathama Samskruthika Mandali (R Badavane, Avaragere Nrityanjali school of no-945 jyothi,10 main,6th ka/2012/0053910 prema prana prahara 10 KA(G)(D)10 bharatnatyam cross,bsk 1st stage,2nd block,bengaluru Sanjali Centre for Odissi A-401, Mantri Elegance, KA/2012/0051137 Sookshma 11 KA(G)(D)11 Dance -
Ramacarite Hanumati Sriramadayadanam
SRIMAN Mahabharatha Thathparya Nirnaya Of Srimad Ananda Theertha (Part I, Adhyayas I to IX) with English translation of the original text and notes from the unpublished commentary of Sri Vadiraja Swami Thereon By B.GURURAJAH RAO, B.A., B.L., Retired Sub-Judge (Madras Judicial Service), Author of the Ancient Hindu Judicature,etc. Note: Transcribed to Pdf document by Harshala Rajesh. This book was made available by Digital Library of India as part of Million books project in .tiff image format Transliterated Roman Scripts of the Original Shlokas from AHDS London (thanks to Sri Desiraju Hanumantha Rao for providing the same and Sri Srisha Rao et al for Transliterated Roman Scripts) hanUmati shrIrAmadayAdAnam atha ashhTamo.adhyAyaH ADHYAYA VIII CHAPTER VIII OM || shrutvA hanUmaduditaM kR^itamasya sarvaM prItaH prayANamabhirochayate sa rAmaH | Aruhya vAyusutamaN^gadagena yuktaH saumitriNA saravijaH saha senayA.agAt || 8.1 1.Having heard from Hanuman everything said and done by him, Rama pleased (thereby) wished to start (to Lanka). Riding on Hanuman (himself) and accompanied by Lakshmana riding on Angada, and by Sugreeva he proceeded with the army. samprApya daxiNamapAnnidhimatra devaH shishye jagadgurutamo.apyavichintyashaktiH | agre hi mArdavamanuprathayan sa dharmaM panthAnamarthitumapAmpatitaH pratItaH || 8.2 2.After reaching the southern ocean, the Lord, though the most renowned world-teacher and of inconceivable prowess, lay there to beg of the ocean to give way, showing thereby the righteousness of gentle methods at first. tatrA.a.ajagAma sa vibhIshhaNanAmadheyo raxaHpateravarajo.apyatha rAvaNena | bhakto.adhikaM raghupatAviti dharmanishhThastyakto jagAma sharaNaM cha raghUttamaM tam || 8.3 3.Then there came one named Vibheeshana , who though the younger brother of the Rakshasa king, was greatly devoted to Rama, and who had been abandoned by Ravana on account of his steadfast righteousness, and had sought refuge from Rama. -
An Intermedial Reading of Paley's Sita Sings the Blues
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 13 (2011) Issue 3 Article 12 An Intermedial Reading of Paley's Sita Sings the Blues Ipshita Chanda Jadavpur University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Chanda, Ipshita. "An Intermedial Reading of Paley's Sita Sings the Blues." CLCWeb: Comparative Literature and Culture 13.3 (2011): <https://doi.org/10.7771/1481-4374.1798> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Select Stories from Puranas
SELECT STORIES FROM PURANAS Compiled, Composed and Interpreted by V.D.N.Rao Former General Manager of India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India 1 SELECT STORIES FROM PURANAS Contents Page Preface 3 Some Basic Facts common to Puranas 3 Stories related to Manus and Vamshas 5 (Priya Vrata, Varudhini & Pravaraakhya, Swarochisha, Uttama, Tamasa, Raivata, Chakshusa, and Vaiwasvata) The Story of Surya Deva and his progeny 7 Future Manus (Savarnis, Rouchya and Bhoutya) 8 Dhruva the immortal; Kings Vena and Pruthu 9 Current Manu Vaiwasvata and Surya Vamsha 10 (Puranjaya, Yuvanashwa, Purukutsa, Muchukunda, Trishanku, Harischandra, Chyavana Muni and Sukanya, Nabhaga, Pradyumna and Ila Devi) Other famed Kings of Surya Vamsha 14 Origin of Chandra, wedding, Shaapa, re-emergence and his Vamsha (Budha, Pururava, Jahnu, Nahusha, Yayati and Kartaveeryarjuna) 15 Parashurama and his encounter with Ganesha 17 Matsya, Kurma, Varaha, Nrisimha, Vamana and Parashurama Avataras 18 Quick retrospective of Ramayana (Birth of Rama, Aranya Vaasa, Ravana Samhara, Rama Rajya, Sita Viyoga, Lava Kusha and Sita-Rama Nidhana) 21 Maha Bharata in brief (Veda Vyasa, Ganga, Bhishma& Pandava-Kauravas & 43 Quick proceedings of Maha Bharata Battle Some doubts in connection with Maha Bharata 50 Episodes related to Shiva and Parvati (Links of Sandhya Devi, Arundhati, Sati and Parvati; Daksha Yagna, Parvati’s wedding, and bitrh of Skanda) 52 Glories of Maha Deva, incarnations, Origin of Shiva Linga, Dwadasha Lingas, Pancha -
Hanuman Grieves for Sita
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Sundara Kanda – Chapter 16 Hanuman Grieves for Sita Summary Hanuma is grief stricken seeing the plight of Seetha, in that garden being surrounded by ogresses (a female giant that feeds on human beings). He becomes firm in mind that she is indeed Seetha, based on her auspicious bodily marks. Chapter [Sarga] 16 in Detail prashasya tu prashastavyaam siitaam taam hari pumgavah | guna abhiraamam raamam ca punah cintaa paro abhavat || 5-16-1 The best among Vanaras praising that Seetha who is fit to be praised, and also praising Sri Rama pleasing with His virtues, became immersed in thought again. sa muhuurtam iva dhyaatvaa baaspa paryaakuleksanah | siitaam aashritya tejasvii hanumaan vilalaapa ha || 5-16-2 That Hanuma the radiant one thinking for a moment, cried about Seetha and became with eyes tormented with tears. maanyaa guru viniitasya laksmanasya guru priyaa | yadi siitaa api duhkha aartaa kaalo hi duratikramah || 5-16-3 “Respectable to Lakshmana, instructed by teachers, Seetha is also dear to teachers; if She is stricken with grief, destiny is indeed difficult to withstand.” raamasya vyavasaayajnaa laksmanasya ca dhiimatah | na atyartham ksubhyate devii gangaa iva jalada aagame || 5-16-4 “Knowing the effort of Sri Rama and of sagacious Lakshmana, Seetha is not worried a lot, like Ganga in the rainy season.” Page 1 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Sundara Kanda – Chapter 16 tulya shiila vayo vrittaam tulya abhijana laksanaam | raaghavo arhati vaidehiim tam ca iyam asita iiksanaa || 5-16-5 “Sri Rama is suited to Seetha with Her well matched character, age and conduct; with well matched pedigree and characteristics this black-eyed Seetha is also suited to Him.” taam dristvaa nava hema aabhaam loka kaantaam iva shriyam | jagaama manasaa raamam vacanam ca idam abraviit || 5-16-6 Seeing that Seetha with the radiance of new gold, like the goddess Lakshmi, delightful to the world, Hanuma went by heart to Sri Rama spoke these words also. -
Valmiki Ramayana – Yuddha Kanda – Chapter 73 CHAPTER 73
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Yuddha Kanda – Chapter 73 CHAPTER 73 Indrajit Shoots a Brahmastra at Rama and Lakshmana Those rakshasas who survived hastily reported to Ravana that Devantaka, Trishira, Atikaya and others had been killed. Hearing this sudden message of death, the king’s eyes filled with tears. Thinking about the death of his sons and the horrible slaughter of his brothers, the king became very contemplative. When Indrajit saw how his father was miserable and drowning in an ocean of grief, he spoke the following words: “O lord of the rakshasas, you should not despair while Indrajit is alive! Indeed, no one is able to survive when struck by my arrows in combat. Today see Rama and Lakshmana lying dead on the ground, Their bodies pierced, scattered and completely covered by my arrows! Hear my vow strengthened by great determination, manliness and destiny: I shall this very day overcome Rama and Lakshmana with my arrows which are always effective! Today Indra, Yamaraja, Vishnu, Rudra, the saadhyas, Agni, Chandra and Surya will witness my immeasurable prowess as they did the formidable prowess of Vishnu in the sacrificial arena of Maharaja Bali!” After saying this and taking leave of Ravana, the enemy of Indra, Indrajit mounted the chariot which was as swift as the wind, drawn by asses and equipped with weapons. Sitting down in the chariot, the glorious Indrajit, the crusher of enemies, suddenly departed for the battlefield. Extremely excited, many powerful rakshasas carrying excellent bows followed the great prince. Some rakshasas rode on elephants, some on fine steeds, tigers, scorpions, cats, asses, camels, snakes, boars, lions, jackals as big as hills, crows, swans and peacocks. -
PRATHIBHA 2019 QUIZ Note: 1. the Below List Contains the Model
Shri PRATHIBHA 2019 QUIZ Note: 1. The below list contains the model questions. The questions in the first round will be from this list however they will not be limited to it with respect to how the questions are formed and also different/additional questions from Yuddha Kanda may be asked. 2. The final round will be based on general mythology. Sl Questions of Yudha Kanda Answer No 1. Name the 3 people whom Rama believed to be able to Garuda, Vayu and Hanuman cross the ocean. 2. Who says that without building a bridge to Lanka , Sugreeva Ravana cannot be defeated even by Indra? 3. What was the number of entrance gates that Lanka had 4 as per Hanuman? 4. How many levels of protection did Lanka have? 4 5. What were the 4 levels of defence in Lanka? Water(ocean), mountain,forest and artificial fortifications 6. Who guarded the left side of the monkey army enroute to Gandhamadana Lanka? 7. Name Kubera's elephant. Sarvabhauma 8. On who's shoulders did Lakshmana march towards Angada Lanka? 9. Name the vanaras guarding the middle part of the army Jambavan ,Sushena and enroute to Lanka Vegadarshi 10. Who was the chief of the Vanara army? Nila 11. Who defeated the serpents of Bhogavathi? Ravana 12. Who is the daughter of Maya? Mandodari Shri PRATHIBHA 2019 QUIZ 13. Who killed Shambara? Indra 14. Who is the father of Nikumbha? Kumbakarna 15. To whom did Rama return the Pushpaka Vimana? Kubera 16. Who had constructed the assembly hall of Ravana? Viswakarma 17.