Photo Archives and the Photographic Memory of Art History
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Edmund De Waal's Unfinished Business
Intelligent Life January/February 2012 GAGOSIAN GALLERY Edmund de Waal’s Unfinished Business "The Hare with Amber Eyes" has become an international phenomenon. Fiammetta Rocco follows the author to Vienna and finds the saga continuing ... Fiammetta Rocco Picture: Edmund de Waal at his studio in south London, photographed by Jonathan Root They were well into the wine before they started telling stories. All day long the delegates at the 2005 Harvard conference on 20th-century studio ceramics had been listening to presentations on the Mingei movement in Japan, debating the role of folk art and the importance of Bernard Leach, a British potter who settled in Japan and became very influential. But as the main course was cleared away, those sitting at a table to one side of the room became captivated by a tale being recounted by another British potter, Edmund de Waal. It was about the Japanese netsuke his family had bought in the 1870s. Within half a century, they were one of the richest in Vienna, with a grand house on the Ringstrasse. At the Anschluss in 1938 the netsuke disappeared; stolen, the family thought. It was only after the war that they discovered they’d been hidden from the Nazis by a faithful servant, Anna. “This would make such a great book,” said Michael Goldfarb, a New York collector and one of those listening. “Edmund, you’ve got to stop talking and start writing. This is the book you were born to write.” Published in June 2010, “The Hare with Amber Eyes” has become the most successful family memoir of the decade. -
Designing Multivocal Museums Designing Multivocal Museums Intercultural Practices at Museo Designing Diocesano, Milano
Books designing multivocal museums designing multivocal museums intercultural practices at museo designing diocesano, milano This book presents the process of designing multivocal of a museum experience, included in MeLa Project’s research, and accomplished at the Museo Diocesano di Milano. museums The museum experience put together many relevant issues for the renewal of museum Intercultural Practices at Museo interpretation, using a design discourse to Diocesano, Milano explore the combination of technological tools and multi-vocal content to enable diverse dynamics of cultural representation. edited by The volume maps the entire process of a Rita Capurro and Eleonora Lupo cross-disciplinary research to develop possible scenarios that can be translated not only as test verification of the theoretical investigations but Lupo edited by Rita Capurro and Eleonora also into the production of various experimental exhibition designs. With contributions by: Rita Capurro, Sara Chie- sa, Luca Greci, Eleonora Lupo, Ece Özdil, Davide Spallazzo, Raffaella Trocchianesi. editors Rita Capurro, Art Historian, Ph.D., Inde- pendent Researcher Eleonora Lupo, Ph.D., Associate Professor at School of Design, Politecnico di Milano. cover image — Test with users at Museo Diocesano, Milan, Raffaella Trocchianesi, 2014. Books MeLa–European Museums in an age of migrations 12 isbn978-88-941674-0-5 Designing Multivocal Museums: Intercultural Practices at Museo Diocesano, Milano Books Designing Multivocal Museums Intercultural Practices at Museo Diocesano, Milano edited by Rita Capurro and Eleonora Lupo Books 4 — designing multivocal museums: intercultural practices at museo diocesano, milano mela book 12 – designing multivocal museums intercultural practices at museo diocesano, milano. Published by Politecnico di Milano, Department of Design © January 2016, The Authors This work is provided on line as open access document under the terms of Creative Com- mons Attribution-NonCommercial-NoDerivatives 4.0 International. -
Baedeker's Handbook(S) for Travellers
Baedeker's handbook(s) for Travellers Baedeker's handbook(s) for Travellers A bibliography of English editions published prior to World War 11 Greenwood Press Westport. Connecticut •London. England Library of Congress Cataloging in Publication Data Main entry under title: Baedeker's handbook(s) for travellers. 1. Baedeker, Karl, firm--Bibliography. 2. Voyages and travels--Guide-books--Bibliography. I. Baedeker, Karl, firm. Z6016.T7B43 [G150] 016.910'2'02 75-12928 ISBN 0-8371-8209-3 Copyright ©by Williamhouse-Regency, Inc. 1975 All rights reserved. No portion of this book may be reproduced by any process or technique without expressed written consent of the publisher. Library of Congress catalog card number 75-12928 ISBN 0-8371-8209-3 First published in 1975 Second printing 1976 Greenwood Press, Inc., 51 Riverside Avenue, Westport, Connecticut 06880 Manufactured in the United States of America Preface Libraries have long recognized the value of maintaining col- lections of rare and out-of-print guidebooks. Not only are they of considerable value to geographers, anthropologists, and historians, but they are now also being used by demog- raphers and economists, and students of folk culture. The Baedeker Handbook(s) for Travellers series began pub- lication in 1828 and has been used by generations of Euro- pean and American travelers. A Baedeker Handbook usually contains elaborate information on buildings, streets, and communities. Many of these have changed beyond recogni- tion or have been destroyed entirely. Considerable attention is also given to regional and local dress, as well as customs, traditions, and holidays. The following bibliography describes the English-language guides published by Baedeker prior to World War II. -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
Nietzsche, Debussy, and the Shadow of Wagner
NIETZSCHE, DEBUSSY, AND THE SHADOW OF WAGNER A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Tekla B. Babyak May 2014 ©2014 Tekla B. Babyak ii ABSTRACT NIETZSCHE, DEBUSSY, AND THE SHADOW OF WAGNER Tekla B. Babyak, Ph.D. Cornell University 2014 Debussy was an ardent nationalist who sought to purge all German (especially Wagnerian) stylistic features from his music. He claimed that he wanted his music to express his French identity. Much of his music, however, is saturated with markers of exoticism. My dissertation explores the relationship between his interest in musical exoticism and his anti-Wagnerian nationalism. I argue that he used exotic markers as a nationalistic reaction against Wagner. He perceived these markers as symbols of French identity. By the time that he started writing exotic music, in the 1890’s, exoticism was a deeply entrenched tradition in French musical culture. Many 19th-century French composers, including Felicien David, Bizet, Massenet, and Saint-Saëns, founded this tradition of musical exoticism and established a lexicon of exotic markers, such as modality, static harmonies, descending chromatic lines and pentatonicism. Through incorporating these markers into his musical style, Debussy gives his music a French nationalistic stamp. I argue that the German philosopher Nietzsche shaped Debussy’s nationalistic attitude toward musical exoticism. In 1888, Nietzsche asserted that Bizet’s musical exoticism was an effective antidote to Wagner. Nietzsche wrote that music should be “Mediterranized,” a dictum that became extremely famous in fin-de-siècle France. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Musei Dimilano
iMusei di Milano Museums of Milan Musées de Milan Museos de Milán Milano è una città che sorprende per la ricchezza Musei Musei civici dell’offerta culturale. Museums Civic Museums Musées Musées municipaux Una ricchezza capace di incontrare e soddisfare Museos Museos cívicos le esigenze di chiunque ami la cultura, l’arte e la bellezza. 美術館 市民美術館 La guida che avete tra le mani, realizzata in più lingue, vuole essere una bussola per orientare tutti quelli che vorranno “perdersi” nelle sale dei tanti musei cittadini che Case Museo Case Museo civiche permettono di spaziare attraverso l’archeologia, l’arte, House Museums Public House Museums la multiculturalità, la fotografia, il cinema, la storia, Bâtiments Musée Bâtiments Musée Civiques la scienza, la tecnica, la moda e il design. Casas Museo Casas Cívicas Museo Un sistema, quello dei musei milanesi, costituito da un ハウスミュージアム 市立 ハウスミュージアム insieme estremamente diversificato di luoghi e siti di grande valore artistico e storico. Si tratta di musei civici e spazi gestiti dall'Amministrazione Spazi espositivi Spazi espositivi civici Exhibition venues Civic exhibition venues comunale, oppure da Enti publici, Fondazioni e soggetti Espaces d’exposition Espaces d’exposition municipaux privati che insieme costituiscono un’offerta culturale Espacios expositivos Espacios expositivos cívicos ampia e articolata. 展示 スペース 市民展示 スペース Un patrimonio comune che vuole essere sempre più diffuso ed accessibile. 1 Ubicazione in piantina / Position on plan / Emplacement sur le plan / Ubicación en el plano / Parziale ingresso disabili / Partial entrance for physically disabled / Milan is a city that surprises for the wealth of its cultural Entrée partielle pour handicapés / Ingreso parcial para minusválidos / offer. -
Gagosian Gallery
The New York Times November 12, 2019 GAGOSIAN ‘The Hare With Amber Eyes’ Comes Home An exhibition in Vienna puts the figurine at the center of Edmund De Waal’s 2010 memoir on show, and tells the story of a family forced from their home by prejudice. Palko Karasz “The Hare With Amber Eyes,” a Japanese netsuke carving, was a central figure in Edmund De Waal’s 2010 memoir of the same name.© Jewish Museum Vienna Last Monday in the imposing Ephrussi Palace, Edmund de Waal presided over a family reunion. For the first time since World War II, 41 relatives from around Europe, the United States and Mexico toured the neo-Renaissance building that had been home to the Ephrussi family, European Jews whose wealth once rivaled that of the Rothschilds. “Itʼs not just a nice family gathering — itʼs a political act,” said Mr. de Waal in an interview the next day. Mr. De Waal, a British ceramic artist and best-selling author, is the great-grandson of Viktor von Ephrussi, who thrived in Vienna as a banker before fleeing the city after Hitler’s 1938 incorporation of Austria into the Third Reich. On Tuesday, the country’s president, Alexander Van der Bellen, welcomed the family to an exhibition opening nearby that tells their story. “The Ephrussis: Travel in Time,” at the Jewish Museum Vienna through March 8, presents the family’s history through documents, photographs and souvenirs that Mr. de Waal donated to the museum last year. But the stars of the show are 157 netsuke (pronounced NET-ske), tiny Japanese carvings in wood and ivory, made famous by Mr. -
Aesthetics in Ruins: Parisian Writing, Photography and Art, 1851-1892
Aesthetics in Ruins: Parisian Writing, Photography and Art, 1851-1892 Ioana Alexandra Tranca Faculty of Modern and Medieval Languages University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy Trinity College March 2017 I would like to dedicate this thesis to my parents, Mihaela and Alexandru Declaration I hereby declare that this dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. This dissertation does not exceed the prescribed word limit of 80000, excluding bibliography. Alexandra Tranca March 2017 Acknowledgements My heartfelt gratitude goes to my Supervisor, Dr Nicholas White, for his continued advice and support throughout my academic journey, for guiding and helping me find my way in this project. I also wish to thank Dr Jean Khalfa for his insights and sound advice, as well as Prof. Alison Finch, Prof. Robert Lethbridge, Dr Jann Matlock, and Prof. -
Der Österreichische Neoabsolutismus Als Verfassungs- Und Verwaltungsproblem. Diskussionen Über Einen Strittigen Epochenbegriff
VERÖFFENTLICHUNGEN DER KOMMISSION FÜR NEUERE GESCHICHTE ÖSTERREICHS Band 108 Kommission für Neuere Geschichte Österreichs Vorsitzende: Univ.-Prof. Dr. Brigitte Mazohl Stellvertretender Vorsitzender: Univ.-Prof. Dr. Reinhard Stauber Mitglieder: Dr. Franz Adlgasser Univ.-Prof. Dr. Peter Becker Univ.-Prof. i. R. Dr. Ernst Bruckmüller Univ.-Prof. Dr. Laurence Cole Univ.-Prof. Dr. Margret Friedrich Univ.-Prof. Dr. Elisabeth Garms-Cornides Univ.-Prof. Dr. Michael Gehler Univ.-Doz. Mag. Dr. Andreas Gottsmann Univ.-Prof. Dr. Margarete Grandner em. Univ.-Prof. Dr. Hanns Haas Univ.-Prof. i. R. Dr. Wolfgang Häusler Univ.-Prof. i. R. Dr. Ernst Hanisch Univ.-Prof. Dr. Gabriele Haug-Moritz Dr. Michael Hochedlinger Univ.-Prof. Dr. Lothar Höbelt Mag. Thomas Just Univ.-Prof. i. R. Dr. Grete Klingenstein em. Univ.-Prof. Dr. Alfred Kohler Univ.-Prof. Dr. Christopher Laferl Gen. Dir. Univ.-Doz. Dr. Wolfgang Maderthaner Dr. Stefan Malfèr Gen. Dir. i. R. H.-Prof. Dr. Lorenz Mikoletzky Dr. Gernot Obersteiner Dr. Hans Petschar em. Univ.-Prof. Dr. Helmut Rumpler em. Univ.-Prof. Dr. Gerald Stourzh Univ.-Prof. Dr. Arno Strohmeyer Univ.-Prof. i. R. Dr. Arnold Suppan Univ.-Doz. Dr. Werner Telesko Univ.-Prof. Dr. Thomas Winkelbauer Sekretärin: Mag. Dr. Karin Schneider Der österreichische Neoabsolutismus als Verfassungs- und Verwaltungsproblem Diskussionen über einen strittigen Epochenbegriff Herausgegeben von Harm-Hinrich Brandt 2014 BÖHLAU VERLAG WIEN · KÖLN · WEIMAR Die in den Veröffentlichungen der Kommission für Neuere Geschichte Österreichs gemachten Aussagen sind die der jeweiligen Verfasser, nicht die der Kommission. Veröffentlicht mit Unterstützung des Austrian Science Fund ( FWF ): PUB 158-V21 Bibliografische Information der Deutschen Nationalbibliothek : Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National- bibliografie ; detaillierte bibliografische Daten sind im Internet über http ://dnb.d-nb.de abrufbar. -
The History of Painting in Italy, Vol. V
The History Of Painting In Italy, Vol. V By Luigi Antonio Lanzi HISTORY OF PAINTING IN UPPER ITALY. BOOK III. BOLOGNESE SCHOOL. During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its influence tended to the perfection of some branch of painting, which by preceding artists had been less studied, or less understood. Towards the close of the sixteenth century, indeed, there seemed not to be left in nature, any kind of beauty, in its outward forms or aspect, that had not been admired and represented by some great master; insomuch that the artist, however ambitious, was compelled, as an imitator of nature, to become, likewise, an imitator of the best masters; while the discovery of new styles depended upon a more or less skilful combination of the old. Thus the sole career that remained open for the display of human genius was that of imitation; as it appeared impossible to design figures more masterly than those of Bonarruoti or Da Vinci, to express them with more grace than Raffaello, with more animated colours than those of Titian, with more lively motions than those of Tintoretto, or to give them a richer drapery and ornaments than Paul Veronese; to present them to the eye at every degree of distance, and in perspective, with more art, more fulness, and more enchanting power than fell to the genius of Coreggio. Accordingly the path of imitation was at that time pursued by every school, though with very little method. -
Přírůstky Knihovny ÚDUK-AUK Za Únor 2017
Přírůstky knihovny ÚDUK-AUK za únor 2017 U n i v e r s i t i k a : Aragon, Louis, 1897-1982 O teorii a praxi v literatuře : projev Louise Aragona při udělení čestného doktorátu University Karlovy dne 6. září 1962 / Projev Louise Aragona ; [editor] P. Levit Praha, 1963. nestr. sg.: 15G81 Bericht des Präsidenten 3. (1984-1988) Passau, 1988. 92 s. sg.: Ev/Ne/Pasov/1 Catalogi librorum vetustissimi Universitatis Pragensis = Die ältesten Bücherkataloge der Prager Universität / ediderunt Zuzana Silagiová, František Šmahel. Turnhout, 2015.. lxxv, 290 pages sg.: 15D119 Die feierliche Inauguration des Rectors der k.k. Franz-Josefs-Universität in Czernowitz für das Studienjahr 1893/94 am 4. October 1893 Czernowitz, 1894. 41 s. sg.: Ev/Ukrajina/Černov./1 Ermini, Giuseppe Storia dell' Universita di Perugia / Giuseppe Ermini Firenza, 1971. 2 sv. sg.: Ev/It/Perugia/2-1 Universität ohne Zukunft? Herausgegeben von Dorothee Kimmich und Alexander Thumfart Frankfurt am Main, 2004. 270 s. sg.: 17B6 Zwischenberger, Anton 250 Vetmeduni Vienna : 1768-2015 Verantwortung für Tier une Mensch / Autoren : Anton Zwischenberger und Matthias Georgi, Mitarbeit Heiko Schmidt München, 2015. 120 s. sg.: Ev/Ra/Vídeň/56 P e r i o d i k a : Acta Fakulty filozofické Západočeské univerzity v Plzni Plzeň, 2006-. Roč. 8 (2016), č. 2 sg.: 65F2/2016/2 Administrační zpráva hlavního města Prahy za léta 1908, 1909 a 1910. Díl I. Praha, 1919. 124 s. sg.: 77E2/1908-10 I. Administrační zpráva hlavního města Prahy za rok 1911 Praha, 1919. 456 s. sg.: 77E1/1911 Agrikultúra : zborník Poĺnohospodárskeho múzea v Nitre V Bratislave, 1962-1991.