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Further Reading, Listening, and Viewing
The Music of Central Asia: Further Reading, Listening, and Viewing The editors welcome additions, updates, and corrections to this compilation of resources on Central Asian Music. Please submit bibliographic/discographic information, following the format for the relevant section below, to: [email protected]. Titles in languages other than English, French, and German should be translated into English. Titles in languages written in a non-Roman script should be transliterated using the American Library Association-Library of Congress Romanization Tables: Transliteration Schemes for Non-Roman Scripts, available at: http://www.loc.gov/catdir/cpso/roman.html Print Materials and Websites 1. Anthropology of Central Asia 2. Central Asian History 3. Music in Central Asia (General) 4. Musical Instruments 5. Music, Sound, and Spirituality 6. Oral Tradition and Epics of Central Asia 7. Contemporary Music: Pop, Tradition-Based, Avant-Garde, and Hybrid Styles 8. Musical Diaspora Communities 9. Women in Central Asian Music 10. Music of Nomadic and Historically Nomadic People (a) General (b) Karakalpak (c) Kazakh (d) Kyrgyz (e) Turkmen 11. Music in Sedentary Cultures of Central Asia (a) Afghanistan (b) Azerbaijan (c) Badakhshan (d) Bukhara (e) Tajik and Uzbek Maqom and Art Song (f) Uzbekistan (g) Tajikistan (h) Uyghur Muqam and Epic Traditions Audio and Video Recordings 1. General 2. Afghanistan 3. Azerbaijan 4. Badakhshan 5. Karakalpak 6. Kazakh 7. Kyrgyz 8. Tajik and Uzbek Maqom and Art Song 9. Tajikistan 10. Turkmenistan 11. Uyghur 12. Uzbekistan 13. Uzbek pop 1. Anthropology of Central Asia Eickelman, Dale F. The Middle East and Central Asia: An Anthropological Approach, 4th ed. Pearson, 2001. -
Dream'd in a Dream
#BAMNextWave #DMUSA Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Dream’d in Executive Producer a Dream BAM Harvey Theater Oct 7—10 at 7:30pm Running time: 70 minutes, no intermission Seán Curran Company and Ustatshakirt Plus Choreographed and directed by Seán Curran Lighting design by Robert Wierzel Costume design by Amanda Shafran Visual design by Mark Randall Season Sponsor: Support for Muslim Stories: Global to Local provided by the Building Bridges Program of the Doris Duke Foundation for Islamic Art. Leadership support for dance at BAM provided by Doris Duke Charitable Foundation and The Harkness Foundation for Dance. Major support for dance at BAM provided by The SHS Foundation. Dream’d in a Dream PERFORMED BY SEÁN CURRAN COMPANY Rebecca Arends, Dwayne Brown, Elizabeth Coker, Benjamin Freedman, David Gonsier, Michael Richman, Christina Robson, Shane Dennis Rutkowski, Jin Ju Song-Begin, Aaron R. White MUSIC PERFORMED BY USTATSHAKIRT PLUS ENSEMBLE Nurlanbek Nyshanov, Bek Alagushov, Aizada Kasabolotova, Makhabat Kobogonova, Adinai Kudabaeva and Tolgonai Osmonova ADDITIONAL PRODUCTION CREDITS Creative associate Richard Gammon Production manager/Lighting supervisor Joe Doran Producer Julia Glawe SEÁN CURRAN COMPANY Seán Curran Rebecca Arends Dwayne Brown Elizabeth Coker Benjamin Freedman David Gonsier Michael Richman Christina Robson Shane Dennis Jin Ju Aaron R. White Rutkowski Song-Begin Dream’d in a Dream I Dream’d in a Dream I dream’d in a dream I saw a city invincible to the attacks of the whole of the rest of the earth, I dream’d that was the new city of Friends, Nothing was greater there than the quality of robust love, it led the rest, It was seen every hour in the actions of the men of that city, And in all their looks and words. -
The Media and Reserve Library, Located on the Lower Level West Wing, Has Over 9,000 Videotapes, Dvds and Audiobooks Covering a Multitude of Subjects
Libraries MUSIC The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 24 Etudes by Chopin DVD-4790 Anna Netrebko: The Woman, The Voice DVD-4748 24 Hour Party People DVD-8359 Anne Sophie Mutter: The Mozart Piano Trios DVD-6864 25th Anniversary Rock and Roll Hall of Fame Concerts DVD-5528 Anne Sophie Mutter: The Mozart Violin Concertos DVD-6865 3 Penny Opera DVD-3329 Anne Sophie Mutter: The Mozart Violin Sonatas DVD-6861 3 Tenors DVD-6822 Art Blakey and the Jazz Messengers: Live in '58 DVD-1598 8 Mile DVD-1639 Art of Conducting: Legendary Conductors of a Golden DVD-7689 Era (PAL) Abduction from the Seraglio (Mei) DVD-1125 Art of Piano: Great Pianists of the 20th Century DVD-2364 Abduction from the Seraglio (Schafer) DVD-1187 Art of the Duo DVD-4240 DVD-1131 Astor Piazzolla: The Next Tango DVD-4471 Abstronic VHS-1350 Atlantic Records: The House that Ahmet Built DVD-3319 Afghan Star DVD-9194 Awake, My Soul: The Story of the Sacred Harp DVD-5189 African Culture: Drumming and Dance DVD-4266 Bach Performance on the Piano by Angela Hewitt DVD-8280 African Guitar DVD-0936 Bach: Violin Concertos DVD-8276 Aida (Domingo) DVD-0600 Badakhshan Ensemble: Song and Dance from the Pamir DVD-2271 Mountains Alim and Fargana Qasimov: Spiritual Music of DVD-2397 Ballad of Ramblin' Jack DVD-4401 Azerbaijan All on a Mardi Gras Day DVD-5447 Barbra Streisand: Television Specials (Discs 1-3) -
Epic of Manas - Wikipedia, the Free Encyclopedia 08/25/14 01:21 PM Epic of Manas from Wikipedia, the Free Encyclopedia
Epic of Manas - Wikipedia, the free encyclopedia 08/25/14 01:21 PM Epic of Manas From Wikipedia, the free encyclopedia The Epic of Manas (Kyrgyz: Манас дастаны, Turkish: Manas Destanı) is a traditional epic poem of the Kyrgyz people. The monumental epic Manas is the most treasured expression of the national heritage of the Kyrgyz people. Composed and sung entirely in oral form by various singers throughout the centuries, Manas is regarded as the epitome of oral creativity. It is considered to be one of the greatest examples of epic poetry, whose importance is not inferior to that of the Homeric epic. As nomads, the Kyrgyz had no written language. However, they excelled in oral composition, which they artistically employed in their traditional poetry and epic songs. As the internationally renowned Kyrgyz writer Chingiz Aitmatov notes: "If other peoples/nations displayed their past culture and history in written art, the sculpture, architecture, theatre and literature, Kyrgyz people expressed their worldview, pride and dignity, battles and their hope for the future in epic genre." Today there are about sixty versions of the epic Manas recorded from various epic singers and oral poets. Its longest version, consisting of half Manas monument in Bishkek. a million poetic lines, was written down from one of the last master- manaschï (singers of Manas) Saiakbai Karalaev (1894-1971). The epic is indeed unique in its size. It is twenty times longer than the Homeric epics Iliad (15693) and Odyssey (12110) taken together and two and a half times the length of the Indian epic Mahabharata. -
Siposjános Angol Karacsáj.Indd
János Sipos – Ufuk Tafkul KARACHAY-BALKAR FOLKSONGS János Sipos – Ufuk Tafkul KARACHAY-BALKAR FOLKSONGS Institute for Musicology of the Research Centre for the Humanities of the Hungarian Academy of Sciences – L’Harmattan Budapest, 2015 The fi eldwork lasting 10 years were supported by the Stein-Arnold Exploration Fund of the British Academy (2010), the Mellon Fellowship for Research in Turkey (2005, 2011) and the Hungarian Scientifi c Research Fund (OTKA K-42461, K-67997) The publication of the book was supported by the Hungarian Scientifi c Research Fund (OTKA PUB 113373) Photos made by: János Sipos and Ufuk Tavkul English translation by Judit Pokoly © János Sipos, 2015 © Institute for Musicology of the Research Centre for the Humanities, the Hungarian Academy of Sciences, 2015 © L’Harmattan, 2015 ISBN 978-963-414-083-2 L'Harmattan France 5-7 rue de l'Ecole Polytechnique 75005 Paris T.: 33.1.40.46.79.20 Email: [email protected] L'Harmattan Italia SRL Via Degli Artisti 15 10124 TORINO Tél : (39) 011 817 13 88 / (39) 348 39 89 198 Email: [email protected] L’Harmattan Hungary: L’Harmattan Könyvesbolt Párbeszéd Könyvesbolt 1053 Budapest, Kossuth L. u. 14–16. 1085 Budapest, Horánszky utca 20. Tel.: 267-5979 www.konyveslap.hu [email protected] www.harmattan.hu Editor in chief: Ádám Gyenes Design: Gábor Kardos, cover design: László Kára Printed and bound by Séd Nyomda, general director: Szilvia Katona CONTENTS PREFACE . 7 INTRODUCTION . 7 IN THE WAKE OF THE EASTERN CONNECTIONS OF HUNGARIAN FOLK MUSIC . 11 Report on my fi eldwork series in researching folk music . -
Stringendo Winter 2011–2012 1 Message from the President
TRINGENDO Winter 2011–2012 S Volume XXVIII No. 2 Inside this issue: 2 Message from the President 2 ASTA MD/DC Chapter Scholarship Fund 3 2012 Nomination Form for New Officers 4 2012 Nomination Form for Annual Awards 5 Memories of Private Teachers 7 Celebrating 40 Years of Music, Excellence, and Friendship by Marissa Murphy 8 Fiddle Day 2011 Notes 10 Kurt Sassmannshaus Workshop Report, September 10–11, 2011 by Mark Pfannschmidt 12 A Brief Cultural Introduction to the Folk Music of Kyrgyzstan, Uzbekistan, and Tajikistan by Jonathan McCollum 16 Keeping Your “Happy Family” Happy! by Dr. Jeffrey S. Howard 17 Blue Lake Fine Arts Camp, A Michigan Treasure by Jeffrey Schoyen 19 Teaching Bag of Tricks by Catherine Stewart 21 Battle Hymn of the Tiger Mother? How Other Cultures Inform My Teaching by Dorée Huneven 23 A Book Review: Battle Hymn of the Tiger Mother by Christin Li 24 Youth Orchestra Days Remembered by Paul Scimonelli 26 The Lighter Side Stringendo Winter 2011–2012 1 Message from the President t is time for nominations for the next President- Have you considered attending the ASTA National Elect and Secretary/Treasurer for our chapter. Conference in Atlanta, March 21–24, 2012? The IPlease consider these opportunities seriously. I ASTA conferences are terrific opportunities for can honestly say being in a leadership position in continued learning, networking, staying current, ASTA has been a pivotal experience in my life. I thinking outside the box, viewing new products, and highly recommend it, and am grateful to have been growing personally and professionally. I have gotten able to serve. -
Music in Poetry and Poetry in Music: Tumanian's Anush
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Music In Poetry And Poetry In Music: Tumanian's Anush Beata Asmik Navratil Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1068 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC IN POETRY AND POETRY IN MUSIC: TUMANIAN’S ANUSH By BEATA NAVRATIL A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2015 ©2015 BEATA NAVRATIL All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts James R. Cowdery Date Chair of Examining Committee Norman Carey Date Executive Officer Stephen Blum Zdravko Blažeković Tatjana Markovic Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC IN POETRY AND POETRY IN MUSIC: TUMANIAN’S ANUSH by Beata Navratil Advisor: Professor Stephen Blum The poem Anush by the Armenian poet Hovhannes Tumanian (1869–1923) is rooted in traditional Armenian music. Tumanian’s poem reflects a number of manifestations thereof: (1) It borrows in its style from Armenian lyrical songs (such as lalik and khagh), from the parerg style (the traditional dance-song), and from the voghb style (laments such as funeral laments, bayati, and tragic odes). -
Culture and Customs of the Central Asian Republics
Culture and Customs of the Central Asian Republics Rafis Abazov Greenwood Press CULTURE AND CUSTOMS OF THE CENTRAL ASIAN REPUBLICS The Central Asian Republics. Cartography by Bookcomp, Inc. Culture and Customs of the Central Asian Republics 4 RAFIS ABAZOV Culture and Customs of Asia Hanchao Lu, Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Abazov, Rafi s. Culture and customs of the Central Asian republics / Rafi s Abazov. p. cm. — (Culture and customs of Asia, ISSN 1097–0738) Includes bibliographical references and index. ISBN 0–313–33656–3 (alk. paper) 1. Asia, Central—History. 2. Asia, Central—Social life and customs. I. Title. DK859.5.A18 2007 958—dc22 2006029553 British Library Cataloguing in Publication Data is available. Copyright © 2007 by Rafi s Abazov All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2006029553 ISBN: 0–313–33656–3 ISSN: 1097–0738 First published in 2007 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 Contents Series Foreword vii Preface xi Acknowledgments xv Notes on Transliteration xvii Chronology xxi 1 Introduction: Land, People, and History 1 2 Thought and Religion 59 3 Folklore and Literature 79 4 Media and Cinema 105 5 Performing Arts 133 6 Visual Arts 163 7 Architecture 191 8 Gender, Courtship, and Marriage 213 9 Festivals, Fun, and Leisure 233 Glossary 257 Selected Bibliography 263 Index 279 Series Foreword Geographically, Asia encompasses the vast area from Suez, the Bosporus, and the Ural Mountains eastward to the Bering Sea and from this line southward to the Indonesian archipelago, an expanse that covers about 30 percent of our earth. -
Armenian Folk Songs and Dances in the Fresno and Los Angeles Areas Author(S): Donn Bor Cherdt Source: Western Folklore, Vol
Armenian Folk Songs and Dances in the Fresno and Los Angeles Areas Author(s): Donn Bor Cherdt Source: Western Folklore, Vol. 18, No. 1 (Jan., 1959), pp. 1-12 Published by: Western States Folklore Society Stable URL: http://www.jstor.org/stable/1496887 . Accessed: 10/09/2013 15:53 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Western States Folklore Society is collaborating with JSTOR to digitize, preserve and extend access to Western Folklore. http://www.jstor.org This content downloaded from 155.33.16.124 on Tue, 10 Sep 2013 15:53:12 PM All use subject to JSTOR Terms and Conditions ArmenianFolk Songs and Dancesin theFresno and Los AngelesAreas* DONN BORCHERDT OF SEVERAL HUNDRED THOUSAND ARMENIANS in America, about one thirdmake theirhome in California. The main concentrationsare in Fresno, Los Angeles, and San Francisco.1 The distribution of the people varies in each of these cities: Fresno, the center of one of the largest agricultural regions in Cali- fornia, is the most tightlyknit of the three, first,because it has the greatest concentration of Armenians, and second, because the people live closer to each other. While Los Angeles boasts a greater Armenian population, close examination shows a far greater acculturation to western customs and habits. -
Iran's Regional Policy in the South Caucasus: Case Studies of Relations with the Republics of Azerbaijan & Armenia
Durham E-Theses IRAN'S REGIONAL POLICY IN THE SOUTH CAUCASUS: CASE STUDIES OF RELATIONS WITH THE REPUBLICS OF AZERBAIJAN & ARMENIA KOUHI-ESFAHANI, MARZIEH How to cite: KOUHI-ESFAHANI, MARZIEH (2016) IRAN'S REGIONAL POLICY IN THE SOUTH CAUCASUS: CASE STUDIES OF RELATIONS WITH THE REPUBLICS OF AZERBAIJAN & ARMENIA, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11870/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 IRAN’S REGIONAL POLICY IN THE SOUTH CAUCASUS: CASE STUDIES OF RELATIONS WITH THE REPUBLICS OF AZERBAIJAN & ARMENIA A Thesis Submitted for the Degree of Doctor of Philosophy by: Marzieh Kouhi-Esfahani Durham University School of Government and International Affairs 2015 In the Name of God The Compassionate the Merciful This manuscript is dedicated to: My Husband Dr. H. Riahi whose love and unwavering support made this possible for me, and my daughters Yasaman and Nastaran, Who encouraged me and patiently walked along this path with me. -
Ustatshakirt Plus ������������������������� Sunday, October 4, 2015, 2:00 P.M
����������������� ���������������������� ����������������������� Ustatshakirt Plus ������������������������� Sunday, October 4, 2015, 2:00 p.m. ������������� Gartner Auditorium, the Cleveland Museum of Art ����������������������������������������������������� ������������������������������������������������������� Music Director Nurlanbek Nyshanov ������������������������������������������������������� ��������������������������������������������������������� �������������������������������������������������������� Musicians ��������������������������������������������������� Bek Alagushov komuz, jaw harp, choor, vocal ������������������������������������������������������ ����������������������������������������������������� Aizada Kasabolotova komuz, jaw harp, vocal Makhabat Kobogonova komuz, jaw harp ���������������� Adinai Kudabaeva komuz, jaw harp �������������������� ����������������������������������� Nurlanbek Nyshanov jaw harp, sybyzgy, choor, ������������������������ chopo choor �������������������������������������������� Tolgonai Osmonova jaw harp, sybyzgy, choor, �������������������������������� chopo choor �������������������� ������������������������������ Ustatshakirt Plus appears in collaboration with the Aga Khan ���������������������������������������������� Music Initiative, a program of the Aga Khan Trust for Culture. �������������������������������� Program “Spoiled Red-Haired Boy” R. Jumabaev Ensemble ������ ������������������������������������������������ ��������������������� “Echo of Time” K. Kalendarov ��������������������������������������������� -
Traditional Armenian Instrumental Music That Was Lacking Has Finally Arrived!
GERARD MADILIAN TRADITIONAL ARMENIAN INSTRUMENTAL MUSIC Jan. 2020 GERARD MADILIAN TRADITIONAL ARMENIAN INSTRUMENTAL MUSIC 1 2 FOREWORD Transmitted from generation to generation, and moving away from its rural origins to perpetuate itself in an urban context, Armenian traditional music has not lost its original strength. History has buried many secrets along the way, but we will try to gather together this heritage through the work of passionate musicologists. This work is neither a manual nor an encyclopedia, but instead presents a synthesis of knowledge acquired over time. It is dedicated to all those who wish to discover or better understand this unusual musical universe. Armenian words transcribed into English (phonetic of Eastern Armenian) will be indicated with a capital first letter and will remain in the singular. The author 3 4 PREFACE The long-awaited book on traditional Armenian instrumental music that was lacking has finally arrived! As my long-time friend Gerard Madilian wrote in his foreword: "History has buried many secrets along the way." It was thus urgent to share the fruits of this research with the general public, and that is why this work was deliberately written in French and translated into English, to make it widely available to as many people as possible. This book is a digest including the essential elements needed to form an opinion in this area. The specialized website www.armentrad.org was in fact selected by the author for this purpose of dissemination. I have shared the same passion with Gerard for many years, having myself practiced the Tar within the Sayat Nova ensemble, which was a traditional Armenian ensemble founded in Paris in 1965.