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Ethnomusicology Journal of the Society for Ethnomusicology Ethnomusicology Journal of the Society for Ethnomusicology Ten-Year Index Volumes 51–60 2007–2016 Editor: Ellen Koskoff Assistant Editor: Kimberly Hannon Teal and Gail Lowther Book Review Editor: Mark DeWitt Recording Review Editor: Maria Mendonça Film, Video, and Multimedia Editor: Frank Gunderson Editorial Board Kofi Agawu Stephen Blum Stefan Fiol Steven Friedson Ruth Hellier-Tinoco Michelle Kisliuk Jennifer Matsue Bode Omojola Timothy Taylor Jeremy Wallach Su Zheng CONTENTS From the Editor Editorial Board Members, Editors, SEM Office Coordinators and Program Specialists, 2006–2016 Articles 1 Index to Authors, Titles, Subjects of Articles, and Geographic Areas Book Reviews 16 Index to Authors and Titles of Books Reviewed and Reviewers of Books Recording Reviews 40 Index to Titles of Recordings Reviewed and Reviewers of Recordings Film, Video, and Multimedia Reviews 49 Index to Reviewers, Titles, and Producers/Directors of Film, Video, and Multimedia From the Editor This ten-year index of the journal, Ethnomusicology, covers volumes 51–60 (2007–16). I am grateful for the invaluable help I received in preparing this index from Gail Lowther, the incoming assistant editor, and Stephen Stuempfle, SEM’s Executive Director, both of whom appeared, like guardian angels, just in the nick of time. The index follows the format of the previous indices, with a few small changes: initial definite and indefinite articles (“The,” “A,” and “An,”) have been relocated according to the Chicago Manual of Style conventions to allow for consistent alphabetical listing; subjects, including geographic areas, have been listed under Articles only when more than two or three subjects were related. Book reviews are listed under title, author(s), and reviewer; recording reviews are listed under title, recording engineer, and/or collector (if known), and reviewer; and film and media reviews can be found under title, producer/director (if known), and reviewer. As always, it is my hope that this index will be of use to you in the years to come. Enjoy! Ellen Koskoff “From the Editor” artwork by Tomie Hahn Editorial Board Members, 2009– 2016 Travis A. Jackson 2009, Vol. 53 Timothy Rice 2009, Vol. 53 Ricardo D. Trimillos 2009, Vol. 53 Naila Ceribasic 2009– 2010, Vols. 53, 54 Beverley Diamond 2009– 2010, Vols. 53, 54 Viet Erlmann 2009– 2010, Vols. 53, 54 Stephen Blum 2009– 2011, Vols. 53, 54, 55 Michael Frishkopf 2009– 2011, Vols. 53, 54, 55 Helen Rees 2009– 2011, Vols. 53, 54, 55 Kofi Agawu 2010– 2012, Vols. 54, 55, 56 Samuel Araújo 2010– 2012, Vols. 54, 55, 56 Philip V. Bohlman 2010– 2012, Vols. 54, 55, 56 Ellen Koskoff 2010– 2012, Vols. 54, 55, 56 Louise Meintjes 2010– 2012, Vols. 54, 55, 56 Ingrid Monson 2011– 2013, Vols. 55, 56, 57 Bruno Nettl 2011– 2013, Vols. 55, 56, 57 Stephen Slawek 2011– 2013, Vols. 55, 56, 57 Tan Sooi Beng 2011– 2013, Vols. 55, 56, 57 Jocelyne Guilbault 2012– 2014, Vols. 56, 57, 58 Tomie Hahn 2012– 2014, Vols. 56, 57, 58 T. M. Scruggs 2012– 2014, Vols. 56, 57, 58 Amy Ku’uleialoha Stillman 2012– 2014, Vols. 56, 57, 58 Eric Charry 2013– 2016, Vols. 57, 58, 59, 60(1) Jacqueline Cogdell DjeDje 2013– 2016, Vols. 57, 58, 59, 60(1) Pirkko Moisala 2013– 2016, Vols. 57, 58, 59, 60(1) Henry Spiller 2013– 2016, Vols. 57, 58, 59, 60(1) Eliot Bates 2014– 2016, Vols. 58, 59, 60(1) Stephen Blum 2014– 2016, Vols. 58, 59, 60 Michelle Kisliuk 2014– 2016, Vols. 58, 59, 60 Su Zheng 2014– 2016, Vols. 58, 59, 60 Stefan Fiol 2015– 2016, Vols. 59, 60 Ruth Hellier-Tinoco 2015– 2016, Vols. 59, 60 Bode Omojola 2015– 2016, Vols. 59, 60 Jeremy Wallach 2015– 2016, Vols. 59, 60 Kofi Agawu 2016, Vol. 60 Jennifer Milioto Matsue 2016, Vol. 60 Timothy Taylor 2016, Vol. 60 Editors Timothy J. Cooley 2007– 2009, Vols. 51, 52, 53 J. Lawrence Witzleben 2010– 2013, Vols. 54, 55, 56, 57 Ellen Koskoff 2014– 2016, Vols. 58, 59, 60 Assistant Editors Gibb Schreffler 2007, Vol. 51(1– 2) Barbara L. Taylor 2007– 2009, Vols. 51, 52, 53 Cheryl A. Tobler 2010, Vol. 54 Paul Michael Covey 2011– 2013, Vols. 55, 56, 57 Kimberly Hannon Teal 2014– 2016, Vols. 58, 59, 60 Editorial Assistants Sonja Lynn Downing 2008, Vol. 52(1) Book Review Editors Frederick Moehn 2007– 2008, Vols. 51, 52, 53(1) John Morgan O’Connell 2009– 2011, Vols. 53(2–3), 54, 55 Donna A. Buchanan 2012– 2016, Vols. 56, 57, 58, 59, 60(1) Mark DeWitt 2016, Vol. 60(2–3) Recording Review Editors Paul Greene 2007– 2009, Vols. 51, 52, 53 Sean Williams 2010–2016, Vols. 54, 55, 56, 57, 58, 59, 60(1) Maria Mendonça 2016, Vol. 60(2–3) Film, Video, and Multimedia Review Editors Rebecca S. Miller 2007– 2009, Vols. 51, 52, 53 Frank Gunderson 2010– 2016, Vols. 54, 55, 56, 57, 58, 59, 60 SEM Newsletter Editors Henry Spiller 2006– 2011 Gordon Thompson 2012– 2016 SEM Executive Directors Alan Burdette 2007– 2008 Stephen Stuempfle 2008– 2016 SEM Office Coordinators Lyn Pittman 2007– 2011 Jennifer Studebaker 2012– 2015 SEM Program Specialists Jennifer Studebaker 2015– 2016 Marysol Quevedo 2016 For information on and access to other SEM publications, visit the SEM website (www.ethnomusicology.org) and select “Publications.” Authors, Titles, Subjects of Articles, and Geographic Areas A Armenia: popular music: 57(2):236– 60; see also ABE, MARIÉ, “Sounding Against Nuclear diaspora Power in Post-3.11 Japan: Resonances of “A r t o f Representing the Other, The: Industry Silence and Chindon-ya,” 60(2): 233– 62 Personnel in the World Music Industry,” “Acoustemology, Indigeneity, and Joik in by Aleysia K. Whitmore, 60(2): 329– 55 Valkeapää’s Symphonic Activism: Views Arctic region: 53(2):187– 217; 56(2):234– 65; see from Europe’s Arctic Fringes for Envi- also specific countries ronmental Ethnomusicology,” by Tina Asia: 56(3): 450– 75 [see also diaspora]; central: K. Ramnarine, 53(2): 187– 217 56(3): 363– 95; northeast: 56(2): 234– 60; “Affects and Effects of Indigenous Tanzanian south: 55(2): 306– 17 [see also Nair Ali Music Traditions in Christian Worship Jairazbhoy]; 59(2):315– 36; 59(3):355– 78; in Dar Es Salaam, Tanzania,” by Kassomo see also specific countries Mkallyah, 60(2): 300– 28 “Asian Fury: A Tale of Race, Rock, and Air “Aficionados, Academics, and Danzón Exper- Guitar,” by Sydney Hutchinson, 60(3): tise: Exploring Hierarchies in Popular 411– 33 Music Knowledge Production,” by Het- “Atmosphere as a Concept for Ethnomusicol- tie Malcomson, 58(2): 223– 53 ogy: Comparing the Gamelatron and Africa: central: 52(2): 296– 323 [see also dias- Gamelan,” by Andrew McGraw, 60(1): pora]; 59(1): 1– 30; see also specific coun- 125– 47 tries “Audible Future, The: Reimagining the Role “African Musical Hybridity in the Colonial of Sound Archives and Sound Repatria- Context: An Analysis of Ephraim Amu’s tion in Uganda,” by Andrew Weintraub ‘Yɛn Ara Asase Ni’,” by Steven Spinner and Sylvia Nannyonga-Tamusuza, 56(2): Terpenning, 60(3): 459–83 206– 33 AGAWU, KOFI, “Response to Rice,” 54(2): “Aural Tradition with a Pause Button, An? The 326– 29 Role of Recording Technology in a North “Agency, Leadership, and Gender Negotiation East English Folk Session,” by Simon in Balinese Girls’ Gamelans,” by Sonja Keegan-Phipps, 57(1): 34– 56 Lynn Downing, 54(1): 54– 80 “Autotuned Belonging: Coptic Popular Song ALAJAJI, SYLVIA A., “Exilic Becomings: Post- and the Politics of Neo-Pentecostal Ped- Genocide Armenian Music in Lebanon,” agogies,” by Carolyn Ramzy, 60(3): 434– 57(2): 236– 60 58 Albania: 59(3): 398– 420 “Alexander J. Ellis and His Place in the His- B tory of Ethnomusicology,” by Jonathan BABIRACKI, CAROL, “Between Life History P. J. Stock, 51(2): 306– 25 and Performance: Sundari Devi and the “Animal Impersonation Songs as an Ancient Art of Allusion,” 52(1): 1– 30 Musical System in North America, North- BAKAN, MICHAEL B., “‘Don’t Go Changing east Asia, and Arctic Europe,” by Richard to Try and Please Me’: Combating Essen- Keeling, 56(2): 234– 65 tialism Through Ethnography in the Eth- APPERT, CATHERINE, “On Hybridity in Afri- nomusicology of Autism,” 59(1): 116– 44 can Popular Music: The Case of Senega- BAKAN, MICHAEL B., et al., “Following lese Hip Hop,” 60(2): 279– 99 Frank: Response-Ability and the Co- “Applied Ethnomusicology and HIV and AIDS: Creation of Culture in a Medical Ethno- Responsibility, Ability, and Action,” by musicology Program for Children on the Kathleen J. Van Buren, 54(2): 202– 23 Autism Spectrum,” 52(2): 163– 202 2 Ethnomusicology, Index Volumes 51–60 BAKAN, MICHAEL B., “Measuring Happiness Symbolic Ownership of Norwegian Folk in the Twenty-First Century: Ethnomusi- Music,” 58(1): 30– 53 cology, Evidence-Based Research, and the BERGER, HARRIS M., section editor, “Call and New Science of Autism,” 53(3): 510– 18 Response: Music, Power, and the Ethno- BAKER, JESSICA, “Black Like Me: Caribbean musicological Study of Politics and Cul- Tourism and the St. Kitts Music Festival,” ture,” 58(2): 310– 48 60(2): 263– 78 BERGER, HARRIS M., “New Directions for Bali: 54(1): 54– 80; 58(3): 481– 505; gender way- Ethnomusicological Research into the ang: 54(2): 224– 56; musik kontemporer: Politics of Music and Culture: Issues, 51(1): 115– 41 Projects, and Programs,” 58(2): 310– 15 BATES, ELIOT, “Mixing for Parlak and Bow- “Between Life History and Performance: Sun- ing for a Büyük Ses: The Aesthetics of dari Devi and the Art of Allusion,” by Arranged Traditional Music in Turkey,” Carol Babiracki, 52(1): 1– 30 54(1): 81– 105 “Beyond Musical Exceptionalism: Music, BATES, ELIOT, “The Social Life of Musical Value, and Ethnomusicology,” by Jayson Instruments,” 56(3): 363– 95 Beaster-Jones, 58(2): 329– 35 “Beale Street Blues? Tourism, Musical Labor, BICKFORD,
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