Engineering of IT Management Automation Along Task Analysis, Loops, Function Allocation, Machine Capabilities
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Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Pastor's Ponderings
The Beacon NEWS AND INFORMATION | FBC ALVARADO, TX JULY - AUGUST 2019 Pastor’s Ponderings Church Events July 1-31 Back Pack Drive for AISD We’ve always seemed to have a fascination for things that are connected with famous people. Leonardo da Vinci’s 72 page journal named the Codex July 3 No Activities Hammer was sold to billionaire Bill Gates in 1994 for a cool $30.8 million. Some of Elvis Presley’s hair went for $15k at auction in 2009, much reduced from the $115k July 4 Church Office / Daycare Closed price tag some sold for only 7 years earlier. His Bible was also sold -- it brought Youth Party @ Farmers 6 PM - 10 PM $94k. An original drawing of Winnie-the-Pooh’s The Hundred Acre Wood map, and 4 other sketches created by E.H. Shepard in 1926 was auctioned last year for July 5 Church Office Closed $600k. These things are valuable because they once belonged to someone significant. July 7 Deacon’s Breakfast 8:00 AM While I write this I’m studying 1Peter 2 in preparation for a sermon on the passage. One phrase stands out to me in particular -- 1Pt.2:9 says, …you are a… people for His own possession… Yes, I know that some translations render it, a July 12-13 GA Lock-In 6:00 PM - 10:00 AM peculiar people, but the word refers to a private possession. As He entered into covenant with the Israelites at Sinai, God told them July 20 Youth Service Project that you shall be my treasured possession among all peoples… (Ex.19:5) Several times throughout the OT God reminds His people that they are valuable because July 23-27 RA/GA Camp they belong to Him. -
Workers' Compensation Industrial Council
WORKERS’ COMPENSATION INDUSTRIAL COUNCIL SEPTEMBER 8, 2016 Minutes of the meeting of the Workers’ Compensation Industrial Council held on Thursday, September 8, 2016, at 1:00 p.m., Offices of the West Virginia Insurance Commissioner, 900 Pennsylvania Avenue, Room 912, Charleston, West Virginia. Industrial Council Members Present: Bill Dean, Chairman Kent Hartsog, Vice-Chairman James Dissen (via telephone) Dan Marshall Delegate Steve Westfall Delegate Mick Bates 1. Call to Order Chairman Bill Dean called the meeting to order at 1:00 p.m. 2. Approval of Minutes Chairman Bill Dean: The minutes of the previous meeting were sent out. Did everybody have a chance to look them over? Is there a motion for approval? Kent Hartsog: Move to accept. Dan Marshall: Second. Chairman Dean: A motion has been made and seconded to accept the July 21, 2016 minutes as stated. Question on the motion? All in favor, “aye.” All opposed? The ayes have it. 3. Office of Judges’ Report – Rebecca Roush, Chief Administrative Law Judge Judge Rebecca Roush: Good afternoon. I tendered this report to you this morning by e-mail. Hopefully you all received it. I don’t think there is really anything new in this report to share with you. The statistics look as you would expect them to. The Old Fund is on the Workers’ Compensation Industrial Council September 8, 2016 Page 2 decline, and they make up about 6.17% of the protests in our office or 140 actual protests in the year 2016. Private carriers make up 74.21% or 1,683 protests. Self-Insured employers make up 19.62% or 445 protests. -
Lyrics and Jan’S Stories Behind the Songs
Lyrics And Jan’s Stories Behind the Songs 1. Turning Tide (Words & Music by Jan Garrett & JD Martin ©2008) 2. Listen (Words & Music by Tom Kimmel & JD Martin ©2008) 3. Whoo (Words & Music by Jan Garrett & JD Martin ©2008) 4. Open the Door (Words & Music by Jan Garrett & JD Martin ©2008) 5. It Ain’t Over Yet (Words & Music by Jan Garrett & JD Martin ©2008) 6. See My Way Through (Words & Music by Jan Garrett ©2008) 7. No Complaints Whatsoever (Words & Music by Jan Garrett & JD Martin ©2008) 8. Windows (Words & Music by Jan Garrett ©1975) 9. Song to Sing (Words & Music by Jan Garrett & JD Martin ©2008) 10. Say That! (Words & Music by Jan Garrett & JD Martin ©2008) ~~ Jan’s Stories Behind the Songs 1. Turning Tide Words & Music by Jan Garrett & JD Martin ©2008 There is a promise....I feel it coming In the rising of a turning tide Where every burden shall be lifted On the surge of faith inside And every spirit will feel the blessing Every soul will be satisfied We are rising higher higher In this turning tide We are rising, rising, In this turning tide We are rising, rising, In this turning tide I hear the music....in the madness I see the vision of a brighter day I draw compassion....from our sadness, and fuel the Fire for a better way I put my money.....where my mouth is I get on board the freedom ride We are rising higher higher In this turning tide We are rising, rising, In this turning tide We are rising, rising, In this turning tide And so the promise becomes the present And the future is opening wide We are guided, we are gifted We are lifted up inside And nobody....can do it for us, we sing our Own Hallelujah Chorus We are rising higher higher In this turning tide We are rising higher higher In this turning tide © 2008 Foolchild Music (ASCAP) Gill ‘n’ Goldie Music (ASCAP) www.Garrett-Martin.com 2. -
An Intergenerational Narrative Analysis of Black Mothers and Daughters
Still Waiting to Exhale: An Intergenerational Narrative Analysis of Black Mothers and Daughters DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jamila D. Smith, B.A., MFA College of Education and Human Ecology The Ohio State University 2012 Dissertation Committee: Professor Elaine Richardson, Advisor Professor Adrienne D. Dixson Professor Carmen Kynard Professor Wendy Smooth Professor Cynthia Tyson Copyright by Jamila D. Smith 2012 Abstract This dissertation consists of a nine month, three-state ethnographic study on the intersectional effects of race, age, gender, and place in the lives of fourteen Black mothers and daughters, ages 15-65, who attempt to analyze and critique the multiple and competing notions of Black womanhood as “at risk” and “in crisis.” Epistemologically, the research is grounded in Black women’s narrative and literacy practices, and fills a gap in the existing literature on Black girlhood and Black women’s lived experiences through attention to the development of mother/daughter relationships, generational narratives, societal discourse, and othermothering. I argue that an in-depth analysis and critique of the dominant “at risk” and “in crisis” discourse is necessary to understand the conversations that are and are not taking place between Black mothers and daughters about race, gender, age, and place; that it is important to understand the ways in which Black girls respond to media portrayals and stereotypes; and that it is imperative that we closely examine the existing narratives at play in the everyday lives of intergenerational Black girls and women in Black communities. -
Chinese Exclusion and Tong Wars in Portland, Oregon
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2019 More Than Hatchetmen: Chinese Exclusion and Tong Wars in Portland, Oregon Brenda M. Horrocks Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Horrocks, Brenda M., "More Than Hatchetmen: Chinese Exclusion and Tong Wars in Portland, Oregon" (2019). All Graduate Theses and Dissertations. 7671. https://digitalcommons.usu.edu/etd/7671 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MORE THAN HATCHETMEN: CHINESE EXCLUSION AND TONG WARS IN PORTLAND, OREGON by Brenda M. Horrocks A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ______________________ ____________________ Colleen O’Neill, Ph.D. Angela Diaz, Ph.D. Major Professor Committee Member ______________________ ____________________ Li Guo, Ph.D. Richard S. Inouye, Ph.D. Committee Member Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 ii Copyright © Brenda Horrocks All Rights Reserved iii ABSTRACT More Than Hatchetmen: Chinese Exclusion and Tong Wars in Portland, Oregon by Brenda M. Horrocks, Master of Arts Utah State University, 2019 Major Professor: Dr. Colleen O’Neill Department: History During the middle to late nineteenth century, Chinese immigration hit record levels in the United States. This led to the growth of Chinatowns across the West Coast. -
The Friends of Whitefiars Oxford Trust
Company registered number: 2931636 Charity registered number: 801552 ONE DANCE UK (A Company Limited by Guarantee) TRUSTEES’ REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2019 ONE DANCE UK REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2019 CONTENTS Page Reference and Administrative Details of the Company 1 Trustees’ Report 2 Independent Auditor’s Report 15 Statement of Financial Activities 18 Balance Sheet 19 Statement of Cash Flows 20 Notes to the Financial Statements 21 ONE DANCE UK REFERENCE AND ADMINSTRATIVE DETAILS OF THE COMPANY FOR THE YEAR ENDED 31 MARCH 2019 Trustees Andrew Carrick Anthony Bowne Anu Giri David Watson Denise Nurse (appointed 15 August 2019) Julian Flitter Piali Ray Susannah Simons Susan Wyatt (Chair) Victoria Igbokwe Company registered number: 2931636 Charity registered number: 801552 Registered office: Ensign House, Battersea Reach, Juniper Drive, London, SW18 1TA Chief executive: Andrew Hurst Independent auditors: Haysmacintyre LLP, 10 Queen Street, London EC4R 1AG Bankers: Cater Allan, 9 Nelson Street, Bradford, BD1 5AN CAF Bank Ltd, 25 Kings Hill Avenue, West Malling Kent ME19 4JQ HSBC Bank Plc, 18 Ballards Lane, Church End, Finchley, London, N3 Solicitors: Sean Egan Consultants Limited, 50 Sheen Park, Richmond, London, TW9 1UW 1 ONE DANCE UK TRUSTEES’ REPORT FOR THE YEAR ENDED 31 MARCH 2019 Report of the Trustees for the year ended 31 March 2019 The Trustees are pleased to present their annual directors’ report together with the financial statements of the charity for the year ended 31 March 2019 which are also prepared to meet the requirements for a director’s report and accounts for Companies Act purposes. -
Collaborative Software Performance Engineering for Enterprise Applications
Proceedings of the 50th Hawaii International Conference on System Sciences | 2017 Collaborative Software Performance Engineering for Enterprise Applications Hendrik Müller, Sascha Bosse, Markus Wirth, Klaus Turowski Faculty of Computer Science, Otto-von-Guericke-University, Magdeburg, Germany {hendrik.mueller, sascha.bosse, markus.wirth, klaus.turowski}@ovgu.de Abstract address these challenges from a software engineering perspective under the term DevOps [2], [3]. In the domain of enterprise applications, Corresponding research activities aim at increased organizations usually implement third-party standard flexibility through shorter release cycles in order to software components in order to save costs. Hence, support frequently changing business processes. application performance monitoring activities Therefore, DevOps enables a culture, practices and constantly produce log entries that are comparable to automation that support fast, efficient and reliable a certain extent, holding the potential for valuable software delivery [4]. However, especially for collaboration across organizational borders. Taking enterprise applications, IT departments usually make advantage of this fact, we propose a collaborative use of existing standard software components instead knowledge base, aimed to support decisions of of developing solutions entirely in-house [5]. In such performance engineering activities, carried out cases, activities referred to as Dev, rather include during early design phases of planned enterprise requirements engineering, architectural design, applications. To verify our assumption of cross- customization, testing, performance-tuning and organizational comparability, machine learning deployment [6]. Here, key service levels typically algorithms were trained on monitoring logs of 18,927 include performance objectives, expressed in terms of standard application instances productively running average response times, throughput or latency, in at different organizations around the globe. -
Singing Songs in Sign of Basketball Students Studying American Sign Language Perform Popular Songs in the EMU Arena Faces New Hurdle
Track Student Film River Float Ducks headed to NCAA Theater student Dusty Your guide to the best TODAY Championships in Iowa Bodeen premieres his first way to float the river Showers next week. PAGE 9 film “Phoned.” PAGE 5 this summer. PAGE 5 59°/48° The independent student newspaper at the University of Oregon dailyemerald.com SINCE 1900 | Volume 109, Issue 176 | Thursday, June 5, 2008 Construction Singing songs in sign of basketball Students studying American Sign Language perform popular songs in the EMU arena faces new hurdle A city official ruled in favor of neighbors, requiring the University to have a conditional use permit RYAN KNUTSON News Reporter The University’s arena project hit a big hurdle on Wednesday when a hearings official ruled the development must have a conditional use permit before construction can begin — a decision that complicates the project and could delay it months. The decision overturned a ruling by City Planning Director Lisa Gardner, and it serves as vindication for the neighbors who have bat- tled to have more say in the arena project since the site was first targeted in 2003. “This should have been a conditional use permit process from day one,” said Jeff Nelson, former co-chair of the Fairmount Neighborhood Association. Nelson currently serves on the neighborhood association’s are- na subcommittee. If it had been, “we would have had all these issues resolved by now.” It’s unclear whether the ruling will turn to ARENA, page 8 JAROD OPPERMAN | Photo Editor Rob Mason and Jordan Shively finish signing Johnny Cash’s “Cocaine Blues” in the Ben Linder Room Wednesday morning. -
No Furaacelike Tins
Urg ,, Tail,bUin Circulation Eaittr• n 'Kent and Job Printinf wMtern Ionia Counties THE LOWELL LEDGER prices. Phone 200 —'V —L--— —^ VOL. XXVI Uh*«r.v LOWELL, MICHIGAN, DEC. IQ, IQIS No. 28 IT T THE REXALL STORE To the Farmers Mra. John A. Arehart Taken From Wage Ldaa in Michigan Alone ia Her Little Ones. $2,000,000. ALWAYS IN THE LEAD Mrs. John A. Arehart passed away Lansing, Mich., Dec. 17.—Spanish " mm Only useful and sensible Christmas gifts ere offered of This Community at her home in this village at 0 p. influenza continues to increase in m., December 15, after a brief ill- Michigan, despite efforts of health by us this year and you are sure of both satisfaction end ness. aged 33 years. Private funeral oflicers to.check it by individual economy if you make your Christmas r ureHases a t the A New Yeer it elmosl here end we ere going services were conducted at the home quarantine, Rexell Store. Here are a few of the many lines we offer. Monday by Bev. Jos. Ellig, pastor of . This latest order of the state to help you stert Nineteen-Nincteen right, by sup- - St. Mary's Catholic church; burial board of health is apparently being msi mm msm plying you with e worth-while System Celende^. in St. Mary's cemetery. utterly ignored in some places, but Genuine White Ivory Books Frances Izene Bergm. daughter of is being rigidly enforced in others. John S. and Mary Bergin, was born So far no general good result has Goods All the new Popular Copyrights This celender not only hes good tiled figures Uuc. -
Proquest Dissertations
Verification and Validation of UML and SysML Based Systems Engineering Design Models YOSR JARRAYA A THESIS IN The Department of Electrical and Computer Engineering Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy Concordia University Montréal, Québec, Canada April 2010 Yosr Jarraya, 2010 Library and Archives Bibliothèque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Yourfìle Votre référence ISBN: 978-0-494-67341-6 Our file Notre référence ISBN: 978-0-494-67341-6 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Dutch Afro Latin Dance Championship 2021
VIRTUAL DUTCH AFRO LATIN DANCE CHAMPIONSHIP 2021 DALDC REALITY DANCE COMPETITION RULES & REGULATIONS SALSA Welcome Champions... Welcome to the Virtual DUTCH AFRO LATIN DANCE COMPETITION 2021 (DALDC). A new online Reality Dance Competition, brought to you by the NK Bachata & NK Salsa organization. Our primary goal is to redefine the way we do competitions in the future. Our second objective is to facilitate a digital platform where all talents can present themselves to join this great competition. During this COVID-19 Pandemic we made use of our time and created a new Platform to revolutionize the way we compete. A new era that opens up a world of possibilities but most of all: KEEPS US DANCING, CONNECTING AND DOING WHAT WE LOVE. The DALDC is a Reality dance competition where competitors can join from anywhere in the country. Competitors will need to submit their choreography video, and videos that give us some insight into the competitor’s life and passion for dance. These videos will be used to create web episodes that will be broadcasted on our Video on Demand platform for the world to see. THE VISION OF THE All competitors will receive their scores virtually COMPETITION In the rules for the SALSA CHAMPIONSHIP we repre- sent the most danced styles in the Netherlands and the fundamentals of the Salsa dance. We believe a competitor should be able to represent the funda- mentals but still have the freedom to explore different styles. We have decided that each competitor is allowed to choose any style he or she wants to dance but the choreography has to have enough emphasis on the fundamentals of Salsa.