Contents the Confederacy of the Pacific

Total Page:16

File Type:pdf, Size:1020Kb

Contents the Confederacy of the Pacific [email protected] Voyages of the Magi (3) 1 Contents The Confederacy of the Pacific............................................................................................................2 The hand..........................................................................................................................................3 The feathered halo...........................................................................................................................6 The mien of the trinity.....................................................................................................................9 The tree-men..................................................................................................................................11 The tora-jinn..................................................................................................................................12 The torii-shin..................................................................................................................................14 The door-jinn.................................................................................................................................14 The sea-jinn....................................................................................................................................14 Gong Gong.....................................................................................................................................16 Weir-can.........................................................................................................................................16 The dol hareubang.........................................................................................................................17 Pangu.............................................................................................................................................19 K’uei Hsing....................................................................................................................................19 Kuan...............................................................................................................................................20 Monkeys as grooms.......................................................................................................................20 Dangun...........................................................................................................................................21 The Ainu & the bear goddess.........................................................................................................22 The Basques’ forebears..................................................................................................................22 The Uru..........................................................................................................................................23 [email protected] Voyages of the Magi (3) 2 The Confederacy of the Pacific The distribution of a single gene variant such as HLA-A may tell us only part of the tale, since some genes are naturally selected by some environments and others by others, so here is a more recent map (2016), including South America, from the Harvard Medical School. The gene reaches westward from South America and east Asia to the Indus valley, tallying in its extent with the likelihood of reversal of the east-west axis of the zodiac, as shown by the direction of heeling. This makes it even likelier that denisovans reached southeast Asia from the west coast of South America. The tug of war between the asuras and devas about the direction of the sea’s circulation likewise implies that they reached South America from the south. ‘The genome-wide data … show that some Amazonian Native Americans descend partly from a Native American founding population that carried ancestry more closely related to indigenous Australians, New Guineans and Andaman Islanders than to any present-day Eurasians or Native Americans.’1 In other words some genes in southeast Asia and parts of South America are akin, but there are few genetic traces of a land route leading down from the Bering Straits, across Middle America to the Amazon rain forest. The same is even plainer on the map below. 1 Skoglund, P. et al. Genetic evidence for two founding populations of the Americas. Letter, Nature 525, 03 Sep 2015, p. 104-108 [email protected] Voyages of the Magi (3) 3 Since there is likewise a gap between Africa and southeast Asia in the spread of the dragon motif, the simple explanation seems to be that long distance travel was easier by raft than on foot, so seadogs traveled from Africa to Antarctica and from there to southeast Asia or South America. The dark red spot in South America stands for the Surui Indians near Rondônia, which till recently was covered by 200,000 sq km of rainforest, more than a third of which has now been stripped by outsiders’ logging.2 When a 2,000 mile-long highway was built across their land in 1969, nearly 90% of them died from disease in the following years. In such a context, survival of the fit is a very limited notion, casting no light on general abilities. The distance from the tip of Africa to the Antarctic is about 4500 kilometers, so the Tangaroa, a raft used in crossing the Pacific in 2011 at a speed of about 100 kilometers a day could have reached Antarctica in about 45 days. In the epic of Gilgamesh, the protagonist is taken by the seafarer Urshanabi to visit Uta-napišti, who has survived the great flood by sailing with his wife to a faraway island. For three days they (Gilgamesh and Urshanabi) ran on, as if it were a journey of a month and fifteen days.3 How many days were there in a month? The devas favored 28, so 28 days plus 15 comes to 43 days, the time needed for reaching Antarctica from Africa on a well designed raft. Here is a piroge from Melanesia.4 The reasons for Uta-napišti’s voyage are said to have been a growth in population, leading to ‘intolerable uproar’ and a great flood, but the sequence of events is more likely to have been a great rising of the waters, followed by squabbling as to who was then entitled to remaining land, followed in turn by some emigration. If southeast Asia and South America were first settled by seadogs, do they share symbols less common elsewhere? The hand The human hand forms one of the most ancient themes of human art. Prehistoric examples of hand prints (positive images formed by covering the hand with paint and placing it on a surface, rather like modern children create) and stencils (negative images formed by placing the hand against a surface and blowing paint around it) are known from prehistoric contexts in Latin America, the Sahara, Indonesia, Australia and 2 Rondônia, Wikipedia, 2016 3 Gilgamesh 4 Now in the Ethnological Museum in Dahlem, Berlin [email protected] Voyages of the Magi (3) 4 Tasmania … stretching back at least to 35,000 years ago … Usually stencils cluster in certain areas of deep caves … Around 43 French and Spanish caves are known to contain Palaeolithic hand prints and stencils … Associations with cracks were very evident too.5 The symbol is widespread but not throughout the Asian mainland. Indeed all sites are near the sea or were near it when the images were made. The one furthest from the sea may be one in the Sahara in southern Egypt, but the site seems to have been on the shore of a huge lake (about 30,759 km sq), reaching northwards to the Mediterranean, as implied by not only geological evidence but also images of swimmers left on the rocks. The images are no personal mementos, since some are of the feet of emus (Australia), rheas (Patagonia) or the desert monitor (Sahara). Here are some from the southwestern coast of Sulawesi: The earliest dated image from Maros, with a minimum age of 39.9 kyr, is now the oldest known hand stencil in the world.6 Here are some from Balloon Cave in Carnarvon Gorge in Queensland, Western Australia. 5 Hand stencils in upper Palaeolithic cave art, Department of Archaeology, Durham University, www.dur.ac.uk, 2016 6 Aubert, M. et al. Pleistocene cave art from Sulawesi, Indonesia, Letter, Nature, 30 April 2014 [email protected] Voyages of the Magi (3) 5 And here are some from the Cave of Hands in Patagonia near the tip of South America. What do the hands mean? As in the case of the nummulite bearing a cross, we need only record the key features then look for a cosmological explanation. The key features are: 1. Mainly on a white or russet background, sometimes a black one 2. Mainly white in themselves but sometimes russet 3. Not specifically human but also of desert creatures 4. Mainly in the form of stencils 5. Associated with cracks 6. Sometimes paired 7. Sometimes next to stalactites in places hard to reach As regards the hue of the background (1): At the embarkation of the magi as shown by Giovanni da Modena, the earth-centered model of the system of planets and the tallying social order is symbolized in the background by a moon-shaped boat, a russet church and Satan, standing for the 1st, 3rd and 5th of the five planets in the earth-centered model of the system. They can also be symbolized by hues – white for the moon, russet for Mars, and black for the outer space beyond Saturn. In effect the hands stand for the earth-centered model of the system and the tallying social order. As regards the hue of the hands (2): The 1st, 3rd and 5th of the five planets in the original model of the system were the moon (white), Mars (russet) and Saturn (yellowish white). White
Recommended publications
  • Multi-National Conservation of Alligator Lizards
    MULTI-NATIONAL CONSERVATION OF ALLIGATOR LIZARDS: APPLIED SOCIOECOLOGICAL LESSONS FROM A FLAGSHIP GROUP by ADAM G. CLAUSE (Under the Direction of John Maerz) ABSTRACT The Anthropocene is defined by unprecedented human influence on the biosphere. Integrative conservation recognizes this inextricable coupling of human and natural systems, and mobilizes multiple epistemologies to seek equitable, enduring solutions to complex socioecological issues. Although a central motivation of global conservation practice is to protect at-risk species, such organisms may be the subject of competing social perspectives that can impede robust interventions. Furthermore, imperiled species are often chronically understudied, which prevents the immediate application of data-driven quantitative modeling approaches in conservation decision making. Instead, real-world management goals are regularly prioritized on the basis of expert opinion. Here, I explore how an organismal natural history perspective, when grounded in a critique of established human judgements, can help resolve socioecological conflicts and contextualize perceived threats related to threatened species conservation and policy development. To achieve this, I leverage a multi-national system anchored by a diverse, enigmatic, and often endangered New World clade: alligator lizards. Using a threat analysis and status assessment, I show that one recent petition to list a California alligator lizard, Elgaria panamintina, under the US Endangered Species Act often contradicts the best available science.
    [Show full text]
  • Twentieth Century Maya Worldview
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 Twentieth Century Maya Worldview Mackenzie See University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation See, Mackenzie, "Twentieth Century Maya Worldview" (2013). Electronic Theses and Dissertations, 2004-2019. 2689. https://stars.library.ucf.edu/etd/2689 TWENTIETH CENTURY MAYA WORLDVIEW by MACKENZIE SEE Bachelor of Arts, University of Pittsburgh 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the department of Anthropology in the College of Science at the University of Central Florida Orlando, Florida Summer Term 2013 Major Professor: Arlen Chase ABSTRACT Maya Folktales offer insight into how twentieth century Maya worldview is a hybrid of indigenous Maya and European beliefs. Analysis was conducted on twenty-eight Maya folktales from the highlands of Guatemala found in folklore anthologies. Stories like The Spirits of the Dead in folklore anthologies can reveal new perspectives on how the Maya feel about rituals spaces, the fabric that separates the land of the dead from the land of the living, and the importance of showing respect to the dead in one’s community. Other stories, show the connection the Maya feel with their heritage and the connection they feel with the area where their ancestors lived.
    [Show full text]
  • Five by Five Karaoke As of 113017
    Five By Five Karaoke As of 113017 Come See Me 112 SC8357 Cupid 112 SC3015 It's Over Now 112 SC3238 Only You 112 SC8295 Peaches & Cream 112 SGB65 Right Here For You 112 PHU0403 U Already Know 112 PHM0505 Amber 311 THR0206 Beyond The Gray Sky 311 THR0402 Creatures (For A While) 311 THR0311 Don't Tread On Me 311 SD4512 I'll Be Here Awhile 311 THR0201 You Wouldn't Believe 311 THR0110 Dumb 411 SF221 On My Knees 411 SF219 Get It Together 702 SC8357 Steelo 702 SC8325 All I Want Is You 911 SF121 How Do You Want Me To Love You 911 SF123 More Than A Woman 911 SF127 Party People (Friday Night) 911 SF118 Heaven Hop (Broadway) SC2233 Hello Dolly (Broadway) DK905 Hooray For Hollywood (Broadway) MM6100A I Am The Very Model Of A Modern Major General (Broadway) SC2233 Impossible Dream, The (Broadway) DK079 It Might As Well Be Spring (Broadway) DK065 What Kind of Fool Am I (Broadway) DK086 Chewing Gum (Broadway) Annie SF222 Tomorrow (Broadway) Annie MXUPH2 Tomorrow (Broadway) Annie DK905 Tomorrow (Broadway) Annie PI032 Almost Like Being In Love (Broadway) Brigadoon DK905 Kids (Broadway) Bye Birdie DK905 Lot of Livin' To Do, A (Broadway) Bye Birdie MM6100A You Gotta Be Sincere (Broadway) Bye Birdie MM6219 If I Loved You (Broadway) Carousel SF008 All I Care About (Broadway) Chicago SFG048 Cell Block Tango (Broadway) Chicago PS1526 Class (Broadway) Chicago SFG048 Funny Honey (Broadway) Chicago SFG048 Little Bit of Good, A (Broadway) Chicago PS1526 Me & My Baby (Broadway) Chicago SFG048 Mister Cellophane (Broadway) Chicago PS1526 Mr Cellophane (Broadway) Chicago
    [Show full text]
  • The Dwarf Motif in Classic Maya Monumental Iconography
    THE DWARF MOTIF IN CLASSIC MAYA MONUMENTAL ICONOGRAPHY: A SPATIAL ANALYSIS Wendy J. Bacon A Dissertation in Anthropology presented to the faculties of the University of Pennsylvania in partial fulfillment of the requirements for the Degree of Doctor of Philosophy 2007 Dissertation Supervisor Graduate Group Chairperson Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3292005 Copyright 2007 by Bacon, Wendy J. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3292005 Copyright 2008 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. COPYRIGHT Wendy J. Bacon 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. for my
    [Show full text]
  • Mushrooms Russia and History (Pdf)
    Mushrooms Russia and History by Valentina Pavlovna Wasson and R. Gordon Wasson Volume I and II Manufactured in Italy for the authors and Pantheon Books Inc. 333, Sixth Avenue, New York 14, N. Y. © 1957 by R. Gordon Wasson original text: http://www.newalexandria.org/archive/MUSHROOMS%20RUSSIA%20AND%20HISTORY%20Volume%201.pdf backup source: http://www.psilosophy.info/resources/MUSHROOMS%20RUSSIA%20AND%20HISTORY%20Volume%201.pdf original text: http://www.newalexandria.org/archive/MUSHROOMS%20RUSSIA%20AND%20HISTORY%20Volume%202.pdf backup source: http://www.psilosophy.info/resources/MUSHROOMS%20RUSSIA%20AND%20HISTORY%20Volume%202.pdf Changes to this edition: 1. Cyrillic has been added to the first occurrence of a simplified Russian pronunciation of a word. For example togrib , cyrillic is added in parenthesis - (гриб). 2. In chapter I. Mushrooms and the Russians, where authors mention about folk names for mushrooms, actual Latin name has been found and inserted into square brackets (but beside Appendix II where authors do this by themselves) for most of this names. Thus the name originally presented as volnushki will be volnushki (волнушки) [Lactarius torminosus]. 3. Footnotes are numbered continuously, contrary to original version where footnote number starts from 1 on each page. 4. Latin names have been italicized. 5. Some latin synonyms are actuallized beneath plates, eg. Psalliota campestris Fr. ex L. has in description additionaly [Agaricus campestris (Bull.)]. 6. Polish official names for mushrooms have been added beneath plates. 7. Couple of notes have been added and labeled as Note to this edition of the book on Psilosophy. 8. Illustrations have been whitened.
    [Show full text]
  • Maya America: Journal of Essays, Commentary, and Analysis
    Maya America: Journal of Essays, Commentary, and Analysis Volume 3 Issue 1 Article 2 2-1-2021 Nota Introductoria Adriana Cruz-Manjarrez Ana Bella Pérez Castro Follow this and additional works at: https://digitalcommons.kennesaw.edu/mayaamerica Part of the Ethnic Studies Commons, Indigenous Studies Commons, and the Latina/o Studies Commons Recommended Citation Cruz-Manjarrez, Adriana and Pérez Castro, Ana Bella (2021) "Nota Introductoria," Maya America: Journal of Essays, Commentary, and Analysis: Vol. 3 : Iss. 1 , Article 2. Available at: https://digitalcommons.kennesaw.edu/mayaamerica/vol3/iss1/2 This Front Matter is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Maya America: Journal of Essays, Commentary, and Analysis by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. MAYA AMERICA JOURNAL OF ESSAYS COMMENTARY AND ANALYSIS LOS MAYAS PENINSULARES DE AYER Y HOY THE PENINSULAR MAYA OF YESTERDAY AND TODAY VOLUME 3 MA NUMBER 1 2021 GUEST EDITORS: ADRIANA CRUZ-MANJARREZ Universidad de Colima ANA BELLA PÉREZ CASTRO Universidad Nacional Autónoma de México COVER DESIGN JUAN MARTIN MARCELO JIMÉNEZ "YÁAX CHÉ" ACRÍLICO EN MANTA Table of Contents/Indice Front Matter/Portada ............................................................................................ 4 Nota Introductoria .....................................................................................................................
    [Show full text]
  • Diccionario Maya
    Índice Letra A....................................................................................................................................................................2 Letra B....................................................................................................................................................................54 Letra D....................................................................................................................................................................72 Letra F.....................................................................................................................................................................87 Letra G....................................................................................................................................................................93 Letra H....................................................................................................................................................................99 Letra I.....................................................................................................................................................................111 Letra L....................................................................................................................................................................115 Letra N....................................................................................................................................................................121
    [Show full text]
  • Five by Five Karaoke As of 113017
    Five By Five Karaoke As of 113017 17 Cross Canadian Ragweed SC3350 22 Swift, Taylor DT17445 24 Jem THM0506 911 Jean, Wyclef & Mary J. Blige THP0101 1969 Stegall, Keith MM6140 1979 Smashing Pumpkins PI045 1982 Travis, Randy CB90027 1999 Prince and The Revolution PI011 1999 Wilkinsons, The SC3245 1/2/2003 Estefan, Gloria & Miami Sound Machine BS8417 1/2/2003 Barry, Len DK002 15-May Who, The AH8015 54321 Mann, Manfred SF069 (Just Like) Starting Over John Lennon SFD802-D01 '03 Bonnie & Clyde Beyonce (Feat. Jay Z) MM6380A 1, 2, 3, 4, Sumpin' New Coolio SF049 10 Days Late Third Eye Blind SC3201 10 Out of 10 Lou, Louchie PHM0104 100 Years Five For Fighting SC10013 100 Years From Now Lewis, Huey & The News SC2106 100% Pure Love Waters, Crystal PI039 12 51 Strokes, The THR0401 12Th of Never Mcdonald, Jane SF128 13 Is Uninvited Morissette, Alanis SGB06 16Th Avenue Dalton, Lacy J. THC9901F 18 'til I Die Adams, Bryan SFMW803 18 Yellow Roses Darin, Bobby SC8255 19 Somethin' Wills, Mark KM5998 19 Somethin' Wills, Mark SC8854 19-2000 Gorillaz THR0202 19Th Nervous Breakdown Rolling Stones, The LG091 2 Become 1 Spice Girls, The DK905 2 Become 1 Jewel THP0403 2 Faced Louise LGTP01 2 Reasons Songz, Trey Ftg. T.I. SBC86388 2 Sparrows In A Huricane Tucker, Tanya THM035 20Th Century Boy T Rex SFG055 21St Century Girls 21St Century Girls SF140 24 Hour Party People Happy Mondays SFG030 24 Hours At A Time Marshall Tucker Band, The HSPAK3-06 24 Hours From Tulsa Pitney, Gene MM6228 24 Hours From You Next of Kin SF134 2468 Motorway Tom Robinson Band, The SF098 24-7 Edmonds, Kevon THP0003 24k Magic Bruno Mars 51925 25 Miles Starr, Edwin LG131 25 Minutes To Go Cash, Johnny SFMW846 25 Or 6 To 4 Chicago PI034 29 Nights Leigh, Danni SC8512 3 A.M.
    [Show full text]
  • BOOK STORE! Our Long Home, a “Bourne from Which of the Circuit Court Koora, in the Village of St
    VOL 1V.-NO. 4. ST. JOHNS. MICHIGAN, WEDNESDAYS NOVEMBER 3, 1869. WHOLE NO. 169. ----------------------------------------------J*- BU8INB68 CARDS. FKOM MAPLE IIAPIDN. The office of the Winter* Soldier* NEW ADVERTISEMENTS. MISCELLANEOUS. Bh« (EUttim § tidfprndfti Maple Rapids , Oct. 25,1869. Friend has been removed frottt daven ­ DENTISTRY. f JITAILnrQ EYE PBESEBVEB& ET THE BIST. ’*ri8 CUBA PEST IN THE Pt bllshed every Wednesday , by Ede. independentThere waa quite port, Iowa, to No. 8, Custom House •ad. A» liirn ofaw. the whicrlbn will c< G\lau« to supply tk« imdnltl ♦fork at a fair pri tJOitblT Sc ESTES, an excitement in Maple Rapids last plate, Chicago. Great inducements Messrs. LIZARDS A MORRIS, Thirteen yuan experience. Office prescribing a vUA*f® ptactloa, aa formerly. otBoe and widen NT. JOHNS, MICH. Friday evening. It seems that two are being offered to subscribers; The OPTICIAliSaoCULISTS Ut. JohnajEkh. f!4yl] G. K. CORBIN. M. D notorious characters by the names of OFFICE:—OVER CORBIT’S HARDWARE publishers propose to send the paper HARTFORD, OONN^ REMOVAL. ■■■■STORE, WALKER MTREE Wells and Brown, went to old Mr. H. WATTS has remove d hie bail*hailier ahop to the remainder of tbia year grttil to • ovor oaeob Brownie store, (Hickseke' new i block) Bubacription, #1 SO Per Yesti- Smith’s saloon to kick up R row, as is those subscribing now for 1870. It Wwhore ha will attendSlaving, tri Slaving. Hair CutHair tiny C and Maln«, * bam tia and Dy«4i»g. Booms fitted IN ADVANCE. supposed, they having fire arms with should be in the hands of every soldier. «PDta a pleasant comfortable manner.
    [Show full text]
  • By JIMI BERNATH
    BARDO FILMS CINEMA OF THE AFTERLIFE by JIMI BERNATH 2 TABLE OF CONTENTS Introduction “Carnival of Souls” : Familiar Nightmares …………………………………………………..………...43 Bardo Blockbusters : “American Beauty” & “The Sixth Sense” ……………….……...…..85 “Jacob’s Ladder” : Search for a Guide ……………………………………………………..………….102 “Enter the Void” : Escape Velocity …………………………………………………………..…………. 49 The Dharma of Lynch: “Mulholland Drive” & “Inland Empire” ……………….……….108 “Vera” : The Underworld ………………………………………………………………………..…...……….106 Escape from Hell : “Diamonds of the Night” …………………………………………….………. 26 “Le Quattro Volte” : Elemental Change ……………………………………………………..…………..7 “Beetlejuice” : Guide as Huckster …………………………………………………………….…………..78 “Defending Your Life” : Purgatory as Shtick …………………………………………….…………90 “Ink” : Remembering Who You Were …………………………………………………………….…….59 “The Bothersome Man” : Not Bad As Purgatories Go …………………………….………….64 “The Lovely Bones” : Avenging Angel …………………………………………………………….….55 Following Robin : “Being Human” & “What Dreams May Come” …………………...22 Following Downey : “Chances Are” & “Hearts and Souls” ………………………………..46 Death at an Early Age : “Donnie Darko” & “Wristcutters a Love Story” ………….94 “Samaritan Girl” : Saint or Sinner ……………………………………………………………………..126 “The Life Before Her Eyes” : Headline Bardo ……………………………………………….…….75 Dia de Muertos : “Macario” “The Book of Life” & “Coco” …………………………..……..9 “Waking Life” : All Our Guides …………………………………………………………………….……...68 Japanese Ghost Stories : “Pitfall” & “Kuroneko” ……………………….…………….………..29 Crossing the Big
    [Show full text]
  • SILVER GRILL the Move Corresponds with Became Panlc-At*1Cken
    ■ - ■ ■ - I ; SAii6kDAT, MAT 18; 19M j^anrlVfltrr IfrraUi t SVSBAGB DAILY OIBCIILATIOM TUB WKATHU Because the regular monthly Sunset Rebekah Lodge wdll hold Dr. and Mrs. LeVerfia Holmes A meeting of Gibhons Assembly, for tSa oMirtb of April, INft rorooaat at O. & WaatSar .Sumw FUBtNESE SOCIETY have returned from a visit to New Catholic Ladles of Oolumbua, will meeting of the Master Barbers’ Its regular meeting In Odd Fellows PUBUC RECORDS PUBUC SETBACK Ebutford York with their daughter, Mias be held at the home of Miss Cath­ association was postponed for a hall Monday evening promptly at 8 LAWN MOWERS week and there were not enough TONIGHT AT 8:30 Esther W. Holmes. During their erine Shea, 25 Strant street, this o’clock. An entertainment and social Shsrpened and Repaired DANCE TONIGHT absence Dr. Holmes took a post evening at 7:30 o’clock. Hatters of members at the adjourned meeting time will follow at which the moth­ Warrantoe Deed D. J. Dickson’s, 5,501 Pair tanight; Tuesday cloudy and Importance will be discussed, and to transact business there wdll be a ers of the members wdll be guests. I f Chareh StrecL MemiMr ot tha Audit « ( I M j r t u a , KMMjr street graduate course in traumatic sur- A warrantee deed from the Man­ FRED H. NORTON iiattrtetrr Siirning cooler, poaothly fODowad by ahowan. as many members os can do so are meeting on Monday evening In the Memorial Temple, Pytfelaa Sisters Bureau of Oireulattana * e o - ____ Members have the privilege o' f invit­ chester Trust Company, trustee to M t« u S MoSeea Duietac.
    [Show full text]
  • MANUAL DE ETIQUETA PARA USO EN INSTITUCIONES HOTELERAS Eninstituciones Hoteleras, 2009
    Escuela de Administración de Instituciones Hoteleras MANUAL DE ETIQUETA PARA USO EN INSTITUCIONES HOTELERAS en Instituciones Hoteleras, 2009 Manual de Etiquetauso para Susi Rodríguez Cordón Guatemala, 25 de marzo de 2009 0 Escuela de Administración de Instituciones Hoteleras MANUAL DE ETIQUETA PARA USO EN INSTITUCIONES HOTELERAS TESIS PRESENTADA A LA JUNTA DIRECTIVA DEL IFES POR SUSI RODRÍGUEZ CORDÓN AL CONFERIRSE EL TITULO DE LICENCIADA EN ADMINISTRACION DE SERVICIOS HOTELEROS GUATEMALA, 25 DE MARZO DE 2009 1 ÍNDICE GENERAL Página I. Introducción…………………………………...……………………….………… 5 II. Marco Conceptual Objetivos……………………………………………………………….……….... 7 Justificación……………………………………………………………………….7 Metodología……………………………………………………………….………8 III. Marco Teórico Capítulo 1: Etiqueta y Buenas Maneras 1.1. Conceptos………………………………………………………….….. 9 1.2. Etiqueta e imagen personal……………………………………………. 12 1.3. Etiqueta e imagen profesional…………………………………………. 20 Capítulo 2: Etiqueta en Instituciones Hoteleras 2.1 La mesa 2.1.1. Colocación básica……………………………………..…...…….. 27 2.1.2. La servilleta………………………………………………….…... 29 2.2 Elementos de la mesa 2.2.1. Cubertería……………………………………………...…………. 31 2.2.2. Cristalería………………………………………………………... 34 2.2.3. Mantelería…………………………………………..………….....34 2.2.4. Vajilla……………………………………………………....……. 35 2.3. Tipos clásicos de servicio de mesa…………………………………….. 37 2.3.1 Servicio francés……………………………….…………………. 37 2.3.2 Servicio ruso……..………………………………………………. 38 2.3.3 Servicio americano…………………………...…………….......... 38 2.3.4 Servicio inglés……………………………………………….…... 39 2.3.5 Otros tipos de servicio………………………………….…….….. 39 2.4. Las buenas maneras en la mesa 2.4.1 Comportamiento en la mesa………………………...………….... 41 2.4.2 Uso correcto de la cubertería y la cristalería…………..………… 43 2.4.3 Cómo comer diversos alimentos……………………………….... 45 2 2.5. Tipos de eventos 2.5.1 Desayunos………………………………………………………. 47 2.5.2 Brunch………………………..…………………………………. 49 2.5.3 Almuerzo y cenas……………………………………………….
    [Show full text]