BERNARD DIONYSIUS GEOGHEGAN Senior Lecturer, School of Media and Performing Arts, Coventry University

Email: [email protected] Web: www.bernardg.com

ACADEMIC AND EDUCATIONAL POSITIONS 2016- Senior Lecturer, School of Media and Performing Arts, Coventry University 2016-2017 Visiting Associate Professor, Film & Media Studies, Yale University 2011-2016 Wissenschaftlicher Mitarbeiter Institute fur Cultural History and Theory, Humboldt University of Berlin 2008 Visiting Professor American University of Paris, Department of Global Communications 2007 Visiting Fellow, Institute for Research and Innovation, Centre Pompidou 2005-2006 Assistant Instructor, Northwestern University 2000 Research Fellow, Institute for the Study of Money and Culture Harvard University

SELECT CURATORIAL AND MEDIA PRODUCTION ACTIVITIES 2014- Co-Curator and Educational Programmer, Technosphere & Anthropocene Projects Haus der Kulturen der Welt (Berlin) 2012- Producer and Host, Cultural Technologies Podcast 2011-2016 Instructor at Humboldt University, coursework included experimental coursework in programming, digital video, and steaming media 2007 Co-Producer, La Modernité sans la Modernisation Institute for Research and Innovation, Pompidou Center (Paris) 2005-2006 Assistant Instructor, Northwestern University, coursework included digital animation & experimental art practices 2001-2002 Digital Media Production Instructor, Spark Media Project (Poughkeepsie) 2000-2006 Consultant and Ghostwriter for Desgrippes Gobé (a.k.a. BrandImage)

EDUCATION 2012 Binational Ph.D. from Northwestern University (Screen Cultures) and Bauhaus-Universität Weimar (Faculty of Media Studies) Dissertation: “The Cybernetic Apparatus: Media, Liberalism, and the Reform of the Human Sciences”

2011 M. A., Media, Technology, and Society Northwestern University

2007 & 2009 Visiting Student Sciences Po-Paris

2007-2008 Visiting Student Massachusetts Institute of Technology Program in History, Anthropology, Science, Technology, and Society

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2001 B. A., Language and Literature Bard College

EXTERNAL FELLOWSHIPS, AWARDS, AND GRANTS 2016 Visiting Professor, Film and Media, Yale University (Mellon Foundation) 2015-2016 Fellow, CONNECT, Trinity College Dublin 2015-2016 Internationale Forschungszentrum Kulturwissenschaften, Vienna (declined) 2015 Fellow, Digital Cultures Research Lab, Leuphana University 2014 Junior Fellow, Internationale Kolleg für Kulturtechnikforschung und Medienphilosophie, Weimar 2012 IEEE Life Members' Prize, Society for the History of Technology (for best new essay on electrotechnology) 2011 Schachterle Essay Prize, Society for Literature, Science and the Arts (for best new essay by a nontenured scholar) 2010 Short-Term Fellowship, Huntington Library (declined) 2009 Predoctoral Fellowship (three years), German Research Foundation, (final year declined) The Melvin Kranzberg Dissertation Fellowship, Society for the History of Technology History Fellowship, Association for Computing Machinery 2007 Bruns Graduate Student Essay Award, Society for Literature, Science and the Arts Graduate Research Grant, Graduate School, Northwestern University Research Grant, French Interdisciplinary Group, Northwestern University 2005 Jacob K. Javits Fellowship (Four Years) Featured Speaker in Doctoral Showcase, Digital Culture and Heritage 2005 Meeting, Paris, France

Excluded: Internal fellowships, grants, and awards from Bard College, Bauhaus- Universität Weimar, Humboldt-Universität zu Berlin, the Massachusetts Institute of Technology, and Northwestern University.

PUBLICATIONS Work in Progress Digital Cosmologies: A Cultural History of Information, monograph in preparation for the University of Chicago Press.

Interfacing. Monograph on media archaeology of the environmental screen, co-authored with Francesco Casetti

Peer Reviewed Articles and Book Chapters “The Family as Machine: Film, Infrastructure, and Cybernetic Kinship in Suburban America.” Grey Room 66 (Winter 2017).

“What Bound the Double-Bind?” Grey Room 66 (Winter 2017).

“Claude Lévi-Strauss et les Communications.” In Les Résonances Des Structuralismes,

Bernard Dionysius Geoghegan (CV) · February 2017 · Page 2 / 10 edited by Jean-François Bert and Jérôme Lamy, 113–19. Paris: éditions des archives contemporaines, 2016.

“Information.” In Digital Keywords: A Vocabulary of Information Society & Culture, edited by Benjamin Peters, 173–83. Princeton: Princeton University Press, 2016.

“The Spirit of Media: An Introduction.” Critical Inquiry 42, no. 4 (Summer 2016): 809–14.

“Mind the Gap: Spiritualism and the Infrastructural Uncanny.” Critical Inquiry 42, no. 4 (Summer 2016): 899–922.

“Friedrich A. Kittler, Professor” (with Christian Kassung). Critical Inquiry 42, no. 4 (Summer 2016): 963–77.

“Ecologies of Disclosure: On Aesthetic Compositions of Technics and Life.” Spheres 2 (December 2015). http://spheres-journal.org/comment-to-bjornsten-stephenson/.

“Occult Communications: On Instrumentation, Esotericism, and Epistemology.” Communication +1 14, no. 1 (2015). http://scholarworks.umass.edu/cpo/vol4/iss1/1/.

“Visionäre Informatik: Notizen über Vorführungen von Automaten und Computern, 1769- 1962 [Visionary Informatics: Notes on the Exhibitions of Automata and Computers, 1769- 1962].” Jahrbuch Für Historische Bildungsforschung, 2015, 177–98.

“In Memoriam: Friedrich A. Kittler, 1943-2011.” Critical Inquiry 41, no. 2 (Winter 2015): 484–88.

“Cybernetics” (with Benjamin Peters). In The Johns Hopkins Guide to the Digital Humanities, edited by Lori Emerson, Benjamin Robertson, and Ryan Marie-Laure, 109–12. Baltimore: Johns Hopkins University Press, 2014.

“After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory, Culture & Society 30, no. 6 (November 2013): 66–82.

“Catching up with Simondon” (with Mark Hayward). SubStance 41, no. 3 (2012): 3–15.

“La Cybernétique « américaine » au sein du Structuralisme « français » [The American Cybernetics within ‘French’ Structuralism].” La Revue d’Anthropologie Des Connaissances 6, no. 3 (2012): 335–51.

“From Information Theory to French Theory: Jakobson, Lévi-Strauss, and the Cybernetic Apparatus.” Critical Inquiry 38, no. 1 (2011): 96–126.

“Agents of History: Autonomous Agents and Crypto-Intelligence.” Interaction Studies 9, no. 3 (2008): 403–14.

“The Historiographic Conception of Information: A Critical Survey.” The IEEE Annals on the History of Computing 30, no. 1 (2008): 66–81.

Bernard Dionysius Geoghegan (CV) · February 2017 · Page 3 / 10 Encyclopedia Entries and Brief Texts “The Dura-Europos Roman shields.” In Artwork as Screen, edited by Francesco Casetti, Keely Orgeman, Bernard Geoghegan and Karl Regina. New Haven: Yale University Art Gallery, 2016.

“Claude Lévi-Strauss” (with Erhard Schüttpelz). In The International Encyclopedia of Communication Theory and Philosophy, edited by Klaus Bruhn Jensen, Jefferson D. Pooley, Robert T. Craig, and Eric W. Rothenbuhler. Hoboken: Wiley-Blackwell, 2016.

“Cybernetics” (with Benjamin Peters). In The International Encyclopedia of Communication Theory and Philosophy, edited by Klaus Bruhn Jensen, Jefferson D. Pooley, Robert T. Craig, and Eric W. Rothenbuhler. Hoboken: Wiley-Blackwell, 2016.

White Papers “The Technosphere: Signal/Noise Ratios” (with Katrin Klingan and Christoph Rosol). Berlin: Haus der Kulturen der Welt, 2015.

“Brand America and the New Model of Leadership” (with Marc Gobé). New York: d/g*, 2005.

Book Reviews “Toward Liberal Histories of Computing: Fred Turner, The Democratic Surround.” Technology and Culture 56, no. 3 (July 2015): 745–48.

“Untimely Mediations: On Two Recent Contributions to ‘German Media Theory.’” Paragraph 37, no. 3 (2014): 419–25.

Translations Kittler, Friedrich. “Farewell to Sophienstraße.” Translated by Bernard Dionysius Geoghegan and Christian Kassung. Critical Inquiry 42, no. 2 (Summer 2016): 959- 62.

Stiegler, Bernard. “The Tongue of the Eye: What ‘Art History’ Means.” In Releasing the Image: From Literature to New Media, edited by Jacques Khalip and Robert Mitchell, translated by Thangam Ravindranathan with Bernard Geoghegan, 222–35. Stanford: Stanford University Press, 2011.

Popular Work “Wie der Code in die Welt Kam. Eine Spurensuche.” Interview and commentary for Kulturwelle Radio, September 2015.

“On Kulturtechniken.” Interview and commentary for Oklahoma Public Radio, April 2012.

Edited Collections Bateson Dossier. Special Dossier of Grey Room 66 (Winter 2017).

The Spirit of Media. Special Dossier of Critical Inquiry 42, no. 4 (Summer 2016).

Friedrich Kittler. Special Dossier of Critical Inquiry 42, no. 4 (Summer 2016).

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Occult Communications: Instrumentation, Esotericism, and Epistemology in the Nineteenth- Century. Special Issue of Communication +1 14, no. 1 (2015). http://scholarworks.umass.edu/cpo/

On Gilbert Simondon: Individuation and Technics. Special Issue of SubStance 41, no. 3 (2012). Co-edited with Mark Hayward.

Curation 1948 (with Katrin Klingan and Nicholas Hood). Berlin: Haus der Kulturen der Welt, 2017.

Artwork as Screen (with Francesco Casetti, Keely Orgeman, and Regina Karl). Yale University Art Gallery, 2016.

The Technosphere: Signal-Noise Ratios (with Katrin Klingan and Christoph Rosol). Haus der Kulturen der Welt, Berlin, 2015-2018.

Audio-Visual Media 2012- “Cultural Technologies: Dialogues on Media, Art and Science.” Online at www.cultural-technologies.com. Podcast. Host, producer, editor.

2007 “La Modernité sans la Modernisation.” Digital video with online distribution platform. Directed by Bernard Stiegler and produced by the Institute for Research and Innovation (Pompidou Center). Produced and edited interviews featuring Bernard Stiegler, André Green, Jean-Luc Nancy, Kevin McLaughlin, Dominique Lecourt and others.

2006—2010 Conducted oral history interviews on the interrelations among computer science, linguistics, and the humanities during the 1950s and 1960s. Results to be donated to the Charles Babbage Institute. Interviewees include Noam Chomsky, Morris Halle, Bob Fano, David Hagelbarger Bob Gallagher, Robert Massey Thomas Cover and John McCarthy. Recordings to be donated to Charles Babbage Institute.

INVITED PRESENTATIONS • “Network and Screen?” Sawyer Seminar on the Genealogy of the Excessive Screen, Yale University, November 2017. • “The Family as Machine: Cybernetic Kinship in Postwar America.” University of Cambridge, February 2017. • “The Spirit of Media.” Brigham Young University, February 2017. • “What is Information Theory a Theory Of?” Columbia University Seminar on the Theory and History of Media, December 2016. • “The Family as Machine: Cybernetic Kinship in Postwar America.” Cybernetics and the Human Sciences, Remarque Institute, New York University, December 2016. • “The Family as Machine: Cybernetic Kinship in Postwar America.” Cornell University, November 2016. • “Information.” Center for Humanities and Information, Penn State, October 2016. • “Becoming a Film and Media Studies Professional.” Rough Cut Colloquium, Film & Bernard Dionysius Geoghegan (CV) · February 2017 · Page 5 / 10 Media Studies, Yale University, September 2016. • “The Family as Machine: Cybernetic Kinship in Postwar America.” Stanford University. March 2016. • “Infrastructure as Experience, or: Visualizing Networks After Snowden.” Trinity College Dublin. February 2016. • “Medium as Open Work.” University of Applied Arts (Vienna). October 2015. • “Pragmatic Pedagogy: A Primer.” Coventry University. October 2015. • “Programming as a Cultural Technique.” Academy of Art and Design (Basel). June 2015. • “Scientific Visuality.” Goldsmiths University. April 2015. • “Multimedia Psychiatry, or: The Expanded History of Computational Reason.” Duke University. February 2015. • “Media Archaeology as Aesthetic Inquiry.” Transmediale (Berlin). January 2015. • “Visionary Informatics.” Goethe University of Frankfurt. October 2014. • “Epistemology of the Interface.” Leuphana University of Lüneberg. May 2014. • “Making Informatics Public: Automaten, Ausstellungen und digitale Bildung.” Technische Universität München, April 2014. • “Occult Knowledge and Plain Sight: On the Popular Display of Scientific Wonders.” Humboldt-Universität Berlin. November 2013. • “Rethinking Cybernetics.” Institut für Geschichte, University of Vienna. May 2013. • “Surfaces of Speculation: Automaton, Interface, and Archive.” University of Irvine, February 2013. • “Surfaces of Speculation: Automaton, Interface, and Archive.” New School for Social Research, February 2013. • “Surfaces of Speculation: Automaton, Interface, and Archive.” Mel Hoppenheim School of Cinema, Concordia University, January 2013. • “New Media and Visual Culture Studies Today.” Now! Visual Culture, New York University. May 2012. • “The Difficulties of Gift-Giving: Lévi-Strauss and the Technologies of Man.” The Franke Institute for the Humanities, University of Chicago. May 2012.

• “An Introduction to Kulturtechnik: American Liberalism as a Cultural Technology.” New Media Workshop, University of Chicago. April 2012. • “An Introduction to Kulturtechnik: American Liberalism as a Cultural Technology.” University of Tulsa. April 2012. • “Response to Paul Erickson's Paper The Measurement of Values and the Paradox of Behavioral Science.” Max Planck Institute for the History of Science. January 2012. • “Global Technique and Interdisciplinarity in the Postwar American University.” École Normale Supérieure de Cachan. November 2011. • “From Information Theory to French Theory.” Colloquium for Media Studies, Humboldt Universität zu Berlin. June 2011. • “Tracing Theseus’ Thread: The Itinerary of Claude Shannon’s Exhibition Aesthetic.” Claude Shannon und die Medien Conference. Museum für Kommunikation, Berlin. June 2010. • “Automata and Iconoclasm.” Journée des Études, École des Hautes Études en Sciences Sociales, Paris. May 2010. • “Le développement de la cybernétique « américaine » au sein du structuralisme « français ».” Pierre Mounier's Seminar on the History of Computing, Sorbonne (Paris IV). May 2010.

Bernard Dionysius Geoghegan (CV) · February 2017 · Page 6 / 10 • “Cybernetic Automata and the Deferred Image of Thought.” Cybernetics: From the Ontological Theatre to the Environmental Crisis. Research Symposium organized by the Science, Technology, and Culture Research Group and the Architectural Humanities Research Group, University of Nottingham. February 2010. • “The Experimental Milieu of Claude Shannon’s Information Theory.” Guest lecture in • Bruno Latour's Seminar on Empirical Philosophy, Sciences Po-Paris. March 2009. • “Claude Shannon's Epic Theater of Science: Bell Labs as Media Theater.” Colloquium for Media Studies, Humboldt Universität zu Berlin. May 2009. • “Public Information: Exhibition, Automata and Cold War Astonishment.” The Science, Technology, and Culture Research Group, University of Nottingham. May 2008. • “Strategies of Estrangement: Claude Shannon’s Epic Theater of Science.” Joint Colloquium of Comparative Media Studies and the Program in Science, Technology and Society, MIT. April 2008. • “How Information Lost its History: Global Communications, Cold Warfare, and Media Theory.” New Media Workshop, University of Chicago. April 2006. • “The Military-Entertainment Complex.” Guest lecture in “Science, Technology and Society,” Northwestern University. May 2006 • “When Television was New Media.” Guest Lecture in “History of Broadcasting,” Northwestern University. November 2005. • “Media Production, Media Theory, and Political Action: A Primer.” Guest lecture in “Media and Ideology,” Bard College. February 2002.

CONFERENCE PRESENTATIONS • “Screening: The Cultural Technique of Infrastructural Media.” Society for Cinema and Media Studies, March 2017. • “An Archaeology of Intermediation: Cybernetics, Cinema, and the Suburbs in the Filmwork of Gregory Bateson.” Society for Cinema and Media Studies. March 2016. • “The Ghost in the (Calculating) Machine: On Automata and Astonishment.” Society for Cinema and Media Studies. March 2013. • “The Difficulties of Gift-Giving: Lévi-Strauss and the Technologies of Man.” The Society for the Social Study of Science Annual Meeting, Copenhagen. October 2012. • “The Difficulties of Gift-Giving: Lévi-Strauss and the Technologies of Man.” The Society for the History of Technology Annual Conference, Copenhagen. October 2012. • “The Technologies of Liberalism.” Annual Meeting of the Gesellschaft für Medienwissenschaft, Potsdam. October 2011. • “Cybernetic Automata and the Elusive Figure of Reason.” Fading Figures/Figures of Fading, Northwestern University, Evanston. May 2010. • “Digital Computers, Now on your TV! Transmedia Circulation and Divergence in the 1950s.” Society for Cinema and Media Studies Annual Conference, Los Angeles. March 2010. • “Informed Ideology: The Politics of Information Theory from French Structuralism to British Cultural Studies.” Society for the History of Technology Annual Conference, Lisbon. October 2008. • “Against Embodiment: Gesture Amidst Technics.” Society for Literature, Science and the Arts Annual Conference, Portland. November 2007. • “A Response to Against Embodiment, Panel II.” Society for Literature, Science and the Arts Annual Conference, Portland. November 2007. • “Grandfathering Technology: Information Theory and the Role of Historiography in Bernard Dionysius Geoghegan (CV) · February 2017 · Page 7 / 10 Scientific Innovation.” Society for the History of Technology Annual Conference, Washington, DC. October 2007. • “Designing Terror by Air and Underground: The Postwar Construction of the Leaflet Bomb” (with Mats Fridlund). International Committee for the History of Technology Annual Conference. Copenhagen. August 2007. • “Tirades in the Trading Zone: Encoding Cultural Studies / Decoding Cybernetics.” Society for Literature, Society and the Arts Annual Conference, Chicago. November 2005. • “Il n'y a pas de nouveaux medias.” International Cultural Heritage Informatics (ICHIM) International Conference, Paris. September 2005. • “The Other Agent: Cryptography, Computing, and Postwar Theories of Intelligent Communication.” INTERACT Annual Conference, Rome. September 2005. • “There are no new media: A narrative of new media.” Media in Transition 4, Massachusetts Institute of Technology. May 2005. • “Embodying Televisual Ethics.” Merging Methodologies Conference, Northwestern University. February 2005. • “Web-site/sight/cite: Registering Materiality Online.” Association for Cultural Studies International Conference, Urbana. June 2004. • “What’s the Matter with this Picture? Mediation and Vision.” Media and the Body Symposium, Northwestern University. December 2003.

TEACHING EXPERIENCE Living in the Digital World: Putting Theory into Practice, Undergraduate Course in Media & Communications, Coventry University, 2017. Living in the Digital World II: Research Methodologies, Undergraduate Course in Media & Communications, Coventry University, 2017. Living in the Digital World II: Global and International, Undergraduate Course in Media & Communications, Coventry University, 2017.

Screens, Graduate Course in Film and Media Studies, Yale University, 2016. (With Francesco Casetti) Key Concepts in Media & Communication, Undergraduate Course in Media & Communications, Coventry University, 2016. Visualities: Rethink, React, Respond, Undergraduate Course in Media & Communications, Coventry University, 2016. Smartness, Seminar for the Anthropocene Campus, HKW, 2015. (With Orit Halpern, Rob Mitchell). (Cultural Theory & Media Practice) The Times of the Technosphere, Undergraduate Course at the Institute for Cultural History and Theory, Humboldt University of Berlin, 2015. (Cultural Theory & Media Practice) Techniken und Medien der Psychoanalyse (in German), Graduate Course in the Psychoanlytische Kulturwissenschft MA Studiengang co-administered by Humboldt University of Berlin and the Berlin Institute for Psychotherapy and Psychoanalysis. (Cultural History & Media Practice) Programming as a Cultural Technology (in German and English), Graduate Course at the Institute for Cultural History and Theory, Humboldt University of Berlin, 2012. (Cultural History & Media Practice) Global Internet (in English), Graduate Course in Department of Global Communications, American University of Paris, 2008. (Cultural History) Bernard Dionysius Geoghegan (CV) · February 2017 · Page 8 / 10 The Internet and Globalization (in English), Undergraduate Course in Department of Global Communications, American University of Paris, 2008 (Cultural History) Science, Technology and Society (with Jennifer S. Light), Undergraduate Course in Communications Studies, Northwestern University, 2006 (Cultural History) Animate Arts (with Ian Horswill and Annette Barbier), Undergraduate Course in Animate Arts Program of Northwestern University, Northwestern University, 2006 (Cultural Theory & Media Practice) History of Broadcasting (with Larry Lichty), Undergraduate Course in Radio/Television/Film Program of Northwestern University, Northwestern University, 2005 (Cultural History) Art & Technology (with Annette Barbier), Undergraduate Course at the Center for Art & Technology, Northwestern University, 2005 (Cultural Theory & Media Practice) Introduction to Digital Video Production, Children's Media Project, New York, 2001-2002 (Media Practice) Introduction to Digital Video Editing, Children's Media Project, New York, 2001-2002 (Media Practice) Introduction to Media Literacy, Children's Media Project, New York, 2001-2002 (Cultural Theory and History)

POSTGRADUATE THESES AND DISSERTATIONS ADVISED Charlie Smith-McMahon Dolline Mukui Daixue Chen Johannes Maibaum Stephanie Ellison Dos Anjos Yutong Sun Weiwei Sun Danyang Wang Lu Yang Zhongling Wan Fangzhou Yan Dionne Lee Thomas Woodhouse Wenjia Xiao Mingxin Yang James Stephen Wells

SELECT SERVICE AND MEMBERSHIP Editorial Work (Digital) Advisory Board Member, Communication +1 (Open-source, online peer reviewed journal)

Peer Reviewed Articles For Critical Inquiry, IEEE Annals on the History of Computing, Interaction Studies, French Studies, Communication +1, Political Theory, Information & Culture

Judge on Prize Committee Joan Cahalin Robinson Prize Committee, Society for the History of Technology, 2012 IEEE Life Members' Prize, Society for the History of Technology, 2013-2016

Bernard Dionysius Geoghegan (CV) · February 2017 · Page 9 / 10 Professional Associations (Current and recent) Affiliate of: Critical Code Studies Lab; Science, Technology, Culture Group of Nottingham University Member of: Society for the Social Study of Science; Gesellschaft für Medienwissenschaft; Society for Cinema and Media Studies; Society for the History of Technology; Special Interest Group for Computers Information and Society; Society for Literature, Science and the Arts; Information Technology History Society

Conferences and Workshops Organized or Co-Organized: “Looking Through the Occult: Instrumentation, Esotericism, and Epistemology in the Nineteenth Century,” Humboldt-Universität zu Berlin, November 2013. “Was heißt Kulturtechnik?,” Hermann von Helmholtz-Zentrum für Kulturtechnik, Humboldt University of Berlin, June 2012. Participants included faculty members from Humboldt-Universität zu Berlin, Bauhaus-Universität Weimar, Duke, NYU, UNC Chapel Hill, Tech. University Berlin, Max Planck Institute for the History of Science, Center for Literature (Berlin), University of Lüneberg, and the University of Pennsylvania “Gilbert Simondon: Transduction, Translation, Transformation,” American University of Paris, May 2010. Participants included faculty and students from France, USA, Germany, Austria, Switzerland, Canada “Transatlantic Dialogues: The Weimar-Northwestern Workshop,” Bauhaus-Universität Weimar, June 2009. Participants included faculty and students from Weimar, Jena, Erfurt, and Northwestern Universities Merging Methodologies 2, Northwestern University, February 2005. Included faculty and students from Madison, Ann Arbor, and Northwestern

Conference Panels Organized or Co-Organized: “Genealogies of Media Environments,” Society for Cinema and Media Studies, 2017. “Cybernetic Cinema.” Society for Cinema and Media Studies, 2016. “Technical Dysfunctionality.” Gesellschaft für Medienwissenschaft, 2011. “Cybernetics and Information Theory – 1948 and Beyond.” Society for the History of Technology, 2008 “Embodiment and its Discontents.” Society for Literature, Science and the Arts, 2007 “Database, Semantics, Cognition.” Society for Literature, Science and the Arts, 2005

CITIZENSHIP Ireland, USA

LANGUAGES English (native), French (advanced), German (advanced), Spanish (basic)

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