Power and Purity. Cathar Heresy in Medieval Italy
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Dante Alighieri E Farinata Degli Uberti VINCENZO SALERNO (Università Di Cassino E Del Lazio Meridionale) 83-99
Rivista semestrale online / Biannual online journal http://www.parolerubate.unipr.it Fascicolo n. 20 / Issue no. 20 Dicembre 2019 / December 2019 Direttore / Editor Rinaldo Rinaldi (Università di Parma) Comitato scientifico / Research Committee Mariolina Bongiovanni Bertini (Università di Parma) Dominique Budor (Université de la Sorbonne Nouvelle – Paris III) Roberto Greci (Università di Parma) Heinz Hofmann (Universität Tübingen) Bert W. Meijer (Nederlands Kunsthistorisch Instituut Firenze / Rijksuniversiteit Utrecht) María de las Nieves Muñiz Muñiz (Universitat de Barcelona) Diego Saglia (Università di Parma) Francesco Spera (Università Statale di Milano) Segreteria di redazione / Editorial Staff Maria Elena Capitani (Università di Parma) Nicola Catelli (Università di Parma) Arianna Giardini (Università Statale di Milano) Chiara Rolli (Università di Parma) Esperti esterni (fascicolo n. 20) / External referees (issue no. 20) Alberto Cadioli (Università Statale di Milano) Eleonora Capra (Università di Parma) Silvia Contarini (Università di Udine) Matteo Di Gesù (Università di Palermo) Antonio Di Silvestro (Università di Catania) Jérôme Dutel (Université Jean Monnet – Saint-Étienne) Martino Marazzi (Università Statale di Milano) Anna Mirabella (Université de Nantes) Francesco Montone (Università di Napoli Federico II) Francesca Parmeggiani (Fordham University – New York) Elena Spandri (Università di Siena) Rodolfo Zucco (Università di Udine) Progetto grafico / Graphic design Jelena Radojev (Università di Parma) † Direttore responsabile: Rinaldo Rinaldi Autorizzazione Tribunale di Parma n. 14 del 27 maggio 2010 © Copyright 2019 – ISSN: 2039-0114 INDEX / CONTENTS Speciale ALIBI MEDIEVALI. IL MEDIOEVO COME LABORATORIO DI RISCRITTURA a cura di Francesco Bonelli, Giulia Cacciatore, Filippo Fonio Presentazione 3-14 Il medioevo citato di Giovanni Pascoli. Re Enzo fra storia e simbolo FRANCESCA IRENE SENSINI (Université Nice Sophia Antipolis) 15-26 Nell’abisso dell’aldiquà. -
Dante's Political Life
Bibliotheca Dantesca: Journal of Dante Studies Volume 3 Article 1 2020 Dante's Political Life Guy P. Raffa University of Texas at Austin, [email protected] Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, and the Medieval History Commons Recommended Citation Raffa, Guy P. (2020) "Dante's Political Life," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 3 , Article 1. Available at: https://repository.upenn.edu/bibdant/vol3/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol3/iss1/1 For more information, please contact [email protected]. Raffa: Dante's Political Life Bibliotheca Dantesca, 3 (2020): 1-25 DANTE’S POLITICAL LIFE GUY P. RAFFA, The University of Texas at Austin The approach of the seven-hundredth anniversary of Dante’s death is a propi- tious time to recall the events that drove him from his native Florence and marked his life in various Italian cities before he found his final refuge in Ra- venna, where he died and was buried in 1321. Drawing on early chronicles and biographies, modern historical research and biographical criticism, and the poet’s own writings, I construct this narrative of “Dante’s Political Life” for the milestone commemoration of his death. The poet’s politically-motivated exile, this biographical essay shows, was destined to become one of the world’s most fortunate misfortunes. Keywords: Dante, Exile, Florence, Biography The proliferation of biographical and historical scholarship on Dante in recent years, after a relative paucity of such work through much of the twentieth century, prompted a welcome cluster of re- flections on this critical genre in a recent volume of Dante Studies. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
This New Light Which Now I See…
This new light which now I see… From the writings of Saint Paul of the Cross John Baptist Gorresio and John Mary Cioni 1 Foreword It is true that it is only in the last 30 years or so that the spirituality of Saint Paul of the Cross and the history of the Passionist Congregation which he founded has become available to the Passionist religious of the English-speaking world, thanks to linguistically gifted persons within the Congregation who were generous to devote their time and talents to the work of translation. All of the written documents (mainly letters) of St Paul of the Cross and the testimonies written by his contemporaries have been in the Italian language. These were a little more easily translated into the major European languages of French and Spanish. However it was a long time coming in English. Ever since translations of these beautiful documents have become available in English, a new light dawned in the minds and hearts of many Passionists, particularly in the English- speaking world. There has been a real hunger and thirst amongst these Passionists to want to delve into the character and personality of their spiritual Father, Paul of the Cross, and to be enriched by the spirituality of him who has been described as the greatest mystic of the eighteenth century. The documents contained in this book contributes eminently to this desire and adds to the growing volumes of resources now available to English readers. The slow, tedious and pain-staking work of translation is perhaps easily overlooked by readers when this book is picked up and devoured. -
Nicholas of Cusa
Nicholas of Cusa Biographical novel Jean Bédard January 2010 E-mail: [email protected] Translation by Richard Clark 1 2 Table des matières Nicholas of Cusa ................................................................................................................... 1 Table des matières ................................................................................................................ 3 Prologue ................................................................................................................................. 4 The Church Victorious ........................................................................................................ 6 The beauty of the world .................................................................................................... 11 The state of the world ........................................................................................................ 19 The witches .......................................................................................................................... 23 The trial ................................................................................................................................ 32 The execution ...................................................................................................................... 40 The reform ........................................................................................................................... 43 The betrayal ........................................................................................................................ -
Dante's Inferno
Dante’s Inferno: Critical Reception and Influence David Lummus Dante and the Divine Comedy have had a profound influence on the production of literature and the practice of literary criticism across the Western world since the moment the Comedy was first read. Al- though critics and commentators normally address the work as a whole, the first canticle, Inferno, is the part that has met with the most fervent critical response. The modern epoch has found in it both a mirror with which it might examine the many vices and perversions that define it and an obscure tapestry of almost fundamentalist pun- ishments that are entirely alien to it. From Ezra Pound, T. S. Eliot, and Osip Mandelstam in the early twentieth century to Seamus Heaney, W. S. Merwin, and Robert Pinsky at century’s end, modern poets of every bent have been drawn to the Inferno and to the other two canti- cles of the Comedy as an example of poetry’s world-creating power and of a single poet’s transcendence of his own spiritual, existential, and political exile.1 To them Dante was and is an example of how a poet can engage with the world and reform it, not just represent it, through the power of the poetic imagination. In order to understand how Dante and his poem have been received by critics and poets in the twentieth and twenty-first centuries, we must glance—however curso- rily—at the seven-hundred-year critical tradition that has formed the hallowed academic institution of Dante studies. In this way, we can come to see the networks of understanding that bind Dante criticism across its history. -
{Dоwnlоаd/Rеаd PDF Bооk} Divine Comedy: Inferno/Dante
DIVINE COMEDY: INFERNO/DANTE PDF, EPUB, EBOOK Dante | 224 pages | 03 Sep 2007 | SIMON & SCHUSTER | 9781416500230 | English | New York, United States Divine Comedy: Inferno/Dante PDF Book There are so many different interpretations of their symbolic significance that each reader can assign a specific meaning, but basically suffice it to say that together they represent obstacles to Dante's discovering the true light on the mountain. Lives of the Popes: The Pontiffs from St. Sayers, Hell , notes on Canto V, p. The rivalry between the two parties not only set one city against another, but also divided individual cities and families into factions. The Divine Comedy , Italian La divina commedia , original name La commedia , long narrative poem written in Italian circa —21 by Dante. Each Bolgia has different kinds of people who sin is fraud:. Business Essay Writing. The passage across the Acheron, however, is undescribed, since Dante faints and does not awaken until they reach the other side. Download as PDF Printable version. Give Feedback External Websites. In this world, they were buffeted about by their passions; in Hell, they are buffeted about by the winds of passion, as they eternally clasp each other. Puccio Sciancato remains unchanged for the time being. Help Learn to edit Community portal Recent changes Upload file. Each of the parts of the journey are full of dead souls who suffer trying to rid themselves of their sins, or simply survive in the afterlife. When they enter Inferno, they see an inscription on its gate:. Divine Comedy Inferno. Law Essay Writing. EssayPro Writers. These are the souls of people who in life took no sides; the opportunists who were for neither good nor evil, but instead were merely concerned with themselves. -
Dante's Hidden
Dominican Scholar Graduate Master's Theses, Capstones, and Culminating Projects Student Scholarship 5-2016 Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries Michael J. Rupers Dominican University of California https://doi.org/10.33015/dominican.edu/2016.hum.01 Survey: Let us know how this paper benefits you. Recommended Citation Rupers, Michael J., "Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries" (2016). Graduate Master's Theses, Capstones, and Culminating Projects. 214. https://doi.org/10.33015/dominican.edu/2016.hum.01 This Master's Thesis is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Graduate Master's Theses, Capstones, and Culminating Projects by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Dante’s Hidden Sin: Wrath How Dante Vindictively Used The Inferno Against Contemporaries by Michael Rupers A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Master of Arts in Humanities San Rafael, California May 2016 This thesis, written under the direction of the candidate’s thesis advisor and approved by the department chair, has been presented to and accepted by the Department of Humanities in partial fulfillment of the requirements for the degree of Master of Arts. The content and research presented in this work represent the work of the candidate alone. Michael Rupers May 2016 Candidate Joan Baranow, Ph.D. May 2016 MAH Program Director Sister Aaron Winkelman, Ph.D., Professor Emerita (English) May 2016 Thesis Advisor Leslie Ross, Ph.D., Professor (Art History) May 2016 Secondary Thesis Advisor "II Copyright @ 2016 by Michael Rupers All Rights Reserved "III Table of Contents Introduction: Contemporaries of Dante in The Inferno ……………….……… 1 Pope Celestine V ………………………………………………………………. -
Cecco Vs. Dante: Correcting the Comedy with Applied Astrology
Cecco vs. Dante: Correcting the Comedy with Applied Astrology Seth Boniface Fabian Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Seth Boniface Fabian All rights reserved ABSTRACT Cecco vs. Dante: Correcting the Comedy with Applied Astrology Seth Boniface Fabian Cecco d’Ascoli (1269?-1327), was burned at the stake in Florence as a heretic on 16 September, 1327. The Inquisitor also set aflame his texts: a Latin textbook on astronomy and Acerba, a 4867 verse “scientific epic” written in his particular Italian vernacular. The Inquisitor also banned the possession of either text on pain of excommunication. Despite the ban, the texts survived and even flourished. However, Acerba never engaged the public to the extent that the tragedy suffered by the text’s author has. For almost seven hundred years, this “anti-Comedy” has gone largely uninterrupted due to the difficulty of the language, an enigmatic hybrid of several vernaculars, and due to the difficulty of the content, technical medieval science written in verse by an author habituated to syncopating his arguments for a university audience familiar with the material. In this dissertation, I provide a reading of the two most difficult chapters, Acerba I.i and I.ii, where Cecco sets forth his system of “applied astrology” that serves as a General Unifying Theorem to explain all phenomena in the cosmos. In Acerba, Cecco presents a cosmos bound tightly together by principles of interactions that I term “applied astrology”, his Grand Unifying Theorem that unites God, angels and humanity. -
Cum Bellum Hodie” of Pope Pius II (26 September 1459, Mantua)
Oration “Cum bellum hodie” of Pope Pius II (26 September 1459, Mantua). Edited and translated by Michael von Cotta-Schönberg. 6th version. (Orations of Enea Silvio Piccolomini / Pope Pius II; 45) Michael Cotta-Schønberg To cite this version: Michael Cotta-Schønberg. Oration “Cum bellum hodie” of Pope Pius II (26 September 1459, Man- tua). Edited and translated by Michael von Cotta-Schönberg. 6th version. (Orations of Enea Silvio Piccolomini / Pope Pius II; 45). 2019. hal-01184169 HAL Id: hal-01184169 https://hal.archives-ouvertes.fr/hal-01184169 Submitted on 13 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. (Orations of Enea Silvio Piccolomini / Pope Pius II; 45) 0 Oration “Cum bellum hodie” of Pope Pius II (26 September 1459, Mantua). Edited and translated by Michael von Cotta-Schönberg 6th version 2019 1 Abstract Soon after his election as pope, in August 1458, Pius II announced that one of his highest priorities, or indeed the highest, would be the war against the Turks for which he had been working tirelessly since the Fall of Constantinople in 1453. His first initiative in this regard was to summon the Christian princes and peoples to a Congress in Mantua to discuss and organize a crusade against the Turks. -
Historical Characters in Dante's Divine Comedy
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Uncovering The Sources: Historical Characters In Dante's Divine Comedy Vanessa Dimaggio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Italian Literature Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Dimaggio, Vanessa, "Uncovering The Sources: Historical Characters In Dante's Divine Comedy" (2019). Publicly Accessible Penn Dissertations. 3486. https://repository.upenn.edu/edissertations/3486 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3486 For more information, please contact [email protected]. Uncovering The Sources: Historical Characters In Dante's Divine Comedy Abstract A lack of citation of Dante’s specific source material for historical characters who appear in the Divine Comedy is widespread throughout the commentary tradition. I performed a close textual analysis of the Divine Comedy’s historical characters, comparing them with the chronicles, annals and histories of Dante’s time, using both archival research and secondary histories to do so, and interpreted those primary historical texts as potential sources consulted by Dante. The historical characters I focused on fell into three categories: 1) characters involved in the battles of Montaperti and Colle Val d’Elsa, 2) characters belonging to or associated with the Norman, Swabian and Aragonese dynasties of Sicily, 3) characters embroiled in sensational or newsworthy events during Dante’s lifetime. The first two categories analyzed historical events that mostly occurred before Dante was born, and thus focused more heavily on written testimony, while the third category analyzed the news of Dante’s adulthood, and thus focused more on oral tradition. -
The Succession and Coronation of Magnus Erlingsson
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives UNIVERSITY OF OSLO INSTITUTE OF ARCHAEOLOGY, CONSERVATION AND HISTORY Dissertation for the degree of Master of Arts: Norwegian Kingship Transformed: the Succession and Coronation of Magnus Erlingsson (Depiction of Magnus Erlingsson, by Gerhard Munthe, 1899) Thomas Malo Tollefsen Spring 2015 1 2 Abstract This dissertation is an exploration of the succession and coronation of Magnus Erlingsson based upon three themes: Norwegian kingship in theory, Norwegian kingship in practise, and Norwegian kingship in context, and a search for points of similarity and contrast with European trends. In the first theme the focus of the analysis will be the coronation of Magnus Erlingsson, exploring this in two parts: the rules of kingmaking and the narration of Snorre in the Saga of Magnus Erlingsson, and motivations behind the coronation. In the second theme the focus will again be on the coronation of Magnus Erlingsson. First, this dissertation attempts to put together a workable timeline from when Magnus is acclaimed king in 1161 to his coronation in either 1163 or 1164. Then the analysis shifts to the coronation itself, before it falls on the coronation oath and the Letter of Privileges to see what they can tell us about Magnus’s kingship, and the Law of Succession and what it meant for the future. In the third theme this dissertation attempts to contextualise Magnus’s kingship and this chapter will focus on two things: acquisition, and by extension how to legitimise your rule once it has been acquired, and succession to kingship.