Harley L. Clarke Re-Elected President

Total Page:16

File Type:pdf, Size:1020Kb

Harley L. Clarke Re-Elected President SAO "LONG PAULO LEGS" LEADS SENSA­ BRAZIL TIO N RACE OF YEAR Published every week in the interests of Maurice Ahern, Editor Fox Box-Office activities around the globe. VOL. 3 JUNE 20, 1931 No. 25 //y an kee II Breaks Japanese Record Harley L. Clarke SENSATION AT T AISHOKAN THEATRE IN TOKIO Re-elected President TOKIO-Will Rogers in "Yankee at King Arthur's Court" has com­ STOCKHOLDERS APPROVE pletely won the hearts and applause REGIME UNANIMOUSLY­ NEW FOX FILM of the Japanese public and is rated NEW BOARD CHOSEN as the biggest hit which has been pre­ BOARD OF DIRECTORS NEW YORK-The stockholders sented in Japan in recent years. Following is the personnel of the Board of Directors of Fox Film Cor­ of Fox Film Corporation at their an­ poration elected at the annual meet­ Opening June 14th at the Taishokan nual meeting last week in this city theatre in this city which has lately been ing in New York last week : acquired by the powerful Shochiku circuit Harley L. Clarke, President Fox Film gave their unanimous approval to Corporation, "Yankee" from the opening performance President Harley L. Clarke and his has been packing them in and has already Albert H . Wiggin, Chairman of the Governing Board of the Chase regime and the officers of the corpora­ set up a new mark for this beautiful play­ National Bank of the City of house which is the newest, largest and most New York, tion who have so successfully guided up to date in the country. Cornelius Vanderbilt, Capitalist, New the destinies of the corporation dur­ York, A long run is predicted on all sides and ing the past year were again chosen Philip R . Clarke, President of the the rest of the theatres throughout the Central Trust Company of Il­ to carry on during 1931-32. Several country are already clamoring loudly for linois, Chicago, new members were also added to the playdates. Frank 0. Watts, Chairman of the Board of Directors of the First board of directors at the annual meet­ The Japanese press was especially en­ National Bank of St. Louis, ing which makes it one of the strong­ thusiastic over the work of Rogers who is George M. Moffett, President of the est and most representative line-ups immensely popular in this country and Corn Products Refining Com­ agreed with the critics in other parts of the pany, possessed by any corporation. world that "Yankee" represents his great­ Matthew C. Brush, President Ameri­ President Clarke in his address to est work so far. They rated it the ace in a can International Corporation, the stockholders said in part the fol­ string of aces which included "They Had C. W . Higley, President Hanover Fire Insurance Company, lowing: To See Paris," "So This Is London" and Winfield Sheehan, Vice President and "The motion picture industry has "Lightnin'." General Manager Fox Film not been immune from the effects of Corp. a business depression lasting nea1·ly David K . E. Bruce, two years. Fortunately, it suffered less than almost any other business. Lionel Barrymore To Appear Edward R. Tinker, President Inter­ The prospect of the business has not state Equities Corporation, found it necessary to take drastic Opposite Elissa Landi Samuel W . Fordyce, Fordyce, Holli­ steps of r etrenchment that would day and White, Attorneys. handicap production and impair the HOLLYWOOD-Lionel Barrymore has value of its product, but every prac­ been signed for the role of a villainous tical economy within these limits has Russian Baron in "The Yellow Ticket," been effected. Under our system of Fox Film starring Elissa Landi. "JUST IMAGINE" PREMIERES budgeting production it is expected t hat more than $3,000,000 a year can David Manners will enact the romantic IN HOLLAND be saved. This plan has been in ef­ lead opposite Miss Landi, that of an Amer­ fect for more than five months, and AMSTERDAM-Premiere performances ican newspaper correspondent. 1931 should fully reflect its benefits. of "Just Imagine" in the principal cities "There are signs of business im­ " The Yellow Ticket," which will be di­ of Holland have been set. It will open dur­ provement. The motion picture in­ rected by Alfred Santell, is adapted from ing the third week in June in the Roxy the­ dustry should continue in a more favored position than that of the av­ Michael Morton's sensational play which atre in this city, the City theatre in the erage business and should respond created a sensation when it was produced Hague and the Thalia theatre in Rotter­ quickly to any fundamental improve­ on the stage. dam. ment in basic conditions." world wide news SAO PAULO TAKES LEAD IN BRAZILIAN RACE + RIO JANEIRO-The Brazilian Movietone News Sales Contest is becoming more and more interesting as the branches shuffle around. E'ntering t he first week of June Sao Paulo has grabbed the lead from Rio de Janeiro whi ch has held f irst position si nce the beginning. Rio however did not give up the lead without a struggle and has served notice that it won't be long before it is back again on t op of the perch. The other branches have not changed positions much but the entire race is tightening up and has become a solid pack hustling down the stretch to t he finish. PREVIOUS WEEK PRESENT WEEK RESULTS UP TO 5-29-31 Elissa Landi doesn' t look so "Wicked" Branches Branches Branches here, does she? Champions 1. S. PAULO SAO PAULO SAO PAULO Leading Broadway Ju nnile 2. RIO DE JANEIRO RIO DE JANEIRO RIO DE JANEIRO Signed By Fox Films 3. RECIFE RECIFE RECIFE NEW YORK-Edward Crandall, who re­ ceived critical plaudits for his work as t he Placers juvenile in "Give Me Yesterday," has been 4. PORTO ALEGRE PORTO ALEGRE PORTO ALEGRE signed to a Fox co ntract. Still in his eal'ly 5. BELLO HORIZONTE BELLO HOR!ZONTE BELLO HORIZONTE twenties, Mr. Crandall has had eight years 6. JUIZ DE FORA RIBEIRAO PRETO JUIZ DE FORA of acting experience and has become one of the leading dramatic juveniles of the New York stage. Trailers He is the son of E. H. Crandall , owner of the Mayfair and other exclusive hotels, 7. BAHIA SOLADADE RIBEIRAO PRETO and is the first member of his family to 8. SOLEDADE BAHIA BAHIA become an actor. His father never OPI!Osed 9. RIBEIRAO PRETO JUIZ DE FORA SOLED ADE his stage ambitions. I Mr. Crandall was educated at Hackley School at Tarrytown, N. Y . ., and at Uni­ versity Co ll ege, Oxford. While attending Oxford he joined the '0.U.D.S., leading Broadway Heat June Month dramatic society of the university, and be­ came inter ested enough in acting to decide upon it as his career. Student members of Means Nothing Rushing Along the society had an unusual advantage over most amateur actors; the feminine roles of II their productions were enacted by London To "L ong Legs To High Mark stage stars. His first part in New York was in David NEW YORK-The last two weeks have NEW YORK-Reports coming in to the Belasco's production of " The Merchant Of been the hottest Broadway has known this Head Office from overseas branches for Venice," staning David Warfield. In the year but that didn't mean a thing to " Dad­ same year he played in "Thank You," dy Long Legs" at the Roxy although other the first two weeks of the month of June "New Brooms," "Ostriches" and "The theatres suffered greatly. indicate that new marks will be set in many Loves of Lulu." This Janet Gaynor smash hung up the localities for this great clean up month of Critics took special notice of his work in best box office records for a year in the the season. "Young Woodley," in which he played sec­ two weeks of its run and co uld undoubted­ ond lead to Gl enn Hunter. ly have played an extended engagement if Especially from the Spanish speaking Mr. Crandall and Kay Francis, screen it were not fo1· the new r ule at the Roxy co untries where the Fox Dialogue pictures star, bear a marked resemblance to each which limits engagements to two weeks. are cleaning up are the reports most favor­ other and might pass for brother and sist er. The phenomenal success of "Long Legs" They were cast in "Venus" by Rachael able. Argentine is looking forward to set­ all over the country has resulted in holding ting a mark for June that will take years Crothers because they looked alike. up release of "Annabelle's Affairs" which The n ew Fox player has played juvenile was due to foll ow it at all the deluxe the­ to approach. The same is true of Spain, leads with Ina Claire in "Our Betters"; atres. Cuba, Mexico, Porto Rico and Panama. with Mary Boland - in "Heavy Traffic"; with Peggy Hopkins Joyce in "Lady of the Orchids," and with Miriam Hopkins in " His M ajesty's Car." • • • BIG CONTRACT Old Court House R eproduced NEW YORK-One of the longest term film contracts ever negotiated, has been signed by Fox Film Corporation for the showing of all its pictures for a ten year HOLLYWOOD-A repli ca of New York's period bei;rinning August 1931 in the one hundred and thirty six theatres of the well known J efferson Market Court-the old building- was built at the Fox Film Famous Players Canadian Corporation, Ltd. Studios for "The Brat," which John Ford The contract provides for the annual showing of 48 feature pictures and 104 is directing.
Recommended publications
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • Bancroft in a Scene from “Scandnl Sheet’* at the State To-Day Gripping Numbers
    Spanish Tumblers The Man Who Calhe at the Strand Back’ at The Lyric Head Five Act Bill of AIU Janet Gaynor and Charles Star Vaudeville Farrell Heads Great Cast Warner Brothers’ Strand theater "The Man Who Came Back,” presents its patrons with another Raoul Walsh’s Fox Movietone drama excellent stage and screen show starring Janet Gaynor and Charles Farrell telsl of a wealthy financier's starting and for the ensuing 'to-^y son who traveled the road to degra- three days. dation and then staged a "comeback” Headlining it five act all-star through the love and faith of a girl vaudeville bill IS the Monge Troupe, he met in a Shanghai dive. Current history contains a sensational group of Spanish acro- many such examples. Some of them have who a routine of amaz- bats present climbed back from financial failure, feats that have set the vaude- ing while many have slipped from the ville world ngog. These talented ar- spotlight and then fought their way tists an display uncanny mastering back to greater prominence. of their chosen art and give their Miss and Farrell are tak- audiences thrill after thrill. Gaynor every to Carter and Aalbu Sisters have an ing precaution prevent slip- from their in and highly entertaining ping place the sun as amusing the screen’s most act in which they prove con- popular sweet- novelty hearts have that they know what the They mutually agreed vincingly to public wants and proceed to dis- appear opposite each other in not more than two a pense it in generous quantities.
    [Show full text]
  • Pioneer Film Director Honored / HENRY KING
    The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
    [Show full text]
  • DT Filmography
    Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill,
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • James W. Phillips Collection
    JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life.
    [Show full text]
  • Films Saved from Twentieth Century
    Hf NO. 41 The Museum of Modern Art FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 955-6100 Cable: Modemart TOM MIX, CLARA BOW, AND OTHER EARLY STARS ON MUSEUM SCREEN "Riders of the Purple Sage" and "Just Tony," two early silent films of Tom Mix, and "Call Her Savage," starring Clara Bow, the early sex siren, will be part of a special series of "rescued" films to be shown at The Museum of Modern Art. The program, starting April 10, 1971, consists of Twentieth Century-Fox films preserved by the Museum, which have not been seen here since their original release. "Riders of the Purple Sage," a 1925 Zane Grey romance, was made by Fox four times between 1914 and 1941. Of the Tom Mix version Eileen Bowser, Associate Curator in charge of the Museum's Film Archive, points out "the camera is permitted to get closer than usual to the actor: he avoided close-ups as a rule, not only to show off to the full his splendid riding and roping skills, but also because he made little pretense of being a dramatic actor." Mix, according to Mrs. Bowser, outranked all other cowboy stars in popularity. He made his debut on film in 1919, but prior to that time he had been a star of touring Wild West shows, and he was billed as "Tom Mix Ex-U. S. Marshall, Expert Roper and Bronco Buster." The second picture starring Mix, "Just Tony," is of 1922 vintage. Named after the celebrated horse Mix rode,which plays an important role in the story, it was made on location in Nevada in the Valley of the Eagles.
    [Show full text]
  • The Ledger & Times, June 13, 1930
    Murray State's Digital Commons The Ledger & Times Newspapers 6-13-1930 The Ledger & Times, June 13, 1930 The Ledger & Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger & Times, "The Ledger & Times, June 13, 1930" (1930). The Ledger & Times. 84. https://digitalcommons.murraystate.edu/tlt/84 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. Lowest Adverti»in* Rate l,OC&P*»nr» $1.50 •atal >«a o" f kratutfcj of any Kentucky $2.00 \l~.r. -f Weekly #New»p« per. Kentucky* Most Progressive Weekly Newspaper' VOLUMK Kl MUIUSAT, UHTDGKT. HUDAI HORIHW IVKI IS, Itm TEACHERS ARE Ei*ht of Ref R Haxel> DISTRICT HEALTH White Leghorn Flock All Five Children in Calloway FISCAL COURT Is Highly Productive Family Win Health Blue Ribbon A XIllAmiorn nv Join in Re-union on 52nd Anniversary PUSHES HAZEL GROUPS MEET HERE D. T. Adams, of Murray AINNUuNLfcl) Bl of His Service to Southern M. £ Church Route 9. has brough to the 9 One of the most unusual fami- passed on only a few years ago. Splendid Attendance. Interesting Ledger & Times office an un- ROAD PROJECT COUNTYBOARD lies in this section of the country The Rev. Pigue Is one Of the Talk* Mark Conference In | usually large egg produced by held its annual reunion Wednes- best known and deepest beloved (It) Mund*).
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • American Dance Band Music Collection Finding Aid (PDF)
    American Dance Band Music Collection (UMKC) collection guide: adb = Series I adb2 = Series II Collection Title Composer1 Composer2 Lyricist1 Arranger Publisher Publishing Place Publishing Date Notes adb "A" - you're adorable Kaye, Buddy Wise, Fred Flanagan, Ralph Laurel Music Co., New York, N.Y.: 1948. Lippman, Sidney- comp. adb "Gimme" a little rose Turk, Roy Smith, Jack Bleyer, Archie Irving Berling, Inc., New York, N.Y.: 1926. Pinkard, Macco-comp. adb "High jinks" waltzes Friml, Rudolf Savino, D. G. Schirmer, New York, N.Y.: 1914. adb "Hot" trombone Fillmore, Henry The Fillmore Cincinnati, Oh.: 1921. Bros. Co., adb "March" Arabia Buck, Larry Alford, Harry L. Forster Music Chicago, Ill. : 1914. Publisher Company, adb "Murder," he says McHugh, Jimmy Loesser, Frank Schoen, Vic Paramount Music New York, N.Y.: 1943. Corp., adb "Nelida" three step Eaton, M.B. Lyon & Healy, 1902. adb A La Paree Verdin, Henri Belwin Inc., New York, N.Y.: 1920. adb A Los Toros Salvans, A. Lake, M.L. Carl Fischer, New York, N.Y.: 1921. adb A zut alors-As you please Lamont, Leopold Leo Feist Inc., New York, N.Y.: 1913. adb Aba daba honeymoon Fields, Arthur Donovan, Walter Warrington, Leo. Feist, Inc., New York, N.Y.: 1951. Johnny adb Abie, take an example from Brockman, James O'Hare, W.C. M. Witmark & New York, N.Y.: 1909. inc: If I could gain the your fader Sons, world by wishing adb About a quarter to nine Warren, Harry Dubin, Al Weirick, Paul M. Witmark & New York, N.Y.: 1935. Sons, adb Absence Rosen Sullivan, Alex Barry, Frank E.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]