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Langston Hughes, Jazz Poet Collection and Introduction by Mitch Losito
Langston Hughes, Jazz Poet collection and introduction by Mitch Losito Prototype 2 - May 3, 2017 “Young Jazz Musicians” by Tom Nachreiner LANGSTON HUGHES, JAZZ POET - MITCH LOSITO !1 Table of Contents Introduction……………………………………………………………………………………………1 “The Weary Blues” The Weary Blues……………………………………………………………………………………….5 Song for a Banjo Dance………………………………………………………………………………..6 Harlem Night Club…………………………………………………………………………………….7 Lenox Avenue: Midnight…………………………..…….……………………………………………8 Response to “The Weary Blues”…………………………………………………………………………9 “Ask Your Mama: 12 Moods For Jazz” Jazztet Muted………………………………………………………………………………………….11 Horn of Plenty [excerpt]……………………………………………………………………………..12 Response to “Ask Your Mama”……………….………………………………………………………..13 Original Poems When Midnight Hits……………….………………………………………………………….……..15 Works Consulted MLA Bibliography……………………………………………………………………………………16 LANGSTON HUGHES, JAZZ POET - MITCH LOSITO !2 Introduction Poetry is meant to be read. Langston Hughes’s poetry is meant to be read aloud. This is the first thing that we notice when reading Hughes’s work: the simplicity of the diction, the repetition of phrases, and the overall rhythm of the pieces feel ready to jump off the page to be spoken. There is a reason for this. Despite the overarching positioning of Hughes as the “poet laureate” of black culture, reading his later works without this lens provides an intriguing view on the way that his poetry is perceived (Rampersad 3). The problem with reading Hughes as merely a stand-in of Harlem Renaissance poetry is that it ignores a key influence on Hughes’s writing, namely jazz. Since he was writing in a period when jazz was at the forefront of society, it is reasonable that his poetry would be effected by its intricacies and forms. As a result, his poems are more than just effected by jazz’s intricacies and forms. -
Original Dixieland Jazz Band & "Nick" Larocca of New Orleans, Creator
Jack "Papa" Laine (Sicilian native George Vitale), Leader of his famous Reliance Brass Military Marching Band of New Orleans. Nick LaRocca was a regular member from 1910 to 1916. Original Dixieland Jazz Band & "Nick" LaRocca of New Orleans, Creator of Jazz Original Dixieland Jazz Band Members Victor release of "Livery Stable Blues" 1917. Victor release of "Dixie Jass Band One-Step" 1917. Original Dixieland Jazz Band - A 1918 promotional postcard showing (from left), drummer Tony Sbarbaro (aka Tony Spargo), trombonist Edwin "Daddy" Edwards, cornetist Dominick James "Nick" LaRocca, clarinetist Larry Shields, and pianist Henry Ragas 1917 Nick LaRocca Bust Courtesy Nick LaRocca Cultural Arts Center in Salaparuta, Sicily Dominic James "Nick" LaRocca Jimmy LaRocca 1889-1961 Continuing the Tradition In 1917, under the leadership of Nick LaRocca, the Original Dixieland Jazz Band (ODJB) made the first jazz recording. This first and many to follow were instant sensational “Hits” that were inspirational and influential beyond imagination. The success of the ODJB recordings was immense and musicians worldwide changed instrumentation to emulate the sound and style they made famous. From 1917 to 1938 they recorded fifty-two 78’s that are still sold today on various CD compilations. (Click on the photo below for a printable 8 X 10.) On February 8, 2006 the Original Dixieland Jazz Band was inducted into the Grammy Hall of Fame for their 1917 recording of the “Darktown Strutter’s Ball.” The ODJB is back in full swing under the direction of the original leader’s son, Jimmy LaRocca, on trumpet and vocals, with a fine ensemble of New Orleans musicians. -
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Red Hot Songs
Red Hot Songs 1 2 4 5 A B C D E F G H I J K L M N O P Q R S T U V W Y Z Red Hot Songs - ['] Song Title Artist/Group or Commentary 'Lasses Candy Original Dixieland Jass Band 'Round My Heart Coon Sanders Nighthawks Orchestra 'S Wonderful 'Tain't Clean Boyd Senter Trio http://cij-assoc.com/jazzpages/alphasonglist.html [2003-02-19 00:49:52] The Red Hot Jazz Archive - Songs Red Hot Songs - [1] Song Title Artist/Group or Commentary 1-2-1944 (intro, song - "Valencia") 12-24-1944 (intro, Bing, Pops & The King's Men) 12-28-1938 (intro) 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Rag Richard M. Jones 18th Street Stomp Fats Waller 18th Street Strut The Five Musical Blackbirds 18th Street Strut The Bennie Moten's Kansas City Orchestra http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (1 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs 1919 Rag Kid Ory's Creole Orchestra 1943 (Gracie's "Concerto for Scales and Clinker") 19th Street Blues Dodds And Parham http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (2 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs Red Hot Songs - [2] Song Title Artist/Group or Commentary 29th And Dearborn Johnny Dodds and his Chicago Boys 29th And Dearborn Richard M. Jones' Three Jazz Wizards http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/2.html [2003-02-19 00:51:05] The Red Hot Jazz Archive - Songs Red Hot Songs - [4] Song Title Artist/Group or Commentary 47th Street Stomp Jimmy Bertrand's -
Montclair State University Jazz Ensemble with Mike Lee, Guest Soloist
Montclair State University Jazz Ensemble With Mike Lee, Guest Soloist Oscar Perez, Director Cali Music Live Sunday, May 23rd, 2021 3:00 pm Exactly Like You Jimmy McHugh arr. by Dennis Mackrel Black Narcissus Joe Henderson arr. by Bob Belden Guest Soloist, Mike Lee Alter Ego James Williams arr. by Eddie Allen Finya Wulo Michael Phillip Mossman Dolphin Dance Herbie Hancock arr. by Bob Mintzer PERSONNEL Oscar Perez, Director Mike Lee, Guest Soloist Nicolas Martin, Alto 1 Stephan Schwarz, Alto 2 Allan Romero Tenor Sax 1 Bella Rochford, Tenor Sax 2 Sabrina Isaac, Baritone Sax Shanyse Strickland, Flute/French Horn Deshaun Hinson, Trumpet 1 Gavin Ard, Trumpet 2 Justina Carandola, Trumpet 3 David Long, Trumpet 4 Vito Cakaroglu, Trombone 1 Martin Pyda, Trombone 2 Dan Harkins, Trombone 3 Matthew Veal, Bass Trombone Derick Campos, Guitar Pierce Sparncroft, Vibraphone Tia Mae Frostrom, Piano Senny Raines, Bass Zack Perez, Drums MSU Jazz Ensemble Bio The MONTCLAIR STATE UNIVERSITY JAZZ ENSEMBLE is in its first year under the direction of new Jazz Studies coordinator Oscar Perez and is honored to present a varied program of music from James Williams, Herbie Hancock, Michael Phillip Mossman, and Joe Henderson. We are also proud to present saxophone faculty and guest soloist Mike Lee. The group was founded and directed for twenty-two years by Dr. Jeffrey Kunkel, who retired from full-time teaching in August. The MSUJE, which is comprised of majors in Jazz Studies as well as other music majors (and even the occasional non-music major!), is dedicated to the performance of music representative of contemporary literature composed for the large jazz ensemble, as well as music of historical importance to the genre, with each semester focusing on the music of one composer or arranger. -
INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161). -
Goober Peas P. Nutt, Lilsq., New York, John L. Peters, C.1864 B.R A.Lil.Blackmar, La
Goober peas P. Nutt, lilsq., New York, John L. Peters, c.1864 b.r A.lil.Blackmar, La. ,---- - -- - - - ---- ---- 12 Gooch, William Byron's farewell to the maid of Athens. Cincinnati, A.C.Peters & bro c1861-6fi] I I I l ____ _ • -------------------r #34 Gooch, lh. -- Danube river. Boston, Vllite, Smith, 1871 • ------- --- -----•---- -- -------~ r Langstroth. Goooh.wm. v.26.p.367 JUliette Waltz. By Wffi.Gooch. Boston, White Smith & Co •• 298 & 300 Washington St. 0.1872. 5 pp. no.3-5. 2nd & last pages blank • • ~-I Vol.50 Goooh, Willi~ (arrg.) I p.7 Only a. dream of home. •••Words and music by C. A. White. Arra.nged by Wm. Goooh. Boston, White, Smith & Company, 0.(1872). Plate no. 1113.4. 6pp • • -------- 1 '37 Gooch" W11Jj.8lll Reuben and Rachel. Boston" Vrlte" Smith, 1878. I I I I i I I I I j" - Good Poy, Uncle Sam. c1898 --·--1 [ Rosenfeld, Monroe H. No.43 Spanish American War Songs. I Song Sheet •••Words only. I • Good bye ..• cards interfiled with Goodbye (one word) • Good Clean Fun. Bock, Jerry. N.Y., Sunbeam Husic Corp., F 01960. I I Langstroth Good Company. I V.25, p.19l Song. Words by Dr. Chas. Mackay. Music by Stephen Adams. No imprint. 6pp. no. 2-5, last p. blank. On oover: ornate design; fig. 3t in 6-pt. star • L • J Good evenin' Seymour, Tot. c and others:!. N. 'i". t Davis, Coots and Engel Inc., 1930. copy 1 copy 2 together with "In my Heart - Its Youll • I- No -55 Good fellow gal Novelty waltz ballad. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Mele Kalikimaka
Mele Kalikimaka Line Dance Bette Midler Unknown Left Foot Lead Cool Yule Revised by Dan Rowan EASY (Time: 2:42) [email protected] If you know who originally choreographed this dance, please email me! WAIT 16 COUNTS: Sequence: Wait 16 A-B A-B C-B End A (:10) (4) – 1 SLUR BASIC left // right L Ds - Slur(xb)S - Ds - Toe S 2 (4) – 1 FANCY DOUBLE R Ds - Ds - Rk S - Rk S Repeat Opposite (4) – 1 ROOSTER RUN left // right L Ds - Ds(xf) - Rk S(xb) - Rk S(xf) 2 (4) – 1 PUSHOFF left // right L Ds - Rk S(os) - Rk S(os) - Rk S(os) Repeat Opposite B (:28) (16) 2 COWBOY TURN half left each L Ds-Ds-Ds-Br H-Ds-Rk S-Rk S-Rk S (8) 2 STOMP DOUBLE L Sto - Ds - Ds - Toe S (8) 2 FANCY TRIPLE L Ds - Ds(xf) - Ds(xb) - Toe(os) S A (:10) (4) – 1 SLUR BASIC left // right (4) 2 – 1 FANCY DOUBLE Repeat Opposite (4) – 1 ROOSTER RUN left // right 2 (4) – 1 PUSHOFF left // right Repeat Opposite B (:28) (16) 2 COWBOY half left each (8) 2 STOMP DOUBLE (8) 2 FANCY TRIPLE C (1:20) (4) – 1 LONG CHARLESTON L Ds Tch(f) H - ToeHeel - Tch(b) H 4 (4) – 2 BASIC quarter left R Ds - Toe S Repeat B (:28) (16) 2 COWBOY TURN half left each (8) 2 STOMP DOUBLE (8) 2 FANCY TRIPLE End (2:25) (8) 2 PUSHOFF left / right (3) 1 DOUBLE & (1) 1 STOMP Find cue sheets at: TITLE: MELE KALIKIMAKA (Showtune) CHOREO: Unknown By: Bette Midler (Album: Cool Yule) LEVEL: Easy Line Dance Cue sheet by Ginny Bartes [email protected] (16) Wait More cue sheets at www.letsdoclogging.com PART A: (4)-- 1-Vine (L) 2 (4)-- 1-Fancy Double (R) (4)-- 1-Rooster Run (L) (4)--2 1-Push Off (L) Hula Arms on Push: Opposite