Signature and Name of Invigilator Answer Sheet No. : ...... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (In words) (Name) Test Booklet No. J7 9 0 6 PAPERII Time : 1¼ hours]VISUAL ARTS [Maximum Marks : 100 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of this 1. ÂãÜðU ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð page. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ¢Ð 2. This paper consists of fifty multiple-choice type of questions. 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð will be given to you. In the first 5 minutes, you are requested ÁæØð¢»ð çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ to open the booklet and compulsorily examine it as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ©â·ð¤ ·¤ßÚU ÂðÁ¤ÂÚU Ü»è ·¤æ»Á ·¤è (i) To have access to the Question Booklet, tear off the paper âèÜ ·¤ô ȤæǸU Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ seal on the edge of this cover page. Do not accept a Sßè·¤æÚU Ù ·¤Úð¢UÐ booklet without sticker-seal and do not accept an open booklet. (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è (ii) Tally the number of pages and number of questions in â¢Øæ ·¤ô ¥ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂêæü ÂéçSÌ·¤æ the booklet with the information printed on the cover çÁÙ×ð¢ ÂëDU / ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ page. Faulty booklets due to pages/questions missing ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è æéçÅUÂêæü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ or duplicate or not in serial order or any other ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ discrepancy should be got replaced immediately by a Üð Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù correct booklet from the invigilator within the period of Ìô ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô 5 minutes. Afterwards, neither the question booklet will be replaced nor any extra time will be given. ¥çÌçÚUQ¤ â×Ø çÎØæ ÁæØð»æÐ (iii) After this verification is over, the Serial No. of the booklet (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤è R¤× â¢Øæ ©æÚU-Âæ·¤ ÂÚU ¥¢ç·¤Ì should be entered in the Answer-sheets and the Serial ·¤Úð¢U ¥UõÚU ©æÚU-Âæ·¤ ·¤è R¤×¤â¢Øæ §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU No. of Answer Sheet should be entered on this Booklet. Îð¢Ð 4. Each item has four alternative responses marked (A), (B), (C) 4. ÂýØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©æÚU çß·¤Ë (A), (B), (C) ÌÍæ (D) çÎØð »Øð ãñ¢Ð and (D). You have to darken the oval as indicated below on the ¥æ·¤ô âãè ©æÚU ·ð¤ Îèæüßëæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð correct response against each item. çιæØæ »Øæ ãñÐ ©ÎæãÚUæ Ñ Example : A B C D A B C D where (C) is the correct response. ÁÕç·¤ (C) âãè ©æÚU ãñÐ 5. Your responses to the items are to be indicated in the Answer 5. ÂýàÙô¢ ·ð¤ ©æÚU ·ð¤ßÜU ÂýàÙ Âæ I ·ð¤ ¥ÎÚU çÎØð »Øð ©æÚU-Âæ·¤ ÂÚU ãè ¥¢ç·¤Ì Sheet given inside the Paper I booklet only. If you mark at ·¤ÚUÙð ãñ¢Ð ØçÎ ¥æ ©æÚU Âæ·¤ ÂÚU çÎØð »Øð Îèæüßëæ ·ð¤ ¥Üæßæ ç·¤âè ¥Ø any place other than in the ovals in the Answer Sheet, it will SÍæÙ ÂÚU ©æÚU ç¿ãæ¢ç·¤Ì ·¤ÚUÌð ãñ, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ not be evaluated. 6. ¥ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥çÌ× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ ¥æ ©æÚU-ÂéçSÌ·¤æ ÂÚU ¥ÂÙæ Ùæ× Øæ °ðâæ ·¤ô§ü Öè çÙàææÙ çÁââð ¥æ·¤è 8. If you write your name or put any mark on any part of the test Âã¿æÙ ãô â·ð¤, ¤ç·¤âè Öè Öæ» ÂÚU ÎàææüÌð Øæ ¥¢ç·¤Ì ·¤ÚUÌð ãñ¢ Ìô ÂÚUèÿææ ·ð¤ booklet, except for the space allotted for the relevant entries, çÜØð ¥ØôØ æôçáÌ ·¤ÚU çÎØð ÁæØð¢»ðÐ which may disclose your identity, you will render yourself liable to disqualification. 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ©æÚU-ÂéçSÌ·¤æ çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ 9. You have to return the test question booklet to the invigilators ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU Ù at the end of the examination compulsorily and must not carry Üð·¤ÚU ÁæØð¢Ð it with you outside the Examination Hall. 10. ·ð¤ßÜ ÙèÜð / ·¤æÜð ÕæÜU ßæ§ZÅU ÂñÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ 10. Use only Blue/Black Ball point pen. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻淤 (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 11. Use of any calculator or log table etc., is prohibited. ÂýØô» ßçÁüÌ ãñÐ 12. There is NO negative marking. 12. »ÜÌ ©æÚU ·ð¤ çÜ° ¥¢·¤ Ùãè¢ ·¤æÅðU ÁæØð¢»ðÐ
J7906 1 P.T.O. VISUAL ARTS PAPERII
Note : This paper contains fifty (50) multiple-choice questions, each question carrying two (2) marks. Attempt all of them.
1. Ravi Varma has done Oleograph printing with the help of : (A) German (B) French (C) Dutch (D) British
2. Select the famous Art Critic (A) Jeram Patel (B) Keshav Mallik (C) Krishna Reddy (D) Kamleshwar
3. The writer of Geetanjali (A) Sarat Chandra (B) Bankim Chandra (C) Rabindranath Tagore (D) Prem Chand
4. Baloon and Young by Pablo picasso was done in (A) Bronze (B) Stone (C) Wood (D) Terracotta
5. A design created to identify a corporate house Institution : (A) Signage (B) Signature (C) Symbol (D) Sign
6. Identify the Painter and Graphic Artists : (A) Goya (B) Hogarth (C) Monet (D) Rubens
7. Name the Dramatist, recognised for his contribution in the establishment of National School of Drama OR Who founded the National School of Drama (A) B. V. Karanth (B) Ebrahim Alkazi (C) Habib Tanvir (D) Nasiruddin Shah
J7906 2 ÎëàØ ·¤Üæ°´ ÂýàÙÂæII
ÙôÅU Ñ §â ÂýàÙÂæ ×𢠿æâ (50) ßSÌéçÙD ÂýàÙ ãñ¢Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ¢Ð âÖè ÂýàÙô¢ ·ð¤ ©æÚU ÎèçÁ°Ð
1. ÚæÁæ Úçß ß×æü Ùð ç·¤â Îðàæßæâè ·¤è âãæØÌæ Üð·¤Ú ¥æòçÜØæð»ýæȤ çÂýçÅ´» ·¤è Íè? (A) Á×üÙ (B) Èý𤿠(C) Ç¿ (D) çÕýçÅàæ
2. §Ù×ð âð Âýçâh ·¤Üæ â×èÿæ·¤ ¿éçÙØð Ñ (A) ÁðÚæ× ÂÅðÜ (B) ·ð¤àæß ×çËÜ·¤ (C) ·ë¤cæ ÚðÇ÷Çè (D) ·¤×ÜðàßÚ
3. »èÌæÁÜè ·ð¤ Ú¿Ùæ·¤æÚ (A) àæÚÎ ¿Îý (B) Õ´ç·¤× ¿Îý (C) ÚßèÎýÙæÍ Åæ»æðÚ (D) Âýð׿Î
4. ç·¤æâæð ·¤è ·ë¤çÌ ÕðÜêÙ °Ç Ø´» ç·¤â ×æØ× ×ð´ Ñ (A) Õýæ´Á (B) SÅæðÙ (C) ßéÇ (D) ÅðÚæ·¤æðÅæ
5. çÇÁæ§Ù çÁâ·¤è Ú¿Ùæ ·¤æÚÂæðÚðÅ ãæ©â §çSÅÅ÷ØêàæÙ ·¤è Âã¿æÙ ·ð¤ çÜØð ·¤è ÁæÌè ãñ Ñ (A) âæ§ÙðÁ (B) çâ»Að¿Ú (C) çâÕòæÜ (D) âæ§Ù
6. ©â ç¿æ·¤æÚ ·¤æð Âã¿æçÙØð Áæð »ýæçȤ·¤ ·¤Üæ·¤æÚ Öè ãñ (A) »æðØæ (B) ãæð»æÍü (C) ×æðÙðÅ (D) M¤Õðâ
7. ©â ÙæÅ÷Ø·¤æÚ ·¤æ Ùæ× ÕÌæ§Øð çÁãð ÚæCþèØ ÙæÅ÷Ø â´SÍæ SÍæçÂÌ ·¤ÚÙð ·ð¤ çÜØð ÁæÙæ ÁæÌæ ãñ Ñ (A) Õè.ßè. ·¤æÚ´Í (B) ¥Õýæçã× ¥Ë·¤æÁè (C) ãÕèÕ ÌßèÚ (D) ÙâèM¤gèÙ àææã
J7906 3 P.T.O. 8. Sun-Flower is painted by : (A) Anguste Rodin (B) Paul Cezanne (C) Vincient Van-gogh (D) Leonardo Da Vinci
9. Which one is related to sculpture : (A) Casting (B) Advertising (C) Printing (D) Painting
10. Edward Munch is a well known painter. He has also done : (A) Wood-Cut (B) Etching (C) Calligraphy (D) Lithography
11. The painting of Leonardo da vinci ? (A) Gurenica (B) Last Supper (C) Sunrise impression (D) Birth of Venus
12. Find the Painter (A) Jagjit Singh (B) Amjad Ali Khan (C) Ram Kumar (D) Ravishankar
13. When unequal elements placed on an unequal distance, it creates (A) Imbalance (B) Assymetrical Balance (C) Symetrical Balance (D) Radial Balance
14. Who is the sculptor from the following (A) Biren De (B) Jeram Patel (C) Sankho Choudhary (D) Dharmanarayan Dasgupta
15. Toulouse Lautrec is known for : (A) Lithography (B) Calligraphy (C) Silk Screen (D) Etching
J7906 4 8. ç¿æ âÙ ÜæòßÚ ·ð¤ ç¿æ·¤æÚ Ñ (A) ¥æò»SÌ ÚæðÎæ´ (B) ÂæÜ âðÁæ´ (C) ßðÙ »æò» (D) çÜØæðÙæÎæðü Îæ çß´¿è
9. ×êçÌü ·¤Üæ âð âÕ´ÏèÌ Øæ ãñ ? (A) ·¤æçSÅ´» (B) °ÇßÅüÅæ§üçÁ´» (C) çÂýçÅ» (D) ÂðçÅ´»
10. °ÇßÇü ×´é¿ °·¤ ÁæÙð ×æÙð ç¿æ·¤æÚ ãñ ©ãæðÙð Øã Öè ç·¤Øæ Ñ (A) ßéÇ ·¤Å (B) °ç¿´» (C) ·ò¤çÜ»ýæȤèð (D) çÜÍæð»ýæȤè
11. çÜØæðÙæÎæðü Îæ çß¿è ·¤è ·ë¤çÌ ãñ (A) »éÚðçÙ·¤æ (B) ÜæSÅ âÂÚ (C) âÙ Úæ§Á §ÂýðàæÙ (D) ÕÍü ¥æòȤ çßÙâ
12. §Ù×ð´ âð ç¿æ·¤æÚ ·¤æð Âã¿æçÙØð (A) Á»ÁèÌ çâ´ã (B) ¥×ÁÎ ¥Üè ¹æ¡ (C) Úæ×·é¤×æÚ (D) Úçß àæ´·¤Ú
13. ÁÕ Îæð ¥â×æÙ (¥Ù§ßÜ) Ìßæð´ (°çÜ×ðÅ÷â) ·¤æð ¥Ù§ßÜ çÇSÅðâ ÂÚ Ú¹æ ÁæØð»æ Ìæð ãæð»æ Ñ (A) §ÕòÜâ (B) ¥çâ×ðçÅþ·¤Ü ÕðÜðâ (C) çâ×ðçÅþ·¤Ü ÕðÜðâ (D) ÚðçÇØÜ ÕðÜðâ
14. §Ù×ð´ âð ×êçÌü·¤æÚ ·¤æð ¿éçÙØð Ñ (A) ÕèÚðÙ Çð (B) ÁðÚæ× ÂÅðÜ (C) àæ´¹æð ¿æñÏÚè (D) Ï×üÙæÚæØæ Îæâ»é#æ
15. ÌæðÜéâ Üææð ·¤æð ÁæÙæ ÁæÌæ ãñ (A) çÜÍæð»ýæȤè (B) ·ò¤çÜ»ýæȤè (C) çâË·¤ çSR¤Ù (D) °ç¿´»
J7906 5 P.T.O. 16. Name the classical musician who will have the first privelage of performing at India Gate, Delhi. (A) Pandit Ravishankar (B) Pandit Jasraj (C) Bishmillah Khan (D) Shivkumar Sharma
17. Identify the place that is important for Jains : (A) Ayodhya (B) Sravan Belagola (C) Modhera (D) Ajanta
18. Which combination of keys is used to undo one action in computer ? (A) Ctrl+Z (B) Ctrl+X (C) Ctrl+Y (D) Ctrl+O
19. Which word relates to Ceramics ? (A) Stone Wart (B) Stone Ware (C) Stone Henge (D) Stone Work
20. Who invented Wood Intaglio in India ? (A) Chityaprasad (B) Sanat Kar (C) Jainul Abedin (D) Amitara Banerjee
21. Assertion (A) : Ramkinkar Baij was inspired by Indian Temple Sculpture Reason (R) : Ramkinkar Baij was a traditional Sculptor (A) (A) is correct and (R) is not correct (B) (A) is correct and (R) is also correct (C) (A) is not correct (R) is correct (D) (A) is not correct (R) is also incorrect
22. Assertion (A) : Should we consider Monoprint as a medium of expression of print making . Reason (R) : Should we consider Monoprint as a medium of expression of painting (A) (A) and (R) both are correct (B) (A) and (R) both are not correct (C) (A) is correct (R) partly correct (D) (A) and (R) both are partly correct
J7906 6 16. ©â àææSæèØ â´»èÌ·¤æÚ ·¤æ Ùæ× ÕÌæ§Øð çÁãð´ §çÇØæ »ðÅ ÂÚ ÂýÍ× ÂýSÌéçÌ ·¤æ â×æÙ Âýæ# ãæð»æ ? (A) ´çÇÌ Úçß àæ´·¤Ú (B) ´çÇÌ ÁâÚæÁ (C) çÕâç×æã ¹æ¡ (D) ´çÇÌ çàæß·é¤×æÚ àæ×æü
17. ©â SÍæÙ ·¤æð Âã¿æçÙØð Áæð ÁñçÙØæð´ ·ð¤ çÜØð ×ãßÂêæü ãñ Ñ (A) ¥ØæðØæ (B) ææßæ ÕðÜ»æðÝæ (C) ×æðÏðÚæ (D) ¥Á´Ìæ
18. ·´¤ØêÅÚ ×ð´ ç·¤Ù Îæð ·¤è$Á ·ð¤ ·¤æòçÕÙðàæÙ âð ç·¤âè °àæÙ ·¤æð ¥ÙÇê ç·¤Øæ Áæ â·¤Ìæ ãñ (A) Ctrl + Z (B) Ctrl + X (C) Ctrl + Y (D) Ctrl + O
19. çâÚòç×â âð Øæ âÕ´çÏÌ ãñ? (A) SÅæðÙ ßæÅü (B) SÅæðÙ ßðØÚ (C) SÅæðÙ ãðÁ (D) SÅæðÙ ß·ü¤
20. ÖæÚÌ ×ð´ ßéÇ §Åð´»çÜØæð ·¤è ¹æðÁ ç·¤âÙð ·¤è Ñ (A) ç¿Ø ÂýâæÎ (B) âÙÌ ·¤Ú (C) ÁðÙé¥Ü ¥æÕðÎèÙ (D) ¥ç×Ìæß ÕÙÁèü
21. ·¤ÍÙ (A) Ñ Úæ× ç·´¤·¤Ú ÕðÁ ÖæÚÌèØ ×´çÎÚ çàæË âð ÂýðçÚÌ Íð Ð Ì·ü¤ (B) Ñ Úæ× ç·´¤·¤Ú ÕðÁ °·¤ ÂæÚÂçÚ·¤ ×êçÌü·¤æÚ Íð (A) (A) âãè ãñ ¥æñÚ (R) âãè Ùãè´ ãñ (B) (A) âãè ãñ ¥æñÚ (R) Öè âãè ãñ (C) (A) âãè Ùãè´ ãñ (R) âãè ãñ (D) (A) âãè Ùãè´ ãñ (R) Öè âãè Ùãè´ ãñ
22. ·¤ÍÙ (A) Ñ Øæ ã× ÒÒ×æðÙæð çÂýÅÓÓ ·¤æð çÂýÅ ×ðç·´¤» ·ð¤ ¥çÖÃØçQ¤ ·¤æ ×æØ× ×æÙð Ì·ü¤ (B) Ñ Øæ ã× ÒÒ×æðÙæð çÂýÅÓÓ ·¤æð ç¿æ·¤Üæ ·¤è ¥çÖÃØçQ¤ ·¤æ ×æØ× ×æÙð (A) (A) ¥æñÚ (R) ÎæðÙæ´ð ãè âãè ãñ´ (B) (A) ¥æñÚ (R) ÎæðÙæ´ð ãè âãè Ùãè´ ã´ñ (C) (A) âãè ãñ (R) ¥æ´çàæ·¤ L¤Â âð âãè ãñ´ (D) (A) ¥æñÚ (R) ÎæðÙæ´ð ãè ¥æ´çàæ·¤ L¤Â âð âãè ãñ´
J7906 7 P.T.O. 23. Assertion (A) : Ajanta Paintings are based on the Jataka stories Reason (R) : Important events from the life of Buddha never represented in the paintings of Ajanta. (A) (A) and (R) both are correct (B) (A) and (R) both are incorrect (C) (A) is correct (R) is not correct (D) (A) is incorrect (R) is correct
24. Assertion (A) : Many secular subjects were illustrated under the patronage of Akbar Reason (R) : Akbar was not interested in the pictorial representation of historical subject matter of painting under his patronized workshop practice. (A) (A) is correct (R) is incorrect (B) (A) is incorrect (R) is correct (C) (A) and (R) both are correct (D) (A) is incorrect (R) is also incorrect
25. Assertion (A) : The folk paintings of Rajasthan are well identified with Phad paint- ings of Shahpura. Reason (R) : The folk paintings of Rajasthan are also identified with Patachitra of Orissa. (A) (A) is correct (R) is incorrect (B) (A) is incorrect (R) is correct (C) (A) is incorrect (R) is also incorrect (D) (A) is correct (R) is also correct
26. Select the correct sequence in order of seniority (A) Pradosh Dasgupta, Sarbari Roy Choudhry, P. V. Jankiram, Latika Katt (B) P. V. Jankiram, Sarbari Roy Choudhry, Pradosh Dasgupta, Latika Katt (C) Pradosh Dasgupta, P. V. Jankiram, Latika Katt, Sarbari Roy Choudhry (D) P. V. Jankiram, Pradosh Dasgupta, Sarbari Roy Choudhry, Latika Katt
27. Select the correct sequence in chronological manner (A) S.W. Hayter/Albercht Durer/Paul Lingaran/Senefeldur (B) Senefeldur/S.W. Hayter/Paul Lingran/Albercht Durer (C) S.W. Hayter/Senefeldur/Paul Lingran/Albercht Durer D) Albercht Durer/Senefeldur/S.W. Hayter/Paul Lingran
J7906 8 23. ·¤ÍÙ (A) Ñ ¥ÁÌæ ·¤è ç¿æ·¤Üæ ÁæÌ·¤ ·¤Íæ¥æð´ ÂÚ ¥æÏæçÚÌ ãñ Ì·ü¤ (R) Ñ Õéh ·ð¤ ÁèßÙ ·¤è ×ãßÂêæü æÅÙæ°¡ ¥ÁÌæ ·¤è ç¿æ·¤Üæ ×ð´ ·¤Öè ç¿çæÌ Ùãè´ ·¤è »§ü Ñ (A) (A) ¥æñÚ (R) ÎæðÙæ´ð âãè ãñ´ (B) (A) ¥æñÚ (R) ÎæðÙæð´ âãè Ùãè´ ã´ñ (C) (A) âãè ãñ´ ¥æñÚ (R) âãè Ùãè´ ã´ñ (D) (A) âãè Ùãè´ ãñ (R) âãè ãñ´
24. ·¤ÍÙ (A) Ñ ¥·¤ÕÚ ·ð¤ â´Úÿææ ×ð´ ·¤§ü Ï×üçÙÚÂðÿæ çßáØæð´ ·¤æð ç¿çæÌ ç·¤Øæ »Øæ Ð Ì·ü¤ (R) Ñ ¥·¤ÕÚ ·¤æð ç¿æàææÜæ ×ð´ ç¿çæÌ ç·¤° ÁæÙð ßæÜð ç¿ææ ×ð´ °ðçÌãæçâ·¤ çßáØæð´ ×ð´ L¤¿è Ùãè Íè Ð (A) (A) âãè ãñ´ (R) âãè Ùãè´ ã´ñ (B) (A) âãè Ùãè´ ãñ´ (R) âãè ãñ´ (C) (A) ¥æñÚ (R) ÎæðÙæ´ð ãè âãè ã´ñ (D) (A) âãè Ùãè´ ã´ñ (R) Öè âãè Ùãè´ ã´ñ
25. ·¤ÍÙ (A) Ñ àææãÂéÚæ ·ð¤ È¤Ç ç¿æ·¤æÚè ·¤æð ÚæÁSÍæÙ ·ð¤ Üæð·¤ ç¿æ·¤Üæ ·ð¤ M¤Â ×ð´ ÁæÙæ ÁæÌæ ãñÐ Ì·ü¤ (R) Ñ ÚæÁSÍæÙ ·¤è Üæð·¤ ç¿æ·¤Üæ ·¤æð ©çÇâæ ·ð¤ ÂÅ ç¿ææ´ð ·ð¤ M¤Â ×ð´ Öè Âã¿æÙæ ÁæÌæ ãñÐ (A) (A) âãè ã´ñ (R) âãè Ùãè´ ã´ñ (B) (A) âãè Ùãè´ ã´ñ (R) âãè ã´ñ (C) (A) âãè Ùãè´ ã´ñ (R) Öè âãè Ùãè´ ã´ñ (D) (A) âãè ãñ´ (R) Öè âãè ãñ´
26. ßçÚcÆÌæ ·¤è ÎëçC âð âãè R¤× ×ð´ çÜç¹° (A) ÂýÎæðá Îæâ »é#æ, àæÚÕÚè ÚæØ ¿æñÏéÚè, Âè.ßè. ÁæÙ·¤èÚæ×, ÜçÌ·¤æ ·¤Å÷Å (B) Âè.ßè.ÁæÙ·¤èÚæ×, àæÚÕÚè ÚæØ ¿æñÏéÚè, ÂýÎæðá Îæâ »é#æ, ÜçÌ·¤æ ·¤Å÷Å (C) ÂýÎæðá Îæâ »é#, Âè.ßè.ÁæÙ·¤èÚæ×, ÜçÌ·¤æ ·¤Å÷Å, àæÚÕÚè ÚæØ ¿æñÏéÚè (D) Âè.ßè. ÁæÙ·¤èÚæ×, ÂýÎæðá Îæâ »é#æ, àæÚÕÚè ÚæØ ¿æñÏéÚè, ÜçÌ·¤æ ·¤Å÷Å
27. ·¤æÜR¤× ·¤è ÎëçC âð âãè R¤× ×ð´ çÜç¹° (A) °â.ÇËØê ãñÅÚ / °ÜÕÅü ÇêÚðÚ, ÂæòÜ çÜ´»ÚðÙ / âñÙðȤèËÇÚ (B) âñÙðȤèËÇÚ / °â.ÇËØê ãñÅÚ / ÂæòÜ çÜ´»ÚðÙ / °ÜÕÅü ÇêÚðÚ (C) °â. ÇËØê ãñÅÚ / âñÙðȤèËÇÚ / ÂæòÜ çÜ´»ÚðÙ / °ÜÕÅü ÇêÚðÚ (D) °ÜÕÅü ÇêÚðÚ / âñÙðȤèËÇÚ / °â.ÇËØê ãñÅÚ / ÂæòÜ çÜ´»ÚðÙ
J7906 9 P.T.O. 28. Which is the correct order of Kings (A) Akbar, Humayun, Babar, Jehangir (B) Babar, Humayun, Akbar, Jehangir (C) Humayun, Akbar, Babar, Jehangir (D) Akbar, Jehangir, Humayun, Babar
29. Select the correct sequence of the animated character used by corporate houses start- ing from earlier (A) Maharaja, Utterly Butterly, Gattu, Appu (B) Gattu, Maharaja, Utterly Butterly, Appu (C) Maharaja, Appu, Gattu, Utterly Butterly (D) Gattu, Maharaja, Appu, Utterly Butterly
30. Select the correct sequence of Art Styles (A) Rajasthan, Pahari, Ajanta, Pal (B) Jain, Mewar, Bundi, Jaipur (C) Kangra, Mughal, Bashru, Guler (D) Ajanta, Ellora, Deepakshi, Sittanvasal
31. Select the correct sequence of Film Makers. (i) Shyam Banegal (ii) Satyajit Ray (iii) Dada Sahib Phalke (iv) Prakash Jha Code: (A) (ii) (i) (iii) (iv) (B) (iii) (ii) (i) (iv) (C) (i) (iv) (iii) (ii) (D) (iv) (ii) (iii) (i)
32. Select the correct chronological sequence of Art Colleges in India (A) Shantiniketan, J.J. School of Art Mumbai, Govt. College of Art & Craft Calcutta, Govt. College of Art Madras (B) Govt. College of Art Madras, Govt. College of Art & Crafts Calcutta, J.J. School of Art Mumbai, Shantiniketan (C) Govt. College of Art & Craft Calcutta, Shantiniketan, J.J. School of Art Bombay, Govt. College of Art Madras (D) J.J. School of Art Bombay, Govt. College of Art Madras, Govt. College of Art & Craft Calcutta, Shantiniketan
J7906 10 28. §Ù ÚæÁæ¥æ𴠷𤠷¤æÜ ·ð¤ ¥ÙéâæÚ âãè R¤× ÕÌ槰 Ñ (A) ¥·¤ÕÚ, ãê×æØê¡ , ÕæÕÚ, Áãæ´»èÚ (B) ÕæÕÚ, ãê×æØê¡ , ¥·¤ÕÚ, Áãæ´»èÚ (C) ãê×æØê¡ , ¥·¤ÕÚ, ÕæÕÚ, Áãæ´»èÚ (D) ¥·¤ÕÚ, Áãæ´»èÚ, ãê×æØê¡ , ÕæÕÚ
29. çÙ»×æð´ mæÚæ ÂýØéQ¤ °Ùè×ðçÅÅ ç¿ãæð´ ·¤æ ¥æÚ´Ö âð R¤× ÕÌ槰 Ñ (A) ×ãæÚæÁæ, ¥ÅÚÜè - ÕÅÚÜè, »Å÷Åê , ¥Âê (B) »Å÷Åê , ×ãæÚæÁæ, ¥ÅÚÜè - ÕÅÚÜè, ¥Âê (C) ×ãæÚæÁæ, ¥Âê, »Å÷Åê , ¥ÅÚÜè - ÕÅÚÜè (D) »Å÷Åê , ×ãæÚæÁæ, ¥Âê, ¥ÅÚÜè- ÕÅÚÜè
30. ·¤Üæ-àæñÜè ·¤æ âãè R¤× ÕÌ槰 Ñ (A) ÚæÁSÍæÙ, ÂãæÇè, ¥ÁÌæ, ÂæÜ (B) ÁñÙ, ×ðßæǸ, Õê¡Îè, ÁØÂéÚ (C) ·¤æ´»Çæ, ×é»Ü, ÕàæãæðÜè, »éÜðÚ (D) ¥Á´Ìæ, °ÜæðÚæ, çÎÂæÿæè, çâæÙßæâÜ
31. çȤË× çÙ×æüÌæ¥æð´ ·ð¤ âãè R¤× ·¤æ ¿ØÙ ·¤èçÁ° Ñ (i) àØæ× ÕðÙð»Ü (ii) âØÁèÌ Úð (iii) ÎæÎæ âæãðÕ È¤æÜ·ð¤ (iv) Âý·¤æàæ Ûææ ·¤æðÇ Ñ (A) (ii) (i) (iii) (iv) (B) (iii) (ii) (i) (iv) (C) (i) (iv) (iii) (ii) (D) (iv) (ii) (iii) (i)
32. ÖæÚÌ ·ð¤ ·¤Üæ ×ãæçßÎØæÜØ ·¤æ âãè R¤× ÕÌ槰 Ñ (A) àæ´æçÌçÙ·ð¤ÌÙ, Áð.Áð S·ê¤Ü ¥æòȤ ¥æÅü Õ´Õ§ü, »ßÙü×ð´Å ·¤æòÜðÁ ¥æÈò¤ ¥æÅü ¥æñÚ ·ý¤æÅ ·¤Ü·¤ææ, »ßÙü×ð´Å ·¤æòÜðÁ ¥æȤ ¥æÅü ×Îýæâ (B) »ßÙü×ð´Å ·¤æòÜðÁ ¥æòȤ ¥æÅü ×Îýæâ, »ßÙü×ð´Å ·¤æòÜðÁ ¥æòȤ ¥æÅü ¥æñÚ ·ý¤æÅ ·¤Ü·¤ææ, Áð.Áð.S·ê¤Ü ¥æȤ ¥æÅü Õ´Õ§ü, àææ´çÌçÙ·ð¤ÌÙ (C) »ßÙü×ð´Å ·¤æòÜðÁ ¥æòȤ ¥æÅü ¥æñÚ ·ý¤æÅ ·¤Ü·¤ææ, àææ´çÌçÙ·ð¤ÌÙ, Áð.Áð. S·ê¤Ü ¥æòȤ ¥æÅü Õ´Õ§ü, »ßÙü×ð´Å ·¤æòÜðÁ ¥æȤ ¥æÅü ×Îýæâ (D) Áð.Áð. S·ê¤Ü ¥æòȤ ¥æÅü Õ´Õ§ü, »ßÙü×ð´Å ·¤æòÜðÁ ¥æȤ ¥æÅü ×Îýæâ, »ßÙü×ð´Å ·¤æòÜðÁ ¥æòȤ ¥æÅü °Ç ·ý¤æÅ ·¤Ü·¤Ìæ, àææ´çÌçÙ·ð¤ÌÙ
J7906 11 P.T.O. 33. Select the correct sequence of cities states included in western India. (A) Maharastra, Gujarat, Madhya Pradesh, Rajasthan (B) Uttar Pradesh, Tamilnadu, Karnataka, Kerala (C) Jharkhand, Assam, West Bengal, Chattisgarh (D) Jaipur, Mumbai, Ahmedabad, Indore
34. Arrange the sequence of primary colours (A) Red, Green, Yellow (B) Blue, Green, Red (C) Red, Blue, Yellow (D) Green, Violet, Red
35. Attribute the right city to the given Museum (a) Indian Museum (i) Bhopal (b) Bharat Bhavan (ii) Mumbai (c) Salarjung Museum (iii) Kolkata (d) Prince of Wales Museum (iv) Hyderabad Code: (a) (b) (c) (d) (A) (i) (ii) (iv) (iii) (B) (iii) (iv) (i) (ii) (C) (iv) (ii) (i) (iii) (D) (iii) (i) (iv) (ii)
36. Match the following : (a) Delwara Temple (i) Maharastra (b) Surya Temple (ii) Rajasthan (c) Sanchi Toran (iii) Orissa (d) Kailashnath Temple (iv) Madhya Pradesh Code: (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (i) (ii) (iii) (iv) (C) (iii) (ii) (i) (iv) (D) (iv) (i) (ii) (iii)
J7906 12 33. Âçà¿×è ÖæÚÌ ×ð´ ¥æÙð ßæÜð àæãÚ ¥æñÚ ÚæØæð´ ·ð¤ âãè ·ý¤× ·¤æ ¿ØÙ ·¤èçÁ° Ñ (A) ×ãæÚæCþ, »éÁÚæÌ, ×ØÂýÎðàæ, ÚæÁSÍæÙ (B) ©æÚ ÂýÎðàæ, Ìç×ÜÙæÇé, ·¤ÙæüÅ·¤, ·ð¤ÚÜ (C) ÛææÚ¹´Ç, ¥â×, Âçà¿×è Õ´»æÜ, Àæèâ»É¸ (D) ÁØÂéÚ, ×é´Õ§ü, ¥ã×ÎæÕæÎ, §´ÎæñÚ
34. ÂýæÍç×·¤ Ú´»æð ·¤æ âãè R¤× ÕÌ槰 Ñ (A) ÜæÜ, ãÚæ, ÂèÜæ (B) ÙèÜæ, ãÚæ, ÜæÜ (C) ÜæÜ, ÙèÜæ, ÂèÜæ (D) ãÚæ, Õñ´»Ùè, ÜæÜ
35. çÙÙçÜç¹Ì â´»ýãæÜØ ·¤æñÙ âð àæãÚ ×ð´ ãñ Ð ·¤æðÇ âð âãè ©æÚ ·¤æ ¿ØÙ ·¤èçÁ° Ñ (a) ÖæÚÌèØ â´»ýãæÜØ (i) ÖæðÂæÜ (b) ÖæÚÌ ÖßÙ (ii) ×é´Õ§ü (c) âæÜæÚÁ´» â´»ýãæÜØ (iii) ·¤æðÜ·¤Ìæ (d) çÂý´â ¥æȤ ßðËâ â´»ýãæÜØ (iv) ãñÎÚæÕæÎ ·¤æðÇ Ñ (a) (b) (c) (d) (A) (i) (ii) (iv) (iii) (B) (iii) (iv) (i) (ii) (C) (iv) (ii) (i) (iii) (D) (iii) (i) (iv) (ii)
36. ×ðÜ çÕÆæ§Øð Ñ (a) çÎÜßæÇ¸æ ·¤æ ×´çÎÚ (i) ×ãæÚæCþ (b) âêØü ×´çÎÚ (ii) ÚæÁSÍæÙ (c) âæ´¿è ÌæðÚæ (iii) ©çǸâæ (d) ·ñ¤ÜæàæÙæÍ ·¤æ ×´çÎÚ (iv) ×Ø ÂýÎðàæ ·¤æðÇ Ñ (a) (b) (c) (d) (A) (ii) (iii) (iv) (i) (B) (i) (ii) (iii) (iv) (C) (iii) (ii) (i) (iv) (D) (iv) (i) (ii) (iii)
J7906 13 P.T.O. 37. Match the following : (a) First colour printing was experimented by (i) S. W. Hayter (b) Discovery of Lithography Process by (ii) John Guttenberg (c) Discovery of Moveable Types by (iii) Senefelder (d) Discovery of Viscosity impression process by (iv) Hercules Seghers Code: (a) (b) (c) (d) (A) (ii) (iii) (i) (iv) (B) (iv) (iii) (ii) (i) (C) (iii) (ii) (i) (iv) (D) (i) (ii) (iv) (iii)
38. Match the following : (a) Wall Painting (i) Mollela (b) Folk Painting (ii) Mathdwara (c) Pichwai (iii) Madhubani (d) Terracotta (iv) Shekhawati Code: (a) (b) (c) (d) (A) (i) (iii) (iv) (ii) (B) (iv) (iii) (ii) (i) (C) (iii) (ii) (iv) (i) (D) (i) (iii) (ii) (iv)
39. Select the correct celebrity with products they modelled for : (a) Shah Rukh Khan (i) Coca Cola (b) Aishwarya Rai (ii) 7 Up (c) Amitabh Bachhan (iii) Santro Car (d) Mallika Sherawat (iv) Reid & Tailor Code: (a) (b) (c) (d) (A) (iii) (ii) (i) (iv) (B) (iii) (i) (iv) (ii) (C) (i) (ii) (iii) (iv) (D) (iv) (iii) (ii) (i)
J7906 14 37. ×ðÜ çÕÆæ§Øð Ñ (a) âÕâð ÂãÜð ·¤ÜÚ çÂýçÅ´» ·¤æ ÂýØæð» ç·¤Øæ (i) °â.ÇËØê. ãñÅÚ (b) çÜÍæð»ýæȤè ÂýçR¤Øæ ·¤è ¹æðÁ ·¤è (ii) ÁòæÙ »éÅðÙÕ»ü (c) ×êßðÕÜ Åæ§Â ·¤è ¹æðÁ ·¤è (iii) âðÙÈð¤ËÇÚ (d) çßS·¤æðçâÅè §ÂýðàæÙ Âýç·ý¤Øæ ·¤è ¹æðÁ ·¤è (iv) ãÚØéçÜâ âðæâü ·¤æðÇ Ñ (a) (b) (c) (d) (A) (ii) (iii) (i) (iv) (B) (iv) (iii) (ii) (i) (C) (iii) (ii) (i) (iv) (D) (i) (ii) (iv) (iii)
38. ×ðÜ çÕÆæ§Øð Ñ (a) çÖçÌ ç¿ææ (i) ×æðÜðÜæ (b) Üæð·¤ ç¿ææ (ii) ÙæÍ mæÚæ (c) çÂÀߧü (iii) ×ÏéÕÙè (d) ÅðÚæ ·¤æðÅæ (iv) àæð¹æßæÅè ·¤æðÇ Ñ (a) (b) (c) (d) (A) (i) (iii) (iv) (ii) (B) (iv) (iii) (ii) (i) (C) (iii) (ii) (iv) (i) (D) (i) (iii) (ii) (iv)
39. çÁâ ©ÂæÎ ·ð¤ çÜØð §ãæð´Ùð ×æòÇðçÜ´» ç·¤Øæ ©â·ð¤ âæÍ âãè ·¤Üæ·¤æÚ ·¤æ ¿ØÙ ·¤Úð´ Ñ (a) àææãM¤¹ ¹æÙ (i) ·¤æð·¤æ ·¤æðÜæ (b) °ðàßØü ÚæØ (ii) 7 ¥Â (c) ¥ç×ÌæÖ ÕæÙ (iii) â´ÌÚæð ·¤æÚ (d) ×ç·¤æ àæðÚæßÌ (iv) ÚèÇ ¥òÇ ÅðÜÚ ·¤æðÇ Ñ (a) (b) (c) (d) (A) (iii) (ii) (i) (iv) (B) (iii) (i) (iv) (ii) (C) (i) (ii) (iii) (iv) (D) (iv) (iii) (ii) (i)
J7906 15 P.T.O. 40. Select the correct match : (a) Crowquill (i) Camera (b) Mouse (ii) Computer (c) Fish Eye (iii) Writing (d) Bleed (iv) Printing Code: (a) (b) (c) (d) (A) (iii) (i) (ii) (iv) (B) (iii) (ii) (i) (iv) (C) (ii) (iii) (i) (iv) (D) (iv) (iii) (ii) (i)
41. Match the following : (a) Somnath Hore (i) Delhi (b) Jyoti Bhatt (ii) Mumbai (c) Jagmohan Chopra (iii) Vadodara (d) Prayag (Jha) Chiller (iv) Santiniketan Code: (a) (b) (c) (d) (A) (iv) (i) (ii) (iii) (B) (ii) (iii) (i) (iv) (C) (iv) (iii) (i) (ii) (D) (iii) (ii) (iv) (i)
42. Match the relevant phrase List-I List-II (a) Dhanraj Bhagat (i) Sujata (b) Ramkinkar Baij (ii) The Dandi March (c) D. P. Roy Choudhary (iii) Flute Player (d) Pradosh Dasgupta (iv) The Bondage Code: (a) (b) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iv) (iii) (ii) (i) (C) (iii) (i) (ii) (iv) (D) (i) (ii) (iv) (iii)
J7906 16 40. âãè Øé× ·¤æ ¿ØÙ ·¤èçÁ° Ñ (a) ·ý¤æðçßÜ (i) ·ñ¤×Úæ (b) ×æ©â (ii) ·´¤ØéÅÚ (c) çȤàæ ¥æ§ü (iii) Úæ§çÅ´» (d) ÜèÇ (iv) çÂýçÅ´» ·¤æðÇ Ñ (a) (b) (c) (d) (A) (iii) (i) (ii) (iv) (B) (iii) (ii) (i) (iv) (C) (ii) (iii) (i) (iv) (D) (iv) (iii) (ii) (i)
41. §Ù·¤æð ç×Ü槰 Ñ (a) âæð×ÙæÍ ãæðÚð (i) çÎËÜè (b) ØæðçÌ ÖÅ÷Å (ii) ×´éÕ§ü (c) Á»×æðãÙ ¿æñÂǸæ (iii) ßÇæðÎÚæ (d) ÂýØæ» (Ûææ) çÀÚ (iv) àææ´çÌçÙ·ð¤ÌÙ ·¤æðÇ Ñ (a) (b) (c) (d) (A) (iv) (i) (ii) (iii) (B) (ii) (iii) (i) (iv) (C) (iv) (iii) (i) (ii) (D) (iii) (ii) (iv) (i)
42. âãè Øé× ·¤æð ç×Ü槰 Ñ âê¿è - I âê¿è - II (a) ÏÙÚæÁ Ö»Ì (i) âéÁæÌæ (b) Úæ×ç·´¤·¤Ú ÕñÁ (ii) Çæ¡Çè Øæææ (c) Çè.Âè.ÚæØ ¿æñÏÚè (iii) Õæ¡âéÚè ßæη¤ (d) ÂýÎæðá Îæâ»é#æ (iv) Õæ¡ÇðÁ ·¤æðÇ Ñ (a) (b) (c) (d) (A) (ii) (i) (iii) (iv) (B) (iv) (iii) (ii) (i) (C) (iii) (i) (ii) (iv) (D) (i) (ii) (iv) (iii)
J7906 17 P.T.O. 43. Match the following
(a) Rini Dhumal (i) Kolkata
(b) Laxma Gaud (ii) Delhi
(c) Haren Das (iii) Vadodara
(d) Anupam Sood (iv) Hyderabad
Code:
(a) (b) (c) (d)
(A) (iv) (iii) (i) (ii)
(B) (ii) (iii) (iv) (i)
(C) (iii) (iv) (i) (ii)
(D) (i) (ii) (iv) (iii)
44. Set the correct celebrity with products they modelled for :
(a) M. S. Dhoni (i) Thums Up
(b) Sania Mirja (ii) MRF
(c) Sachin Tendulkar (iii) Pogo Chips
(d) Saurabh Ganguli (iv) Tata Tea premium
Code:
(a) (b) (c) (d)
(A) (i) (iv) (ii) (iii)
(B) (i) (ii) (iv) (iii)
(C) (ii) (iii) (i) (iv)
(D) (iii) (ii) (iv) (i)
J7906 18 43. §Ù·¤æð ç×Ü槰 Ñ
(a) ÚèÙè Ïê×Ü (i) ·¤æðÜ·¤Ìæ
(b) Üÿ×æ »æñǸ (ii) çÎè
(c) ãÚðÙ Îæâ (iii) ßÇæðÎÚæ
(d) ¥ÙéÂ× âêÎ (iv) ãñÎÚæÕæÎ
·¤æðÇ Ñ
(a) (b) (c) (d)
(A) (iv) (iii) (i) (ii)
(B) (ii) (iii) (iv) (i)
(C) (iii) (iv) (i) (ii)
(D) (i) (ii) (iv) (iii)
44. ·¤Üæ·¤æÚæð´ ¥æñÚ ©Ù·¤è ·ë¤çÌ ·¤æ âãè ç×ÜæÙ ·¤èçÁ°
(a) °×.°â. ÏæðÙè (i) Íâ ¥Â
(b) âæçÙØæ ç×Áæü (ii) °× ¥æÚ °È¤
(c) âç¿Ù Ìð´ÎéÜ·¤Ú (iii) Âæð»æð ç¿â
(d) âæñÚÖ »æ´»éÜè (iv) ÅæÅæ Åè Âýèç×Ø×
·¤æðÇ
(a) (b) (c) (d)
(A) (i) (iv) (ii) (iii)
(B) (i) (ii) (iv) (iii)
(C) (ii) (iii) (i) (iv)
(D) (iii) (ii) (iv) (i)
J7906 19 P.T.O. 45. Match the following :
(a) Boticelli (i) Last Judgement
(b) Michalangelo (ii) Potato Eaters
(c) Edward Monet (iii) Sunrise Impression
(d) Vinciant Vangogh (iv) Birth of Venus
Code:
(a) (b) (c) (d)
(A) (iv) (ii) (i) (iii)
(B) (i) (iii) (ii) (iv)
(C) (iv) (i) (iii) (ii)
(D) (iii) (ii) (iv) (i)
.....of all the revisions of pictorial language proposed in the 20th century, cubism has been the most radical. It led immediately to the conception of the painting as primarily an object, which in turn made possible both a totally abstract art and an extension of painting, first into collage and relief and then into sculpture. The distinction between the arts of painting and sculpture breaks down in the mid 20th century as a result of the cubist revolution.
Cubism was essentially an intellectualization by two young painters, Picasso and Braque, of certain practices that they had noticed in the painting of Ce-zanne/Ce-zannes approach to landscape and still-life was always empirical, in a sense un-self-conscious: and he died without ever feeling that he had found a solution to the problems of picto- rial representation that faced him with all the agressive assurance of youth, Picasso and Braque simplified the problem and propounded a solution that at least satisfied them. But the solution only raised new questions, which led to fresh innovations.
The moment of crisis came in 1906, the year Ce-zannes death. A small group of his paintings were shown in the autumn salon, in preparation for the memorial exhibi- tion to be organized a year later; they had profound effect on Picasso. Other important influences were coming to bear on Picassos painting at this time, particularly that of archaic and primitive sculpture, and the consequence was that angry masterpiece that he painted in the winter of 1906-07, Les Demoiselles d Avignon....
J7906 20 45. §Ù Øé×æð´ ·¤æð ç×Ü槰
(a) ÕæðçÅ¿ðè (i) ÜæSÅ ÁÁ×ñ´Å
(b) ×æØ·ð¤Ü°´ÁðÜæð (ii) ÂæðÅñÅæð §üÅâü
(c) °ÇßÇü ×æðÙð (iii) âÙÚæ§Á §ÂýðàæÙ
(d) çß´âð´Å ßòÙ»æò»ü (iv) ÕÍü ¥æȤ çßÙðâ
·¤æðÇ Ñ
(a) (b) (c) (d)
(A) (iv) (ii) (i) (iii)
(B) (i) (iii) (ii) (iv)
(C) (iv) (i) (iii) (ii)
(D) (iii) (ii) (iv) (i)
.....20 ßè´ àæÌæÎè ×ð´ Áæð ç¿ææ×·¤ Öæáæ ·¤æ Áæð ÂêæüL¤Âðæ â´àææðÏÙ ãé¥æ, æÙßæÎ ¥ØÌ ×êÜÖêÌ ÂçÚßÌüÙ Íæ Ð §ââð §â ÏæÚææ ·¤æð ÕÜ ç×Üæ ç·¤ ç¿æ·¤Üæ ×êÜÌÑ °·¤ °ðâè ßSÌé ãñ Áæð ç·¤ ÂêæüÌÑ ¥×êÌü ·¤Üæ ãñ ¥æñÚ ç¿æ·¤Üæ ·¤æ çßSÌæÚ ãñ, ÂýÍ× ¥æñÚ çÈ¤Ú SÍæÂØ ·¤Üæ ×ð´ Ð
æÙßæÎ ¥æ´ÎæðÜÙ ·ð¤ ÂçÚææ×SßM¤Â 20 ßè´ àæÌæÎè ·ð¤ ×Ø ×ð´ ç¿æ·¤Üæ ¥æñÚ SÍæÂØ ·¤Üæ ×ð´ ¥´ÌÚ ãæðÙæ àæéM¤ ãæð »Øæ
âèÁæóæð ·ð¤ ç¿æ·¤æÚè ×ð´ ·é¤À ÂhçÌØæ¡ °ðâè Íè, çÁãæð´Ùð Îæð Øéßæ ç¿æ·¤æÚæð´, ç·¤æâæð ÌÍæ Õýæ·¤ ·¤æ ØæÙ ¥ÂÙè ¥æðÚ ¥æ·¤çáüÌ ç·¤Øæ, çÁÙ·¤æ §Ù ÎæðÙæð´ Ùð ÂýçÌÖæ·¤Úæ ç·¤Øæ, çÁâð ØéÕè$Á× ·¤ãÌð ãñÐ âèÁæóæð ÂhçÌ Âý·ë¤çÌ °ß´ ÁǸ - ÁèßÙ ·ð¤ ÂýçÌ ÂýØæð»ÁØ Íè, °·¤ ÎëçC âð Sß¿ðÌÙÌæ âð ÂÚð Íè ¥æñÚ ÁÕ ©â·¤è ×ëØé ãé§ü ÌÕ Ì·¤ ©âÙð Øã ¥ÙéÖß ãè Ùãè´ ç·¤Øæ Íæ ç·¤ ©âÙð ¥ÂÙð ç¿ææð´ ×ð´ ¥æÙðßæÜè â×SØæ¥æð´ ·¤æ â×æÏæÙ ·¤Ú çÎØæ ãñÐ
ÂêÚð ØæñßÙ ·ð¤ Áæðàæ ×´ð, ç·¤æâæð ¥æñÚ Õýæ·¤ Ùð â×SØæ âÚÜ ·¤Ú Îè ¥æñÚ ©â·ð â×æÏæÙ âð ßð â´ÌéC Íð Ð ÂÚÌé ©Ù·ð¤ §â â×æÏæÙ âð ¥Ùð·¤ Ù° âßæÜ ©Æ ¹Çð ãé° çÁãæð´Ùð Ù° ¥ßðáææð´ ·¤æð Á× çÎØæ Ð
1906 ×ð´ âðÛææ´ ·¤è ×ëØé ·ð¤ Âà¿æÌ â´·¤Å ÌÕ ©Âóæ ãé¥æ ÁÕç·¤ °·¤ ßáü ÕæÎ ©â·ð¤ ·é¤À ç¿ææð´ ·¤æð ©â·¤è S×ëçÌ ×ð´ ¥æØæðçÁÌ ÂýÎàæüÙè ×ð´ ÂýÎçàæüÌ ç·¤Øæ »ØæÐ §Ù ç¿ææð´ Ùð ç·¤æâæð ·¤æð ÂýÖæçßÌ ç·¤Øæ Ð §â â×Ø ç·¤æâæð ·ð¤ ç¿ææð´ çßàæðá·¤Ú ¥çÖÜð¹æð´ ¥æñÚ ÂéÚæÌÙ SÍæÂØ·¤Üæ, ÂÚ §â·¤æ ×ãßÂêæü ÂýÖæß ÂǸæ çÁâ·¤æ ÂçÚææ× Øã ãé¥æ ç·¤ ©âÙð 1906 - 7 ·¤è âçÎüØæð´ ×ð´ ¥ÂÙè æðD·ë¤çÌ, Üðâ çÇ×æðâñÜâ °çß»AæðÙ ç¿çæÌ ·¤è Ð
J7906 21 P.T.O. 46. Find the painter who is not a Cubist
(A) Degas (B) Picasso
(C) Braque (D) Fenninger
47. Who painted de moiselles d Avignon ?
(A) Gauguin (B) Cezanne
(C) Picasso (D) Mafisse
48. Name the painter who was inspired by African sculptures :
(A) Van gogh (B) Monet
(C) Picasso (D) Braque
49. Find the incorrect statement related to Cezanne ?
(A) He practiced collage in his art works
(B) He painted still life
(C) He has stated paint the nature in geometrical shapes
(D) His landscapes are empirical
50. Find the father of Modern Art ?
(A) Picasso (B) Matisse
(C) Cezanne (D) Van gogh
- o O o -
J7906 22 46. Áæð æÙßæÎè ç¿æ·¤æÚ Ùãè´ ãñ
(A) Îð»æ (B) ç·¤æâæð
(C) Õýæ·¤ (D) Èð¤ÙðÁÚ
47. ¥çßØæð ·¤è çSæØæ¡ ç¿æ ç·¤âÙð ÕÙæØæ
(A) »æò»èÙ (B) âðÁæ´
(C) ç·¤æâæð (D) ×æÌèâ
48. ©â ç¿æ·¤æÚ ·¤æ Ùæ× ÕÌæ§Øð çÁãæð´Ùð ¥Èý¤è·¤è ×êçÌØæð´ âð ÂýðÚææ Üè
(A) ßòÙ »æò» (B) ×æðÙð
(C) ç·¤æâæð (D) Õýæ·¤
49. âðÁæ âð âÕ´çÏÌ »ËÌ ÕæÌ ·¤æñÙâè ãñ
(A) ©ãæ´ðÙð ¥ÂÙè ·ë¤çÌØæð´ ×ð´ ·¤æðÜæÁ ·¤æ ÂýØæð» ç·¤Øæ
(B) ©ãæ´ðÙ çSÅÜ Üæ§üȤ ç¿ææ ç·¤Øæ
(C) ©ãæð´Ùð ·¤ãæ ç·¤ Âý·ë¤çÌ ·¤æ ç¿ææ´·¤Ù Øæç×çÌ·¤ ¥æ·¤æÚæð ×ð ç·¤Øæ ÁæØ
(D) ©Ù·ð¤ ÎëàØ ç¿æ ¥ÙéÖêçÌ×êÜ·¤ ãñÐ
50. ¥æÏéçÙ·¤ ·¤Üæ ·ð¤ çÂÌæ ·¤æñÙ ãñ ?
(A) ç·¤æâæð
(B) ×æçÌâ
(C) âðÛææ´
(D) ßòÙ »æò»
- o O o -
J7906 23 P.T.O. Space For Rough Work
J7906 24