Master of Fine Arts: Painting, Sculpture & Applied Art
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Contemporary Art in Indian Context
Artistic Narration, Vol. IX, 2018, No. 2: ISSN (P) : 0976-7444 (e) : 2395-7247Impact Factor 6.133 (SJIF) Contemporary Art in Indian Context Dr. Hemant Kumar Rai Richa Singh Asso. Prof., Research Scholar Deptt. of Drawing & Painting M.F.A. M.M.H. College B.Ed. Ghaziabad, U.P. Reference to this paper should be made as follows: Abstract: This article has a focus on Contemporary Art in Indian context. Dr. Hemant Kumar Rai Through this article emphasizesupon understanding the changes in Richa Singh, Contemporary Art over a period of time in India right from its evolution to the economic liberalization period than in 1990’s and finally in the Contemporary Art in current 21st century. The article also gives an insight into the various Indian Context, techniques and methods adopted by Indian Contemporary Artists over a period of time and how the different generations of artists adopted different techniques in different genres. Finally the article also gives an insight Artistic Narration 2018, into the current scenario of Indian Contemporary Art and the Vol. IX, No.2, pp.35-39 Contemporary Artists reach to the world economy over a period of time. key words: Contemporary Art, Contemporary Artists, Indian Art, 21st http://anubooks.com/ Century Art, Modern Day Art ?page_id=485 35 Contemporary Art in Indian Context Dr. Hemant Kumar Rai, Richa Singh Contemporary Art Contemporary Art refers to art – namely, painting, sculpture, photography, installation, performance and video art- produced today. Though seemingly simple, the details surrounding this definition are often a bit fuzzy, as different individuals’ interpretations of “today” may widely vary. -
Notification No. 1 Dated : 30-03-2021
RESULT OF GNM 3RD YEAR (3 Year Course - New Syllabus) EXAM HELD IN JANUARY 2021 NOTIFICATION NO. 1 DATED : 30-03-2021 The result published here are only for immediate information to the examinees, though every care has been taken in publishing the result. But candidates are advised to rely on the mark sheets issued by the PNRC office for accurate information. If you find any mistake in the student / Father's Name please contact to PNRC office within Ten ( 10 ) Days from the declaration of this result. R' - Means R-Appear in the subject (s) RL' Means Result late AB' Means Absent in the Subject (s) S. No. College Name R. No. Name Father's Name Result Division 1 SCHOOL OF NURSING, GMSH-16, 534480 ABHISHEK RAJU 1287 FIRST CHANDIGARH 2 SCHOOL OF NURSING, GMSH-16, 534481 ANKITA BAUDDH PRIYA 1231 SECOND CHANDIGARH KATHERIYA 3 SCHOOL OF NURSING, GMSH-16, 534482 DEEKSHA PARKASH LUXMI 1247 SECOND CHANDIGARH 4 SCHOOL OF NURSING, GMSH-16, 534483 GURPREET SINGH RAVINDER SINGH 1114 SECOND CHANDIGARH 5 SCHOOL OF NURSING, GMSH-16, 534484 HIMANI HARBANS LAL 1250 SECOND CHANDIGARH 6 SCHOOL OF NURSING, GMSH-16, 534485 KANCHAN KULDEEP SINGH 1381 FIRST CHANDIGARH 7 SCHOOL OF NURSING, GMSH-16, 534486 KHANIL MEHRA RAJKUMAR 1245 SECOND CHANDIGARH 8 SCHOOL OF NURSING, GMSH-16, 534487 MANSI MADAN LAL 1338 FIRST CHANDIGARH 9 SCHOOL OF NURSING, GMSH-16, 534488 MEGHA JANESHWAR DAYAL 1315 FIRST CHANDIGARH 10 SCHOOL OF NURSING, GMSH-16, 534489 MUSKAN VISHAL VINEET VISHAL 1301 FIRST CHANDIGARH 11 SCHOOL OF NURSING, GMSH-16, 534490 NEHA ROHILLA NARESH KUMAR 1223 SECOND CHANDIGARH ROHILLA 12 SCHOOL OF NURSING, GMSH-16, 534491 PAYAL NEGI SOBAN SINGH NEGI 1296 FIRST CHANDIGARH 13 SCHOOL OF NURSING, GMSH-16, 534492 PRATIBHA RAWAT JAGMOHAN SINGH 1266 FIRST CHANDIGARH RAWAT 14 SCHOOL OF NURSING, GMSH-16, 534493 SAPNA SHER SINGH 1221 SECOND CHANDIGARH Page 1 of 216 RESULT OF GNM 3RD YEAR (3 Year Course - New Syllabus) EXAM HELD IN JANUARY 2021 S. -
Result of Gnm 1St Year Exam Held in December - 2018
RESULT OF GNM 1ST YEAR EXAM HELD IN DECEMBER - 2018 NOTIFICATION NO. 1 DATED : 31-05-2019 The result published here are only for immediate information to the examinees, though every care has been taken in publishing the result. But candidates are advised to rely on the mark sheets issued by the PNRC office for accurate information. If you find any mistake in the student / Father's Name please contact to PNRC office within Ten ( 10 ) Days from the declaration of this result. R' - Means R-Appear in the subject,(s) RL' Means Result late AB' Means Absent S. College Name Roll No Name Father Name Result No. 1 SCHOOL OF NURSING, GMSH-16, 483001 ABHISHEK RAJU 354 CHANDIGARH 2 SCHOOL OF NURSING, GMSH-16, 483002 ANKITA BAUDDH PRIYA 315 CHANDIGARH KATHERIYA 3 SCHOOL OF NURSING, GMSH-16, 483003 DEEKSHA PARKASH LUXMI 334 CHANDIGARH 4 SCHOOL OF NURSING, GMSH-16, 483004 GURPREET SINGH RAVINDER SINGH 312 CHANDIGARH 5 SCHOOL OF NURSING, GMSH-16, 483005 HIMANI HARBANS LAL 332 CHANDIGARH 6 SCHOOL OF NURSING, GMSH-16, 483006 KANCHAN KULDEEP SINGH 366 CHANDIGARH 7 SCHOOL OF NURSING, GMSH-16, 483007 KHANIL MEHRA RAJKUMAR 328 CHANDIGARH 8 SCHOOL OF NURSING, GMSH-16, 483008 MANSI MADAN LAL 356 CHANDIGARH 9 SCHOOL OF NURSING, GMSH-16, 483009 MEGHA JANESHWAR DAYAL 347 CHANDIGARH 10 SCHOOL OF NURSING, GMSH-16, 483010 MUSKAN VISHAL VINEET VISHAL 355 CHANDIGARH 11 SCHOOL OF NURSING, GMSH-16, 483011 NEHA ROHILLA NARESH KUMAR 324 CHANDIGARH ROHILLA 12 SCHOOL OF NURSING, GMSH-16, 483012 PAYAL NEGI SOBAN SINGH NEGI 346 CHANDIGARH Page 1 of 304 RESULT OF GNM 1ST YEAR EXAM HELD IN DECEMBER - 2018 S. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
PRESS RELEASE Homeward ARPITA SINGH 18 March
D-40 Defence Colony, New Delhi 110024 | T +91-11-24622545/24615368 D-53 Defence Colony, New Delhi - 110024 | T +91-11-46103550/46103551 E [email protected] | W www.vadehraart.com PRESS RELEASE Homeward ARPITA SINGH 18 March – 16 April 2021 D-40 Defence Colony, New Delhi Vadehra Art Gallery is pleased to announce a continuation of our presentation titled Homeward, featuring a recent body of worK by Arpita Singh, which was recently presented as part of On Site, a collaborative exhibition by four leading galleries held at BiKaner House, New Delhi, earlier this month, and is now on view at our modern gallery. Described as a figurative artist and a modernist, Arpita Singh still maKes it a point to stay tuned in to traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them regularly in her work. Afflicted by the problems that are faced each and every day by women in her country and the world in general, Singh paints the range of emotions that she exchanges with these subjects – from sorrow to joy and from suffering to hope – providing a view of the ongoing communication she maintains with them. In this latest body of watercolours on paper and oil paintings, Singh’s cartographical autobiographies assume new dimensions through an intensification of colour, accenting her imagined landscapes with the flourish of expressionist emotion. With compositions foregrounded in movement, Singh tends to emphasize the potential of individual agency operating within collective constraints, though her mapping doesn’t seem to prioritize any one aspect – whether the fictional, mythical, personal, public fact or dream. -
Sr. No. HMS No. Employee Name Designation 1 959 Ms. Reena Habil Singh Nursing Superintendent 2 357 Mrs
List of Nursing Staff Sr. No. HMS No. Employee Name Designation 1 959 Ms. Reena Habil Singh Nursing Superintendent 2 357 Mrs. Jaibunisha Deputy Nursing Superintendent 3 285 Ms. Vijay A Lal Assistant Nursing Superintendent 4 348 Mr. Harish Kumar Dass Assistant Nursing Superintendent 5 362 Mrs. Sunita Kumar Assistant Nursing Superintendent 6 379 Mrs. Trishna Paul Assistant Nursing Superintendent 7 384 Mrs. Tulika Pant Assistant Nursing Superintendent 8 540 Ms. Madhu Gaur Assistant Nursing Superintendent 9 585 Mr. Arvind Kumar Assistant Nursing Superintendent 10 692 Mr. Shiju Devassiya Assistant Nursing Superintendent 11 1070 Mr. Youdhbir Singh Rawat Assistant Supervisor 12 1071 Mr. Naveen Chandra Assistant Supervisor 13 1072 Mr. Sanjay Shah Assistant Supervisor 14 1073 Mr. Gajpal Singh Negi Assistant Supervisor 15 1075 Mr. Narender Kumar Assistant Supervisor 16 1798 Mr. Balwant Singh Assistant Supervisor 17 2087 Mr. Dinesh Prasad Assistant Supervisor 18 2096 Mr. Dabbal Singh Assistant Supervisor 19 2319 Mr. Mahesh Prasad Uniyal Assistant Supervisor 20 2592 Mr. Raghubir Singh Assistant Supervisor 21 242 Ms. Rajni Prasad Incharge 22 258 Mrs. Dorris Raj Incharge 23 268 Ms. Roshni Prabha Incharge 24 273 Ms. Sangeeta Singh Incharge 25 349 Mrs. Laishram Memtombi Devi Incharge 26 351 Mrs. Sheeja Massey Incharge 27 440 Mrs. Mary Kutty Tomy Incharge 28 442 Mrs. Irene John Incharge 29 444 Ms. Rubita Kerketta Incharge 30 948 Mr. Yashpal Singh Rawat Incharge 31 950 Mr. Tirath Singh Incharge 32 1006 Mr. Devi Ram Incharge 33 1008 Mr. Munendra Pal Gangwar Incharge 34 355 Mrs. Santoshi Rawat Incharge 35 356 Mrs. Nisha Mariya Singh Incharge 36 439 Mr. -
Utopias and Dystopias in World Literature
MEJO The MELOW Journal of World Literature Volume 4 February 2020 ISSN: 2581-5768 A peer-refereed journal published annually by MELOW (The Society for the Study of the Multi-Ethnic Literatures of the World) Sunny Pleasure Domes and Caves of Ice: Utopias and Dystopias in World Literature Editor Manpreet Kaur Kang Volume Sub-Editors Neela Sarkar Barnali Saha 1 Editor Manpreet Kaur Kang, Professor of English, Guru Gobind Singh IP University, Delhi Email: [email protected] Volume Sub-Editors Neela Sarkar, Associate Professor, New Alipore College, W.B. Email: [email protected] Barnali Saha, Research Scholar, Guru Gobind Singh IP University, Delhi Email: [email protected] Editorial Board: Anil Raina, Professor of English, Panjab University Email: [email protected] Debarati Bandyopadhyay, Professor of English, Visva-Bharati, Santiniketan Email: [email protected] Himadri Lahiri, Professor of English, University of Burdwan Email: [email protected] Manju Jaidka, Professor, Shoolini University, Solan Email: [email protected] Rimika Singhvi, Associate Professor, IIS University, Jaipur Email: [email protected] Roshan Lal Sharma, Professor, Central University of Himachal Pradesh, Dharamshala Email: [email protected] 2 3 EDITORIAL NOTE MEJO, or the MELOW Journal of World Literature, is a peer-refereed E-journal brought out biannually by MELOW, the Society for the Study of the Multi-Ethnic Literatures of the World. It is a reincarnation of the previous publications brought out in book or printed form by the Society right since its inception in 1998. MELOW is an academic organization, one of the foremost of its kind in India. -
Subject : VISUAL ARTS Code 79
www.wineasy.in – The One-Stop Free Online Coaching Portal UNIVERSITY GRANTS COMMISSION NATIONAL ELIGIBILITY TEST UGC ( NET ) Subject : VISUAL ARTS Code 79 SYLLABUS AND SAMPLE QUESTIONS Note: There will be two question papers, Paper-II and Paper-III (Parts-A & I3). Paper—II will cover 50 Objective Type Questions (Multiple Choice, Matching Type, True/False, Assertion- Reasoning Type) carrying 100 marks. Paper—III will have two Parts-A and B; Paper-III (A) will have 10 short essay type questions (300 words) carrying 16 marks each. In it there will be one question with internal choice from each unit (i.e., 10 questions. from 10 units; Total marks will be 160) . Paper-III (B) will be compulsory and there will be one question from each of the Electives. The candidate will attempt only one question (one elective only in 800 words) carrying 40 marks. Total marks of Paper-III will be 200. PAPER-II and PAPER-Ill (A) [ CORE GROUP ] Unit—I General characteristics of Visual art/Fundamentals of visual art : Space, form, size, shape, line, colour, texture, tonal values, perspective, design and aesthetic organization of visual elements in art object (composition). The uses of two and three dimensions in visual art. Tactile quality in art. Environment and art. Perceptual and conceptual aspects in art. Unit—II Interrelationship of various arts : Rhythm, structure, use of space, visual properties. materials, techniques (traditional and modern), ideas, themes (narrative and non-narrative) conceptual, abstract elements between performing, cinematic, literary and plastic art. Unit—III Traditional and Modern mediums and materials in making visual arts : Painting, sculpture, print-making, mural, graphic design and multimedia art. -
Uttarakhand State Medical/Dental Counselling - 2016 (State Merit List of Registered Candidates Only) NOTE : 1
Uttarakhand State Medical/Dental Counselling - 2016 (State Merit List of Registered Candidates only) NOTE : 1. Merit List is prepared on the basis of NEET All India Rank (Over All Rank) and data of registered candidates verified by CBSE, New Delhi 2. Category/Sub Category will be as filled by candidate and subject to provisional verification of documents, uploaded by the candidate by counselling board and final verification with original documents at the time of admission in the allotted institute. Generated NEET Total NEET All Sub - NEET Roll NEET Combined S. No. Candidate's Name Father's Name Gender Category Marks India Rank Category Number Percentile State Merit Obtained (Over All) Rank 1 AVINASH KUMAR KAUSHAL KUMAR M GEN - 81436829 611 99.977298 160 1 2 ANKITA PANDEY KAILASH CHANDRA PANDEY F GEN - 64503665 591 99.948169 367 2 3 DHAIRYA ANIL KUMAR RAI F GEN - 64905012 580 99.922595 550 3 4 SONALI KORANGA KUNDAN SINGH KORANGA F GEN - 87301508 573 99.897706 745 4 5 SHUBHAM CHAUHAN VINAY CHAUHAN M GEN - 60848106 568 99.876919 880 5 6 ABHINAY PUNDIR HARENDRA SINGH M GEN - 81433043 552 99.781052 1554 6 7 SAKSHI SINGHAL TARUN SINGHAL F GEN - 64500851 552 99.781052 1587 7 8 PRANJAL GULATI ANIL GULATI M GEN - 87202252 550 99.763684 1682 8 9 SIDDHARTH SURI SACHIN SURI M GEN - 64505957 548 99.745085 1789 9 10 SHUBHAM JOSHI JAGDISH CHANDRA JOSHI M GEN - 87203112 542 99.684638 2234 10 11 VIJAY NEGI PURAN SINGH NEGI M GEN - 60822758 541 99.671783 2325 11 12 AAMNA FALAK MAHBUB ALAM F GEN - 64502905 541 99.671783 2337 12 13 AMRIT PANT VIJAY PANT -
National Law University, Delhi Sector-14, Dwarka New Delhi-110078
NATIONAL LAW UNIVERSITY, DELHI SECTOR-14, DWARKA NEW DELHI-110078 ALL INDIA LAW ENTRANCE TEST-2016 (AILET-2016), B.A. LL.B.(HONS.) RESULT Marks Wise S.No. Roll No Name of the Candidate Name of Father/Mother/ Guardian DoB Gender Marks 1 52788 KARAN DHALLA DEEPESH DHALLA 03/02/1998 M 119 2 55979 SHUBHAM JAIN BHUPENDRA JAIN 20/11/1997 M 116 3 56876 VANSH AGGARWAL PAWAN SINGHAL 25/03/1998 M 116 4 63245 ARTH NAGPAL RAJESH NAGPAL 28/08/1997 M 114 5 64122 RIJU SHRIVASTAVA YUGENDRA ARYA 27/04/1998 F 114 6 69185 ROHIL BIPIN DESHPANDE BIPIN GAJANAN DESHPANDE 10/05/1998 M 114 7 70191 ARVIND KUMAR TIWARI AKHILESH CHANDRA TIWARI 03/10/1997 M 114 8 75260 ANUBHUTI GARG ARUN GARG 13/06/1997 F 114 9 63398 EKANSH ARORA RAJESH ARORA 08/01/1997 M 113 10 66089 KARISHMA KARTHIK KARTHIK SUBRAMANIAN 06/04/1998 F 113 11 75266 ANUNA TIWARI SANJAY TIWARI 14/08/1997 F 113 12 77055 ANMOL DHAWAN SANJEEV DHAWAN 29/12/1998 M 113 13 77061 ANUKRITI KUDESHIA ANURODH KUDESHIA 27/09/1997 F 113 14 64048 PRANSHU SHUKLA SANJAY SHUKLA 24/02/1998 M 112 15 71044 NIKHIL SHARMA PRAMOD KUMAR SHARMA 21/01/1997 M 112 16 75365 AVANI AGARWAL SURENDRA KUMAR AGARWAL 28/06/1998 F 112 17 63385 DIVYA KUMAR GARG NITIN GARG 05/04/1998 M 111 18 64071 PRIYANKA CHATURVEDI D. P. CHATURVEDI 20/02/1997 F 111 19 72316 PRITHVI JOSHI ARUN JOSHI 28/10/1998 M 111 20 74213 SHIVAM SINGHANIA SUNIL SINGHANIA 27/02/1998 M 111 21 74227 SHREYA JAIPURIA BIRENDRA JAIPURIA 22/12/1997 F 111 22 77417 SREEDEVI GOPALAKRISHNAN NAIR GOPALAKRISHNAN NAIR 01/07/1997 F 111 23 50911 ANKUR SINGHAL ANIL KUMAR SINGHAL 26/12/1997 -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.